HOW GEOFFREY TELLS HOME SECRETS, AND HOW MONA COMMENTS THEREON--HOW
DEATH STALKS RAMPANT IN THEIR PATH--AND HOW, THOUGH GEOFFREY DECLINES TO
"RUN AWAY," HE STILL "LIVES TO FIGHT ANOTHER DAY."
"And you really mustn't think us such very big people," says Geoffrey,
in a deprecating tone, "because we are any thing but that, and, in
fact,"--with a sharp contraction of his brow that betokens inward
grief,--"there is rather a cloud over us just now."
"A cloud?" says Mona. And I think in her inmost heart she is rather glad
than otherwise that her lover's people are not on the top rung of the
ladder.
"Yes,--in a regular hole, you know," says Mr. Rodney. "It is rather a
complicated story, but the truth is, my grandfather hated his eldest
son--my uncle who went to Australia--like poison, and when dying left
all the property--none of which was entailed--to his second son, my
father."
"That was a little unfair, wasn't it?" says Mona. "Why didn't he divide
it?"
"Well, that's just it," returns he. "But, you see, he didn't. He willed
the whole thing to my father. He had a long conversation with my mother
the very night before his death, in which he mentioned this will, and
where it was locked up, and all about it; yet the curious part of the
whole matter is this, that on the morning after his death, when they
made search for this will, it was nowhere to be found! Nor have we heard
tale or tidings of it ever since Though of the fact that it was duly
signed, sealed, and delivered there is no doubt."
"How strange!" says Mona. "But how then did you manage?"
"Well, just then it made little difference to us, as, shortly after my
grandfather went off the hooks, we received what we believed to be
authenticated tidings of my uncle's death."
"Yes?" says Mona, who looks and is, intensely interested.
"Well, belief, however strong, goes a short way sometimes. An uncommon
short way with us."
"But your uncle's death made it all right, didn't it?"
"No, it didn't: it made it all wrong. But for that lie we should not be
in the predicament in which we now find ourselves. You will understand
me better when I tell you that the other day a young man turned up who
declares himself to be my uncle George's son, and heir to his land and
title. That _was_ a blow. And, as this wretched will is not forthcoming,
I fear he will inherit everything. We are disputing it, of course, and
are looking high and low for the missing will that should have been
sought for at the first. But it's very shaky the whole affair."
"It is terrible," says Mona, with such exceeding earnestness that he
could have hugged her on the spot.
"It is very hard on Nick," he says disconsolately.
"And he is your cousin, this strange young man?"
"Yes, I suppose so," replies Mr. Rodney, reluctantly. "But he don't look
like it. Hang it, you know," exclaims he, vehemently, "one can stand a
good deal, but to have a fellow who wears carbuncle rings, and speaks of
his mother as the 'old girl,' call himself your cousin, is more than
flesh and blood can put up with: it's--it's worse than the lawsuit."
"It is very hard on Sir Nicholas," says Mona, who would not call him
"Nick" now for the world.
"Harder even than you know. He is engaged to one of the dearest little
girls possible, but of course if this affair terminates in favor of--" he
hesitates palpably, then says with an effort--"my cousin, the engagement
comes to an end."
"But why?" says Mona.
"Well, he won't be exactly a catch after that, you know," says Rodney,
sadly. "Poor old Nick! it will be a come-down for him after all these
years."
"But do you mean to tell me the girl he loves will give him up just
because fortune is frowning on him?" asks Mona, slowly. "Sure she
couldn't be so mean as that."
"It won't be her fault; but of course her people will object, which
amounts to the same thing. She can't go against her people, you know."
"I _don't_ know," says Mona unconvinced. "I would go against all the
people in the world rather than be bad to you. And to forsake him, too,
at the very time when he will most want sympathy, at the very hour of
his great trouble. Oh! that is shameful! I shall not like her, I think."
"I am sure you will, notwithstanding. She is the gayest, brightest
creature imaginable, just such another as yourself. If it be true that
'birds of a feather flock together,' you and she must amalgamate. You
may not get on well with Violet Mansergh, who is somewhat reserved, but
I know you will be quite friends with Doatie."
"What is her name?"
"She is Lord Steyne's second daughter. The family name is Darling. Her
name is Dorothy."
"A pretty name, too."
"Yes, old-fashioned. She is always called Doatie Darling by her
familiars, which sounds funny. She is quite charming, and loved by every
one."
"Yet she would renounce her love, would betray him for the sake of
filthy lucre," says Mona, gravely. "I cannot understand that."
"It is the way of her world. There is more in training than one quite
knows. Now, you are altogether different. I know that; it is perhaps the
reason why you have made my heart your own. Do not think it flattery
when I tell you there are very few like you, Mona, in the world; but I
would have you be generous. Do not let your excellence make you harsh to
others. That is a common fault; and all people, darling, are not
charactered alike."
"Am I harsh?" says Mona, wistfully.
"No, you are not," says Geoffrey, grieved to the heart that he could
have used such a word towards her. "You are nothing that is not sweet
and adorable. And, besides all this, you are, I know, sincerity itself.
