She was a pretty, clever young woman, of whom all the Costellos were

very fond. She lived with a very young husband, and a very new baby, in

a tiny cottage near the big Irish family, and pleased Mrs. Costello by

asking her advice on all domestic matters, and taking it. She made the

Costello children welcome at all hours in her tiny, shining kitchen, or

sunny little dining-room. She made them candy and told them stories. She

was a minister’s daughter, and wise in many delightful, girlish,

friendly ways.

And in return Mrs. Costello did her many a kindly act, and sent her

almost daily presents in the most natural manner imaginable.

But Mrs. Church made Alanna very unhappy about the raffled desk. It so

chanced that it matched exactly the other furniture in Mrs. Church’s

rather bare little drawing-room, and this made her eager to win it.

Alanna, at eight, long familiar with raffles and their ways, realized

what a very small chance Mrs. Church stood of getting the desk. It

distressed her very much to notice that lady’s growing certainty of

success.

She took chance after chance. And with every chance she warned Alanna of

the dreadful results of her not winning; and Alanna, with a worried line

between her eyes, protested her helplessness afresh.

'She _will_ do it, dad!' the little girl confided to him one evening,

when she and her book and her pencil were on his knee. 'And it _worries_

me so.'

'Oh, I hope she wins it,' said Teresa ardently. 'She 's not a Catholic,

but we’re praying for her. And you know people who aren’t Catholics,

dad, are apt to think that our fairs are pretty--pretty money-making,

you know!'

'And if only she could point to that desk,' said Alanna, 'and say that

she won it at a Catholic fair.'

'But she won’t,' said Teresa, suddenly cold.

'I’m _praying_ she will,' said Alanna suddenly.

'Oh, I don’t think you ought, do you, dad?' said Teresa gravely. 'Do you

think she ought, mommie? That’s just like her pouring her holy water

over the kitten. You oughtn’t to do those things.'

'I ought to,' said Alanna, in a whisper that reached only her father’s

ear.

'You suit me, whatever you do,' said Mayor Costello, 'and Mrs. Church

can take her chances with the rest of us.'

Mrs. Church seemed to be quite willing to do so. When at last the great

day of the fair came, she was one of the first to reach the hall, in the

morning, to ask Mrs. Costello how she might be of use.

'Now wait a minute, then!' said Mrs. Costello cordially. She

straightened up as she spoke, from an inspection of a box of fancy-work.

'We could only get into the hall this hour gone, my dear, and 't was a

sight, after the Native Sons' Banquet last night. It’ll be a miracle if

we get things in order for to-night. Father Crowley said he’d have three

carpenters here this morning at nine, without fail; but not one’s come

yet. That’s the way!'

'Oh, we’ll fix things,' said Mrs. Church, shaking out a dainty little

apron.

Alanna came briskly up, and beamed at her. The little girl was driving

about on all sorts of errands for her mother, and had come in to report.

'Mother, I went home,' she said, in a breathless rush, 'and told Alma

four extra were coming to lunch, and here are your big scissors, and I

told the boys you wanted them to go out to Uncle Dan’s for greens, they

took the buckboard, and I went to Keyser’s for the cheesecloth, and he

had only eighteen yards of pink, but he thinks Kelley’s have more, and

there are the tacks, and they don’t keep spool-wire, and the electrician

will be here in ten minutes.'

'Alanna, you’re the pride of me life,' said her mother, kissing her.

'That’s all now, dearie. Sit down and rest.'

'Oh, but I 'd rather go round and see things,' said Alanna, and off she

went.

The immense hall was filled with the noise of voices, hammers, and

laughter. Groups of distracted women were forming and dissolving

everywhere around chaotic masses of boards and bunting. Whenever a

carpenter started for the door, or entered it, he was waylaid, bribed,

and bullied by the frantic superintendents of the various booths.

Messengers came and went, staggering under masses of evergreen, carrying

screens, rope, suit-cases, baskets, boxes, Japanese lanterns, freezers,

rugs, ladders, and tables.

Alanna found the stage fascinating. Lunch and dinner were to be served

there, for the five days of the fair, and it had been set with many

chairs and tables, fenced with ferns and bamboo. Alanna was charmed to

arrange knives and forks, to unpack oily hams and sticky cakes, and

great bowls of salad, and to store them neatly away in a green room.

