See what a brain I have,—which means, _you_ have! The book I ought to

put in my pocket,—and fancy I leave on the table,—is picked up in our

lane and presented to me on my return; so my reason, which told you I had

forgotten it, the book, was wrong, and my instinct which told me, all

the time, that I could not forget even so poor a matter if it tended to

you,—_that_ was right, as usual? (Don’t think that I forgot the said book

on the former occasions ... I wanted to look through it first, so as to

be able to correct any possible mistakings, in case you should ask, or

should not ask, my siren! I read the book during the voyage.)

Will you tell me what number of the _League_ contains the notice of you?

I can get it directly. I did not ask you yesterday, being just as much

master of myself as I commonly am when with you—but after-wisdom comes

duly for a consolation, and mine was apparent in a remark I made last

night—‘Here is truly an illusion broken’ I said—‘for not very long ago I

used to feel impatient at listening to other people’s commendations of

her, and as if they were usurping my especial office,—they _could_ not

see what I see, not utter what I could utter: and now, at the beginning

of my utterance, the hand closes my mouth, while its dear fellow shuts

my eyes,—I may not see what everybody sees, nor say what the whole world

says,—I, that was to excel them all in either function! So now I will

change my policy and bid them praise, praise, praise, praise, since I

may not. Will you let me hear them, my Ba? You know Chesterfield forbids

his son to play on the instrument himself—‘for you can pay musicians’

he says—‘and hear them play.’ Where may I hear this discourser of most

excellent music?

In your last letter you spoke of ‘other women,’ and said they might

‘love’ me—just see! They might love me because of something in me,

lovingness in me, which they never could have evoked ... so the effect

produces the cause, my dear ‘inverter’! If there had been a vague aimless

feeling in me, turning hither and thither for some object to attach

itself to and spend itself on, and you had chanced to be that object, I

should understand you were very little flattered and how a poplar does as

well for a vine-prop as a palm tree—but whatever love of mine clings to

you was created by you, dearest,—they were not in me, I believed—those

feelings,—till you came. So that, mournful and degrading as it sounds,

still it would, I think, be more rational to confess the possibility

of their living on, though you withdrew,—finding some other—oh no, it

is,—that is as great an impossibility as the other,—they came from you,

they go to you, what is the whole world to them!

May God bless you, repay you—He can—

Well Ba, do you see the _Examiner_? That is very kind, very generous

of Forster. There are real difficulties in the way of this prompt,

efficient, serviceable notice—for he has a tribe of friends, dramatists,

actors ‘conflicting interests’ &c. &c. to keep the peace among,—and

he quite understands his trade—how compensation is to be made, and an

equilibrium kept in the praises so as to offend nobody,—yet see how he

writes, and with a heap of other business on his shoulders! I thank him

very sincerely, I am sure.

Tell me how you are, beloved—all-beloved! I am quite well to-day,—have

been out.

Do you remember our friend Bennett of Blackheath? (Don’t ejaculate ‘le

Benêt’!) He sent me letters lately—and I returned a copy of ‘Luria’ to

save compliments and words—here is his answer ... (I will at once confess

I could not read it, but Ba bids me send, and what am I but Ba’s own,

very very own?)

_R.B. to E.B.B._

Monday.

[Post-mark, April 27, 1846.]

Oh yes; that paper is by Chorley, no doubt—I read it, and quite

wonder at him. I suppose he follows somebody’s ‘lead’—writes as he

is directed—because I well remember what he said on lending me ‘Le

Compagnon.’ There, there is that other silly expenditure of pen and ink

on the English poets, or whatever they are. And in such work may a man

spend his youth and not a few available energies—sad work altogether!

My love, _I_ have done a fair day’s work this Monday,—whoever may be

idle—I thought I would call on Forster this morning—he was out, and I

crossed over to Moxon’s, not seeing him, neither, and thence walked

home—so that to tell you I am _well_ is superfluous enough, is it not?

But while the sun shone brightest, (and it shines now) I said ‘The

cold wind is felt through it all,—_she keeps the room_!’ The wind is

unremitting,—savage. Do you bear it, dearest, or suffer, as I fear?

(Speaking of Forster ... you see the _Examiner_, I believe? Or I will

send it directly of course). I entirely agree with you in your estimate

of the comparative value of French and English Romance-writers. I bade

the completest adieu to the latter on my first introduction to Balzac,

whom I greatly admire for his faculty, whatever he may choose to do with

it. Do you know a little sketch ‘La Messe de l’Athée,’—most affecting

to me. And for _you_, with your love of a ‘story,’ what an unceasing

delight must be that very ingenious way of his, by which he connects the

new novel with its predecessors—keeps telling you more and more news yet

of the people you have got interested in, but seemed to have done with.

