III.ii.135 (282,1)

[Tongues I'll hang on every tree,

That shall civil sayings show]

_Civil_ is here used in the same sense as when we say _civil_ wisdom

or _civil life_, in opposition to a solitary state, or to the state

of nature. This desert shall not appear _unpeopled_, for every tree

shall teach the maxims or incidents of social life.

III.ii.149 (283,2) [Therefore heaven nature charg'd] From the picture

of Apelles, or the accomplishments of Pandora.

[Greek: Aeanertu, oti pautei dlumpia

Dorou xdorau.-----------]

So before,

-------------------_But thou

So perfect, and no peerless art created

Of ev'ry creature's beat._ Tempest.

Perhaps from this passage Swift had his hint of Biddy Floyd.

III.ii.155 (283,3) [Atalanta's better part] I know not well what

could be the better part of Atalanta here ascribed to Rosalind.

Of the Atalanta most celebrated, and who therefore must be intended

here where she has no epithet of discrimination, the better

part seems to have been her heels, and the worse part was so bad

that Rosalind would not thank her lover for the comparison. There

is a more obscure Atalanta, a huntress and a heroine, but of her

nothing bad is recorded, and therefore I know not which was the

better part. Shakespeare was no despicable mythologist, yet he

seems here to have mistaken some other character for that of Atalanta.

III.ii.156 (283,4) [Sad] is _grave, sober_, not _light_.

Notes to Shakespeare — Volume 01: Comedies · 第 108 / 153 题