The celebrated Cartoons were designs for tapestries, of which more than

twenty of various sizes are preserved in the Vatican. The Cartoons, it

may be inferred, were equally numerous, but seven only, now fit Hampton

Court, remain entire. A portion of another was bequeathed by the late

Prince Hoare to the Foundling Hospital, where it is now to be seen.

These works owed their existence to the Pope’s love of magnificence

rather than to a true taste for art; but although destined for a merely

ornamental purpose, some of the designs are among the very finest of

Raphael’s inventions, and a few may have been, at least in part,

executed by his hand. The Ananias, the Charge to Peter, the Paul and

Barnabas at Lystra, and the Paul preaching at Athens, are generally

considered to have the greatest pretensions to this additional interest.

The fine portrait of Leo with the Cardinals de’ Medici and de’ Rossi

completes the list of larger works undertaken for the Pope, but the many

designs by Raphael from classical or mythological subjects may be

supposed to have been also made at the suggestion of the pontiff. In

obedience to his wishes, Raphael undertook the inspection of the ancient

Roman monuments, and superintended the improvements of St. Peter’s.

Among the numerous and extensive works done for other employers may be

mentioned the Sybils in the Chiesa della Pace, the frescoes from

Apuleius’s story of Cupid and Psyche in the palace of Agostino Chigi,

called the Farnesina, where the so-called Galatea was the beginning of

another Cyclus from the same fable, the Madonna del Pesce, the Madonna

di S. Sisto, and the Spasimo di Sicilia. Many a palace in the

neighbourhood of Rome still exhibits remains of frescoes for which

Raphael at least furnished the designs; and his own Casino, near the

more modern Villa Borghese, may retain traces of his hand, but it is now

fast falling to decay. A long list of portraits might be added to the

above works, together with many interesting designs in architecture, and

even some productions in sculpture. In reviewing the amazing number of

works attributed to Raphael, it must not however be forgotten that many

are his only in the invention, and some pictures that bear his name may

have been even designed as well as finished by his imitators. The

Flemish copies of Raphael are frequent, and are to be detected, among

other indications, by their extreme smoothness; the contemporary

imitations, especially those of the earlier style of the master, by

Domenico Alfani and Vincenzo di S. Geminiano, are much less easily

distinguished. The question respecting the Urbino earthenware may be

considered to have been set at rest by Passeri (Storia delle pitture in

Maiolica di Pesaro e di altri luoghi della Provincia Metaurense). From

this inquiry, it appears, first, that the art of painting this ware had

not arrived at perfection till twenty years after Raphael’s death: and

secondly, that about that time Guid’ Ubaldo II. (della Rovere) collected

engravings after Raphael, and even original designs by him, and had them

copied in the Urbino manufactory. Battista Franco at one time

superintended the execution, and one of the artists was called Raffaello

del Colle; his name may perhaps occasionally be inscribed on the Urbino

ware, but the initials O. F. (Orazio Fontana) are the most frequent.

The Transfiguration was the last oil picture of importance on which

Raphael was employed; it was unfinished at his death, and was afterwards

completed, together with various other works, by his scholars. The last

and worst misstatement of Vasari cannot be passed over, for

unfortunately, none of the biographer’s mistakes have been oftener

repeated than that which ascribes the death of this great man to the

indulgence of his passion for the Fornarina. Cardinal Antonelli was in

possession of an original document, first published by Cancellieri,

which assigns a different, and a much more probable, cause for Raphael’s

death; it thus concludes,—“Life in him (Raphael) seemed to inform a most

fragile bodily structure, for he was all mind; and moreover, his

physical forces were much impaired by the extraordinary exertions he had

gone through, and which it is wonderful to think he could have made in

so short a life. Being then in a very delicate state of health, he

received orders one day while at the Farnesina to repair to the court;

not to lose time, he ran all the way to the Vatican, and arrived there

heated and breathless; there the sudden chill of the vast rooms, where

he was obliged to stand long consulting on the alterations of St.

