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THE CONVERT
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Transcriber's note:
Lists of Macmillan titles from this spot have been moved to
the end of the text. Following the moved section, the reader
will find a list of corrections made to the text.
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THE CONVERT
by
ELIZABETH ROBINS
Author of "A Dark Lantern," "The Magnetic North," Etc.
New York
The MacMillan Company
1913
All rights reserved
Copyright, 1907, by the MacMillan Company.
Set up and electrotyped. Published October, 1907. Reprinted
March, 1910; March, 1912; August, 1913.
Norwood Press
J. S. Cushing Co.--Berwick & Smith Co.
Norwood, Mass., U.S.A.
THE CONVERT
CHAPTER I
The tall young lady who arrived fifteen minutes before the Freddy
Tunbridges' dinner-hour, was not taken into the great empty
drawing-room, but, as though she were not to be of the party expected
that night, straight upstairs she went behind the footman, and then up
more stairs behind a maid. The smart, white-capped domestic paused, and
her floating muslin streamers cut short their aerial gyrations subsiding
against her straight black back as she knocked at the night-nursery
door. It was opened by a middle-aged head nurse of impressive demeanour.
She stood there an instant eyeing the intruder with the kind of
overbearing hauteur that in these days does duty as the peculiar
hall-mark of the upper servant, being seldom encountered in England
among even the older generation of the so-called governing class.
'It's too late to see the baby, miss. He's asleep.'
'Yes, I know; but the others are expecting me, aren't they?'
Question hardly necessary, perhaps, with the air full of cries from
beyond the screen: 'Yes, yes.' 'We're waiting!' 'Mummy promised'--cut
short by the nurse saying sharply, 'Not so much noise, Miss Sara.' But
the presiding genius of the Tunbridge nursery opened the door a little
wider and stood aside. Handsome compensation for her studied coldness
was offered in the shrill shrieks of joy with which a little girl and a
very small boy celebrated the lady's entrance. She, for her part, joined
the austere nurse in saying, 'Sh! sh!' and in simulating consternation
at the spectacle behind the screen, Miss Sara jumping up and down in the
middle of her bed with wild brown hair swirling madly about a laughing
but mutinous face. The visitor, hurrying forward, received the impetuous
little girl in her arms, while the nurse described her own sentiments
of horror and detestation of such performances, and hinted vaguely at
Retribution that might with safety be looked for no later than the
morrow. Nobody listened. Miss Levering nodded smiling across Sara's
nightgowned figure to the little boy hanging over the side of the
neighbouring cot. But he kept remonstrating, 'You always go to her
first.'
The lady drew a flat, shiny wooden box out of the inside pocket of her
cloak. The little girl seized it rapturously.
'Oh, did you only bring Sara's bock?' wailed the smaller Tunbridge. 'I
told you expecially we wanted _two_ bocks.'
'I've got two pockets and I've got two bocks. Let me give him his, Sara
darling.'
But 'Sara darling' dropped her own 'bock' the better to cling round the
neck of the giver.
Naturally Master Cecil sounded the horn of indignation.
'Hush!' commanded his sister. 'Don't you know his little lordship never
did that?' And to emphasize this satirical appeal to a higher standard
of manners, Sara loosened her tight-locked arms an instant; but still
holding to the visitor with one hand, she picked up the pillow and
deftly hurled it at the neighbouring cot, extinguishing the little boy.
Through the general recriminations that ensued, the culprit cried with
shrill rapture, 'Lady Gladys never pillow-fought! Lady Gladys was a
little lady and never did _any_thing!' The merry eyes shamelessly
invited Miss Levering to mock at Dampney's former charges. But the
visitor detached herself from Miss Sara, and wishing apparently to
ingratiate herself with the offended majesty of the nurse, Miss Levering
said gravely over her shoulder, 'Now, lie down, Sara, and be a good
girl.' Sara's reply to that was to (what she called) 'diddle up and
down' on her knees and emit shrill squeals of some pleasurable emotion
not defined. This, too, in spite of the fact that Dampney had picked up
the pillow and was advancing upon Miss Sara with an expression
calculated to shake the stoutest heart. It obviously shook the
visitor's. 'Listen, Sara! If you don't be quiet and let nurse cover you
up, she won't want me to stay.' Miss Levering actually got up off the
little boy's bed, and stood as though ready to carry the obnoxious
suggestion into instant effect.
Sara darted under the bedclothes like a rabbit into its burrow. The
rigid woman, without words, restored the tousled pillow to the head of
the bed, extracted Miss Sara from her hiding-place with one hand,
smoothed out the rebellious legs with the other, covered the child
firmly over, and tucked the bedclothes in.
'What's the use of all that? Mother always does it over again.'
'You know very well she's been and done it once already.'
'She's coming again if father doesn't need her.'
'There's a whole big dinner-party needing her, so you needn't think she
can come twice to say good-night to a Jumping-Jack like you.'
'You ought to say a Jumping-Jill,' amended Sara.
