CHAPTER VII.

Bridge Street.—Ancient Crypt.—The Blue Posts and the Knave of

Clubs.—Roman Bath.—Grosvenor Street.—New Savings Bank.—The

Cemetery.—Curzon Park and Hough Green.—The Port of Saltney.—St. Michael’s

Church.—St. Olave’s Church.—The Gamull House.—St. Mary’s Church.

HEIGHO! After our bootless lamentation over the deceased Port of

Chester, it is refreshing to return once more to an atmosphere of life

and activity.

Turning our faces towards the south, we have before us BRIDGE STREET,

another of the four great Roman roads of the city. Here again we see the

Rows,—those strange old Rows!—threading their tubelike course along both

sides of the Street. The one upon the right hand is called the _Scotch

Row_, from the merchants north of the Tweed ‘clanning’ together there,

during the two great FAIRS, held annually at Chester from time

immemorial. It should be remembered that, except at these privileged

times, none but freemen were permitted to trade within the city; whence

is to be attributed the large concourse of foreign tradesmen to these

once important Fairs. Since the downfall of this monopoly, the _Scotch

Row_ has become a desert wilderness, so far as business is concerned; but

it will still serve as an admirable index to the stranger of what the

Rows of Chester were a hundred years ago. The street fronts of the

houses in this Row are more than ordinarily diversified,—the square red

brick, the everlasting gable of every shape and size, the stately

bow-window, and the ponderous, overhanging Dutch fronts, all flaunting

their pretensions within this circumscribed space. Previous to 1839, no

special archæological interest attached to this locality; but in that

year while excavating for a warehouse behind the shop of Messrs. Powell

and Edwards, cutlers, a discovery was made which at once set all the

antiquaries of Chester “by the ears.” The late Rev. J. Eaton, Precentor

of the Cathedral, an architectural authority in his day, made the

following Report upon this ANCIENT CRYPT, as it is called, for the use of

the proprietors. To these gentlemen, and particularly to Mr. Edwards,

the representative of the firm, the public are deeply indebted for their

intelligence and courtesy, in not only preserving intact this relic of

the past, but also for so readily affording admission to the structure:—

“The lower parts of several of the houses in the four principal

streets of Chester exhibit indubitable signs that they have been

built on the remains of the religious buildings with which, prior to

the Reformation, this city abounded.

“The ancient Crypt discovered by Messrs. Powell and Edwards is of an

oblong form, running from east to west. The following are its

dimensions, viz. length, forty-two feet; breadth, fifteen feet three

inches; height, from the surface of the floor to the intersection of

the groinings of the roof, fourteen feet. This Crypt was partially

lighted through the upper part of the west end, in which there are

three small windows, divided by stone mullions, and protected by iron

bars. The upper part of the groining on the centre window appears to

have been cut away to admit of more light. On examining the

intersection of the groins, marks were discovered from the lead on

the stone-work, that a couple of lamps had been used for lighting.

The entrance to the east end is by a flight of steps cut out of the

rock to the height of three feet. On the south side is an

Anglo-Norman-Gothic doorway, which is attained by three or four

semicircular steps, and forms an outlet within its inner and outer

wall by another flight of steps to the surface above the building.

In a niche on the south side of the window is a font in excellent

preservation.

“The architecture is Anglo-Norman-Gothic, and the groins are of the

third class of groining, which came into common use about the year

1180, and was succeeded in the next class of groins in the year 1280,

so that if we date this roof as being erected about the year 1230, we

shall not be far from the era of its real construction.”

Messrs. Powell and Edwards make no charge for admission: we must not

omit, therefore, ere we pass out from the _Crypt_, to drop a stray piece

of silver into the hat of the _Blue Coat Boy_ who stands modestly at the

door. Charity is seldom ill-bestowed; but here we have the special

privilege of contributing, in however slight a degree, to the gratuitous

education of the orphan and the friendless.

The Row upon the left hand is the one most frequented, forming a junction

at right angles with Eastgate Row, before described. In the sixteenth

century this Row was distinguished by the name of the _Mercers’ Row_,

from the predominance here, probably, of that most enticing class of

tradesmen. The love of dress and finery was evidently, even in those

days, woman’s chief besetting sin!