I feel (and am thankful for the knowledge) that were fate to 'steep me
in poverty to the very lips,' you would still be faithful to me."
"I should be all the more faithful: it is then you would feel your need
of me," says Mona, simply. Then, as though puzzled, she goes on with a
little sigh, "In time perhaps, I shall understand it all, and how other
people feel, and--if it will please you, Geoffrey--I shall try to like
the girl you call Doatie."
"I wish Nick didn't like her so much," says Geoffrey, sadly. "It will
cut him up more than all the rest, if he has to give her up."
"Geoffrey," says Mona, in a low tone, slipping her hand into his in a
half-shamed fashion, "I have five hundred pounds of my own, would
it--would it be of any use to Sir Nicholas?"
Rodney is deeply touched.
"No, darling, no; I am afraid not," he says, very gently. But for the
poor child's tender earnestness and good faith, he could almost have
felt some faint amusement; but this offering of hers is to him a sacred
thing, and to treat her words as a jest is a thought far from him.
Indeed, to give wilful offence to any one, by either word or action,
would be very foreign to his nature. For if "he is gentil that doth
gentil dedis" be true, Rodney to his finger-tips is gentleman indeed.
It is growing dusk; "the shades of night are falling fast," the cold
pale sun, that all day long has cast its chill October beams upon a
leafless world, has now sunk behind the distant hill, and the sad
silence of the coming night hath set her finger with deep touch upon
creation's brow.
"Do you know," says Mona, with a slight shiver, and a little nervous
laugh, pressing closer to her side, "I have lost half my courage of
late? I seem to be always anticipating evil."
Down from the mountain's top the shadows are creeping stealthily: all
around is growing dim, and vague, and mysterious, in the uncertain
light.
"Perhaps I feel nervous because of all the unhappy things one hears
daily," goes on Mona, in a subdued voice. "That murder at Oola, for
instance: that was horrible.'
"Well but a murder at Oola isn't a murder here, you know," says Mr.
Rodney, airily. "Let us wait to be melancholy until it comes home to
ourselves,--which indeed, may be at any moment, your countrymen are of
such a very playful disposition. Do you remember what a lively time we
had of it the night we ran to Maxwell's assistance, and what an escape
he had?"
"Ay! so he had, an escape _you_ will never know," says a hoarse voice at
this moment, that makes Mona's heart almost cease to beat. An instant
later, and two men jump up from the dark ditch in which they have been
evidently hiding, and confront Rodney with a look of savage satisfaction
upon their faces.
At this first glance he recognizes them as being the two men with whom
Mona had attempted argument and remonstrance on the night elected for
Maxwell's murder. They are armed with guns, but wear no disguise, not
even the usual band of black crape across the upper half of the face.
Rodney casts a quick glance up the road, but no human creature is in
sight; nor, indeed, were they here, would they have been of any use. For
who in these lawless days would dare defy or call in question the
all-powerful Land League?
"You, Ryan?" says Mona, with an attempt at unconcern, but her tone is
absolutely frozen with fear.
"You see me," says the man, sullenly; "an' ye may guess my errand." He
fingers the trigger of his gun in a terribly significant manner as he
speaks.
"I do guess it," she answers, slowly. "Well, kill us both, if it must be
so." She lays her arms round Rodney's neck as she speaks, even before he
can imagine her meaning, and hides her face on his breast.
"Stand back," says Ryan, savagely. "Stand back, I tell ye, unless ye
want a hole in yer own skin, for his last moment is come."
"Let me go, Mona," says Geoffrey, forcing her arms from round him and
almost flinging her to one side. It is the first and last time he ever
treats a woman with roughness.
"Ha! That's right," says Ryan. "You hold her, Carthy, while I give this
English gentleman a lesson that will carry him to the other world. I'll
teach him how to balk me of my prey a second time. D'ye think I didn't
know about Maxwell, eh? an' that my life is in yer keepin'! But yours is
in mine now," with a villanous leer "an' I wouldn't give a thraneen for
it."
Carthy, having caught Mona's arms from behind just a little above the
elbow, holds her as in a vice. There is no escape, no hope! Finding
herself powerless, she makes no further effort for freedom, but with
dilated eyes and parted, bloodless lips, though which her breath comes
in quick agonized gasps, waits to see her lover murdered almost at her
feet. "Now say a short prayer," says Ryan, levelling his gun; "for yer
last hour has come."
"Has it?" says Rodney, fiercely. "Then I'll make the most of it," and
before the other can find time to fire he flings himself upon him, and
grasps his throat with murderous force.
In an instant they are locked in each other's arms. Ryan wrestles
violently, but is scarcely a match for Rodney, whose youth and training
tell, and who is actually fighting for dear life. In the confusion the
gun goes off, and the bullet, passing by Rodney's arm, tears away a
piece of the coat with it, and also part of the flesh. But this he
hardly knows till later on.
To and fro they sway, and then both men fall heavily to the ground.
Presently they are on their feet again, but this time Rodney is master
of the unloaded gun.
