his family, 3 4
letters of administration of his estate, 3 and _n_ 3
Shakespeare, Richard, of Wroxhall, 3
Shakespeare, Susanna, a daughter of the poet, 22
_See also_ Hall, Mrs. Susanna
Shakespeare, Thomas, probably one of the poet's uncles, 3 4
SHAKESPEARE, WILLIAM: parentage and birthplace, 1-9
childhood, education, and marriage, 10-24
(_see also_ Education of Shakespeare; Poaching; Shakespeare,
Anne)
departure from Stratford, 27-31
theatrical employment, 32-4
joins the Lord Chamberlain's company, 36
his _roles_, 43
his first plays, 50-73
publication of his poems, 74 76 _seq._
his Sonnets, 83-124 151-6
patronage of the Earl of Southampton, 125-50 374
plays composed between 1595 and 1598, 161-73
his popularity and influence, 176-79
returns to Stratford, 187
buys New Place, 193
financial position before 1599, 196 _seq._
financial position after 1599, 200 _seq._
formation of his estate at Stratford, 204 _seq._
plays written between 1599 and 1609, 207-47
the latest plays, 248 _seq._
performance of his plays at Court, 264
(_see also_ Court; Whitehall; Elizabeth, Queen; James I)
final settlement in Stratford (1611), 266 _seq._
death (1616), 272
his will, 273 _seq._
monument at Stratford, 276
personal character, 277-9
his survivors and descendants, 280 _seq._
autographs, portraits, and memorials, 284-98
bibliography, 299-325
his posthumous reputation in England and abroad, 326-54
general estimate of his work, 355-7
biographical sources, 361-5
alleged relation between him and the Earl of Pembroke, 411-15
Shakespeare Gallery in Pall Mall, 341
'Shakespeare Society,' the, 333 365
Shallow, Justice, Sir Thomas Lucy caricatured as, 29
his house in Gloucestershire, 167 168 173
Sheldon copy of the First Folio, the, 309 310
Shelton, Thomas, translator of 'Don Quixote,' 258
Shiels, Robert, compiler of 'Lives of the Poets,' 32 _n_ 3
Shottery, Anne Hathaway's Cottage at, 19
Shylock, sources of the portrait of, 67 68 and _n_
Siddons, Mrs. Sarah, 337 338
Sidney, Sir Philip: on the absence of scenery in a theatre, 38 _n_ 2
translation of verses from 'Diana,' 53
Shakespeare's indebtedness to him, 61
addressed as 'Willy' by some of his eulogists, 81
his 'Astrophel and Stella,' brings the sonnet into vogue, 83
piracy of his sonnets, 88 _n_ 432
circulation of manuscript copies of his 'Arcadia,' 88 _n_
his addresses to Cupid in his 'Astrophel,' 97 _n_
warns the public against the insincerity of sonnetteers, 104
on the conceit of the immortalising power of verse, 114
his praise of 'blackness,' 119 and _n_ 1
sonnet on 'Desire,' 153
use of the word 'will,' 417
editions of 'Astrophel and Stella,' 428 429
popularity of his works, 429
Sidney, Sir Robert, 382
Singer, Samuel Weller, 324
Sly, Christopher, probably drawn from life, 164 165 166 167 221 _n_
Smethwick, John, bookseller, 304
Smith, Richard, publisher, 431
Smith, Wentworth, 157 _n_
plays produced by, 180 _n_
Smith, William, sonnets of, 138 _n_ 2 157 _n_ 390 437
Smith, Mr. W. H., and the Baconian hypothesis, 372
Smithson, Miss, actress, 351
Snitterfield, Richard Shakespeare rents land of Robert Arden at, 3 6
departure of John Shakespeare, the poet's father, from, 4
the Arden property at, 7
sale of Mary Shakespeare's property at, 12 and _n_ 1 186
Snodham, Thomas, printer, 180
Somers, Sir George, wrecked off the Bermudas, 252
Somerset House, Shakespeare and his company at, 233 and _n_ 2
Sonnet in France (1550-1600), the, bibliographical note on (Appendix X.),
442-5
Sonnets, Shakespeare's: the poet's first attempts, 84
the majority probably composed in 1594, 85
a few written between 1594 and 1603 (e.g. cvii.)