The grand piano had been moved down to the floor. Now and then an

audacious boy or two banged on it for the few moments that it took his

mother’s voice or hands to reach him. Little girls gently played 'The

Carnival of Venice' or 'Echoes of the Ball,' with their scared eyes

alert for reproof. And once two of the 'big' Sodality girls came up,

assured and laughing and dusty, and boldly performed one of their

convent duets. Some of the tired women in the booths straightened up and

clapped, and called, '_Encore_!'

Teresa was not one of these girls. Her instrument was the violin;

moreover, she was busy and absorbed at the Children of Mary’s booth,

which by four o’clock began to blossom all over its white-draped pillars

and tables with ribbons and embroidery and tissue paper, and cushions

and aprons and collars, and all sorts of perfumed prettiness.

The two priests were constantly in evidence, their cassocks and hands

showing unaccustomed dust.

And over all the confusion, Mrs. Costello shone supreme. Her brisk, big

figure, with skirts turned back, and a blue apron still further

protecting them, was everywhere at once; laughter and encouragement

marked her path. She wore a paper of pins on the breast of her silk

dress, she had a tack-hammer thrust in her belt. In her apron-pockets

were string, and wire, and tacks. A big pair of scissors hung at her

side, and a pencil was thrust through her smooth black hair. She advised

and consulted and directed; even with the priests it was to be observed

that her mild, 'Well, Father, it seems to me,' always won the day. She

led the electricians a life of it; she became the terror of the

carpenters' lives.

Where was the young lady that played the violin going to stay? Send her

up to Mrs. Costello’s.--Heavens! We were short a tablecloth! Oh, but

Mrs. Costello had just sent Dan home for one.--How on earth could the

Male Quartette from Tower Town find its way to the hall? Mrs. Costello

had promised to tell Mr. C. to send a carriage for them.

She came up to the Children of Mary’s booth about five o’clock.

'Well, if you girls ain’t the wonders!' she said to the tired little

Sodalists, in a tone of unbounded admiration and surprise. 'You make me

ashamed of me own booth. This is beautiful.'

'Oh, do you think so, mother?' said Teresa wistfully, clinging to her

mother’s arm.

'I think it’s grand!' said Mrs. Costello, with conviction. There was a

delighted laugh. 'I’m going to bring all the ladies up to see it.'

'Oh, I’m so glad!' said all the girls together, reviving visibly.

'An’ the pretty things you got!' went on the cheering matron. 'You’ll

clear eight hundred if you’ll clear a cent. And now put me down for a

chance or two; don’t be scared, Mary Riordan; four or five! I’m goin' to

bring Mr. Costello over here to-night, and don’t you let him off too

easy.'

Everyone laughed joyously.

'Did you hear of Alanna’s luck?' said Mrs. Costello. 'When the Bishop

got here, he took her all around the hall with him, and between this one

and that, every last one of her chances is gone. She couldn’t keep her

feet on the floor for joy. The lucky girl! They’re waitin' for you,

Tess, darlin', with the buckboard. Go home and lay down a while before

dinner.'

'Aren’t you lucky!' said Teresa, as she climbed a few minutes later into

the back seat with Jim, and Dan pulled out the whip.

Alanna, swinging her legs, gave a joyful assent. She was too happy to

talk, but the other three had much to say.

'Mother thinks we’ll make eight hundred dollars,' said Teresa.

'_Gee_!' said the twins together; and Dan added, 'If only Mrs. Church

wins that desk, now!'

'Who’s going to do the drawing of numbers?' Jimmy wondered.

'Bishop,' said Dan; 'and he’ll call down from the platform, "Number

twenty-six wins the desk." And then Alanna’ll look in her book, and pipe

up and say, "Daniel Ignatius Costello, the handsomest fellow in the

parish, wins the desk."'

'Twenty-six is Harry Plummer,' said Alanna seriously, looking up from

her chance-book; at which they all laughed.

'But take care of that book,' warned Teresa, as she climbed down.

'Oh, I will!' responded Alanna fervently.

And through the next four happy days she did, and took the precaution of

tying it by a stout cord to her arm.

Then on Saturday, the last afternoon, quite late, when her mother had

suggested that she go home with Leo and Jack and Frank and Gertrude and

the nurses, Alanna felt the cord hanging loose against her hand, and

looking down, saw that the book was gone.