Peter’s, checked the perspiration, and he was presently seized with an

indisposition. On his return home, he was attacked with a fever, which

ended in his death.” Raphael was born and died on Good Friday. Some of

his biographers have hence, through an oversight, asserted that he lived

exactly thirty-seven years. He was born March 28, 1483, and died April

6, 1520. He was buried in the Pantheon, now the church of Sta. Maria ad

Martyres, in a niche or chapel which he had himself endowed. His remains

have been lately found there.

Quatremère de Quincy’s ‘Histoire de la Vie et des Ouvrages de Rafael,

etc. Paris, 1824,’ has been improved and superseded by the notes to the

Italian translation of Longhena, Milan, 1829. Pungileoni, the author of

the ‘Elogio Storico di Giovanni Santi, Urbino, 1822,’ has been long

employed in preparing a life of Raphael. The observations of Rumohr, in

the third volume of his ‘Italienische Forschungen, Berlin, 1831,’ are

original and valuable. A few interesting facts will be found in Fea’s

‘Notizie intorno Raffaele Sanzio, Rome 1822.’ The author, however, fails

to prove the regularity of Leo’s payments to Raphael, since the latest

document concerning the frescoes in the _Stanze_ has the date 1514.

The engraving is from a miniature after the portrait by Raphael himself,

in his first manner, cut from the stucco of a wall at Urbino, which

forms the chief attraction of the Camera di’ ritratti at Florence. The

head engraved by Morghen, and so generally known, represents the

features of Bindo Altoviti, which do not even resemble in a single point

those of Raphael. The notion arose solely from a passage in Vasari’s

Lives:—‘_E a Bindo Altoviti fece il ritratto suo_;’ for Bindo Altoviti

he did his portrait (not _his own_): these words were distorted by the

Editor Bottari in a marginal note; but the error has been decisively

exposed by Missirini and others, whose account is every where received

in Italy. Nor does it appear that the Tuscans in general fell into the

mistake, for the portrait now given, and not, as Bottari asserts, the

Altoviti portrait, is engraved in the _Museum Florentinum_.

[Illustration: [Death of Ananias.]]

[Illustration]

KNOX.

John Knox was born in East Lothian, in 1505, probably at the village of

Gifford, but, according to some accounts, at the small town of

Haddington, in the grammar-school of which he received the rudiments of

his education. His parents were of humble rank, but sufficiently removed

from want to support their son at the University of St. Andrew’s, which

Knox entered about the year 1524. He passed with credit through his

academical course, and took orders at the age of twenty-five, if not

sooner. In his theological reading, he was led by curiosity to examine

the works of ancient authors quoted by the scholastic divines. These

gave him new views of religion, and led him on to the perusal of the

scriptures themselves. The change in his opinions appears to have

commenced about 1535. It led him to recommend to others, as well as to

practise, a more rational course of study than that prescribed by the

ancient usage of the University. This innovation brought him under

suspicion of being attached to the principles of the Reformation, which

was making secret progress in Scotland: and, having ventured to censure

the corruptions which prevailed in the Church, he found it expedient to

quit St. Andrew’s in 1542, and return to the south of Scotland, where he

openly avowed his adherence to the Reformed doctrines.

[Illustration:

_Engraved by B. Holl._

JOHN KNOX.

_From a Picture in the possession of Lord Somerville._

Under the Superintendance of the Society for the Diffusion of Useful

Knowledge.

_London, Published by Charles Knight, Ludgate Street._

]

Having cut himself off from the emoluments of the Established Church,

Knox engaged as tutor in the family of Douglas of Langniddrie, a

gentleman of East Lothian. As a man of known ability, and as a priest,

he was especially obnoxious to the hierarchy; and it is said that

Archbishop Beatoun sought his life by private assassination, as well as

openly under colour of the law. At Easter, 1547, Knox, with many other

Protestants, took refuge in the castle of St. Andrew’s, which was seized

and held, after the archbishop’s murder, by the band of conspirators who

had done the deed. He here continued his usual course of instruction to

his pupils, combined with public reading and explanation of the

scriptures to those who sought his assistance. His talents pointed him

out as a fitting person for the ministry; but he was very reluctant to

devote himself to that important charge, and was only induced to do so,

after a severe internal struggle, by a solemn call from the minister and

the assembled congregation. He distinguished himself during his short

abode at St. Andrew’s by zeal, boldness, and success in preaching. But

in the following July the castle surrendered; and, by a scandalous

violation of the articles of capitulation, the garrison were made

prisoners of war, and subjected to great and unusual ill-treatment.