During this interchange Master Cecil was complaining to the visitor--
'I can't see you with that thing all round your head.'
'Yes, take it off!' his sister agreed; and when the lady had unwound her
lace scarf--'Now the coat! And you have to sit on my bed this time. It's
my turn.'
As the visitor divested herself of the long ermine-lined garment, 'Oh,
you _are_ pretty to-night!' observed the gallant young gentleman over
the way, seeming not to have heard that these effects don't appeal to
little boys.
Sara silently craned her neck. Even the high and mighty Mrs. Dampney, in
the surreptitious way of the superior servant, without seeming to look,
was covertly taking in the vision that the cloak had hitherto obscured.
The little girl followed with critical eyes the movement of the tall
figure, the graceful fall of the clinging black lace gown embroidered in
yellow irises, the easy bend of the small waist in its jewelled belt of
yellow. The growing approval in the little face culminated in an
ecstatic 'Oh-h-h! let me see what's on your neck! That's new, isn't it?'
'No--very old.'
'I didn't know there were yellow diamonds,' said Sara.
'There are; but these are sapphires.'
'And the little stones round?'
'Yes, they're diamonds.'
'The hanging-down thing is _such_ a pretty shape!'
'Yes, the fleur-de-lys is a pretty shape. It's the flower of France, you
know--just as the thistle is the----'
'There, now!' A penetrating whisper came from the other bed. 'She's
_gone_.'
'It's you who've been keeping her here, you know.' Miss Levering bent
her neat, dark head over the little girl, and the gleaming jewels swung
forward.
'Yes,' said Cecil, in a tone of grandfatherly disgust; 'yelling like a
wild Indian.'
'Well, you _cried_,' said his sister--'just because a feather pillow hit
you.' Her eye never once left the glittering gaud.
'You see, Cecil is younger than you,' Miss Levering reminded her.
'Yes,' said Sara, with conscious superiority--'a whole year and eight
months. But even when I was young _I_ had sense.'
Miss Levering laughed. 'You're a horrid little Pharisee--and as wild as
a young colt.' Contrary to received canons, the visitor seemed to find
something reassuring in the latter reflection, for she kissed the small,
self-righteous face.
'You just ought to have seen Sara this morning!' Cecil chuckled, with a
generous admiration in family achievements. 'We waked up early, and Sara
said, "Let's go mountaineering." So we did. All over the rocks and
presserpittses.' He waved his hand comprehensively at the rugged scenery
of the night-nursery.
'Of course we had to pile up the chairs and things,' his sister
explained.
'And the coal scuttle.'
'And we made snow mountains out of the pillows. When the chairs wobbled,
the coal and the pillows kept falling about; it was quite a real
avalanche,' Sara said conversationally.
'I should think so,' agreed the guest.
'Yes; and it was glorious when Sara excaped to the top of the wardrobe.'
'To the w----' Miss Levering gasped.
'Yes. We were having the most perfectly fascinating time----' Sara took
up the tale.
But Cecil suddenly sat bolt upright, his little face quite pink with
excitement at recollection of these Alpine exploits.
'Yes, Sara had come down off the wardrobe--she'd been sitting on the
carved piece--she says that's the Schreckhorn!--but she'd come down off
it, and we was just jumping about all those mountains like two
shamrocks----'
'Like what?'
'--when _she_ came in.'
'Yes,' agreed Sara. 'Just when we're happiest _she_ always comes
interfiddling.'
'Oh, Sara mine, I rather like you!' said Miss Levering, laying her
laughing face against the tousled hair.
'Now! Now!' cried Cecil, suddenly beating with his two fists on the
counterpane as though he'd seen as much valuable time wasted as he felt
it incumbent upon him to tolerate. 'Go on where you left off.'
'No, it's _my_ visit this time.' Sara held fast to her friend. 'It's for
me to say what we're going to talk about.'
'It's got to be alligators!' said Cecil, waving his arms.
'It _shan't_ be alligators! I want to know more about Doris.'
'Doris!' Cecil's tone implied that the human intelligence could no lower
sink.
'Yes. I expect you like her better than you do us.'
'Don't you think I ought to like my niece best?'
'No'--from Cecil.
'You said we belonged to you, too,' observed Miss Sara.
'Of course.'
'And all aunts,' she pursued, 'don't like their nieces so _dreadfully_.'
'Don't they?' inquired Miss Levering, with an elaborate air of
innocence.
'You didn't say how-do-you-do to me,' said Cecil, with the air of one
who makes a useful discovery.
'_What?_'
'Why, she went to you the minute I threw the pillow.'
'That was just to save me from being dead. It isn't a proper
how-do-you-do when she doesn't hug you.'
'I'll hug you when I go.'
But a better plan than that occurred to Cecil. He flung down the covers
with the decision of one called to set about some urgent business.
'Cecil! I simply won't have you catching cold!'
Before the words were out of Miss Levering's mouth he had tumbled out of
bed and leapt into her lap. He clasped his arms round her neck with an
air of rapturous devotion, but what he said was--
'Go on 'bout the alligator.'