She was holding out her arms for her coat when this took place, and she

went cold all over. But she did not move, and Minnie buttoned her in

snugly, and tied the ribbons of her hat with cold, hard knuckles,

without suspecting anything.

Then Alanna disappeared, and Mrs. Costello sent the maids and babies on

without her. It was getting dark and cold for the small Costellos.

But the hour was darker and colder for Alanna. She searched and she

hoped and she prayed in vain. She stood up, after a long hands-and-knees

expedition under the tables where she had been earlier, and pressed her

right hand over her eyes, and said aloud in her misery, 'Oh, I can’t

have lost it! I _can’t_ have. Oh, don’t let me have lost it!'

She went here and there as if propelled by some mechanical force, a

wretched, restless little figure. And when the dreadful moment came when

she must give up searching, she crept in beside her mother in the

carriage, and longed only for some honorable death.

When they all went back at eight o’clock, she recommenced her search

feverishly, with that cruel alternation of hope and despair and

weariness that everyone knows. The crowds, the lights, the music, the

laughter, and the noise, and the pervading odor of popcorn were not

real, when a shabby brown little book was her whole world, and she could

not find it.

'The drawing will begin,' said Alanna, 'and the Bishop will call out the

number! And what’ll I say? Everyone will look at me; and how can I say

I’ve lost it! Oh, what a baby they’ll call me!'

'Father’ll pay the money back,' she said, in sudden relief. But the

impossibility of that swiftly occurred to her, and she began hunting

again with fresh terror.

'But, he can’t! How can he? A hundred names; and I don’t know them, or

half of them.'

Then she felt the tears coming, and she crept in under some benches, and

cried.

She lay there a long time, listening to the curious hum and buzz above

her. And at last it occurred to her to go to the Bishop, and tell this

old, kind friend the truth.

But she was too late. As she got to her feet, she heard her own name

called from the platform, in the Bishop’s voice.

'Where’s Alanna Costello? Ask her who has number eighty-three on the

desk. Eighty-three wins the desk! Find little Alanna Costello!'

Alanna had no time for thought. Only one course of action occurred to

her. She cleared her throat.

'Mrs. Will Church has that number, Bishop,' she said.

The crowd about her gave way, and the Bishop saw her, rosy, embarrassed,

and breathless.

'Ah, there you are!' said the Bishop. 'WHO has it?'

'Mrs. Church, your Grace,' said Alanna, calmly this time.

'Well, did you _ever_!' said Mrs. Costello to the Bishop.

She had gone up to claim a mirror she had won--a mirror with a gold

frame, and lilacs and roses painted lavishly on its surface.

'Gee, I bet Alanna was pleased about the desk!' said Dan in the

carriage.

'Mrs. Church nearly cried,' Teresa said. 'But where’d Alanna go to? I

couldn’t find her until just a few minutes ago, and then she was so

queer!'

'It’s my opinion she was dead tired,' said her mother. 'Look how sound

she’s asleep! Carry her up, Frank. I’ll keep her in bed in the morning.'

* * * * *

They kept Alanna in bed for many mornings, for her secret weighed on her

soul, and she failed suddenly in color, strength, and appetite. She grew

weak and nervous, and one afternoon, when the Bishop came to see her,

worked herself into such a frenzy that Mrs. Costello wonderingly

consented to her entreaty that he should not come up.

She would not see Mrs. Church, or go to see the desk in its new house,

or speak of the fair in any way. But she did ask her mother who swept

out the hall after the fair.

'I did a good deal meself,' said Mrs. Costello, dashing one hope to the

ground.

Alanna leaned back in her chair, sick with disappointment.

One afternoon, about a week after the fair, she was brooding over the

fire. The other children were at the matinée, Mrs. Costello was out, and

a violent storm was whirling about the nursery windows.

Presently, Annie, the laundress, put her frowsy head in at the door. She

was a queer, warm-hearted Irish girl; her big arms were still steaming

from the tub, and her apron was wet.

'Ahl alone?' said Annie with a broad smile.

'Yes; come in, won’t you, Annie?' said little Alanna.

'I cahn’t. I’m at the toobs,' said Annie, coming in nevertheless. 'I was

doin' all the tableclot’s and napkins, an’ out drops your little buke!'

'My--what did you say?' said Alanna, very white.

'Your little buke,' said Annie.

She laid the chance-book on the table, and proceeded to mend the fire.

