CHAPTER VIII

TREATMENT OF PIANO CASES

A professional pianist invariably prefers the case of his or her piano

left in its simple ebony or mahogany, and would not approve of its

being relegated to the furniture department and decorated accordingly,

any more than your violinist, or harpist, would hand over his violin,

or harp, for decoration.

When a piano, however, is not the centre of interest in a house, and

the artistic ensemble of decorative line and colour is, the piano case

is often ordered at the piano factory to be made to accord in line

with the period of the room for which it is intended, after which it

is decorated so as to harmonise with the colours in the room. This can

be done through the piano factory; but in the case of redecorating a

room, one can easily get some independent artist to do this work, a

man who has made a study of the decorations on old spinets in

palaces, private mansions and museums. Some artists have been very

successful in converting what was an inartistic piece of furniture as

to size, outline and colour, into an object which became a pleasing

portion of the colour scheme because in proper relation to the whole.

You can always make an ebony or mahogany piano case more in harmony

with its setting by covering it, when not in use, with a piece of

beautiful old brocade, or a modern reproduction.

PLATE XIII

Another side of same Italian Louis XVI salon. The tea-table is a

modern painted convenience, the two vases are Italian pharmacy

jars and the standard for electric lights is a modern-painted

piece.

[Illustration: _Another Side of Same Italian Louis XVI Salon_]

The Art of Interior Decoration · 第 8 / 41 章