Knox, with many others, was placed in a French galley, and compelled to

labour like a slave at the oar. His health was greatly injured by the

hardships which he underwent in that worst of prisons; but his spirit

rose triumphant over suffering. During this period he committed to

writing an abstract of the doctrines which he had preached, which he

found means to convey to his friends in Scotland, with an earnest

exhortation to persevere in the faith through persecution and trial. He

obtained liberty in February, 1549, but by what means is not precisely

known.

At that time, under the direction of Cranmer, and with the zealous

concurrence of the young King Edward VI., the Reformation in England was

advancing with rapid pace. Knox repaired thither, as to the safest

harbour; and in the dearth of able and earnest preachers which then

existed, he found at once a welcome and active employment. The north was

appointed to be the scene of his usefulness, and he continued to preach

there, living chiefly at Berwick and Newcastle, till the end of 1552. He

was then summoned to London, to appear before the Privy Council on a

frivolous charge, of which he was honourably acquitted. The King was

anxious to secure his services to the English Church, and caused the

living of All Hallows, in London, and even a bishopric, to be offered

him. But Knox had conscientious scruples to some points of the English

establishment. He continued, however, to preach, itinerating through the

country, until, after the accession of Mary, the exercise of the

Protestant religion was forbidden by act of parliament, December 20,

1553. Shortly afterwards he yielded to the importunity of his friends,

and consulted his own safety by retiring to France. Previous to his

departure, he solemnised his marriage with Miss Bowes, a Yorkshire lady

of good family, to whom he had been some time engaged.

Knox took up his abode in the first instance at Dieppe, but he soon went

to Geneva, and there made acquaintance with Calvin, whom he loved and

venerated, and followed more closely than any others of the fathers of

the Reformation in his views both of doctrine and ecclesiastical

discipline. Towards the close of 1554 he was invited by a congregation

of English exiles resident at Frankfort to become one of their pastors.

Internal discords, chiefly concerning the ritual and matters of

ceremonial observance, in which, notwithstanding the severe and

uncomplying temper usually ascribed to him, no blame seems justly due to

Knox, soon forced him to quit this charge, and he returned to Geneva;

where he spent more than a year in a learned leisure, peculiarly

grateful to him after the troubled life which he had led so long. But in

August, 1555, moved by the favourable aspect of the time, and by the

entreaties of his family, from whom he had now been separated near two

years, he returned to Scotland, and was surprised and rejoiced at the

extraordinary avidity with which his preaching was attended. He visited

various districts, both north and south, and won over two noblemen, who

became eminent supporters of the Reformation, the heir-apparent of the

earldom of Argyle, and Lord James Stuart, afterwards Earl of Murray. But

in the middle of these successful labours he received a call from an

English congregation at Geneva to become their pastor; and he appears to

have felt it a duty to comply with their request. It would seem more

consonant to his character to have remained in Scotland, to watch over

the seed which he had sown, and that his own country had the most

pressing claim upon his services. But the whole tenor of his life

warrants the belief that he was actuated by no unworthy or selfish

motives; and in the absence of definite information, some insight into

the nature of his feelings may probably be gained from a letter

addressed to some friends in Edinburgh, in March, 1557. “Assure of that,

that whenever a greater number among you shall call upon me than now

hath bound me to serve them, by His grace it shall not be the fear of

punishment, neither yet of the death temporal, that shall impede my

coming to you.” He quitted Scotland in July, 1556.

