CHAPTER XIV.

_THE TEMPLE._

1 KINGS v., vi., vii.

"And his next son, for wealth and wisdom famed,

The clouded Ark of God, till then in tents

Wandering, shall in a glorious temple enshrine."

_Paradise Lost_, xii. 340.

After the destructive battle of Aphek, in which the Philistines

had defeated Israel, slain the two sons of Eli, and taken captive

the Ark of God, they had inflicted a terrible vengeance on the old

sanctuary at Shiloh. They had burnt the young men in the fire,

and slain the priests with the sword, and no widows were left to

make lamentation.[233] It is true that, terrified by portents and

diseases, the Philistines after a time restored the Ark, and the

Tabernacle of the wilderness with its brazen altar still gave

sacredness to the great high place at Gibeon, to which apparently

it had been removed.[234] Nevertheless, the old worship seems

to have languished till it received a new and powerful impulse

from the religious earnestness of David. He had the mind of a

patriot-statesman as well as of a soldier, and he felt that a nation

is nothing without its sacred memories. Those memories clustered

round the now-discredited Ark. Its capture, and its parade as a

trophy of victory in the shrine of Dagon, had robbed it of all its

superstitious prestige as a fetish; but, degraded as it had been, it

still continued to be the one inestimably precious historic relic

which enshrined the memories of the deliverance of Israel from Egypt,

and the dawn of its heroic age.

As soon as David had given to his people the boon of a unique capital,

nothing could be more natural than the wish to add sacredness to

the glory of the capital by making it the centre of the national

worship. According to the Chronicles, David--feeling it a reproach

that he himself should dwell in palaces ceiled with cedar and painted

with vermilion while the Ark of God dwelt between curtains--had made

unheard-of preparations to build a house for God. But it had been

decreed unfit that the sanctuary should be built by a man whose hands

were red with the blood of many wars, and he had received the promise

that the great work should be accomplished by his son.[235]

Into that work Solomon threw himself with hearty zeal in the

month Zif[236] of the fourth year of his reign, when his kingdom

was consolidated.[237] It commanded all his sympathies as an

artist, a lover of magnificence, and a ruler bent on the work of

centralisation. It was a task to which he was bound by the solemn

exhortation of his father, and he felt, doubtless, its political as

well as its religious importance. With his sincere desire to build to

God's glory was mingled a prophetic conviction that his task would be

fraught with immense issues for the future of his people and of all

the world. The presence of the Temple left its impress on the very

name of Jerusalem. Although it has nothing to do with the Temple or

with Solomon, it became known to the heathen world as Hierosolyma,

which, as we see from Eupolemos (Euseb., _Præp. Evang._, ix. 34), the

Gentile world supposed to mean "the Temple (_Hieron_) of Solomon."

The materials already provided were of priceless value. David had

consecrated to God the spoils which he had won from conquered

kings. We must reject, as the exaggerations of national vanity, the

monstrous numbers which now stand in the text of the chronicler; but

a king whose court was simple and inexpensive was quite able to amass

treasures of gold and silver, brass and iron, precious marbles and

onyx stones. Solomon had only to add to these sacred stores.[238]

He inherited the friendship which David had enjoyed, with Hiram,

King of Tyre, who, according to the strange phrase of the Vatican

Septuagint, sent his servants "to anoint" Solomon. The friendliest

overtures passed between the two kings in letters, to which Josephus

appeals as still extant. A commercial treaty was made by which

Solomon engaged to furnish the Tyrian king with annual revenues of

wheat, barley, and oil,[239] and Hiram put at Solomon's disposal the

skilled labour of an army of Sidonian wood-cutters and artisans.[240]

The huge trunks of cedar and cypress were sent rushing down the

heights of Lebanon by schlittage, and laboriously dragged by road or

river to the shore. There they were constructed into immense rafts,

which were floated a hundred miles along the coast to Joppa, where

they were again dragged with enormous toil for thirty-five miles

up the steep and rocky roads to Jerusalem. For more than twenty

years, while Solomon was building the Temple and his various royal

constructions, Jerusalem became a hive of ceaseless and varied

industry. Its ordinary inhabitants must have been swelled by an army

of Canaanite serfs and Phœnician artisans to whom residences were

assigned in Ophel. There lived the hewers and bevellers of stone;

the cedar-cutters of Gebal or Biblos;[241] the cunning workmen in

gold or brass; the bronze-casters who made their moulds in the clay

ground of the Jordan valley; the carvers and engravers; the dyers who

stained wool with the purple of the murex, and the scarlet dye of the

trumpet fish; the weavers and embroiderers of fine linen. Every class

of labourer was put into requisition, from the descendants of the

Gibeonite _Nethinim_, who were rough hewers of wood and drawers of

water, to the trained artificers whose beautiful productions were the

wonder of the world. The "father," or master-workman, of the whole

community was a half-caste, who also bore the name of Hiram, and was

the son of a woman of Naphtali by a Tyrian father.[242]

Some writers have tried to minimise Solomon's work as a builder, and

have spoken of the Temple as an exceedingly insignificant structure

which would not stand a moment's comparison with the smallest and

humblest of our own cathedrals. Insignificant in size it certainly

was, but we must not forget its costly splendour, the remote age in

which the work was achieved, and the truly stupendous constructions

which the design required. Mount Moriah was selected as a site

hallowed by the tradition of Abraham's sacrifice, and more recently

by David's vision of the Angel of the Pestilence with his drawn sword

on the threshing-floor of the Jebusite Prince Araunah.[243] But to

utilise this doubly consecrated area involved almost superhuman

difficulties, which would have been avoided if the loftier but less

suitable height of the Mount of Olives could have been chosen. The

rugged summit had to be enlarged to a space of five hundred yards

square, and this level was supported by Cyclopean walls, which have

long been the wonder of the world.[244] The magnificent wall on the

east side, known as "the Jews' wailing-place," is doubtless the work

of Solomon, and after outlasting "the drums and tramplings of a

hundred triumphs," it remains to this day in uninjured massiveness.