their literary value, 87 88
circulation in manuscript, 88 396
commended by Meres, 89
their piratical publication in 1609, 89-94 390
their form, 95 96
want of continuity, 96 100
the two 'groups,' 96 97
main topics of the first 'group,' 98 99
main topics of the second 'group,' 99 100
rearrangement in the edition of 1640, 100
autobiographical only in a limited sense, 100 109 125 152 160
censure of them by Sir John Davies, 107
their borrowed conceits, 109-24
indebtedness to Drayton, Petrarch, Ronsard, De Baif, Desportes, and
others, 110-12
the poet's claim of immortality for his sonnets, 113-16 cf. 114 _n_
1
the 'Will Sonnets,' 117 (and Appendix VIII)
praise of 'blackness,' 118
vituperation, 120-4
'dedicatory' sonnets, 125 _seq._
the 'rival poet,' 130-6
sonnets of friendship, 136 138-47
the supposed story of intrigue 153-8
summary of conclusions respecting the sonnets, 158-60
edition of 1640, 300
Sonnets, quoted with explanatory comments:
xx. 93 _n_ : xxvi. 128 _n_ : xxxii. 128 129 _n_ : xxxvii. 130
xxxviii. 129 : xxxix. 130 : xlvi.-xlvii. 112 113 _n_ 1
lv. 115 116 : lxxiv. 130 (_quot._) : lxxviii. 125
lxxx. 134 : lxxxv. 133 : lxxxvi. 132 : lxxxviii. 133
lxxxix. 133 : xciv. 1 14 72 89 : c. 126
ciii. 126 : cvii. 13 _n_ 87 147 149 380
cviii. 130 : cx. 44 130 : cxi. 45 : cxix. 152 and _n_
cxxiv. 425 : cxxvi. 97 and _n_ : cxxvii. 118
cxxix. 152 153 and _n_ 1 : cxxxii. 118
cxxxv.-cxxxvi. 420-424 : cxxxviii. 89
cxliii. 93 _n_ 425 426 and _n_ : cxliv. 89 153 301
cliii.-cliv. 113 and _n_ 2
the vogue of the Elizabethan: English sonnettering inaugurated by
Wyatt and Surrey, 83 427 428
followed by Thomas Watson, 83 428
Sidney's 'Astrophel and Stella,' 83 428 429 and _n_
poets celebrate patrons' virtues in sonnets, 84
conventional device of sonnetteers of feigning old age, 85 86 _n_
lack of genuine sentiment, 100
French and Italian models, 101 and _n_ 1 102-5 Appendices IX. and
X.
translations from Du Bellay, Desportes, and Petrarch, 101 and _n_ 4
102 103
admissions of insincerity, 105
censure of false sentiment in sonnets, 106
Shakespeare's scornful allusions to sonnets in his plays, 107 108
vituperative sonnets, 120-24
the word 'sonnet' often used for 'song' or 'poem,' 427 _n_ 2
I. Collected sonnets of feigned love, 1591-7, 429-40
II. Sonnets to patrons, 440
III. Sonnets on philosophy and religion, 440 441
number of sonnets published between 1591 and 1597, 439-41
various poems in other stanzas practically belonging to the sonnet
category, 438 _n_ 2
Soothern, John, sonnets to the Earl of Oxford, 138 _n_ 2
Sophocles, parallelisms with the works of Shakespeare, 13 _n_
Southampton, Henry Wriothesley, third Earl of, 53
the dedications to him of 'Venus and Adonis' and 'Lucrece,' 74 77
his patronage of Florio, 84 _n_
his patronage of Shakespeare, 126-50
his gift to the poet, 126 200
his youthful appearance, 143
his identity with the youth of Shakespeare's sonnets of 'friendship'
evidenced by his portraits, 144 and _n_ 145 146
imprisonment, 146 147 380
his long hair, 146 _n_ 2
his beauty, 377
his youthful career, 374-381
as a literary patron, 382-9
Southwell, Robert, circulation of incorrect copies of 'Mary Magdalene's
Tears' by, 88 _n_
publication of "A Foure-fould Meditation' by, 92 400 and _n_ 401 _n_
dedication of his 'Short Rule of Life,' 397