During this absence Knox maintained a frequent correspondence with his

brethren in Scotland, and both by exhortation and by his advice upon

difficult questions submitted to his judgment, was still of material

service in keeping alive their spirit. Two of his works composed during

this period require mention; his share in the English translation of the

Scriptures, commonly called the ‘Geneva Bible,’ and the ‘Blast of the

Trumpet against the monstrous Regimen of Women,’ a treatise expressly

directed against the government of Mary of England, but containing a

bold and unqualified enunciation of the principle, that to admit a woman

to sovereignty is contrary to nature, justice, and the revealed will of

God. In January, 1559, at the invitation of the leading persons of the

Protestant congregation, he again returned to Scotland. Matters at this

time were drawing to a crisis. The Queen Regent, after temporising while

the support of a large and powerful party was essential to her, had

thrown off disguise, and openly avowed her determination to use force

for the suppression of heresy: while the leading Protestants avowed as

plainly their resolution of protecting their preachers; and becoming

more and more sensible of their own increasing strength, resolved to

abolish the Roman, and set up the Reformed method of worship in those

places to which their influence or feudal power extended. St. Andrew’s

was fixed on for the commencement of the experiment; and under the

protection of the Earl of Argyle and Lord James Stuart, Prior of St.

Andrew’s, Knox, who on his landing had been proclaimed a rebel and

outlaw, undertook to preach publicly in the cathedral of that city. The

archbishop sent word that he should be fired upon if he ventured to

appear in the pulpit, and as that prelate was supported by a stronger

force than the retinue of the Protestant noblemen, they thought it best

that he should abstain at this time from thus exposing his life. Knox

remained firm to his purpose. After reminding them that he had first

preached the Gospel in that church, of the sufferings of his captivity,

and of the confident hope which he had expressed to many that he should

again perform his high mission in that same church, he besought them not

to stand in the way when Providence had brought him to the spot. The

archbishop’s proved to be an empty threat. Knox preached for four

successive days without interruption, and with such effect, that the

magistrates and the inhabitants agreed to set up the reformed worship in

their town; the monasteries were destroyed, and the churches stripped of

images and pictures. Both parties now rose in arms. During the contest

which ensued, Knox was a chief agent in conducting the correspondence

between Elizabeth and the Lords of the Congregation. The task suited

neither his profession nor his character, and he rejoiced when he was

relieved from it. In July, 1560, a treaty was concluded with the King

and Queen of France, by which the administration of the Queen Regent was

terminated; and in August a parliament was convoked, which abolished the

papal jurisdiction, prohibited the celebration of mass, and rescinded

the laws enacted against Protestant worship.

From the persecuted and endangered teacher of a proscribed religion,

Knox had now become, not indeed the head, but a leader and venerated

father of an Established Church. He was at once appointed the Protestant

minister of Edinburgh, and his influence ceased not to be felt from this

time forward in all things connected with the Church, and in many

particulars of civil policy. Still his anxieties were far from an end.

Many things threatened and impeded the infant Church. Far from

acquiescing in the recent acts of the parliament, the young King and

Queen of France were bent on putting down the rebellion, as they termed

it, in Scotland by force of arms. The death of Francis put an end to

that danger; but another, no less serious, was opened by the arrival of

Mary in August, 1561, to assume her paternal sovereignty, with a fixed

determination of reviving the supremacy of the religion in which she had

been brought up, and to which she was devotedly attached. There were

also two subjects upon which Knox felt peculiarly anxious, and in which

he was thwarted by the lukewarmness, as he considered it, of the

legislature,—the establishment of a strict and efficacious system of

church discipline, and the entire devotion of the wealth of the Catholic

priesthood to the promotion of education, and the maintenance of the

true religion. In both these points he was thwarted by the indifference

or interestedness of the nobility, who had possessed themselves, to a

large amount, of the lands and tithes formerly enjoyed by monasteries.

It soon became evident that the Queen disliked and feared Knox. She

regarded his ‘Blast against the Regimen of Women’ as an attack upon her

own right to the throne; and this is not surprising, though Knox always

declared that book to be levelled solely against the late Queen of

England, and professed his perfect readiness to submit to Mary’s

authority in all things lawful, and to wave all discussion or allusion

to the obnoxious tenet. His freedom of speech in the pulpit was another

constant source of offence; and it is not to be denied that, although

the feelings of that age warranted a greater latitude than would now be

tolerated in a teacher of religion, his energetic and severe temper led

him to use violent and indiscreet language in speaking of public men and

public things. For Mary herself he prayed in terms which, however

fitting for a minister to employ towards one of his flock whom he

regarded to be in deadly and pernicious error, a queen could hardly be

expected to endure from a subject without anger. Accordingly, he was

several times summoned to her presence, to apologise or answer for his

conduct. The narrations of these interviews are very interesting: they

show the ascendancy which he had gained over the haughty spirit of the

Queen, and at the same time exonerate him from the charge urged by her

apologists of having treated her with personal disrespect, and even

brutality. He expressed uncourtly opinions in plain and severe language;