A little way down this Row was an ancient tavern, called the _Blue

Posts_, supposed to be the identical house now occupied by Mr. Brittain,

woollendraper. In this house a curious incident is stated to have

occurred in 1558, which tradition has handed down to us in the following

terms. It appears that—

“Dr. Henry Cole, Dean of St. Paul’s, was charged by Queen Mary with a

commission to the council of Ireland, which had for its object the

persecution of the Irish protestants. The doctor stopped one night

here on his way to Dublin, and put up at the _Blue Posts_, then kept

by a Mrs. Mottershead. In this house he was visited by the mayor, to

whom, in the course of conversation, he related his errand; in

confirmation of which he took from his cloak bag a leather box,

exclaiming in a tone of exultation, ‘Here is what will lash the

heretics of Ireland!’ This announcement was caught by the landlady,

who had a brother in Dublin: and while the commissioner was escorting

his worship down-stairs, the good woman, prompted by an affectionate

regard for the safety of her brother, opened the box, took out the

commission, and placed in lieu thereof a pack of cards, with the

_knave of clubs_ uppermost! This the doctor carefully packed up,

without suspecting the transformation; nor was the deception

discovered till his arrival in the presence of the lord deputy and

privy council at the castle of Dublin. The surprise of the whole

assembly, on opening the supposed commission, may be more easily

imagined than described. The doctor, in short, was immediately sent

back for a more satisfactory authority; but, before he could return

to Ireland, Queen Mary had breathed her last. It should be added

that the ingenuity and affectionate zeal of the landlady were

rewarded by Elizabeth with a pension of £40 a-year.”

The first street we meet with on the right hand is COMMONHALL STREET, so

called from the _Common Hall_ of the city having been at one time situate

there. This hall of justice stood upon the south side of the street, and

close to those venerable-looking almshouses still situate there. It had

previously been the _Chapel of St. Ursula_, which was founded there, with

an _Hospital_ for decayed persons, by Sir Thomas Smith, in 1532. The

Hospital of St. Ursula still weathers the storm, in those odd-looking,

tottering almshouses on the south side of this street. Lower down Bridge

Street, on the same side, is another break in the row, formed by

_Pierpoint Lane_, not now a thoroughfare, but through which went a

passage in olden time to the _Common Hall_, just referred to.

Scarcely so far down as this last-named lane, and on the opposite side of

Bridge Street, is a new and handsome range of buildings, erected in 1853

by Mr. Alderman Royle. On the higher side of these premises, and

adjoining the Feathers Hotel, exist a ROMAN HYPOCAUST and _Sweating

Bath_, of surpassing interest, and in a state almost as perfect as when

first erected. The following account of this “ancient of days” is the

result of a recent personal visit to the bath.

It consists of two rooms, considerably below the present level of the

street—the first being fifteen feet long, eight feet wide, and about six

and a half feet deep. The Hypocaust is of rectangular shape, about the

same size, but, except at the entrance, not more than half as deep as the

first chamber. It was originally supported by thirty-two square pillars,

two and a half feet high, and one foot in diameter at top and bottom:

twenty-eight of these pillars still remain. Brick tiles, eighteen inches

square, and three inches thick, surmount these pillars; and over these

are placed tiles two feet square, perforated here and there with small

holes, through which the heat ascended to the _sweating chamber_ above.

The sweating room, or Sudatory, was immediately over the Hypocaust, and

was fitted with seats for the bathers, who soon found themselves in a hot

perspiration. They were then scraped carefully with an instrument

constructed for the purpose, or else plunged into a cold water bath;

after which they were rubbed down with towels, anointed with fresh oil,

and then repaired to the tiring room: there they dressed themselves,

deposited their _denarii_ for the attendants, and then went their way,

having enjoyed a luxury which few but Romans had then learned to indulge

in.