One of the finely bevelled stones is 38-1/2 feet long and 7 feet

high, and weighs more than 100 tons. These vast stones were hewn from

a quarry above the level of the wall, and lowered by rollers down

an inclined plane. Part of the old wall rises 30 feet above the

present level of the soil, but a far larger part of the height lies

hidden 80 feet under the accumulated _débris_ of the often captured

city. At the south-west angle, by Robinson's arch, three pavements

were discovered, one beneath the other, showing the gradual filling

up of the valley; and on the lowest of these were found the broken

_voussoirs_ of the arch. In Solomon's day the whole of this mighty

wall was visible. On one of the lowest stones have been discovered

the Phœnician paint-marks which indicated where each of the huge

masses, so carefully dressed, edge-drafted, and bevelled, was to

be placed in the structure. The caverns, quarries, water storages,

and subterranean conduits hewn out of the solid rock, over which

Jerusalem is built, could only have been constructed at the cost of

immeasurable toil. They would be wonderful even with our infinitely

more rapid methods and more powerful agencies; but when we remember

that they were made three thousand years ago we do not wonder that

their massiveness has haunted the imagination of so many myriads of

visitors from every nation.

It was perhaps from his Egyptian father-in-law that Solomon, to his

own cost, learnt the secret of forced labour which alone rendered

such undertakings possible. In their Egyptian bondage the forefathers

of Israel had been fatally familiar with the ugly word _Mas_, the

labour wrung from them by hard task-masters.[245] In the reign of

Solomon it once more became only too common on the lips of the

burdened people.[246]

Four classes were subject to it.

1. The lightest labour was required from the native freeborn

Israelites (_ezrach_). They were not regarded as bondsmen

(עֲבָדִים), yet 30,000 of these were required in relays of 10,000 to

work, one month in every three, in the forest of Lebanon.[247]

2. There were the strangers, or resident aliens (_Gerim_), such as the

Phœnicians and Giblites, who were Hiram's subjects and worked for pay.

3. There were three classes of slaves--those taken in war, or sold

for debt, or home-born.

4. Lowest and most wretched of all, there were the vassal Canaanites

(_Toshabim_), from whom were drawn those 70,000 burden-bearers, and

80,000 quarry-men, the Helots of Palestine, who were placed under the

charge of 3600 Israelite officers. The blotches of smoke are still

visible on the walls and roofs of the subterranean quarries where

these poor serfs, in the dim torchlight and suffocating air, "laboured

without reward, perished without pity, and suffered without redress."

The sad narrative reveals to us, and modern research confirms, that the

purple of Solomon had a very seamy side, and that an abyss of misery

heaved and moaned under the glittering surface of his splendour.[248]

Jerusalem during the twenty years occupied by his building must have

presented the disastrous spectacle of task-masters, armed with rods

and scourges, enforcing the toil of gangs of slaves, as we see

them represented on the tombs of Egypt and the palaces of Assyria.

The sequel shows the jealousies and discontents even of the native

Israelites, who felt themselves to be "scourged with whips and laden

with heavy burdens." They were bondmen in all but name, for purposes

which bore very little on their own welfare. But the curses of the

wretched aborigines must have been deeper, if not so loud. They were

torn from such homes as the despotism of conquest still left to them,

and were forced to hopeless and unrewarded toil for the alien worship

and hateful palaces of their masters. Five centuries later we find a

pitiable trace of their existence in the 392 _Hierodouloi_, menials

lower even than the enslaved _Nethinim_, who are called "_sons of the

slaves of Solomon_"--the dwindling and miserable remnant of that vast

levy of Palestinian serfs.

Apart from the lavish costliness of its materials the actual Temple

was architecturally a poor and commonplace structure. It was quite

small--only 90 feet long, 35 feet broad, and 45 feet high. It was

meant for the symbolic habitation of God, not for the worship of

great congregations. It only represented the nascent art and limited

resources of a tenth-rate kingdom, and was totally devoid alike of

the pure and stately beauty of the Parthenon and the awe-inspiring

grandeur of the great Egyptian temples with their avenues of obelisks

and sphinxes and their colossal statues of deities and kings

"Staring right on with calm, eternal eyes."

When Justinian boastfully exclaimed, as he looked at his church, "_I

have vanquished thee, O Solomon_,"[249] and when the Khalif Omar,

pointing to the Dome of the Rock, murmured, "_Behold, a greater than

Solomon is here,_" they forgot the vast differences between them and

the Jewish king in the epoch at which they lived and the resources

which they could command. The Temple was built in "majestic silence."

"No workman's axe, no ponderous hammer rung,

Like some tall palm the noiseless fabric sprung."

