III.ii.125 (184,5)

[_S. Ant._ Where France?

_S. Dro._ In her forehead; arm'd and reverted,

making war against her hair]

[T, from the first Folio: heir] With this correction and explication

Dr. Warburton concurs, and sir T. Hammer thinks an equivocation

intended, though he retains _hair_ in the text. Yet surely

they have all lost the sense by looking beyond it. Our authour,

in my opinion, only sports with an allusion, in which he takes

too much delight, and means that his mistress had the French

disease. The ideas are rather too offensive to be dilated. By

a forehead _armed_, he means covered with incrusted eruptions: by

reverted, he means having the hair turning backwards. An equivocal

word must have senses applicable to both the subjects to

which it is applied. Both _forehead_ and _France_ might in some sort

make war against their _hair_, but how did the _forehead_ make war

against its _heir_? The sense which I have given immediately occurred

to me, and will, I believe, arise to every reader who is

contented with the meaning that lies before him, without sending

out conjecture in search of refinements.

IV.ii.19 (192,9) [sere] that is, _dry_, withered.

IV.ii.22 (192,1) [Stigmatical in making] This is, _marked_ or _stigmatized_

by nature with deformity, as a token of his vicious disposition.

IV.ii.35 (193,3) [A fiend, a fairy, pitiless and rough] [T: A fiend,

a fury] There were fairies like _hobgoblins_, pitiless and rough,

and described as malevolent and mischievous, (see 1765, III,143,3)

IV.ii.39 (193,5) [A hound that runs counter, and yet draws dry-foot

well] To _run counter_ is to _run backward_, by mistaking the course

of the animal pursued; to _draw dry-foot_ is, I believe, to pursue

by the _track_ or _prick of the foot_; to _run counter_ and _draw dry-foot

well are_, therefore, inconsistent. The jest consists in

the ambiguity of the word _counter_, which means the _wrong way in_*

_the chase._ and a _prison_ in London. The officer that arrested him was

a serjeant of the counter. For the congruity of this jest with the scene of

action, let our authour answer.

IV.iii.13 (196,9) [what, have you got the picture of old Adam new

apparel'd] [T: got rid of the picture] The explanation is very

good, but the text does not require to be amended.

IV.iii.27 (`is rest to do more exploits with his mace than a morris

pike] [W: a Maurice-pike] This conjecture is very ingenious, yet the

commentator talks unnecessarily of the _rest of a musket._ by which

he makes the hero of the speech set up the _rest_ of a _musket,_ to

do exploits with a _pike._ The rest of a _pike_ was a common term,

and signified, I believe, the manner in which it was fixed to

receive the rush of the enemy. A _morris-pike_ was a pike used in a

morris or a military dance, and with which great _exploits_ were

_done,_ that is, great feats of dexterity were shewn. There is no

need of change.

IV.iv.78 (202,3) [kitchen-vestal] Her charge being like that of the

vestal virgins, to keep the fire burning.

V.1.137 (210,6) [important letters]_Important_ seems to be for

_importunate._ (1773)

V.i.298 (216,2) [time's deformed hand Have written strange defeatures

in my face] _Defeature_ is the privative of _feature._ The meaning is,

time hath cancelled my features.

V.i.406 (220,7) [After so long grief such nativity!] We should surely

read.

_After so long grief, such_ festivity.

_Nativity_ lying so near, and the termination being the same of both words,

the mistake was easy.

Notes to Shakespeare — Volume 01: Comedies · 第 63 / 153 题