As we have before stated, the buildings above and around have been only

recently rebuilt: but Messrs. Royle, the proprietors, with that

antiquarian zeal, and true public spirit, which have ever distinguished

them, took especial precautions to preserve, both from injury and

molestation, this curious relic of proud old Rome. Since the adjacent

premises have been rebuilt, the bath is much easier of access than it was

before; and visitors can now inspect these remains without any personal

sacrifice, either of cleanliness or comfort.

Lower down than the Roman Bath, there was, until recently, a break in

this Row, occasioned by a narrow lane, which leads up to the stables of

the Feathers Hotel. This inconvenience has now been obviated by a neat

wooden bridge, stretching across the passage from row to row; and we can

now walk along, without the slightest obstruction, till we come to St.

Michael’s Church.

The large and well-conceived street upon the right hand is GROSVENOR

STREET, capable, under proper management, of being made the finest street

of the city. It is flanked on the right side by WHITE FRIARS, formerly

_Foster’s Lane_, in which the Church and Monastery of that fraternity was

at one time situate.

[Picture: Grosvenor Street, and King’s Head Inn]

At the junction of White Friars with Grosvenor Street stands that

capital, well-conducted establishment, the KING’S HEAD INN. This is one

of those quiet, cosy-looking houses, in which, the moment a traveller

enters, he feels himself “at home;” and certainly, under the presidency

of Mr. and Mrs. Bedson, he will find that—“deny it who can!”—domestic

comforts are still to be enjoyed in an old English inn.

Some thirty yards up the street, on the right hand, is Cuppin Street,

before noticed; and nearly opposite to it, an old and narrow street

called _Bunce Lane_, leading off to St. Mary’s Church and the Castle.

Beyond, upon the same side, is an elegant structure of white freestone,

erected in 1853, from the designs of Mr. James Harrison, of this city, to

wit, the Chester SAVINGS BANK. The architecture of this building is of

the Tudor style; and the genius of Mr. Harrison has accomplished a work

which, while highly creditable to himself, is, at the same time, a

genuine ornament to the city. The clock turret at the north-west corner,

though it somewhat destroys the equilibrium of sight, yet, on the whole,

adds much of beauty to the general fabric. The clock, which works four

faces, and chimes the quarters on two melodious bells, was constructed by

Mr. Joyce, of Whitchurch.

The ordinary business of this Bank is conducted in two large rooms,

nearly twenty feet square, on the ground floor; over which a spiral

staircase conducts to the committee and lecture-room, a noble apartment,

forty-one feet long by twenty feet wide, lit on the north and west sides

by four handsome traceried windows. The panelled ceiling, and other

internal decorations of this room, are exceedingly chaste, and in happy

unison with its exterior character. The Bank was formally transferred

here from Goss Street in March, 1853. Here the poor and thrifty hoard up

their little savings; the shillings grow into pounds, and provision is

thus quietly, but surely, made against the rainy day. Let us never

despise the day of small things, remembering that the foundation of many

a rich man’s fortune has been laid with his first shilling deposited in a

Savings Bank.

On the right is St. Bridget’s Church; and from this spot we obtain a

capital view of the CASTLE, including the Grand Entrance, Shire Hall,

Barrack Square, and Julius Cæsar’s Tower. We have noticed the Castle

more particularly in our “Walk round the City Walls;” so we will now pass

on towards the Grosvenor Bridge, one of the modern wonders of old

Chester. From the parapet of this bridge we obtain a splendid view of

the Roodeye and river, as well as of the Viaduct and Railway Bridge in

the distance. This bridge has obtained an unenviable notoriety from its

having broken down with a passenger train, on May 24, 1847, precipitating

the whole of the carriages and passengers into the river below. By this

accident four persons were killed upon the spot, and very many others

more or less injured.

We are no sooner over the Grosvenor Bridge than we feel ourselves at once

out of range of the town, and breathing the fresh and balmy air of the

country. Bowers of trees are on either side of us, through which we can

see, upon our left hand, something which seems like unto a Christian

temple. The gateway we are approaching stands invitingly open; let us

therefore step in, and cast a quiet glance at the prospect around.

Despite the rose-clad lodge which guards the entrance, and the numerous

flowers and shrubs that everywhere greet the eye, we are at once struck

that this is a sacred scene, a royal domain of the grim King Death.