This was due to religious reverence. It could be easily accomplished,

because each stone and beam was carefully prepared to be fitted in

its exact place before it was carried up the Temple hill.

The elaborate particulars furnished us of the measurements of Solomon's

Temple are too late in age, too divergent in particulars, too

loosely strung together, too much mingled with later reminiscences,

and altogether too architecturally insufficient, to enable us to

re-construct the exact building, or even to form more than a vague

conception of its external appearance. Both in Kings and Chronicles the

notices, as Keil says, are "incomplete extracts made independently of

one another," and vague in essential details. Critics and architects

have attempted to reproduce the Temple on Greek,[250] Egyptian,[251]

and Phœnician[252] models, so entirely unlike each other as to show

that we can arrive at no certainty.[253] It is, however, most probable

that, alike in ornamentation and conception, the building was

predominantly Phœnician.[254] Severe in outline, gorgeous in detail,

it was more like the Temple of Venus-Astarte at Paphos than any other.

Fortunately the details, apart from such dim symbolism as we may

detect in them, have no religious importance, but only an historic and

antiquarian interest.[255]

The Temple--called _Baith_ (בַּית) or _Hêkâl_ (הֵיכָל)--was

surrounded by the thickly clustered houses of the Levites, and by

porticoes[256] through which the precincts were entered by numerous

gates of wood overlaid with brass. A grove of olives, palms, cedars,

and cypresses, the home of many birds, probably adorned the outer

court.[257] This court was shut from the "higher court,"[258]

afterwards known as "the Court of the Priests," by a partition of

three rows of hewn stones surmounted by a cornice of cedar beams. In

the higher court, which was reached by a flight of steps, was the

vast new altar of brass, 15 feet high and 30 feet long, of which the

hollow was filled with earth and stones, and of which the blazing

sacrifices were visible in the court below.[259] Here also stood the

huge molten sea, borne on the backs of twelve brazen oxen, of which

three faced to each quarter of the heavens.[260] It was in the form

of a lotus blossom, and its rim was hung with three hundred wild

gourds in bronze, cast in two rows. Its reservoir of eight hundred

and eighty gallons of water was for the priestly ablutions necessary

in the butcheries of sacrifice, and its usefulness was supplemented

by ten brazen caldrons on wheels, five on each side, adorned like

"the sea," with pensile garlands and cherubic emblems.[261] Whether

"the brazen serpent of the wilderness," to which the children of

Israel burnt incense down to the days of Hezekiah, was in that court

or in the Temple we do not know.

On the western side of this court, facing the rising sun, stood the

Temple itself, on a platform elevated some sixteen feet from the

ground. Its side chambers were "lean-to" annexes (Heb., ribs; LXX.,

μέλαθρα; Vulg., _tabulata_), in three stories, all accessible by one

central entrance on the outside. Their beams rested on rebatements

in the thickness of the wall, and the highest was the broadest.

Above these were windows "skewed and closed," as the margin of the

A.V. says; or "broad within and narrow without"; or, as it should

rather be rendered, "with closed crossbeams," that is, with immovable

lattices, which could not be opened and shut, but which allowed the

escape of the smoke of lamps and the fumes of incense. These chambers

must also have had windows. They were used to store the garments of

the priests and other necessary paraphernalia of the Temple service,

but as to all details we are left completely in the dark.

Of the external aspect of the building in Solomon's day we know

nothing. We cannot even tell whether it had one level roof, or

whether the Holy of Holies was like a lower chancel at the end of

it; nor whether the roof was flat or, as the Rabbis say, ridged;

nor whether the outer surface of the three-storeyed chambers which

surrounded it was of stone, or planked with cedar, or overlaid with

plinths of gold and silver;[262] nor whether, in any case, it was

ornamented with carvings or left blank; nor whether the cornices

only were decorated with open flowers like the Assyrian rosettes.

Nor do we know with certainty whether it was supported within by

pillars[263] or not. In the state of the records as they have come

down to us, all accurate or intelligible descriptions are slurred

over by compilers who had no technical knowledge and whose main

desire was to impress their countrymen with the truth that the holy

building was--as indeed for its day it was--"exceeding magnifical of

fame and of glory throughout all countries."

In front of or just within the porch were two superb pillars,

regarded as miracles of Tyrian art, made of fluted bronze, 27 feet

high and 18 feet thick. Their capitals of 7-1/2 feet in height

resembled an open lotos blossom, surrounded by double wreaths of two

hundred pensile bronze pomegranates, supporting an abacus, carved

with conventional lily work. Both pomegranates and lilies had a

symbolic meaning.[264] The pillars were, for unknown reasons, called

Jachin and Boaz.[265] Much about them is obscure. It is not even

known whether they stood detached like obelisks, or formed Propylæa;

or supported the architraves of the porch itself, or were a sort of

gateway, surmounted by a _melathron_ with two _epithemas_, like a

Japanese or Indian _toran_.

The porch (_Olam_), which was of the same height as the house (_i.e._,

45 feet high),[266] was hung with the gilded shields of Hadadezer's

soldiers which David had taken in battle,[267] and perhaps also with

consecrated armour, like the sword of Goliath,[268] to show that "unto

the Lord belongeth our shield" (Psalm lxxxix. 18), and that "the

shields of the earth belong unto God" (Psalm xlvii. 9).