Southwell, Father Thomas, 371
Spanish, translation of Shakespeare's plays into, 354
_Spanish Tragedy_, Kyd's, popularity of, 65 221
quoted in the _Taming of the Shrew_, 221 _n_
Spedding, James, 262
Spelling of the poet's name, 284-6
Spenser, Edmund: probably attracted to Shakespeare by the poems 'Venus
and Adonis' and 'Lucrece,' 79
his description of Shakespeare in 'Colin Clouts come home againe,'
79
Shakespeare's reference to Spenser's work in _Midsummer Night's
Dream_, 80
Spenser's allusion to 'our pleasant Willy' not a reference to the
poet, 80 and _n_
his description of the 'gentle spirit' no description of
Shakespeare, 81 and _n_ 2
translation of sonnets from Du Bellay and Petrarch, 101
called by Gabriel Harvey 'an English Petrarch,' 101 and cf. _n_ 4
on the immortalising power of verse, 115
his apostrophe to Admiral Lord Charles Howard, 140
his 'Amoretti,' 115 435 and _n_ 5 436
dedication of his 'Faerie Queene,' 398
'Spirituall Sonnettes' by Constable, 440
Sport, Shakespeare's knowledge of, 26 27 and _n_ 173
Stael, Madame de, 449
Stafford, Lord, his company of actors, 33
Stage, conditions of, in Shakespeare's day: absence of scenery and scenic
costume, 38 and _n_ 2
the performance of female parts by men or boys, 38 and _n_ 2
the curtain and balcony of the stage, 38 _n_ 2
Stanhope of Harrington, Lord, 234 _n_
'Staple of News, The,' Jonson's quotations from _Julius Caesar_ in, 220
_n_
Staunton, Howard, 311
his edition of the poet, 323 324
Steele, Richard, on Betterton's rendering of Othello, 334
Steevens, George: his edition of Shakespeare, 320
his revision of Johnson's edition, 320 321
his criticisms, 320 321
the 'Puck of commentators,' 321
Stinchcombe Hill referred to as 'the Hill' in _Henry IV_, 168
Stopes, Mrs. C. C., 363
Strange, Lord. _See_ Derby, Earl of
Straparola, 'Notti' of, and the _Merry Wives of Windsor_, 172
Stratford-on-Avon, settlement of John Shakespeare, the poet's father, at,
4
property owned by John Shakespeare in, 5 8
the poet's birthplace at, 8 9
the Shakespeare Museum at, 8 297
the plague in 1564 at, 10
actors for the first time at, 10
and the Reformation, 10 _n_
the Shoemakers' Company and its Master, 12 _n_ 3
the grammar school, 13
Shakespeare's departure from, 27 29 31
native place of Richard Field, 32
allusions in the _Taming of the Shrew_ to, 164
the poet's return in 1596 to, 187
the poet's purchase of New Place, 193
appeals from townsmen to the poet for aid, 195 196
the poet's purchase of land at, 203 204-6
the poet's last years at, 264 266
attempt to enclose common lands and Shakespeare's interest in it,
269 270
the poet's death and burial at, 272
Shakespeare memorial building at, 298
the 'Jubilee' and the tercentenary, 334
Suckling, Sir John, 328
'Sugred,' an epithet applied to the poet's work, 179 and _n_ 390
Sullivan, Barry, 298
Sully, M. Mounet, 351 and _n_ 1
Sumarakow, translation into Russian by, 352
_Supposes_, the, of George Gascoigne, 164
Surrey, Earl of, sonnets of, 83 95 101 _n_ 4 427 428
Sussex, Earl of, his company of actors, 35
_Titus Andronicus_ performed by, 36 66
Swedish, translations of Shakespeare in, 354
'Sweet,' epithet applied to Shakespeare, 277
Swinburne, Mr. A. C., 63 71 72 _n_ 333 365
Sylvester, Joshua, sonnets to patrons by, 388 440 and _n_
T
Taille, Jean de la, 445 _n_
