FOREWORD

The author of _Bunch Grass_ ventures to hope that this book will

not be altogether regarded as mere flotsam and jetsam of English and

American magazines. The stories, it will be found, have a certain

continuity, and may challenge interest as apart from incident because

an attempt has been made to reproduce atmosphere, the atmosphere of a

country that has changed almost beyond recognition in three decades.

The author went to a wild California cow-country just thirty years

ago, and remained there seventeen years, during which period the land

from such pastoral uses as cattle and sheep-raising became subdivided

into innumerable small holdings. He beheld a new country in the

making, and the passing of the pioneer who settled vital differences

with a pistol. During those years some noted outlaws ranged at large

in the county here spoken of as San Lorenzo. The Dalton gang of train

robbers lived and died (some with their boots on) not far from the

village entitled Paradise. Stage coaches were robbed frequently. Every

large rancher suffered much at the hands of cattle and horse thieves.

The writer has talked to Frank James, the most famous of Western

desperados; he has enjoyed the acquaintance of Judge Lynch, who hanged

two men from a bridge within half-a-mile of the ranch-house; he

remembers the Chinese Riots; he has witnessed many a fight between the

hungry squatter and the old settler with no title to the leagues over

which his herds roamed, and so, in a modest way, he may claim to be a

historian, not forgetting that the original signification of the word

was a narrator of fables founded upon facts.

Apologies are tendered for the dialect to be found in these pages.

There is no Californian dialect. At the time of the discovery of gold,

the state was flooded with men from all parts of the world, and

dialects became inextricably mixed. Not even Bret Harte was able to

reproduce the talk of children whose fathers may have come from

Kentucky or Massachusetts, and their mothers from Louisiana.

Re-reading these chapters, with a more or less critical detachment,

and leaving them--good, bad and indifferent--as they were originally

printed, one is forced to the conclusion that sentiment--which would

seem to arouse what is most hostile in the cultivated dweller in

cities--is an all-pervading essence in primitive communities,

colouring and discolouring every phase of life and thought. One

instance among a thousand will suffice. Stage coaches, in the writer's

county, used to be held up, single-handed, by a highwayman, known as

Black Bart. All the foothill folk pleaded in extenuation of the robber

that he wrote a copy of verses, embalming his adventure, which he used

to pin to the nearest tree. Black Bart would have been shot on sight

had he presented his doggerel to any self-respecting Western editor;

nevertheless the sentiment that inspired a bandit to set forth his

misdeeds in execrable rhyme transformed him from a criminal into a

popular hero! The virtues that counted in the foothills during the

eighties were generosity, courage, and that amazing power of

recuperation which enables a man to begin life again and again,

undaunted by the bludgeonings of misfortune. Some of the stories in

this volume are obviously the work of an apprentice, but they have

been included because, however faulty in technique, they do serve to

illustrate a past that can never come back, and men and women who were

outwardly crude and illiterate but at core kind and chivalrous, and

nearly always humorously unconventional. The bunch grass, so beloved

by the patriarchal pioneers, has been ploughed up and destroyed; the

unwritten law of Judge Lynch will soon become an oral tradition; but

the Land of Yesterday blooms afresh as the Golden State of To-day--and

Tomorrow.

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Bunch Grass: A Chronicle of Life on a Cattle Ranch · 第 9 / 107 题