Rastignac, Mme. d’Espard, Desplein &c.—they keep alive, moving—it is not

ingenious? Frédéric Soulié I know a little of (I let this reading drop

some ten years ago) and only George Sand’s early works: by the way,

the worst thing of all in that blessed article we have been referring

to, is the spiteful and quite uncalled for introduction of the names of

A. de Musset and De Lamennais—what have the English families to do with

_that_? Did you notice a stanza quoted from some lachrymose rhymester to

be laughed at (in the Article on Poetry)—in which the writer complains

of the ill-treatment of false friends, for, says he, ‘I have felt their

_bangs_.’ The notion of one’s friend ‘banging’ one is exhilarating when

one reflects that he might get a little pin, and prick, prick after this

fashion. No, it is probably a manner of writing,—meant for the week’s

life and the dozen readers. Here is a note from his sister, by the way.

Now, dearest-dearest, good bye till to-morrow. I think of you all day,

and, if I dream, dream of you—and the end of the thinking and of the

dreaming is still new love, new love of you, my sweetest, only beloved!

so I kiss you and bless you from my heart of heart.

Ever your R.

_E.B.B. to R.B._

Monday Evening.

[Post-mark, April 28, 1846.]

Very good _Examiner_!—I am pleased with it and with Mr. Forster for the

nonce, though he talks a little nonsense here and there, in order to be a

true critic, and though he doesn’t talk at all, scarcely, of the ‘Soul’s

Tragedy’ ... how is one to bear it? That ‘Tragedy’ has wonderful things

in it—thoughts, suggestions, ... and more and more I feel, that you never

did better dialogue than in the first part. Every pulse of it is alive

and individual—dramatic dialogue of the best. Nobody in the world could

write such dialogue—now, you know, you must be patient and ‘meke as

maid,’ being in the course of the forty-nine days of enduring praises.

Praises, instead of ‘bangs’!!—consider that it might be worse!—_dicit

ipsissima Ba_.

Think of my not hearing a word about the article in the _Examiner_,

until I had your note this morning. And the _Examiner_ was in the house

since Saturday night, and nobody to tell me! I was in high vexation,

reproaching them all, to-day—till Stormie had the impertinence to turn

round and tell me that only Papa had read the paper, and that ‘he had of

course put it away to keep me from the impropriety of thinking too much

about ... about’ ... yes, really Stormie _was_ so impertinent. For the

rest, when Papa came up-stairs at one o’clock, he had it in his hand.

At two, Miss Bayley came, and sate here two hours, and thought me looking

so well, with such improved looks from last autumn, that I don’t mean to

groan at all to you to-day about the wind—it is a savage wind, as you

say, and I wish it were gone, and I am afraid of stirring from the room

while it lasts, but there’s an end ... and not of _me_, says Miss Bayley.

She doffed her bonnet and talked and talked, and was agreeable and

affectionate, and means to come constantly to see me ... (‘only not on

Thursday,’ I desired:) and do you know, you need not think any more of my

going with you to Italy, for she has made up her mind to take me herself

... there is no escape for me that I can see—it’s fixed ... certain!

with a thousand generous benignities she stifled my ‘no’s’ ... and all I

had breath to say at last, was, that ‘there was time enough for plans of

that kind.’ Seriously, I was quite embarrassed to know how to adjourn the

debate. And she is capable of ‘arranging everything’—of persisting, of

insisting—who knows what? And so, ... when I am ‘withdrawn’ ... carried

away ... then, shall all my ‘feelings,’ which are in you, be given to

somebody else? is _that_ the way—?

Now I shall not make jests upon _that_ ... I shall not: first, I shall

not, because it is ungrateful—and next and principally, because my

heart stands still only to think of it...! Why did you say _that_ to

me? I could be as jealous (did I not tell you once?) as any one of

your melodramatic gitana heroines, who carries a poignard between the

white-satin sash and the spangles? I perfectly understand, at this

distance, what _jealousy_ is, would be, ought to be, must be—though I

never guessed at all what _love_ was, at _that_ distance, and startled I

am often and confounded, to see the impotency of my imagination.