A door of cypress wood, of two leaves, made in four squares, 7-1/2

feet broad and high, turning on golden hinges overlaid with gold, and

carved with palm branches and festoons of lilies and pomegranates,

opened from the porch into the main apartment. This was the _Mikdash_

(מִקְדָּשׁ), Holy Place, or Sanctuary, and sometimes specially called

in Chaldee "the Palace" (_Hêkâl_, or _Bîrah_) (Ezra v, 14, 15,

etc.). Before it, as in the Tabernacle, hung an embroidered curtain

(_Māsak_). It was probably supported by four pillars on each side. In

the interspaces were five tables on each side, overlaid with gold,

and each encircled by a wreath of gold (_zêr_). On these were placed

the cakes of shewbread.[269] At the end of the chamber, on each side

the door of the Holiest, were five golden candlesticks with chains

of wreathed gold hanging between them. In the centre of the room

stood the golden altar of incense, and somewhere (we must suppose)

the golden candlestick of the Tabernacle, with its seven branches

ornamented with lilies, pomegranates, and calices of almond flowers.

Nothing which was in the darkness of the Holiest was visible except

the projecting golden staves with which the Ark had been carried to

its place. The Holy Place itself was lighted by narrow slits.

The entrance to the Holiest, the _Debir_, or oracle,[270] which

corresponded to the Greek _adytum_, was through a two-leaved door of

olive wood, 6 feet high and broad, overlaid with gold, and carved

with palms, cherubim, and open flowers. The partition was of cedar

wood. The floor of the whole house was of cedar overlaid with gold.

The interior of this "Oracle," as it was called--for the title "Holy

of Holies" is of later origin--was, at any rate in the later Temples,

concealed by an embroidered veil of blue, purple, and crimson, looped

up with golden chains.

The Oracle, like the New Jerusalem of the Apocalypse, was a perfect

cube, 30 feet broad and long and high, covered with gold, but

shrouded in perpetual and unbroken darkness.[271] No light was ever

visible in it save such as was shed by the crimson gleam of the

thurible of incense which the high priest carried into it once a

year on the Great Day of Atonement.[272] In the centre of the floor

must apparently have risen the mass of rock which is still visible

in the Mosque of Omar, from which it is called _Al Sakhra_, "the

Dome of the Rock." Tradition pointed to it as the spot on which

Abraham had laid for sacrifice the body of his son Isaac, when the

angel restrained the descending knife. It was also the site of

Araunah's threshing-floor, and had been therefore hallowed by two

angelic apparitions.[273] On it was deposited with solemn ceremony

the awful palladium of the Ark, which had been preserved through

the wanderings and wars of the Exodus and the troublous days of the

Judges.[274] It contained the most sacred possession of the nation,

the most priceless treasure which Israel guarded for the world. This

treasure was the Two Tables of the Ten Commandments, graven (in the

anthropomorphic language of the ancient record) by the actual finger

of God; the tables which Moses had shattered on the rocks of Mount

Sinai as he descended to the backsliding people.[275] The Ark was

covered with its old "Propitiatory," or "Mercy-seat," overshadowed

by the wings of two small cherubim; but Solomon had prepared for its

reception a new and far more magnificent covering, in the form of

two colossal cherubim, 15 feet high, of which each expanded wing was

7-1/2 feet long. These wings touched the outer walls of the Oracle,

and also touched each other over the centre of the Ark.

Such was the Temple.

It was the "forum, fortress, university, and sanctuary" of the Jews,

and the transitory emblem of the Church of Christ's kingdom. It was

destined to occupy a large share in the memory, and even in the

religious development, of the world, because it became the central

point round which crystallised the entire history of the Chosen People.

The kings of Judah are henceforth estimated with almost exclusive

reference to the relation in which they stood to the centralised

worship of Jehovah. The Spanish kings who built and decorated the

Escurial caught the spirit of Jewish annals when, in the Court of the

Kings, they reared the six colossal statues of David the originator, of

Solomon the founder, of Jehoshaphat, Hezekiah, Josiah, and Manasseh the

restorers or purifiers of the Temple worship.[276]

It required the toil of 300,000 men for twenty years to build one of

the pyramids. It took two hundred years to build and four hundred

to embellish the great Temple of Artemis of the Ephesians. It took

more than five centuries to give to Westminster Abbey its present

form. Solomon's Temple only took seven and a half years to build;

but, as we shall see, its objects were wholly different from those

of the great shrines which we have mentioned. The wealth lavished

upon it was such that its dishes, bowls, cups, even its snuffers

and snuffer trays, and its meanest utensils, were of pure gold. The

massiveness of its substructions, the splendour of its materials, the

artistic skill displayed by the Tyrian workmen in all its details

and adornments, added to the awful sense of its indwelling Deity,

gave it an imperishable fame. Needing but little repair, it stood

for more than four centuries. Succeeded as it was by the Temples of

Zerubbabel and of Herod, it carried down till seventy years after

the Christian era the memory of the Tabernacle in the wilderness, of

which it preserved the general outline, though it exactly doubled all

the proportions and admitted many innovations.[277]

The dedication ceremony was carried out with the utmost pomp. It

required nearly a year to complete the necessary preparations, and

the ceremony with its feasts occupied fourteen days, which were

partly coincident with the autumn Feast of Tabernacles.[278]

The dedication falls into three great acts. The first was the removal

of the Ark to its new home (1 Kings viii. 1-11); then followed the

speech and the prayer of Solomon (vv. 12-61); and, finally, the great

holocaust was offered (vv. 62-66).