Alanna sank back in her chair. She twisted her fingers together, and

tried to think of an appropriate prayer.

'Thank you, Annie,' she said weakly, when the laundress went out. Then

she sprang for the book. It slipped twice from her cold little fingers

before she could open it.

'Eighty-three!' she said hoarsely. 'Sixty--seventy--eighty-three!'

She looked and looked and looked. She shut the book and opened it again,

and looked. She laid it on the table, and walked away from it, and then

came back suddenly, and looked. She laughed over it, and cried over it,

and thought how natural it was, and how wonderful it was, all in the

space of ten blissful minutes.

And then, with returning appetite and color and peace of mind, her eyes

filled with pity for the wretched little girl who had watched this same

sparkling, delightful fire so drearily a few minutes ago.

Her small soul was steeped in gratitude. She crooked her arm and put her

face down on it, and sank to her knees.

SPENDTHRIFTS

BY LAURA SPENCER PORTOR

I

THE story I am about to tell I have never told before. The events in it

took place when I was a child of fifteen, an oldish child of fifteen. I

had a taste for books and dreams, and a kind of adoring love of older

people; a predilection, too, for romance and wonderment. There were many

things I meant to do some day.

Among my lesser resolves was one that I had held for a good many years:

I mean the resolve some day to be a passenger in the absurd

old-fashioned 'bus that had made its daily journey, ever since I could

remember, from my home town to a small town quite off the railroad, and

some twelve miles away, the county-seat of that county in which my home

was situated.

The 'bus was an extraordinary-looking vehicle. It had the air of a huge

beetle. It creaked and rattled when it was in action. It had enormous

dipping springs. It lunged and rolled a bit from side to side as it

went. Its top bulged and had ribs across it and a low iron railing

around it, convenient for the lashing of ropes to hold the packages of

all kinds and sizes with which it usually went laden. There was a door

at the back and there were two steps by which to enter. It had the air

of being a distinguished character, even among the antiquated and

entirely individual types of vehicle still common then in the little

old-fashioned town.

This air was, no doubt, due chiefly to the large oval pictures painted,

not without some skill, on its sides. One of these depicted the rescue

of Daniel Boone by Kenton, who with the butt of a large musket was

perpetually about to brain a murderous Indian; the other dealt with

Smith’s unchanging obligation to Pocahontas.

I hardly think Keats had more lasting enjoyment of his Grecian urn with

'brede of marble men and maidens overwrought' than I of those pictures,

where, not less than in the more classic example, I saw perpetually

preserved what I took to be the most thrilling and desirable of moments,

death forever arrested by unending loyalty and undying affection.

But, interesting as all this was, it was by no means the heart of that

strange fascination with which, for so many years, I contemplated the

old beetling vehicle. Its fascination lay for me in its daily journey to

parts beyond the bounds of my narrow horizon. It plied faithfully every

week-day of the year, an envoy extraordinary, ambassador

plenipotentiary, between another world and mine. Some day I should see

that world and know it.

It must not be supposed, however, that I had in mind only the town to

which the 'bus journeyed, the mere inconsiderable county seat.

Children’s imaginations, especially when the child is just emerging into

all the glorious possibilities of womanhood, deal, not in towns, but in

worlds. The world outside my own narrow bounds of life--that was what I

meant to see and experience.

I can think of only one thing, besides the old 'bus, which roused my

fancy to an equal degree, namely, the herds of dumb cattle which were

driven past my home always once, and sometimes twice a week, to the

stockyards which lay somewhere on the outskirts of my home town. If I

close my eyes, I can still hear on hot afternoons the dark herds

trampling past, a mass of broad backs and spreading horns and wide

foreheads,--and dull or occasionally frightened eyes,--and the hurrying

hoofs, scuffling the dust.

I had never seen the stockyards. I was never informed very particularly

about them, and by some instinct, I suppose, I never inquired too

carefully. But I knew this for another world also, and dread as it was,

it fascinated me. I believe the hurrying herds stood to me for a kind of

world of fearful reality that I meant some day to look into, and the old

picture-painted 'bus for a world of romance, yonder, yonder over the dip

of the horizon, which not less, some day, I was determined to know.

Just how I came to take my resolve, and the events which precipitated

it--all this has no bearing on the story. The story begins just where I

stood that hot day in June waiting for the 'bus by the dusty mullens

beside the pike. I had walked a good mile outside the town so that none

of the townspeople would see the beginning of my adventure.