_Tamburlaine_, Marlowe's, 63
_Taming of A Shrew_, 163
_Taming of The Shrew_: probable period of production, 163
identical with _Love's Labour's Won_, 163
and _The Taming of A Shrew_, 163 164
the story of Bianca and her lovers and the _Supposes_ of George
Gascoigne, 164
biographical bearing of the Induction, 164
quotation from the _Spanish Tragedy_, 221 _n_
_For_ editions _see_ Section xix. (Bibliography), 305-25
Tarleton, Richard, 81
his 'Newes out of Purgatorie' and the _Merry Wives of Windsor_, 172
Tasso, similarity of sentiment with that of Shakespeare's sonnets, 152
_n_
'Teares of Fancy,' Watson's, 428 433
'Teares of the Isle of Wight,' elegies on Southampton, 389
'Teares of the Muses,' Spenser's, referred to in _Midsummer Night's
Dream_, 80
_Tempest_, _The_: traces of the influence of Ovid, 15 25 _n_ 43
the shipwreck akin to a similar scene in _Pericles_, 244
probably the latest drama completed by the poet, 251
and the shipwreck of Sir George Somers's fleet on the Bermudas, 252
the source for the plot, 253
performed at the Princess Elizabeth's nuptial festivities, 254
the date of composition, 254 and _n_
its performance at Whitehall in 1611, 254 _n_
its lyrics, 255 and _n_
Ben Jonson's scornful allusion to, 255
reflects the poet's highest imaginative powers, 256
fanciful interpretations of, 256 257
chief characters of, 256 257 and _notes_ 1 and 2.
_For_ editions _see_ Section xix. (Bibliography), 301-325
Temple Grafton, 23 24 and _n_
'Temple Shakespeare, The,' 325
Tercentenary festival, the Shakespeare, 334
'Terrors of the Night,' piracy of, 88 _n_
nocturnal habits of 'familiars' described in, 135 _n_
Terry, Miss Ellen, 339
Theatre, The, at Shoreditch, 32
owned by James Burbage, 33 36
Shakespeare at, between 1595 and 1599, 37
demolished, and the Globe Theatre built with the materials, 37
Theatres in London: Blackfriars (_q.v._)
Curtain (_q.v._)
Duke's, 295
Fortune, 212 233 _n_ 1
Globe (_q.v._)
Newington Butts, 37
Red Bull, 31 _n_ 2
Rose (_q.v._)
Swan, 38 _n_ 2
The Theatre, Shoreditch (_q.v._)
Theobald, Lewis, his emendations of _Hamlet_, 224
publishes a play alleged to be by Shakespeare, 258
his criticism of Pope, 316
his edition of the poet's works, 316 317
Thomas, Ambroise, opera of _Hamlet_ by, 351
Thoms, W. J., 363
Thornbury, G. W., 363
Thorpe, Thomas, the piratical publisher of Shakespeare's Sonnets, 89-95
his relations with Marlowe, 90 135 _n_
adds 'A Lover's Complaint' to the collection of Sonnets, 91
his bombastic dedication to 'Mr. W. H.', 92-5
the true history of 'Mr. W. H.' and, (Appendix V.) 390-405
_Three Ladies of London_, _The_, some of the scenes in the _Merchant of
Venice_ anticipated in, 67
Thyard, Ponthus de, a member of 'La Pleiade' 443 444
Tieck, Ludwig, theory respecting _The Tempest_ of, 254 333 344
Tilney, Edmund, master of the revels, 233 _n_ 2
_Timon of Athens_: date of composition, 242
written in collaboration, 242
a previous play on the same subject, 242
its sources, 243
_For_ editions _see_ Section xix. (Bibliography), 305-25
_Timon_, Lucian's, 243
_Titus Andronicus_: one of the only two plays of the poet's performed by
a company other than his own, 36
doubts of its authenticity, 65
internal evidence of Kyd's authorship, 65
suggested by _Titus and Vespasian_, 65
played by various companies, 66