Forgive the blottings out—I have not blotted out lately ... _have_ I now?

and it is pardonable once in a hundred years or days.

The rest for to-morrow. Your correspondent of the first letter you sent

me really does write like a Bennet, though he praises you. I could not

help laughing very gently, though he praises you. Good-night my only

beloved ... dearest! As _my_ Bennet says (Georgiana) when she catches

vehemently at the laurel ... ‘_I will not be forgot_’....

‘I must die ... but I WILL NOT BE FORGOT’ (in _large capitals_!) But what

_she_ applies to the Delphic groves, turns for _me_ to something more

ambitious. ‘I will not be forgot’ ... will I? shall I? not till Thursday

at least ... being ever and ever

Your own

BA.

_R.B. to E.B.B._

Tuesday.

[Post-mark, April 28, 1846.]

Now bless you, my dearest, best Ba, for this letter that comes at the

eleventh hour,—which means, at 3 o’clock. Was not I frightened! I

made sure you would write. Why, our Post emulates the Italian glory

... nay, that is _too_ savage a saying—for in Venice or Rome I should

have to go for this to the office, and only get it at last through the

forbearing honesty of every other applicant for letters during the day,

or week—since to every man and woman who thrusts his or her head in at

the window at Venice, the clerk hands coolly over the whole odd hundred,

and turns to his rest again till as many are taken as may be thought

necessary. But, Ba, dear dearest Ba, do you really mean to tell me I

_said ‘that’_ ... of ‘transferring feelings’ etc? I hope I did,—though

I cannot imagine how I ever could—say so—for so the greater fault will

be Ba’s—who drives me from one Scylla (see my critic’s account) into a

worse Charybdis through pure fear and aversion,—and then cries ‘See where

you are _now_!’ I was retreating as far as possible from that imaginary

‘woman who called out those feelings,’—might have called them out,—just

as this April sun of ours makes date-palms grow and bear—and because I

said, of the two hypotheses, the one which taught you the palms _might_

be transplanted and _live on_ here,—_that_ was the more rational ... you

turn and ask ‘So your garden will rear palms.’ Now, I tell Ba,—no, I will

kiss Ba and so tell her.

How happy Miss Bayley’s testimony makes me! One never can be too sure of

such a happiness. She has no motive for thus confirming it. You ‘look so

well’—and she not merely sees it, but _acts_ upon it,—is for deriving a

practical benefit from it, and forthwith. Then, Miss Bayley, let me try

and ‘transfer’ ... ah, the palm is too firmly rooted in my very heart,—I

can but sprinkle you over with yellow dust!

Oh, Ba; not to tell me of the _League_; the _number_!—will you please

tell me? One letter more I get, do I not? Then comes Thursday—my Thursday.

What you style ‘impertinence’ in your Brother, is very kind and

good-natured to my thinking. Well, now—see the way a newspaper criticism

affects one, nearly the only way! If this had been an attack—how it would

affect you and me matters nothing—it might affect others disagreeably—and

through them, us. So I feel very much obliged to Forster in this instance.

I kiss you with perfect love, my sweetest best Ba. May God bless you.

R.

_E.B.B. to R.B._

Tuesday.

[Post-mark, April 29, 1846.]

Dearest, you are not to blame the post, nor even me. The reason you did

not get the letter was simply that Henrietta slept over the hour, and let

it lie on the table till past eight. Still, you should have had it before

_three_ perhaps. Only the wrong was less a wrong than you fancied.

For _my_ wrongs, dearest beloved, they are mine I confess, and not yours

... ah, you are ‘evilly persecuted, and entreated’ of me, I must allow.

Yet as, with all my calumnious imputations, I think softly to myself

seven times seven times a day that no living man is worthy to stand in

your footsteps, ... why you must try to forgive and (_not_) forget me. Do

I teaze you past enduring, sometimes? Yes, yes. And wasn’t it my fault

about the ‘imaginary woman;’ that heiress, in an hypothesis, of the

‘love’ I ‘made’? Yes, yes, yes—it was, of course. Unless indeed she came

out of that famous mist, which you fined me away into, ... the day you

slew and idealized me, remember!—and, now I begin to consider, I think

she did! So we will share the fault between us, you and I. The odium of

it, I was going to say—but _odium_ is by no means the right word, perhaps.

The truth of all is, that you are too much in the excess of goodness,

... that you spoil me! There it is! Did I not tell you, warn you, that

I never was used to the purple and fine linen of such an infinite

tenderness? If you give me back my sackcloth, I shall know my right hand

from my left again, perhaps, ... guess where I stand ... what I am ...

recover my common sense. Will you? no—do not.