The old Tabernacle, or what remained of it, with its precious

heirlooms, was carried by priests and Levites from the high place at

Gibeon, which was henceforth abandoned.[279] This procession was met

by another, far more numerous and splendid, consisting of all the

princes, nobles, and captains, which brought the Ark from the tent

erected for it on Mount Zion by David forty years before.

The Israelites had flocked to Jerusalem in countless multitudes,

under their sheykhs and emîrs[280] from the border of Hamath on the

Orontes,[281] north of Mount Lebanon, to the Wady el-Areesh.[282]

The king, in his most regal state, accompanied the procession, and

the Ark passed through myriads of worshippers crowded in the outer

court, from the tent on Mount Zion into the darkness of the Oracle

on Mount Moriah, where it continued, unseen perhaps by any human eye

but that of the high priest once a year, until it was carried away by

Nebuchadnezzar to Babylon.[283] To indicate that this was to be its

rest for ever, the staves, contrary to the old law, were drawn out

of the golden rings through which they ran, in order that no human

hand might touch the sacred emblem itself when it was borne on the

shoulders of the Levitic priests. "And there they are unto this day,"

writes the compiler from his ancient record, long after Temple and

Ark had ceased to exist.[284]

The king is the one predominant figure, and the high priest is not

once mentioned. Nathan is only mentioned by the heathen historian

Eupolemos. Visible to the whole vast multitude, Solomon stood in the

inner court on a high scaffolding of brass. Then came a burst of

music and psalmody from the priests and musicians, robed in white

robes, who densely thronged the steps of the great altar.[285]

They held in their hands their glittering harps and cymbals, and

psalteries in their precious frames of red sandal wood, and twelve of

their number rent the air with the blast of their silver trumpets as

Solomon, in this supreme hour of his prosperity, shone forth before

his people in all his manly beauty.

At the sight of that stately figure in its gorgeous robes the song of

praise was swelled by innumerable voices, and, to crown all, a blaze

of sudden glory wrapped the Temple and the whole scene in heaven's

own splendour (2 Chron. v. 13, 14). First, the king, standing with

his back to the people, broke out into a few words of prophetic song.

Then, turning to the multitude, he blessed them--he, and not the

high priest--and briefly told them the history and significance of

this house of God, warning them faithfully that the Temple after all

was but the _emblem_ of God's presence in the midst of them, and

that the Most High dwelleth not in temples made with hands, neither

is worshipped with men's hands as though He needed anything. After

this he advanced to the altar, and kneeling on his knees (2 Chron.

vi. 13)--a most unusual attitude among the Jews, who, down to the

latest ages, usually stood up to pray--he prayed with the palms of

his hands upturned to heaven, as though to receive in deep humility

its outpoured benefits. The prayer, as here given, consists of an

introduction, seven petitions, and a conclusion. It was a passionate

entreaty that God would hear, both individually and nationally, both

in prosperity and in adversity, the supplications of His people, and

even of strangers, who should either pray in the courts of that His

house, or should make it the _Kibleh_ of their devotions.[286]

After the dedicatory prayer both the outer and the inner court of the

Temple reeked and swam with the blood of countless victims--victims

so numerous that the great brazen altar became wholly insufficient

for them.[287] At the close of the entire festival they departed to

their homes with joy and gladness.[288]

But whatever the Temple might or might not be to the people, the

king used it as his own chapel. Three times a year, we are told, he

offered--and for all that appears, offered with his own hand without

the intervention of any priest--burnt offerings and peace offerings

upon the altar. Not only this, but he actually "burnt incense therewith

upon the altar which was before the Lord,"--the very thing which

was regarded as so deadly a crime in the case of King Uzziah.[289]

Throughout the history of the monarchy, the priests, with scarcely any

exception, seem to have been passive tools in the hands of the kings.

Even under Rehoboam--much more under Ahaz and Manasseh--the sacred

precincts were defiled with nameless abominations, to which, so far as

we know, the priests offered no resistance.

FOOTNOTES:

[233] Psalm lxxviii. 58-64.

[234] According to 2 Chron. i. 3.

[235] David's suggestion does not seem to have been received

favourably at first (2 Sam. vii. 1-17). The chronicler (1 Chron.

xxviii. 19) indulges in the amazing hyperbole that David had been

made to understand all the works of the pattern of the Temple "_in

writing_ from the hand of the Lord."

[236] The ancient Israelites named their months from the seasons,

as did the Canaanites. Only four of those old names are preserved

in the Bible: _Zif_, "brightness" (comp. _Floreal_, _Lenz_); _Bul_,

"rain-month" (_Pluviose_); _Abib_, "corn-ear month"; _Ethanim_,

"fruit-month" (_Fructidor_).

[237] In 1 Kings vi. 1 we read "in the 480th year after the children

of Israel were come out of the land of Egypt." This may possibly be

a later gloss. The LXX., Origen, Josephus, etc., omit the words,

and the Old Testament does not, as a rule, date events by epochs.

Further, the date is full of difficulties, though our received

chronology is based on it. It was perhaps arrived at after the Exile,

by counting backwards from the Decree of Cyrus, B.C. 535. See note at

the end of the volume.