entered on the 'Stationers' Register' in 1594, 66
_For_ editions _see_ Section xix. (Bibliography), 301-25
_Titus and Vespasian_, _Titus Andronicus_ suggested by, 65
Tofte, Robert, sonnets by, 438 and _n_ 2
Topics of the day, Shakespeare's treatment of, 51 _n_, 52
Tottel's 'Miscellany,' 427 428
Tours of English actors: in foreign countries between 1580 and 1630, 42
and _see_ _n_ 1
in provincial towns, 39 40-42 65 214
itinerary from 1593 to 1614, 40 _n_ 1 231
Translations of the poet's works, 342 _seq._
Travel, foreign, Shakespeare's ridicule of, 42 and _n_
'Troilus and Cresseid,' 227
_Troilus and Cressida_: allusion to the strife between adult and boy
actors, 217
date of production, 217 225
the quarto and folio editions, 226 227
treatment of the theme, 227 228
the endeavour to treat the play as the poet's contribution to
controversy between Jonson and Marston and Dekker, 228 _n_
plot drawn from Chaucer's 'Troilus and Cresseid and Lydgate's 'Troy
Book,' 227
_For_ editions _see_ Section xix. (Bibliography), 301-25
'Troy Book,' Lydgate's, 227
_True Tragedie of Richard III_, _The_, an anonymous play, 63 301
_True Tragedie of Richard_, _Duke of Yorke_, _and the death of good King
Henry the Sixt_, _as it was sundrie times acted by the Earl of Pembroke
his servants_, _The_, 59
Turbervile, George, use of the word 'sonnet' by, 427 _n_ 2
_Twelfth Night_: description of a betrothal, 23 _n_
indebtedness to the story of 'Apollonius and Silla,' 53
date of production, 209
allusion to the 'new map,' 209 210 _n_ 1
produced at Middle Temple Hall, 210
Manningham's description of, 210
probable source of the story, 210
_For_ editions _see_ Section xix. (Bibliography), 301-25
Twiss, F., 364 _n_
_Two Gentlemen of Verona_: allusion to Valentine travelling from Verona
to Milan by sea, 43
date of production, 52
probably an adaptation, 53
source of the story, 53
farcical drollery, 53
first publication, 53
influence of Lyly, 62
satirical allusion to sonnetteering, 107 108
resemblance of it to _All's Well that Ends Well_, 163
_For_ editions _see_ Section xix. (Bibliography), 301-25
_Two Noble Kinsmen_, _The_: attributed to Fletcher and Shakespeare, 259
and _n_
Massinger's alleged share in its production, 259
plot drawn from Chaucer's 'Knight's Tale,' 260
Twyne, Lawrence, the story of Pericles in the 'Patterne of Painfull
Adventures' by, 244
Tyler, Mr. Thomas, on the sonnets, 129 _n_ 406 _n_ 415 _n_
U
Ulrici, 'Shakespeare's Dramatic Art' by, 345
V
Variorum editions of Shakespeare, 322 323 362
Vautrollier, Thomas, the London printer, 32
_Venesyon Comedy_, _The_, produced by Henslowe at the Rose, 69
'Venus and Adonis:' published in 1593, 74
dedicated to the Earl of Southampton, 74 126
its imagery and general tone, 75
the influence of Ovid, 75
and of Lodges 'Scillaes Metamorphosis,' 75 and _n_ 2
the motto, 75 and _n_ 1
eulogies bestowed upon it, 78 79
early editions, 79 299 300
Verdi, operas by, 352
Vere, Lady Elizabeth, 378
Vernon, Mistress Elizabeth, 379
Versification, Shakespeare's, 49 and _n_ 50
Vigny, Alfred de, version of _Othello_ by, 351
Villemain, recognition of the poet's greatness by, 350
Virginia Company, 381
Visor, William, in _Henry IV_, member of a family at Woodmancote, 168
Voltaire, strictures on the poet by, 348 349
Voss, J. H., German translation of Shakespeare by, 344
