I repeat that it is my own fault that I am here.

For many years it had been a principle of my life to visit nobody. I had

long since learned that visiting only brings misery. If I got a card or

telegram that said, “Won’t you run up to the Adirondacks and spend the

week-end with us?” I sent back word: “No, not unless the Adirondacks

can run faster than I can,” or words to that effect. If the owner of

a country house wrote to me: “Our man will meet you with a trap any

afternoon that you care to name,” I answered, in spirit at least: “No,

he won’t, not unless he has a bear-trap or one of those traps in which

they catch wild antelope.” If any fashionable lady friend wrote to me

in the peculiar jargon that they use: “Can you give us from July the

twelfth at half-after-three till the fourteenth at four?” I replied:

“Madam, take the whole month, take a year, but leave me in peace.”

Such at least was the spirit of my answers to invitations. In practice

I used to find it sufficient to send a telegram that read: “Crushed with

work impossible to get away,” and then stroll back into the reading-room

of the club and fall asleep again.

But my coming here was my own fault. It resulted from one of those

unhappy moments of expansiveness such as occur, I imagine, to

everybody--moments when one appears to be something quite different

from what one really is, when one feels oneself a thorough good fellow,

sociable, merry, appreciative, and finds the people around one the

same. Such moods are known to all of us. Some people say that it is the

super-self asserting itself. Others say it is from drinking. But let

it pass. That at any rate was the kind of mood that I was in when I met

Beverly-Jones and when he asked me here.

It was in the afternoon, at the club. As I recall it, we were drinking

cocktails and I was thinking what a bright, genial fellow Beverly-Jones

was, and how completely I had mistaken him. For myself--I admit it--I

am a brighter, better man after drinking two cocktails than at any other

time--quicker, kindlier, more genial. And higher, morally. I had been

telling stories in that inimitable way that one has after two cocktails.

In reality, I only know four stories, and a fifth that I don’t quite

remember, but in moments of expansiveness they feel like a fund or flow.

It was under such circumstances that I sat with Beverly-Jones. And it

was in shaking hands at leaving that he said: “I _do_ wish, old chap,

that you could run up to our summer place and give us the whole of

August!” and I answered, as I shook him warmly by the hand: “My _dear_

fellow, I’d simply _love_ to!” “By gad, then it’s a go!” he said. “You

must come up for August, and wake us all up!”

Wake them up! Ye gods! Me wake them up!

One hour later I was repenting of my folly, and wishing, when I thought

of the two cocktails, that the prohibition wave could be hurried up so

as to leave us all high and dry--bone-dry, silent and unsociable.

Then I clung to the hope that Beverly-Jones would forget. But no. In due

time his wife wrote to me. They were looking forward so much, she said,

to my visit; they felt--she repeated her husband’s ominous phrase--that

I should wake them all up!

What sort of alarm-clock did they take me for, anyway!

Ah, well! They know better now. It was only yesterday afternoon that

Beverly-Jones found me standing here in the gloom of some cedar-trees

beside the edge of the pond and took me back so quietly to the house

that I realized he thought I meant to drown myself. So I did.

I could have stood it better--my coming here, I mean--if they hadn’t

come down to the station in a body to meet me in one of those long

vehicles with seats down the sides: silly-looking men in coloured

blazers and girls with no hats, all making a hullabaloo of welcome. “We

are quite a small party,” Mrs. Beverly-Jones had written. Small! Great

heavens, what would they call a large one? And even those at the station

turned out to be only half of them. There were just as many more all

lined up on the piazza of the house as we drove up, all waving a fool

welcome with tennis rackets and golf clubs.

Small party, indeed! Why, after six days there are still some of the

idiots whose names I haven’t got straight! That fool with the fluffy

moustache, which is he? And that jackass that made the salad at the

picnic yesterday, is he the brother of the woman with the guitar, or

who?

