CHAPTER XLIII.--ON THE SON OF APHRODITE.

|WHAT can be the matter? How did you manage to come here? You must have

travelled by the same train as we came by. Oh, Harold, my husband, I am

so glad to see you. You have changed your mind--you are coming on with

me? Oh, I see it all now. You meant all along to give me this delightful

surprise.”

The words came from her in a torrent as she put her hand on his arm--he

could feel the ring on her finger.

“No, no,” said he; “everything remains as it was this morning. I only

wish that I were going on with you. Providentially something occurred to

me when I was sitting alone after lunch. That is why I came. I managed

to catch a train that brought me here just now--the train I was in ran

past this platform and I saw your face.”

“What can have occurred to you that you could not tell me in a letter?”

she asked, her face still bearing the look of glad surprise that had

come to it when she had heard the sound of his voice.

“We shall have to go into a waiting-room, or--better still--an empty

carriage,” said he. “I see several men whom I know, and--worse luck!

women--they are on their way to Abbeylands, and if they saw us together

in this confidential way, they would never cease chattering when they

arrived. We shall get into a compartment--there is one that still

remains unlighted, it will be the best for our purpose; there will be no

chance of a prying face appearing at the window.”

“Shall we have time?” she asked.

“Plenty of time. By getting into the carriage you will run no chance of

being left behind--the worst that can happen is that I may be carried on

with you.”

“The worst? Oh, that is the best--the best.” They had strolled to the

end of the platform where it was dimly lighted, and in an instant,

apparently unobserved by anyone, they had got into an unlighted

compartment at the rear of the train, and Harold shut the door

quietly, so as not to attract the attention of the three or four men in

knickerbockers who were stretching their legs on the platform until the

train was ready to start.

“We are fortunate,” said he. “Those men outside will be your

fellow-guests for the week. None of them will think of glancing into

a dark carriage; but if one of them does so, he will be nothing the

wiser.”

“And now--and now,” she cried.

“And now, my dearest, you remember the ring that I put upon your

finger?”

“This ring? Do you think it likely that I have forgotten it already?”

she whispered.

“No, no, dearest; it was I who forgot it,” he said. “It was I who forgot

that my father and my sister are perfectly certain to recognize that

ring if you wear it at Abbeylands: they will be certain to see it on

your linger, and they will question you as to how it came into your

possession.”

“Of course they will,” she said, after a pause. “You told me that it was

a ring that belonged to your mother. There can only be one such ring in

the world. Oh, they could not fail to recognize it. The little chubby

wicked Eros surrounded by the rubies--I have looked at the design every

day--every night--sometimes the firelight gleaming upon the circle of

rubies has made them seem to me a band of blood. Was that the idea of

the artist who made the design, I wonder--a circle of blood with the god

Eros in the centre.”

She had taken off her glove, and had laid the hand with the ring in one

of his hands.

He had never felt her hand so soft and warm before. His hand became

hot through holding hers. His heart was beating as it had never beaten

before.

The force of his grasp pressed the sharply cut cameo into his flesh. The

image of that wicked little god, the son of Aphrodite, was stamped upon

him. It seemed as if some of his blood would mingle with the blood that

sparkled and beat within the heart of the rubies.

He had forgotten the object of his mission to her. Still holding her

hand with the ring, he put his arm under the sealskin coat that reached

to her feet, and held her close to him while he kissed her as he had

never before kissed her.

Suddenly he seemed to recollect why he was with her. He had not hastened

down from London for the sake of the kiss.

“My beloved, my beloved!” he murmured--each word sounded like a sob--“I

should like to remain with you for ever.”

She did not say a word. She did not need to say a word. He could feel

the tumult of her heart, and she knew it.

“For God’s sake, Beatrice, let me speak to you,” he said.

It was a strange entreaty. His arm was about her, his hand was holding

one of hers, she was simply passive by his side; and yet he implored of

her to let him speak to her.

It was some moments before she could laugh, however; which was also

strange, for the humour of the matter which called for that laugh, was

surely capable of being appreciated by her immediately.

She gave a laugh and then a sigh.

The carriage was dark, but a stray gleam of light from a side platform

now and again came upon her face, and her features were brought into

relief with the clearness and the whiteness of a lily in a jungle.

As she gave that laugh--or was it a sigh?--he started, perceiving that

the expression of her features was precisely that which the artist in

the antique had imparted to the features of the little chrysoprase Eros

in the centre of that blood-red circle of the ring.

“Why do you laugh, Beatrice?8 said he.

“Did I laugh, Harold?” said she. “No--no--I think--yes, I think it was a

sigh--or was it you who sighed, my love?”

“God knows,” said he. “Oh, the ring--the ring!”

“It feels like a band of burning metal,” she said.

“It is almost a pain for me to wear it. Have you not heard of the

curious charms possessed by rings, Harold--the strange spells which they

carry with them? The ring is a mystery--a mystic symbol. It means what

has neither beginning nor ending--it means perfection--completeness--it

means love--love’s completeness.”

“That is what your ring must mean to us, my beloved,” said he. “Whether

you take it from your finger or let it remain there, it will still mean

the completeness of such love as is ours.”

“And I am to take it off, Harold?”

“Only so long as you stay at Abbeylands, Beatrice. What does it matter

for one week? You will see, dearest, how my plans--my hopes--must

certainly he destroyed if that ring is seen on your finger by my father

or my sister. It is not for the sake of my plans only that I wish you to

refrain from wearing it for a week; it is for your sake as well.”

“Would they fancy that I had stolen it, dear?” she asked, looking up to

his face with a smile.

“They might fancy worse things than that, Beatrice,” said he. “Do

not ask me. You may be sure that I am advising you aright--that the

consequences of that ring being recognized on your finger would be more

serious than you could understand.”

“Did I not say something to you a few days ago about the completeness of

my trust in you, Harold?” she whispered. “Well, the ring is the symbol

of this completeness also. I trust you implicitly in everything. I have

given myself up to you. I will do whatever you may tell me. I will not

take the ring off until I reach Abbeylands, but I shall take it off

then, and only replace it on my finger every night.”

“My darling, my darling! Such love as you have given to me is God’s best

gift to the world.”

He had committed himself to an opinion practically to the same effect

upon more than one previous occasion.

And now, as then, the expression of that opinion was followed by a long

silence, as their faces came together.

“Beatrice,” he said, in a tremulous voice.

“Harold.”

“I shall go on with you to Abbeylands. Come what may, we shall not now

be separated.”

But they were separated that very instant. The carriage was flooded with

light--the chastened flood that comes from an oil lamp inserted in a

hollow in the roof--and they were no longer in each others arms. They

heard the sound of the porter’s feet on the roof of the next carriage.

“It is so good of you to come,” said she.

There was now perhaps three inches of a space separating them.

“Good?” said he. “I’m afraid that’s not the word. We shall be under one

roof.”

“Yes,” she said slowly, “under one roof.”

“Tickets for Ashmead,” intoned a voice at the carriage window.

“We are for Abbeylands Station,” said Harold.

“Abb’l’ns,” said the guard. “Why, sir, you know the Abb’l’ns train

started six minutes ago.”

A Gray Eye or So. In Three Volumes—Volume I, II and III: Complete · 第 43 / 57 章