And for the _League_ newspaper, you mistook me, and I forgot to say so

in my letter yesterday. I told you only that the _League_ paper had

mentioned me—not noticed me. It was just ... I just shall _tell_ you,

that you may not spend another thought on such a deep subject ... it was

a mere quotation from the ‘cornships in the offing,’ with a prefatory

_as that exquisite poet Miss B ... says_! Now you are done with the

winter of your discontent? You are with the snowdrops at any rate. But

last year there was a regular criticism on my poems in that _League_

paper, and I had every reason to thank the critic. I have heard too that

Cobden is a very gracious reader of mine ... and that his Leeds (liege)

subjects generally do me the honours of popularity, more than any other

people in England. There’s glory for you, talking of palm-trees.

Ah—talking of palm-trees, you do not know what a curious coincidence your

thought is with a thought of mine, which I shall not tell you now ... but

some day perhaps. There’s a mystery! talking of Venice!

For Balzac, I have had my full or overfull pleasure from that habit of

his you speak of, ... and which seems to prove his own good faith in the

life and reality of his creations, in such a striking manner. He is a

writer of most wonderful faculty—with an overflow of life everywhere—with

the vision and the utterance of a great seer. His French is another

language—he throws new metals into it ... malleable metals, which fuse

with the heat of his genius. There is no writer in France, to my mind, at

all comparable to Balzac—none—but where is the reader in England to make

the admission?—_none_, again ... is almost to be said.

But, dearest, you do not say how you are; and _that_ silence is not

lawful, and _is_ too significant. For me, when the wind changed for a

few hours to-day, I went down-stairs with Flush, and had my walk in the

drawing-room. Mrs. Jameson has written to proclaim her coming to-morrow

at four,—so I shall hear of ‘Luria,’ I think. Remember to bring my

verses, if you please, on your Thursday. And if dreaming of me should be

good for making you love me, let me be dreamt of ... go on to dream of

me: and love me, my beloved, ever so much, without grudging,—because the

love returns to you, all of it, ... as the wave to the sea; and with an

addition of sundry grains of soiling sand, to make you properly grateful.

Take care of yourself—may God take care of you for your own

BA.

_R.B. to E.B.B._

Wednesday.

[Post-mark, April 29, 1846.]

Oh, post, post, how I am plagued by what uses to delight me! No

letter,—and I cannot but think you have written one, my Ba! It will come

perhaps at 3 o’clock. Shame and again, shame!

Meantime I will tell you what a dear, merciful Ba you are, in only

threatening me with daggers,—when you play at threatening,—instead of

declaring you will _frown_ at me.... Oh, but here ‘Fear recoils, he knows

well why, even at the sound himself has made—’

The best of it is, that this was the second fright, and by no means the

most formidable. When I read that paragraph beginning ‘you need not think

any more of going with me to Italy’—shall I only say I _was_ alarmed?

Without a particle of affectation, I tell Ba, I _am_, cannot help being,

alarmed even now—we have been discussing possibilities—and it is rather

more possible than probable that Miss Bayley may ‘carry off’ my Ba, and

her Flush, and, say, an odd volume of the Cyclic Poets, all in her pocket

... she being, if I remember, of the race of the Anakim—than that I shall

ever find in the wide world a flesh and blood woman able to bear the

weight of the ‘feelings,’ I rest now upon the B and the A which spell

Ba’s name,—only her name!

Forster sent a note last evening urging me to go and dine with him and

Leigh Hunt to-day,—there was no refusing. There is sunshine—you may have

been down-stairs—but the wind continues.

I shall know to-morrow—but surely a letter _is_ to come presently—let me

wait a little.

Nothing! Pray write if anything have happened, my own Ba!

No time—Ever your

_E.B.B. to R.B._

Friday.

[Post-mark, May 1, 1846.]

I am delighted with the verses and quite surprised by Mr. Arnould’s,

having expected to find nothing but love and law in them, and really

there is a great deal besides. Hard to believe, it was, that a university

prize poet (who was not Tennyson) could write such good verses: but he

wrote them of _you_, and _that_ was enough inspiration for _him_, I

suppose, as it would be for others, my own dearest. How I delight in

hearing you praised!—it is such a delightful assent to the word which is

in me, in the deepest of me. You know that mysterious pleasure we have,

in listening to echoes!—we hear nothing new, nothing we have not said

ourselves—yet we stand on the side of the hill and listen ... listen ...

as if to the oracles of Delphi. The very pleasure of it all is in the

repetition ... the reverberation.