But what I mean is, there is something in that sort of noisy welcome

that puts me to the bad at the start. It always does. A group of

strangers all laughing together, and with a set of catchwords and jokes

all their own, always throws me into a fit of sadness, deeper than

words. I had thought, when Mrs. Beverly-Jones said a _small_ party,

she really meant small. I had had a mental picture of a few sad people,

greeting me very quietly and gently, and of myself, quiet, too, but

cheerful--somehow lifting them up, with no great effort, by my mere

presence.

Somehow from the very first I could feel that Beverly-Jones was

disappointed in me. He said nothing. But I knew it. On that first

afternoon, between my arrival and dinner, he took me about his place, to

show it to me. I wish that at some proper time I had learned just what

it is that you say when a man shows you about his place. I never

knew before how deficient I am in it. I am all right to be shown an

iron-and-steel plant, or a soda-water factory, or anything really

wonderful, but being shown a house and grounds and trees, things that I

have seen all my life, leaves me absolutely silent.

“These big gates,” said Beverly-Jones, “we only put up this year.”

“Oh,” I said. That was all. Why shouldn’t they put them up this year? I

didn’t care if they’d put them up this year or a thousand years ago.

“We had quite a struggle,” he continued, “before we finally decided on

sandstone.

“You did, eh?” I said. There seemed nothing more to say; I didn’t

know what sort of struggle he meant, or who fought who; and personally

sandstone or soapstone or any other stone is all the same to me.

“This lawn,” said Beverly-Jones, “we laid down the first year we were

here.” I answered nothing. He looked me right in the face as he said it

and I looked straight back at him, but I saw no reason to challenge his

statement. “The geraniums along the border,” he went on, “are rather an

experiment. They’re Dutch.”

I looked fixedly at the geraniums but never said a word. They were

Dutch; all right, why not? They were an experiment. Very good; let them

be so. I know nothing in particular to say about a Dutch experiment.

I could feel that Beverly-Jones grew depressed as he showed me round.

I was sorry for him, but unable to help. I realized that there were

certain sections of my education that had been neglected. How to be

shown things and make appropriate comments seems to be an art in itself.

I don’t possess it. It is not likely now, as I look at this pond, that I

ever shall.

Yet how simple a thing it seems when done by others. I saw the

difference at once the very next day, the second day of my visit, when

Beverly-Jones took round young Poppleton, the man that I mentioned above

who will presently give a Swiss yodel from a clump of laurel bushes to

indicate that the day’s fun has begun.

Poppleton I had known before slightly. I used to see him at the club.

In club surroundings he always struck me as an ineffable young ass, loud

and talkative and perpetually breaking the silence rules. Yet I have

to admit that in his summer flannels and with a straw hat on he can do

things that I can’t.

“These big gates,” began Beverly-Jones as he showed Poppleton round the

place with me trailing beside them, “we only put up this year.”

Poppleton, who has a summer place of his own, looked at the gates very

critically.

“Now, do you know what _I’d_ have done with those gates, if they were

mine?” he said.

“No,” said Beverly-Jones.

“I’d have set them two feet wider apart; they’re too narrow, old chap,

too narrow.” Poppleton shook his head sadly at the gates.

“We had quite a struggle,” said Beverly-Jones, “before we finally

decided on sandstone.”

I realized that he had one and the same line of talk that he always

used. I resented it. No wonder it was easy for him. “Great mistake,”

said Poppleton. “Too soft. Look at this”--here he picked up a big stone

and began pounding at the gate-post--“see how easily it chips! Smashes

right off. Look at that, the whole corner knocks right off, see!”

Beverly-Jones entered no protest. I began to see that there is a sort of

understanding, a kind of freemasonry, among men who have summer places.

One shows his things; the other runs them down, and smashes them. This

makes the whole thing easy at once. Beverly-Jones showed his lawn.

“Your turf is all wrong, old boy,” said Poppleton. “Look! it has no body

to it. See, I can kick holes in it with my heel. Look at that, and that!

If I had on stronger boots I could kick this lawn all to pieces.”

“These geraniums along the border,” said Beverly-Jones, “are rather an

experiment. They’re Dutch.”