The 'bus was late, I think, even allowing for my anxiety. It came in

sight at last, at a slow beetling pace. I held up a slim finger. But not

until he was alongside did the driver begin to draw in the long reins. I

ran after the 'bus a few paces, opened the door, climbed the high steps

with a beating heart, and got in.

The driver peeked through the little peek-hole in the roof to make sure

I was safe; then he called to his horses, and the vehicle lunged ahead.

The only other passengers were an old man, unknown to me, who carried a

basket of eggs, and an old woman who lived somewhere outside the town

and whom I recognized as one we called the 'horse-radish woman.' She

stood always on a Saturday at one corner of our town market, grinding

and selling horse-radish roots, blinking with red eyes, and always

wiping the tears from them before she could make you your change. I

recognized her of course at once, but whether she knew me, I do not

know. If she did, she gave not the least evidence of it, but looked out

absently with squinted red-lidded eyes at the country as we jogged

along.

The lovely rolling Kentucky land began to spread out on all sides. Long

white curves of the pike flowed slowly behind us and were seen in

glimpses through the open front windows ahead of us. Dust rose and

settled over us.

A little while before we got to Latonia, the old horse-radish woman,

with a tin cup she carried, knocked on the ceiling of the 'bus near the

driver’s peep-hole, to warn him that she wished to get out. When we

arrived at Latonia and the horses were having water at the big trough,

the old man with the basket of eggs also left.

But I was going all the way to the county seat and I considered these

passengers much below my own level as travelers. They were merely making

a convenience of the 'bus, you see, which just happened to go past their

homes; whereas I was off for adventure, my home quite in the other

direction, and the world spread wide before me.

It was with a tourist’s pleasure, then, that I looked at that little

grouping of houses and the elm-and poplar-shaded pike, which in those

days was called, and I believe is still called, Latonia; and at the old

Latonia Springs Hotel. It was a typical relic of Southern before-the-war

hotel architecture, with its white pillars, its long verandas, its wide

doorway, its large lawn sombred by very old shade trees.

I had known something of travel. I had lived in France for two years, at

school; but there I had always had some one to go about with me. Here,

on the contrary, I was alone. I liked the flavor of the adventure; it

was novel, and very stimulating. This journey, however poor a thing it

might seem to others, had Audrey’s superlative virtue: it was mine own.

The old hotel, then, already romantic enough, took on an additional

romance in my eyes.

The driver came around now from sponging his horses' heads and noses at

the trough.

'Going all the way, are you?'

I nodded.

'Well, you can get out and stretch your legs if you like, for we’ll be

here ten minutes.'

But I did not 'like.' In the 'bus I felt safe enough; but if I got

out--adventurous spirit though I was--I knew with unconquerable shyness

that everybody would be staring at me.

I contented myself with watching the lazy coming and going of a few

people; a dog snapping at flies; some chickens taking dust-baths in the

road.

What a still, lazy place it was! Some one asked the time. The driver’s

watch had stopped. Nobody knew; it appeared not to matter. This seemed

no place for clocks. A stout lame man, having the look of a Southern war

veteran, stopped on his cane in the middle of the road, looked around

carefully at the outlying country and the shadows, then took a

calculating glance at the heavens.

'Well, I should reckon, colonel,' he said, addressing the stage-driver,

'it mout be about twenty-two minutes past two. You gen’lly get here

about two, but you was a bit late to-day, a leetle bit late, I should

say maybe to the amount of about twelve minutes.'

He leaned on his cane again and began dotting his way slowly and heavily

through the dust toward the hotel.

I could not have told whether he was in jest or earnest. But as I look

back on it now, it seems to me curiously fitting that the little town

should have had so scant dependence on timepieces, for it lay away from

all the world, and there was so little to occupy the attention, that the

houses, the dusty pike, with its slowly lengthening and slowly

shortening shadows, the fields beyond, with their great sycamores and

maples, and the sky so little interrupted from edge to edge, must each,

indeed, have been to those who had so long observed them, a sundial to

make clocks seem mere bustling contrivances.

A big fly sailed in one of the 'bus windows, round and round, droning,

and then out; it went with every effect of careful choice and

deliberation, to settle on the nose of the old dog that lay, alternately

napping and snapping, four feet in the sun.

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