[238] 1 Chron. xxii. 14 says that David (comp. xxviii., xxix.) "with

much labour" (A.V., "in my trouble," 1 Chron. xxii. 14) bequeathed to

Solomon 100,000 talents of gold and 100,000 talents of silver! This

impossible number is very considerably reduced in 1 Chron. xxix. 4,

where the mention of _darics_ shows an author living in the captivity.

[239] Comp. Ezek. xxvii. 17; Acts xii. 20.

[240] According to Tatian, _Orat. ad Græc._, p. 171, Solomon married a

daughter of Hiram. Hiram, like the Queen of Sheba, acknowledges Jehovah

as the (local) God of Israel. He was the son of Abibaal, and, according

to Menander (a Greek historian of Ephesus about B.C. 300, who consulted

Tyrian records), he began to reign at nineteen, and reigned thirty-four

years. Josephus thinks that there were two successive Hirams.

[241] _Giblim_, 1 Kings v. 18, where "and the stone-squarers" should

be "and especially the men of Gebal." LXX., Alex., οἱ Βίβλιοι; Vulg.,

_Giblii_, Comp. Ezek. xxvii. 9, Psalm lxxxiii. 7, "The ancients of

Gebal and the wise thereof were in thee." It is now Jebeil, between

Beyrout and Tripoli. The Phœnician and Sidonian artisans were famous

from the earliest antiquity for metal-work, embroidery, dyes,

ship-building, and the fine arts (Hom., _Il._, xxiii. 743; _Od._, iv.

614-18, xv. 425; Herod., iii. 19, vii. 23, 96, etc.).

[242] 2 Chron. ii. 13, iv. 16, where "a cunning man of Huram my

father's" should be "even Huram, my father," _i.e._, master-workman

or deviser (comp. Gen. xlv. 8). In Chronicles he is called the son

of a Danite mother. Here we have another of the manipulations used

by later Jewish tradition to get rid of what they disliked; for in

Eupolemos (Euseb., _Præp. Evang._, ix. 34) Hiram is said to belong to

the family of David. "Quite a little romance," as Wellhausen says,

"has been constructed out of the fact that the chronicler assigns

his mother to the tribe of Dan; but it is not worth repeating, being

a mass of hypotheses." To the dislike of Sidonian and semi-Sidonian

influence, we perhaps owe the notion that David had already received

a design from the hand of God Himself (1 Chron. xxviii. 11-19)

(Ewald, iii. 227). Jerome mentions the Jewish fable that the artist

Hiram was of the family of Aholiab, the artist of the wilderness.

[243] "Araunah the king" (2 Sam. xxiv. 23). The Temple Mount was

usually called the "Mount of the House." It is only called Mount

Moriah in 2 Chron. iii. 1. It cannot be regarded as certain that "the

land of Moriah" (Gen. xxii. 2) is identical with it.

[244] "The present platform is 1521 feet long on the east, 940 on the

south, 1617 on the west, 1020 on the north." Bartlett, _Walks about

Jerusalem_, pp. 161-70; Williams, _The Holy City_, pp. 315-62. Kugle,

_Gesch. der Baukunst_, p. 125. The excellent stone was supplied by

quarries at Jerusalem itself. Comp. "Cavati sub terra montes." (Tac.,

_Hist._, v. 12). It may have been extended by Justinian when he built

his church. See Ewald, iii. 232, "The Mount of the Temple was 500

yards square"; _Middoth_, c. 2. Comp. Ezek. xiii. 15-20, xlv. 2;

Josephus, _Antt._, XV. xi. 3.

[245] Exod. i., ii.

[246] 1 Kings iv. 6, v. 13, 14, 17, 18, ix. 15, 21, xii. 18.

[247] Ewald thinks that it was only "at the beginning" that

Solomon, like Sesostris (Diod. Sic., _Hist._, i. 56), could boast

that his work was done without exacting bitter labour from his own

countrymen. But 1 Kings ix. 22 shows that the king's opinion on

this subject differed widely from that of his people (1 Kings xi.

28, xii. 3); for we are told that he did not make _servants_ of the

children of Israel, but used them as military officers (_Sarim_) and

chariot-warriors (_Shalishim_, τριστάται) and knights. It required a

little euphemism to gild the real state of affairs. The details of

numbers in the Books of Chronicles differ from those in the Kings.

[248] 1 Kings v. 13, ix. 22; 2 Chron. viii. 9. (Omitted in the LXX.)

[249] In token of this defeat of Solomon he was represented in a

statue outside the church leaning his hand on his cheek with a

gesture of sorrow.

[250] Professor Williams, _Prolus. Architectonicæ_.

[251] Professor Hoskins (_Enc. Brit._); Canina, _Jewish Antiquities_;

Thrupp, _Ancient Jerusalem_; Count de Vogüé, _Le Temple de Jérusalem_.

[252] Fergusson, _Temples of the Jews_; E. Robbins, _Temple of Solomon_.

[253] Eupolemos (Euseb., _Præp. Evang._, ix. 30) and Alex. Polyhistor

(Clem. Alex., _Strom._, i. 21) idly talk of help furnished to Solomon

in building the Temple by an Egyptian King Vaphres, and of letters

interchanged between them. Vaphres seems to be a mere anachronism for

Hophra.