When you had gone yesterday and I had taken my coffee, holding my book

... ‘La Gorgone’ a sea-romance by _Landelle_, (those little duodecimo

books are the only possible books to hold in one’s hand at coffee-times

... and the people at Rolandi’s library sent me this, which is not worth

much, I think, but quite new and very marine) ... holding my book at one

page, as if fixed ... transfixed, ... by a sudden eternity, ... well,

after all _that_ was done with, coffee and all, ... in came George, and

told me that the day before he had seen Tennyson at Mr. Venables’ house,

or chambers rather. Mr. Venables was unwell, and George went to see him,

and while he was there, came the poet. He had left London for a few days,

he said, and meant to stay here for a time ... ‘hating it perfectly’

like your Donne ... ‘seeming to detest London,’ said George ... ‘abusing

everything in unmeasured words.’ Then he had been dining at Dickens’s,

and meeting various celebrities, and Dickens had asked him to go with

him (Dickens) to Switzerland, where he [is] going, to write his new

work: ‘but,’ laughed Tennyson, ‘if I went, I should be entreating him to

dismiss his sentimentality, and so we should quarrel and part, and never

see one another any more. It was better to decline—and I have declined.’

When George had told his story, I enquired if Tennyson was what was

called an agreeable man—happy in conversation. And the reply was ...

‘yes—but quite inferior to Browning! He neither talks so well,’ observed

George with a grave consideration and balancing of the sentences, ...

‘nor has so frank and open a manner. The advantages are all on Browning’s

side, _I should say_.’ Now dear George is a little criticised you must

know in this house for his official gravity and dignity—my sisters murmur

at him very much sometimes ... poor dear George!—but he is good and kind,

and high and right minded, as we all know, and I, for my part, never

thought of criticising him yesterday when he said those words rather ...

perhaps ... barristerially, ... had they been other words.

_My_ other words must go by my next letter—I am to write to you again

presently, you are to be pleased to remember ... and that letter may

reach you, for aught I can guess, at the same moment with this. In the

meantime, ever beloved,

I am your

BA.

_R.B. to E.B.B._

Friday.

[Post-mark, May 1, 1846.]

I go to you, my Ba, with heart _full_ of love, so it seems,—yet I come

away always with a greater capacity of holding love,—for there is more

and still more,—_that_ seems too! At the beginning, I used to say (most

truly) that words were all inadequate to express my feelings,—now,

those very feelings seem, as I see them from this present moment, just

as inadequate in their time to represent what I am conscious of now.

I _do_ feel more, widelier, strangelier ... how can I tell you? You

must believe,—my only, only beloved! I daresay I have said this before,

because it has struck me repeatedly,—and, judging by past experience, I

shall need to say it again—and often again. Am I really destined to pass

my life sitting by you? And you speak of _your_ hesitation at trusting

in miracles! Oh, my Ba, my heart’s—well, Ba, I am so far guiltless of

presumption, let come what will, that I never for the moment cease to

be ... tremblingly anxious I will say,—and conscious that the good is

too great for me in this world. You do not like one to write so, I know,

but there is a safety in it—the presumptuous walk blindfold among pits,

to a proverb—and no one shall record that of me. And if I have cares

and scruples of this kind at times, or at all times, I have none where

most other people would have very many. I never ask myself, as perhaps I

should,—‘Will _she_ be happy too?’—All that seems removed from me, far

above my concernment—she—you, my Ba ... will make _me_ so entirely happy,

that it seems enough to know ... my palm-trees grow well enough without

knowing the cause of the sun’s heat. Then I think again, that your nature

is to make happy and to bless, and itself to be satisfied with that.—So

instead of fruitless speculations how to give you back your own gift,

I will rather resolve to lie quietly and let your dear will have its

unrestricted way. All which I take up the paper determining _not_ to

write,—for it is foolish, poor endeavour at best, but,—just this time it

is written. May God bless you—

R.B.

I called on Moxon, who is better, and reports cheeringly. Then I went to

my friend’s, and thence home, not much tired. I have to go out (to-day)

with my sister but only next door. To-morrow I hear from you, love, and

on Monday—(unless a pressing engagement &c.—ah!)

The letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 2 (of 2) 1845-1846 · 第 8 / 43 段