W
Walden, Lord, Campion's sonnet to, 140
Wales, Henry, Prince of, the Earl of Nottingham's company of players
taken into the patronage of, 231 _n_
Walker, William, the poet's godson, 276
Walker, W. Sidney, on Shakespeare's versification, 49 _n_
Walley, Henry, printer, 226
Warburton, Bishop, revised version of Pope's edition of Shakespeare by,
318 319
Ward, Dr. A. W., 365
Ward, Rev. John, on the poet's annual expenditure, 203
on the visits of Drayton and Jonson to New Place before the poet's
death, 271
his account of the poet, 361
Warner, Richard, 364
Warner, William, the probable translator of the _Menaechmi_, 54
Warren, John, 300
Warwickshire: prevalence of the surname Shakespeare, 1 2
a position of the Arden family, 6
Queen Elizabeth's progress on the way to Kenilworth, 17
Watchmen in the poet's plays, 31 62
Watkins, Richard, printer, 393
Watson, Thomas, 61
the passage on Time in his 'Passionate Centurie of Love' elaborated
in 'Venus and Adonis,' 77 and _n_ 2
his sonnets, 83 427 _n_ 2 428
plagiarisation of Petrarch, 101 _n_ 4 102
foreign origin of his sonnets, 103 _n_ 1 112
his 'Tears of Fancie,' 113 _n_ 1 433
'Weak endings' in Shakespeare, 49 _n_
Webbe, Alexander, makes John Shakespeare overseer of his will, 11
Webbe, Robert, buys the Snitterfield property from Shakespeare's mother,
12 and _n_
Webster, John, alludes in the _White Divel_ to Shakespeare's industry,
278 _n_
Weelkes, Thomas, 182 _n_
Weever, Thomas: his eulogy of the poet, 179 _n_
allusion in his 'Mirror of Martyrs' to Antony's speech at Caesar's
funeral, 211
Welcombe, enclosure of common fields at, 269 270 and _n_
'Westward for Smelts' and the _Merry Wives of Windsor_, 172 and _n_ 3
story of Ginevra in, 249
Whateley, Anne, the assumed identification of her with Anne Hathaway, 23
24 and _n_
Wheler, R. B., 363
Whetstone, George, his _Promos and Cassandra_, 237
White, Mr. Richard Grant, 325
Whitehall, performances at, 81 82 234 235 and _n_ 241 254 _n_ 264
Wieland, Christopher Martin: his translation of Shakespeare, 343
Wilkins, George, his collaboration with Shakespeare in _Timon of Athens_
and _Pericles_, 242 243
his novel founded on the play of _Pericles_, 244
Wilks, Robert, actor, 335
Will, Shakespeare's, 203 271 273-276
'Will' sonnets, the, 117
Elizabethan meanings of 'will,' 416
Shakespeare's uses of the word, 417
the poet's puns on the word, 418
play upon 'wish' and 'will,' 419
interpretation of the word in Sonnets cxxiv.-vi. and cxliii., 420-26
'Willobie his Avisa,' 155-158
Wilmcote, house of Shakespeare's mother, 6 7
bequest to Mary Arden of the Asbies property at, 7
mortgage of the Asbies property at, 12 26
and 'Wincot' in _The Taming of the Shrew_, 166 167
Wilnecote. _See under_ Wincot
Wilson, Robert, author of _The Three Ladies of London_, 67
Wilson, Thomas, his manuscript version of 'Diana,' 53
Wilton, Shakespeare and his company at, 231 232 411 and _n_
'Wilton, Life of Jack,' by Nash, 385 and _n_ 1
Wincot (in _The Taming of the Shrew_), its identification, 165 166
'Windsucker,' Chapman's, 135 _n_
_Winter's Tale_, _A_: at the Globe in 1611, 251
acted at Court, 251 and _n_
based on Greene's _Pandosto_, 251
a few lines taken from the 'Decameron,' 251 and _n_
the presentation of country life, 251
_For_ editions _see_ Section xix. (Bibliography), 305-25