[254] The Phœnician style may, however, have been borrowed in part

from Egypt.

[255] I have spoken of the Temple in _Solomon and his Times_ (Men of

the Bible), and have there furnished some illustrations. The following

special authorities may be referred to. Stade, i. 311-57, Friederich,

_Tempel und Palast Salomo's_ (Innsbruck, 1887); Chipiez et Perrot, _Le

Temple de Jérusalem_ (Paris, 1889); Warren, _Underground Jerusalem_;

Wilson and Warren, _Recov. of Jerusalem_ (1871).

[256] _Parbarim_ (2 Kings xxiii. 11). Comp. 1 Chron. xxvi. 18 (A.V.,

"suburbs"; R.V., "precincts" and "Parbar"). Descriptions of the Temple,

imperfect, and not always accordant with each other, are found in 1

Kings v.-vii.; 2 Chron. ii.-v.; Josephus, _Antt._, VIII. iii. 7, 8.

[257] As we infer from Psalms lii. 8, lxxxiv. 3, lxxvi. 2 (where

"tabernacle" should be "covert"). Eupolemos (_ap._ Euseb., _Præp.

Evang._, etc.). Scattered passages of the Talmud which refer mainly

to Herod's Temple are full of extravagances.

[258] Jer. xxxvi. 10.

[259] 2 Chron. iv. 1. This could not have been the brazen altar of

the wilderness, the fate of which we do not know. It was far larger,

but probably on the same model, except that steps were forbidden as

an approach to the altar of the Tabernacle (Exod. xx. 24-26). It is

difficult to reconcile the description of the brazen altar with the

distinct prohibition of that passage. Comp. Ezek. xliii. 17.

[260] The huge stone vase of Amathus was borne on a bull (Duncker,

ii. 184). Josephus says that in making these oxen Solomon broke the

law (_Antt._, VIII. vii. 5), as well as by the lions on his throne.

The Romans called huge vases _lacus_.

[261] The descriptions of these lavers, whether in the Hebrew, the

LXX., or Josephus, are not intelligible, and are wholly unimportant.

[262] Like the palace of Ecbatana (Polyb., x. 27, 10; Herod., i.

98), and possibly the upper stories of the great temple of Bel at

Birs-Nimrud (Borsippa).

[263] In 1 Kings x. 12 "pillars" should be "a rail" or "balustrade."

Heb., מִסְעָד; LXX., ὑποστηρίγματα; Vulg., _fulcra_.

[264] Lilies symbolised beauty and innocence; pomegranates good

works (so the Chaldee in Cant. iv. 13, vi. 11, Bähr, _Symbol._, ii.

122). Raphael crowns his Theology with pomegranates, Giotto places a

pomegranate in the hand of his youthful Dante, and Giovanni Bellini

in the hand of the Virgin Mary.

[265] Some suppose that the words imply "He will establish" (Jachin)

"in strength" (Boaz). "After some favourite persons of the time,

perhaps young sons of Solomon," says Ewald, very improbably. LXX. (2

Chron. iii. 17), Κατόρθωσις and Ἰσχύς. See a description of these

pillars in Jer. lii. 21-23.

[266] Some writers have supplied the Temple with a porch 180 feet

high, misled by the astounding method of the chronicler of adding the

four sides into the total. Thus, he tells us that the wings of the

cherubim were 30 feet long, meaning that each single wing was 7-1/2

feet long (2 Chron. iii. 11). Josephus does the same in telling us

the height of the Temple wall.

[267] The ground plans of most ancient temples were alike.

[268] 2 Sam. viii. 7; 1 Chron. xviii. 7.

[269] So 2 Chron. iv. 8. But it would seem from 1 Kings vii. 48; 2

Chron. xiii. 11, xxix. 18 that only one table and one candlestick

were ordinarily used.

[270] St. Jerome rendered _debir_ by _oraculum_, but some derive it

from the Arabic root _dabar_, "to be behind," not from דָבָר, "to

speak" (Munk, p. 290).

[271] In Zerubbabel's and Herod's Temples there was a curtain

(_Parocheth_) before the Holiest; but we read of no such curtain

in Solomon's, except in 2 Chron. iii. 14. The fact that the staves

of the Ark were _visible_ seems to show that there was not one.

The chronicler speaks of "_the_ vail" (2 Chron. iii. 14), showing,

apparently, that there was only one; and does not mention the

_Māsak_, which hung between the Porch and the Holy Place. Except in 2

Chron. iii. 14, the only mention of either is in the "Priestly Code."

Since the Oracle had a door, one hardly sees why there should also

have been a curtain. But the whole subject is obscure, and perhaps

the chronicler is sometimes thinking of the second Temple.

[272] We read nothing, however, of any observance of the Day of

Atonement till centuries later.

[273] 2 Sam. xxiv. 25 (LXX.); 1 Chron. xxii. 1; 2 Chron. iii. 1;

Josephus, _Antt._, I. xiii. 1, VII. xiii. 4; Targum of Onkelos on

Gen. xii.

[274] "The Ark of the Lord," or "of the Testimony," or "of the

Covenant," was an oblong chest of acacia wood, overlaid with gold,

surmounted by a border of gold, and resting on four feet, to which

(A. V. corners) were attached golden rings.