“But my dear fellow,” said Poppleton, “you’ve got them set in wrongly.

They ought to slope _from_ the sun you know, never _to_ it. Wait a

bit”--here he picked up a spade that was lying where a gardener had been

working--“I’ll throw a few out. Notice how easily they come up. Ah, that

fellow broke! They’re apt to. There, I won’t bother to reset them, but

tell your man to slope them over from the sun. That’s the idea.”

Beverly-Jones showed his new boat-house next and Poppleton knocked a

hole in the side with a hammer to show that the lumber was too thin.

“If that were _my_ boat-house,” he said, “I’d rip the outside clean off

it and use shingle and stucco.”

It was, I noticed, Poppleton’s plan first to imagine Beverly-Jones’s

things his own, and then to smash them, and then give them back smashed

to Beverly-Jones. This seemed to please them both. Apparently it is a

well-understood method of entertaining a guest and being entertained.

Beverly-Jones and Poppleton, after an hour or so of it, were delighted

with one another.

Yet somehow, when I tried it myself, it failed to work.

“Do you know what I would do with that cedar summer-house if it was

mine?” I asked my host the next day.

“No,” he said.

“I’d knock the thing down and burn it,” I answered.

But I think I must have said it too fiercely. Beverly-Jones looked hurt

and said nothing.

Not that these people are not doing all they can for me. I know that.

I admit it. If I _should_ meet my end here and if--to put the thing

straight out--_my_ lifeless body is found floating on the surface of

this pond, I should like there to be documentary evidence of _that_

much. They are trying their best. “This is Liberty Hall,” Mrs.

Beverly-Jones said to me on the first day of my visit. “We want you to

feel that you are to do absolutely as you like!”

Absolutely as I like! How little they know me. I should like to have

answered: “Madam, I have now reached a time of life when human society

at breakfast is impossible to me; when any conversation prior to eleven

a.m. must be considered out of the question; when I prefer to eat my

meals in quiet, or with such mild hilarity as can be got from a comic

paper; when I can no longer wear nankeen pants and a coloured blazer

without a sense of personal indignity; when I can no longer leap and

play in the water like a young fish; when I do not yodel, cannot sing

and, to my regret; dance even worse than I did when young; and when the

mood of mirth and hilarity comes to me only as a rare visitant--shall

we say at a burlesque performance--and never as a daily part of my

existence. Madam, I am unfit to be a summer guest. If this is Liberty

Hall indeed, let me, oh, let me go!”

Such is the speech that I would make if it were possible. As it is, I

can only rehearse it to myself.

Indeed, the more I analyse it the more impossible it seems, for a man of

my temperament at any rate, to be a summer guest. These people, and,

I imagine, all other summer people, seem to be trying to live in a

perpetual joke. Everything, all day, has to be taken in a mood of

uproarious fun.

However, I can speak of it all now in quiet retrospect and without

bitterness. It will soon be over now. Indeed, the reason why I have come

down at this early hour to this quiet water is that things have reached

a crisis. The situation has become extreme and I must end it.

It happened last night. Beverly-Jones took me aside while the others

were dancing the fox-trot to the victrola on the piazza.

“We’re planning to have some rather good fun to-morrow night,” he said,

“something that will be a good deal more in your line than a lot of it,

I’m afraid, has been up here. In fact, my wife says that this will be

the very thing for you.”

“Oh,” I said.

“We’re going to get all the people from the other houses over and

the girls”--this term Beverly-Jones uses to mean his wife and her

friends--“are going to get up a sort of entertainment with charades and

things, all impromptu, more or less, of course--”

“Oh,” I said. I saw already what was coming.

“And they want you to act as a sort of master-of-ceremonies, to make up

the gags and introduce the different stunts and all that. I was telling

the girls about that afternoon at the club, when you were simply killing

us all with those funny stories of yours, and they’re all wild over it.”

“Wild?” I repeated.

“Yes, quite wild over it. They say it will be the hit of the summer.”