'Wire,' use of the word, for women's hair, 118 and _n_ 2
Wise, J. R., 363
Wither, George, 388 399 _n_ 2
'Wittes Pilgrimage,' Davies's, 441 _n_ 2
Women, excluded from Elizabethan stage, 38 and _n_ 2
in masques at Court, 38 _n_ 2
on the Restoration stage, 334
Women, addresses to, in sonnets, 92 117-20 122 _n_ 123 124 154
Woncot in _Henry IV_ identical with Woodmancote, 168
Wood, Anthony a, on the Earl of Pembroke, 414
Woodmancote. _See_ Woncot
Worcester, Earl of, his company of actors at Stratford, 10 35
under the patronage of Queen Anne of Denmark, 231 _n_
Worcester, registry of the diocese of, 3 20
Wordsworth, Bishop Charles, on Shakespeare and the Bible, 17 _n_ 1
Wordsworth, William, the poet, on German and French aesthetic criticism,
344 349
Wotton, Sir Henry, on the burning of the Globe Theatre, 260 261 _n_
Wright, Dr. Aldis, 314 _n_ 325
Wright, John, bookseller, 90
Wriothesley, Lord, 381
Wroxhall, the Shakespeares of, 3
Wyatt, Sir Thomas, sonnetteering of, 83 95 101 _n_ 4 427
his translations of Petrarch's sonnets, 104 _n_ 4
Wyman, W. H., 372
Wyndham, Mr. George, on the sonnets, 91 _n_ 110 _n_
on _Antony and Cleopatra_, 245 _n_
on Jacobean typography, 419 _n_
Y
Yonge, Bartholomew, translation of 'Diana' by, 53
_Yorkshire Tragedy_, _The_, 180 243 313
Z
Zepheria, a collection of sonnets called, 435
legal terminology in, 32 _n_ 2 435
the praise of Daniel's 'Delia' in, 431 435 436
FOOTNOTES.
{vii} Arnold wrote 'spiritual,' but the change of epithet is needful to
render the dictum thoroughly pertinent to the topic under consideration.
{ix} I have already published portions of the papers on Shakespeare's
relations with the Earls of Pembroke and Southampton in the _Fortnightly
Review_ (for February of this year) and in the _Cornhill Magazine_ (for
April of this year), and I have to thank the proprietors of those
periodicals for permission to reproduce my material in this volume.
{x} For an account of its history see p. 295.
{xi} See pp. 309 and 311.
{1a} Camden, _Remaines_, ed. 1605, p. III; Verstegan, _Restitution_,
1605.
{1b} _Plac. Cor._ 7 Edw. I, Kanc.; cf. _Notes and Queries_, 1st ser.
xi.122.
{1c} Cf. the _Register of the Guild of St. Anne at Knowle_, ed. Bickley,
1894.
{2} See p. 189.
{3a} Cf. _Times_, October 14, 1895; _Notes and Queries_, 8th ser. viii.
501; articles by Mrs. Stopes in _Genealogical Magazine_, 1897.
{3b} Cf. Halliwell-Phillipps, _Outlines of the Life of Shakespeare_,
1887, ii. 207.
{3c} The purchasing power of money was then eight times what it is now,
and this and other sums mentioned should be multiplied by eight in
comparing them with modern currency (see p. 197 _n_). The letters of
administration in regard to Richard Shakespeare's estate are in the
district registry of the Probate Court at Worcester, and were printed in
full by Mr. Halliwell-Phillipps in his _Shakespeare's Tours_ (privately
issued 1887), pp. 44-5. They do not appear in any edition of Mr.
Halliwell-Phillipps's _Outlines_. Certified extracts appeared in _Notes
and Queries_, 8th ser. xii. 463-4.
{6} French, _Genealogica Shakespeareana_, pp. 458 seq.; cf. p. 191
_infra_.
{7} Halliwell-Phillipps, ii. 179.
{8} Cf. Halliwell-Phillipps, Letter to Elze, 1888.
{9} Cf. Documents and Sketches in Halliwell-Phillipps, i. 377-99.