'No, no. Go 'way!' protested Sara, pushing him with hands and feet.
'Sh! You really will have nurse back!'
That horrid thought coerced the prudent Sara to endurance of the
interloping brother. And now of his own accord Cecil had taken his arms
from round his friend's neck.
'That's horrid!' he said. 'I don't like that hard thing. Take it off.'
'Let me.' Sara sat up with alacrity. 'Let me.'
But Miss Levering undid the sapphire necklace herself. 'If you'll be
very careful, Sara, I'll let you hold it.' It was as if she well knew
the deft little hands she had delivered the ornament to, and knew
equally well that in her present mood, absorption in the beauty of it
would keep the woman-child still.
'There, that's better!' Cecil replaced his arms firmly where the
necklace had been.
Miss Levering pulled up her long cloak from the bottom of the bed and
wrapped the little boy in the warm lining. The comfort of the
arrangement was so great, and it implied so little necessity for
'hanging on,' that Cecil loosed his arms and lay curled up against his
friend.
She held him close, adapting her lithe slimness to the easy supporting
and enfolding of the childish figure. The little girl was absorbed in
the necklace after her strenuous hour; the boy, content for a moment,
having gained his point, just to lie at his ease; the woman rested her
cheek on his ruffled hair and looked straight before her.
As she sat there holding him, something came into her face, guiltless
though it was of any traceable change, without the verifiable movement
of a muscle, something none the less that would have minded the beholder
uneasily to search the eyes for tears, and, finding no tears there, to
feel no greater sense of reassurance.
So motionless she sat that presently the child turned up his rosy face,
and seeing the brooding look, it was plain he had the sense of being
somehow left behind. He put up his hand to her cheek, and rubbed it
softly with his own.
'I don't like you like that. Tell me about----'
'Like what?' said the lady.
'Like--I don't know.' Then, with a sudden inspiration, 'Uncle Ronald
says you're like the Sphinx. Who are they?'
'Who are who?'
'Why, the Sfinks. Have they got a boy? Is the little Sfink as old as me?
Oh, you only laugh, just like Uncle Ronald. He asked us why we liked
you, and we told him.'
'You've never told me.'
'Oh, didn't we? Well, it's because you aren't beady.'
'Beady?'
'Yes. We hate all beady ladies, don't we, Sara?'
'Yes; but it's my turn.' However, she said it half-heartedly as she
stopped drawing the shining jewels lightly through her slim fingers, and
began gently to swing the fleur-de-lys back and forth like a pendulum
that glanced bewitchingly in the light.
Miss Levering knew that the next phase would be to try it on, but for
the moment Sara had still half an ear for general conversation.
'We hate them to have hard things on their shoulders!' Cecil explained.
'On their shoulders?' Miss Levering asked.
'Here, just in the way of our heads.'
'Yes, bead-trimming on their dresses,' explained the little girl.
'Hard stuff that scratches when they hold you tight.' Cecil cuddled his
impudent round face luxuriously on the soft lace-covered shoulder of the
visitor, and laughed up in her face.
'Aunts are very beady,' said Sara, absent-mindedly, as she tried the
effect of the glitter against her night-gown.
'Grandmothers are worse,' amended Cecil. 'They're beady and bu-gly,
too.'
'What's bewgly?'
'Well, it's what my grandmother called them when I pulled some of them
off. Not proper bugles, you know, what you "too! too! too!" make music
with when you're fighting the enemy. My grandmother thinks bugles are
little shiny black things only about that long'--he measured less than
an inch on his minute forefinger--'with long holes through so they can
sew them on their clothes.'
'On their caps, too,' said Sara; 'only they're usurally white when
they're on caps.'
'Here's your mother coming! Now, what will she say to you, Cecil?'
They turned their eyes to the door, strangely unwelcoming for Laura
Tunbridge's children, and their young faces betrayed no surprise when
the very different figure of Nurse Dampney emerged from behind the tall
chintz screen that protected the cots from any draught through the
opening door. Cecil, with an action of settled despair, turned from the
spectacle, and buried his face for one last moment of comfort in Vida
Levering's shoulder; while Sara, with a baleful glance, muttered--
'I knew it was that old interfiddler.'
'Now, Master Cecil----'
'Yes, nurse.' Miss Levering carried him back to his cot.
'Mrs. Tunbridge has sent up, miss, to know if you've come. They're
waiting dinner.'
'Not really! Is it a quarter past already?'
'More like twenty minutes, miss.'
The lady caught up her necklace, cut short her good-byes, and fled
downstairs, clasping the shining thing round her neck as she went--a
swaying figure in soft flying draperies and gleaming, upraised arms.
She entered the drawing-room with a quiet deliberation greater even than
common. It was the effect that haste and contrition frequently wrought
in her--one of the things that made folk call her 'too self-contained,'
even 'a trifle supercilious.'
But when other young women, recognizing some not easily definable charm
in this new-comer into London life, tried to copy the effect alluded to,
it was found to be less imitable than it looked.