III.ii.294 (91,5)

[So disguise shall, by the disguis'd

Pay with falshood false exacting]

So _disguise_ shall by means of a person _disguised_, return an

_injurious demand_ with a _counterfeit person_.

IY.i.13 (93,4) [My mirth it much displeas'd, but pleas'd my woe]

Though the musick soothed my sorrows, it had no tendency to produce

light merriment.

IV.i.21 (93,5) [constantly] Certainly; without fluctuation of mind.

IV.i.28 (93,6) [circummur'd with brick] _Circummured_, walled round.

_He caused the doors to be_ mured _and cased up_.

Painter's Palace of Pleasure.

IV.i.40 (94,7) [In action all of precept] I rather think we should

read,

_In precept all of action_,--

that is, _in direction given not by words, but by mute signs_.

IV.i.44 (94,8) [I have possess'd him] I have made him clearly and

strongly comprehend.

IV.i.60 (95,9) [O place and greatness] [It plainly appears, that

_this_ fine speech belongs to _that_ which concludes the preceding

scene, between the Duke and Lucio.... But that some time might be

given to the two women to confer together, the players, I suppose,

took part of the speech, beginning at _No might nor greatness_,

&c. and put it here, without troubling themselves about

its pertinency. Warburton.] I cannot agree that these lines are

placed here by the players. The sentiments are common, and such

as a prince, given to reflection, must have often present.

There was a necessity to fill up the time in which the ladies

converse apart, and they must have quick tongues and ready

apprehensions, if they understood each other while this speech was

uttered.

IV.i.60 (95,1) [false eyes] That is, Eyes insidious and traiterous.

IV.i.62 (95,2) [contrarious quests] Different reports, _running

counter_ to each other.

IV.i.76 (96,4) [for yet our tithe's to sow] [W: tilth] The reader

is here attacked with a pretty sophism. We should read _tilth_,

i.e. our _tillage is to make_. But in the text it is _to sow_; and

who has ever said that his _tillage_ was to _sow_? I believe _tythe_

is right, and that the expression is proverbial, in which _tithe_

is taken, by an easy metonymy, for _harvest_.

IV.ii.69 (100,7) [ As fast lock'd up in sleep, as guiltless labour

When it lies starkly in the traveller's bones ]

Stiffly. These two lines afford a very pleasing image.

IV.ii.83 (101,1) [Even with the stroke] _Stroke_ is here put for the

_stroke_ of a pen or a line.

IV.ii.86 (101,2) [To qualify] To temper, to moderate, as we say

wine is _qualified_ with water.

IV.ii.86 (101,3) [Were he meal'd] Were he sprinkled; were he defiled,

A figure of the same kind our authour uses in _Macbeth_,

_The_ blood-bolter'd _Banquo._

IV.ii.91 (101,4) [that spirit's possess'd with haste, That wounds

the unresisting postern with these strokes] The line is irregular,

and the _unresisting postern_ so strange an expression, that

want of measure, and want of sense, might justly raise suspicion

of an errour, yet none of the later editors seem to have supposed

the place faulty, except sir Tho. Hammer, who reads,

_the_ unresting _postern_.

The three folio's have it,

_unsisting postern_,

out of which Mr. Rowe made _unresisting_, and the rest followed

him. Sir Thomas Hammer seems to have supposed _unresisting_ the

word in the copies, from which he plausibly enough extracted

_unresting_, but be grounded his emendation on the very syllable that

wants authority. What can be made of _unsisting_ I know not; the

best that occurs to me is _unfeeling_.

IV.ii.103 (103,6) [_Duke_. This is his lordship's man.

_Prov_. And here comes Claudio's pardon]

[Tyrwhitt suggested that the names of the speakers were misplaced]

When, immediately after the Duke had hinted his expectation of a

pardon, the Provost sees the Messenger, he supposes the Duke to

to have _known something_, and changes his mind. Either reading

may serve equally well. (1773)

IV.ii.153 (104,7) [desperately mortal] This expression is obscure.

Sir Thomas Hammer reads, _mortally desperate_. _Mortally_ is in low

conversation used in this sense, but I know not whether it was

ever written. I am inclined to believe, that _desperately mortal_

means _desperately mischievous_. Or _desperately mortal_ may mean a

man likely to die in a _desperate_ state, without reflection or

repentance. (see 1765, I,348,7)

IV.ii.187 (106,8) [and tie the beard] A beard tied would give a very

new air to that face, which had never been seen but with the

beard loose, long, and squalid. (1773)

IV.iii.4 (107,2) [First, here's young master Rash] This enumeration

of the inhabitants of the prison affords a very striking view of

the practices predominant in Shakespeare's age. Besides those

whose follies are common to all times, we have four fighting men

and a traveller. It is not unlikely that the originals of the

pictures were then known.

IV.iii.17 (108,4) [master Forthlight] Should not _Forthlight_ be

_Forthright_, alluding to the line in which the thrust is made? (1773)

IV.iii.21 (108,6) [in for the Lord's sake] [i.e. to beg for the rest

of their lives. Warburton.] I rather think this expression intended

to ridicule the puritans, whose turbulence and indecency often

brought them to prison, and who considered themselves as suffering

for religion.

It is not unlikely that men imprisoned for other crimes, might

represent themselves to casual enquirers, as suffering for

puritanism, and that this might be the common cant of the prisons.

In Donne's time, every prisoner was brought to jail by suretiship.

IV.iii.68 (110,7) [After him, fellows] Here was a line given to the

Duke, which belongs to the Provost. The Provost, while the Duke

is lamenting the obduracy of the prisoner, cries out,

_After him, fellows_, &c.

and, when they are gone out, turns again to the Duke.

IV.iii.72 (110,8) [to transport him] To remove him from one world

to another. The French _trepas_ affords a kindred sense.

IV.iii.115 (112,1)

[I will keep her ignorant of her good,

To make her heavenly comforts of despair,

When least it is expected.]

A better reason might have been given. It was necessary to keep

Isabella in ignorance, that she might with more keenness accuse

the deputy.

IV.iii.139 (113,2) [your bosom] Your wish; your heart's desire.

IV.iii.149 (113,3) [I am combined by a sacred vow] I once thought

this should be _confined_, but Shakespeare uses _combine_ for to

_bind by a pact or agreement_, so he calls Angelo the _combinate_

husband of Mariana.

IV.iii.163 (113,4) [if the old fantastical duke] Sir Thomas Hammer

reads, _the_ odd _fantastical duke_, but _old_ is a common word of

aggravation in ludicrous language, as, _there was_ old _revelling_.

IV.iii.170 (114,5) [woodman] That is, _huntsman_, here taken for a

_hunter of girls_.

IV.iv.19 (115,6) [sort and suit] Figure and rank.

IV.iv.27 (115,7) [Yet reason dares her No] Mr. Theobald reads,

--_Yet reason dares her_ note.

Sir Thomas Hammer,

--_Yet reason dares her: No._

Mr. Upton,

--_Yet reason dares her--No_,

which he explains thus: _Yet_, says Angelo, _reason will give her

courage_--_No_, that is, _it will not_. I am afraid _dare_ has no such

signification. I have nothing to offer worth insertion.

Notes to Shakespeare — Volume 01: Comedies · 第 59 / 153 题