farther than this he neither violated the courtesy due from man to

woman, nor the respect due from a subject to a superior. In addition to

the causes of offence already specified, he had remonstrated, from her

first landing, against the toleration of the mass in her own chapel. And

at a later time, he spoke so freely concerning the probable consequence

to the Reformed Church from her marrying a Papist, that in reprimanding

and remonstrating with him she burst into a passion of tears. He

remained unmoved, protesting that he saw her Majesty’s tears with

reluctance, but was constrained, since he had given her no just ground

of offence, rather to sustain her tears than to hurt his conscience, and

betray the commonwealth through his silence. This interview is one of

the things upon which Mr. Hume has sought to raise a prejudice against

the reformer in his partial account of this period.

Many of the nobility who had aided in the establishment of the

Reformation, gained over either by the fascination of Mary’s beauty and

manners, or by the still more cogent appeal of personal interest, were

far from seconding Knox’s efforts, or partaking in his apprehensions.

The Earl of Murray was so far won over to adopt a temporising and

conciliatory policy, that a quarrel ensued in 1563 between him and Knox,

which lasted for two years, until quenched, as Knox expresses it, by the

water of affliction. Maitland of Lethington, once an active Reformer, a

man of powerful and versatile talents, who was now made Secretary of

State, openly espoused the Queen’s wishes. In the summer of 1563, Knox

was involved in a charge of high treason, for having addressed a

circular to the chief Protestant gentlemen, requesting them to attend

the trial of two persons accused of having created a riot at the Queen’s

chapel. It appears that he held an especial commission from the General

Assembly to summon such meetings, when occasion seemed to him to require

them. Upon this charge of treasonably convoking the lieges, he was

brought before the privy council. Murray and Maitland were earnest to

persuade him into submission and acknowledgment of error. Knox, however,

with his usual firmness and uprightness, refused positively to confess a

fault when he was conscious of none, and defended himself with so much

power, that by the voice of a majority of the council he was declared

free of all blame.

In March, 1564, more than three years after the death of his first wife,

Knox was again married to a daughter of Lord Ochiltree, a zealous

Protestant. Throughout that year and the following, he continued to

preach as usual. Meanwhile, the Protestant establishment, though

confirmed by the parliament, remained still unrecognised by the Queen,

whose hasty marriage to Lord Henry Darnley in July, 1565, increased the

alarm with which her conduct had already inspired the Reformers. But

early in the following year, when Mary, in conjunction with her uncles

of the House of Lorrain, had planned the formal re-establishment of

Catholicism, her dissensions with her husband led to the assassination

of Rizzio, and in rapid succession to the murder of Darnley, her

marriage with Bothwell, and the train of events which ended in her

formal deposition and the coronation of her infant son James VI. It is

denied that Knox was privy to the assassination of Rizzio, and the tenor

of his actions warrants us in disbelieving that he would have been an

accomplice in any deed of blood; but after that event, he spoke of it in

terms of satisfaction, indiscreet, liable to perversion, and unbecoming

a Christian preacher. The Queen’s resentment for this and other reasons

became so warm against him, that it was judged proper for him to retire

from Edinburgh. He preached at the coronation of James VI. After Mary

was made prisoner and confined at Lochleven, he, in common with most of

the ministers and the great body of the people, insisted strongly on the

duty of bringing her to trial for the crimes of murder and adultery, and

of inflicting capital punishment if her guilt were proved.

During the short regency of Murray, Knox had the satisfaction, not only

of being freed from the personal disquietudes which had been his portion

almost through life, but of seeing the interests of the Church, if not

maintained to the full extent which he could wish, at least treated with

respect, and advocated as far as the crooked course of state-policy

would permit. The murder of that distinguished nobleman, January 23,

1570, affected Knox doubly, as the premature decease of a loved and

esteemed friend, and as a public calamity to church and state.

The Gallery of Portraits: with Memoirs. Volume 6 (of 7) · 第 4 / 19 段