CHAPTER XXXI

TREATMENT OF A WOMAN'S DRESSING-ROOM

Every house, or flat, which is at all pretentious, should arrange a

Vanity Room for the use of guests, in which there are full-length

mirrors, a completely equipped dressing-table with every conceivable

article to assist a lady in making her toilet, slipper-chairs and

chairs to rest in, and a completely equipped lavatory adjoining.

The woman who takes her personal appearance seriously, just as any

artist takes her art (and when dressing is not an art it is not worth

discussion) can have her dressing-room so arranged with mirrors, black

walls and strong, cleverly reflected, electric lights, that she stands

out with a cleancut outline, like a cameo, the minutest detail of her

toilet disclosed. With such a dressing-room, it is quite impossible to

suffer at the hands of a careless maid, and one can use the black

walls as a background for vivid chair covers, sofa cushions and lamp

shades.

Off this dressing-room should be another, given over to clothes, with

closets equipped with hooks and shelves, glass cabinets for shoes and

slippers, and the "show-case" for jewels to be placed in by the maid

that the owner may make her selection.

At the time of the Louis, knights and courtiers had large rooms

devoted to the care and display of their wardrobes, and even to-day

there are men who are serious connoisseurs in the art of clothes.

PLATE XXVII

Interior decoration not infrequently leads to a desire to chic

the appearance of one's "out-of-doors." We give an example of a

perfectly commonplace barn made interesting by adding green

latticework, a small iron balcony, ornamental gate and setting

out a few decorative evergreens. Behold a transformation!

[Illustration: _A commonplace Barn Made Interesting_]

The dressing-table should be constructed of material in harmony with

the rest of your furniture. It may be of mahogany, walnut, rose wood,

satin wood, or some painted variety, or, as is the fashion now, made

of silk,--a seventeenth and eighteenth century style (in vogue during

the time of the Louis). These are made of taffeta with lace covers on

top, and in outline are exactly like the simple dotted-swiss

dressing-tables with which every one is familiar,--the usual variety,

so easily made by placing a wooden packing box on its side. In this

case have your carpenter put shelves inside for boots, shoes and

slippers. The entire top is covered with felt or flannel, over

which is stretched silk or sateen, in any colour which may harmonise

with the room. A flounce, as deep as the box is high, is made of the

same material as the top, and tacked to the edges of the table-top.

Cover the whole with dotted or plain swiss. A piece of glass, cut to

exactly fit the top of the table, is a practical precaution. A large

mirror, hung above yet resting on the table, is canopied in the old

style, with the same material with which you cover your

dressing-table.

If the table is made of the beautiful taffeta, now so popular for this

purpose, as well as for curtains, it is, of course, not covered with

swiss or lace, except the top, on which is used a fine, hand-made

cover, of real lace and hand embroidery, in soft creams,--cream from

age, or a judicious bath in weak tea. The glass top laid over this

cover protects the lace.

If the table has drawers, each can be neatly covered with the taffeta,

as can the frame of any table. A good, up-to-date cabinet-maker

understands this work as so much of it is now done.

The Art of Interior Decoration · 第 31 / 41 章