"Leave the girl alone, and come here," shouts Ryan furiously to Carthy,
who is still holding Mona captive. The blood is streaming from a large
cut on his forehead received in his fall.
"Coward!" hisses Rodney between his teeth. His face is pale as death;
his teeth are clenched; his gray eyes are flaming fire. His hat has
fallen off in the struggle, and his coat, which is a good deal torn,
betrays a shirt beneath deeply stained with blood. He is standing back a
little from his opponent, with his head thrown up, and his fair hair
lying well back from his brow.
"Come on," he says, with a low furious laugh, that has no mirth in it,
but is full of reckless defiance. "But first," to Ryan, "I'll square
accounts with you."
Advancing with the empty gun in his hands, he raises it, and, holding it
by the barrel, brings it down with all his might upon his enemy's skull.
Ryan reels, staggers, and once more licks the dust. But the wretched
weapon--sold probably at the back of some miserable shebeen in Bantry
for any price ranging from five-and-six to one guinea--snaps in two at
this moment from the force of the blow, so leaving Rodney, spent and
weak with loss of blood, at the mercy of his second opponent.
Carthy, having by this time freed himself from Mona's detaining
grasp,--who, seeing the turn affairs have taken, has clung to him with
all her strength, and so hampered his efforts to go to his companion's
assistance,--comes to the front.
But a hand-to-hand encounter is not Mr. Carthy's forte. He prefers being
propped up by friends and acquaintances, and thinks a duel _a la mort_ a
poor speculation. Now, seeing his whilom accomplice stretched apparently
lifeless upon the ground, his courage (what he has of it), like Bob
Acres', oozes out through his palms, and a curious shaking, that surely
can't be fear, takes possession of his knees.
Moreover, he has never before had a gun in his own keeping; and the
sensation, though novel, is not so enchanting as he had fondly hoped it
might have been. He is plainly shy about the managing of it, and in his
heart is not quite sure which end of it goes off. However, he lifts it
with trembling fingers, and deliberately covers Rodney.
Tyro as he is, standing at so short a distance from his antagonist, he
could have hardly failed to blow him into bits, and probably would have
done so, but for one little accident.
Mona, whose Irish blood by this time is at its hottest, on finding
herself powerless to restrain the movements of Carthy any longer, had
rushed to the wall near, and, made strong by love and excitement, had
torn from its top a heavy stone.
Now, turning back, she aims carefully for Carthy's head, and flings the
missile from her. A woman's eye in such cases is seldom sure, and now
the stone meant for his head falls short, and, hitting his arm, knocks
the gun from his nerveless fingers.
This brings the skirmish to an end. Carthy, seeing all is lost, caves
in, and, regardless of the prostrate figure of his companion, jumps
hurriedly over the low wall, and disappears in the night-mist that is
rolling up from the bay.
Rodney, lifting the gun, takes as sure aim as he can at the form of the
departing hero; but evidently the bullet misses its mark, as no sound of
fear or pain comes to disturb the utter silence of the evening.
Then he turns to Mona.
"You have saved my life," he says, in a tone that trembles for the first
time this evening, "my love! my brave girl! But what an ordeal for you!"
"I felt nothing, nothing, but the one thing that I was powerless to help
you," says Mona, passionately; "that was bitter."
"What spirit, what courage, you displayed! At first I feared you would
faint----"
"While you still lived? While I might be of some use to you? No!" says
Mona, her eyes gleaming. "To myself I said, there will be time enough
for that later on." Then, with a little dry sob, "There will be time to
_die_ later on."
Here her eyes fall upon Ryan's motionless figure, and a shudder passes
over her.
"Is he dead?" she asks, in a whisper, pointing without looking at their
late foe. Rodney, stooping, lays his hand on the ruffian's heart.
"No, he breathes," he says. "He will live, no doubt. Vermin are hard to
kill. And if he does die," bitterly, "what matter? Dog! Let him die
there! The road is too good a place for him."
"Come home," says Mona, faintly. Now the actual danger is past, terror
creeps over her, rendering her a prey to imaginary sights and sounds.
"There may be others. Do not delay."
In ignorance of the fact that Geoffrey has been hurt in the fray, she
lays her hand upon the injured arm. Instinctively he shrinks from the
touch.
"What is it?" she says, fearfully, and then, "Your coat is wet--I feel
it. Oh Geoffrey, look at your shirt. It is blood!" Her tone is full of
horror. "What have they done to you?" she says, pitifully. "You are
hurt, wounded!"
"It can't be much," says Geoffrey, who, to confess the truth, is by this
time feeling a little sick and faint. "I never knew I was touched till
now. Come, let us get back to the farm."
"I wonder you do not hate me," says Mona, with a brokenhearted sob,
"when you remember I am of the same blood as these wretches."
"Hate you!" replies he, with a smile of ineffable fondness, "my
preserver and my love!"
She is comforted in a small degree by his words, but fear and depression
still hold her captive. She insists upon his leaning on her, and he,
seeing she is bent on being of some service to him, lays his hand
lightly on her shoulder, and so they go slowly homeward.