Beverly-Jones shook hands with great warmth as we parted for the

night. I knew that he was thinking that my character was about to be

triumphantly vindicated, and that he was glad for my sake.

Last night I did not sleep. I remained awake all night thinking of the

“entertainment.” In my whole life I have done nothing in public except

once when I presented a walking-stick to the vice-president of our club

on the occasion of his taking a trip to Europe. Even for that I used

to rehearse to myself far into the night sentences that began: “This

walking-stick, gentleman, means far more than a mere walking-stick.”

And now they expect me to come out as a merry master-of-ceremonies

before an assembled crowd of summer guests.

But never mind. It is nearly over now. I have come down to this quiet

water in the early morning to throw myself in. They will find me

floating here among the lilies. Some few will understand. I can see it

written, as it will be, in the newspapers.

“What makes the sad fatality doubly poignant is that the unhappy victim

had just entered upon a holiday visit that was to have been prolonged

throughout the whole month. Needless to say, he was regarded as the life

and soul of the pleasant party of holiday makers that had gathered at

the delightful country home of Mr. and Mrs. Beverly-Jones. Indeed, on

the very day of the tragedy, he was to have taken a leading part in

staging a merry performance of charades and parlour entertainments--a

thing for which his genial talents and overflowing high spirits rendered

him specially fit.”

When they read that, those who know me best will understand how and why

I died. “He had still over three weeks to stay there,” they will say.

“He was to act as the stage manager of charades.” They will shake their

heads. They will understand.

But what is this? I raise my eyes from the paper and I see Beverly-Jones

hurriedly approaching from the house. He is hastily dressed, with

flannel trousers and a dressing-gown. His face looks grave. Something

has happened. Thank God, something has happened. Some accident! Some

tragedy! Something to prevent the charades!

I write these few lines on a fast train that is carrying me back to New

York, a cool, comfortable train, with a deserted club-car where I can

sit in a leather arm-chair, with my feet up on another, smoking, silent,

and at peace.

Villages, farms and summer places are flying by. Let them fly. I, too,

am flying--back to the rest and quiet of the city.

“Old man,” Beverly-Jones said, as he laid his hand on mine very

kindly--he is a decent fellow, after all, is Jones--“they’re calling you

by long-distance from New York.”

“What is it?” I asked, or tried to gasp.

“It’s bad news, old chap; fire in your office last evening. I’m afraid

a lot of your private papers were burned. Robinson--that’s your senior

clerk, isn’t it?--seems to have been on the spot trying to save things.

He’s badly singed about the face and hands. I’m afraid you must go at

once.”

“Yes, yes,” I said, “at once.”

“I know. I’ve told the man to get the trap ready right away. You’ve just

time to catch the seven-ten. Come along.”

“Right,” I said. I kept my face as well as I could, trying to hide

my exultation. The office burnt! Fine! Robinson’s singed! Glorious!

I hurriedly packed my things and whispered to Beverly-Jones farewell

messages for the sleeping household. I never felt so jolly and facetious

in my life. I could feel that Beverly-Jones was admiring the spirit and

pluck with which I took my misfortune. Later on he would tell them all

about it.

The trap ready! Hurrah! Good-bye, old man! Hurrah! All right. I’ll

telegraph. Right you are, good-bye. Hip, hip, hurrah! Here we are! Train

right on time. Just these two bags, porter, and there’s a dollar for

you. What merry, merry fellows these darky porters are, anyway!

And so here I am in the train, safe bound for home and the summer quiet

of my club.

Well done for Robinson! I was afraid that it had missed fire, or that my

message to him had gone wrong. It was on the second day of my visit that

I sent word to him to invent an accident--something, anything--to call

me back. I thought the message had failed. I had lost hope. But it is

all right now, though he certainly pitched the note pretty high.

Of course I can’t let the Beverly-Joneses know that it was a put-up job.

I must set fire to the office as soon as I get back. But it’s worth it.

And I’ll have to singe Robinson about the face and hands. But it’s worth

that too!

Frenzied Fiction · 第 22 / 54 题