[275] 1 Kings viii. 9. The pot of manna and the budded rod of Aaron

were placed before it (Exod. xvi. 34; Numb. xvii. 10), and the Book

of the Law beside it (Deut. xxxi. 26). The Mercy-seat above was

more sacred than the Ark itself (Lev. xvi. 2). It was the cover

(_Kapporeth_, ἐπίθεμα) of the Ark, and was partly formed of two

winged cherubim which gazed down upon it and faced each other.

[276] Stanley, ii. 203.

[277] The Tyrian adornments; the steps to the altar; the ten

candlesticks, and tables; the lions and oxen.

[278] The Temple was finished in the eighth month of Solomon's eleventh

year, and dedicated in the seventh month (_Ethanim_, or Tisri) of the

twelfth year. The first eight days (8th to 15th) were devoted to the

Feast of Dedication, and then from the 15th to the 22nd they kept the

Feast of Tabernacles. On the 23rd (the eighth day from the beginning

of the Feast of Tabernacles, called _'atsereth_, 2 Chron. 10) Solomon

dismissed the people. The עֲצֶרֶת, "solemn assembly," is not mentioned

in Exodus or Deuteronomy, but in Lev. xxiii. 36.

[279] It was perhaps stored away in one of the Temple chambers (2

Macc. ii. 4). The Gibeonites (_Nethinim_) were at the same time

transferred to Jerusalem. The chronicler (2 Chron. v. 6) says that

_the Levites_ took the Ark, according to the Levitic rule; but 1

Kings viii. 3 says that _the priests_ bore it, as in Deut. xxxi. 9,

and in all the præ-exilic histories (Josh. iii. 3, vi. 6; 2 Sam. xv.

24-29, etc.). W. Robertson Smith, p. 144.

[280] The sheykhs are heads of clans; the emîrs of tribes (Reuss, i.

444).

[281] The Greek Ἐπιφάνεια. Solomon seems to have had some

jurisdiction there (2 Chron. viii. 6).

[282] The torrent (_nachal_) of Egypt.

[283] The Holiest, being an unlighted cube, must always have been

dim; but, as we have seen, we have no proof that in Solomon's Temple

the entrance to it was shrouded by a curtain. In 1 Kings viii. 12,

for "The Lord said that He would dwell _in the thick darkness_," the

Targum had "_In Jerusalem_."

[284] In 1 Kings viii. 4 we read that "the priests and the Levites"

brought up to Jerusalem "the Tabernacle of the congregation." But the

LXX. only has οἱ ἱερεῖς. In 2 Chron. v. 5 the Hebrew text has "the

Levites" in some MSS., or "the priests, the Levites"--_i.e._, the

Levitic priests. For "the priests took up the ark" (1 Kings viii. 3)

the chronicler has "the Levites" (comp. Numb. iii. 31, iv. 15). It is

at least doubtful whether the distinction between priests and Levites

is older than the Priestly Code and the days of Ezekiel. Also, the

LXX. in 1 Kings viii. 4 puts "witness" for "congregation," and some

critics maintain that "congregation" (_'edah_) is post-exilic. (See

Robertson Smith, Enc. Brit., s.v. Kings). See _infra_, pp. 189, 190.

[285] Some psalm, like Psalm cxxxvi., was probably sung by alternate

choirs, but hardly in the attitude of prostration which followed the

sudden blaze of glory (2 Chron. vii. 3).

[286] "The prayer" is of extreme beauty, but it belongs by its ideas to

the seventh and not to the eleventh or tenth centuries B.C. (Ewald).

It is probably added by a later editor who took the Deuteronomic

standpoint. It is found, sometimes almost word for word, in Lev. xxvi.

and Deut. xxviii.; but there are many variations between the Hebrew

and the LXX., and Kings and Chronicles. Looking only at actual facts,

not at _a priori_ theories, we see that, as Professor Driver says

(_Contemporary Review_, Feb. 1890), "the Hebrew historians used some

freedom in attributing speeches to historical characters." Thus, both

the syntax and vocabulary, to say nothing of the thoughts of various

speeches attributed to David by the chronicler, are sometimes such as

mark the latest period in the history of the language, and are often

quite without precedent in præ-exilic literature. Some feelings which

gathered round the Temple find expression in Psalms xxiv., xxvii.,

xlii., lxxii., lxxxiv., cxxii., and in more extravagant and less

spiritual forms throughout the Talmud. _Soteh_, f. 48; _Berachoth_, f.

591; _Moed Qaton_, f. 261, etc.

[287] The Khalif Moktader sacrificed at Mecca 40,000 camels and

50,000 sheep (Burton's _Pilgrimage_, i. 318). Solomon offered burnt

offerings (_oloth_) and thank offerings (_shellamim_). No mention is

made of sin offerings; and it may be doubted whether they had any

separate existence till the days of the Exile.

[288] 1 Kings viii. 66, "went unto their _tents_," is a reminiscence

of earlier days. The chronicler (1) extends the feast to fourteen

days, according to which there is an interpolation, "and seven days,

even fourteen days," in verse 65; (2) he says that the sacrifices

were consumed by fire from heaven.

[289] 1 Kings ix. 25. The Hebrew text seems to have been tampered

with, and the allusions significantly disappear from 2 Chron. viii.

12, 13. The commentators assiduously try to clear away the difficulty.

The Expositor's Bible: The First Book of Kings · 第 9 / 21 章