“Tread lightly,” then, all who would venture in hither, for assuredly

“this is holy ground;” and while we reverently scan the numerous

memorials of the departed lying scattered around, let us all prepare, ere

the day be too far spent, to follow them in peace and in hope to our last

earthly home. There are few but have, at some time or other, borne a

friend to the grave—perhaps even the soul and centre of their domestic

hearth; _our_ ‘household god’ lies peacefully _here_. To all such these

lines, coming thus from among the tombs, will lose nought of their

original force and beauty:

Forget not the Dead, who have loved, who have left us,

Who bend o’er us now from their bright homes above;

But believe, never doubt, that the God who bereft us

Permits them to mingle with friends they still love.

Repeat their fond words—all their noble deeds cherish—

Speak pleasantly of them who left us in tears;

From our lips their dear names other joys should not perish,

While time bears our feet through the valley of years.

Yea, forget not the Dead, who are evermore nigh us,

Still floating sometimes round our dream-haunted bed;

In the loneliest hour, in the crowd they are by us!—

Forget not the Dead,—oh! forget not the Dead!

The CHESTER CEMETERY, for such is the beautiful spot we are exploring,

seems as if formed by nature for the repose of the dead—all is so still,

so serenely still, within its halllowed sphere. Nature and Art have

alike combined to produce here a retreat worthy of the dead, and yet full

of beauty and allurement for the living; while on the lake below us

See how yon swans, with snowy pride elate,

Arch their high necks, and sail along in state;

In fine, the beautiful trees and shrubs, the serpentine walks, the rustic

bridges, the isle-dotted lake, the ivied rock-work, the modest chapels,

and, above all, the tombstones of chaste and mostly appropriate design

which meet us at every turn—all point out the Chester Cemetery as a

fitting refuge for all, who in serious mood would “commune with their own

hearts, and be still.” But we must not longer linger here, save to cast

a look towards the ancient city, the river, Castle, and the New and Old

Bridges, which from the north side of the Cemetery present to the eye a

varied and truly interesting panorama.

Opposite to the Cemetery, reached from the Grosvenor Road by a pretty

little suspension bridge, is CURZON PARK, the property of Earl Howe, and

upon which some handsome, aristocratic villas have been erected. It is

from Curzon Park whence that view of the city is obtained which figures

as the frontispiece of this “Guide,” and certainly from no point is old

Chester seen to greater advantage than from this elevated and commanding

locality.

Continuing our course from the Cemetery, we come to what we who live in

towns and travel only by rail, so seldom meet with—a

turnpike-gate,—through which we see the _Grosvenor Gateway_, to be

noticed more particularly hereafter. A road upon the left leads to

HANDBRIDGE and QUEEN’S PARK, and that upon the right to one of the most

thriving suburbs of Chester, HOUGH GREEN, and SALTNEY. Now, _we_ are not

troubled with a superfluity of grey hairs, yet do we well remember

SALTNEY when but two houses occupied the site of the present little town.

There was nothing heard _then_ of the _Port_ and _trade of Saltney_! But

since the cutting of the two great Railways which form a junction, though

not an alliance, at this spot, SALTNEY has rapidly risen in importance

and population. A large Ironworks and coal trade have been established,

new streets have sprung up, yclept severally Cable Street, Curzon Street,

Wood Street, &c., and the number of inhabitants is now computed at about

3000. The new Church, erected in 1854–5, comes scarcely within our

province, standing just beyond the boundaries of the city, which is here

separated only by a narrow lane from the Principality of WALES. Looking

at the rapidity with which building is going on at SALTNEY, and at the

causes which have induced it, we shall not go far wrong in predicting for

this ‘child of the old city’ a long future of commercial health and

prosperity.

Returning once more to BRIDGE STREET, we must pause awhile at ST.

MICHAEL’S CHURCH, standing at the north-east angle of this street and

Pepper Street. A Church existed here, in connexion with a Monastery of

the same name, almost coëval with the Conquest. In the year 1178, John

de Lacy, constable of Chester, whose ancestor Roger de Lacy had devised

the _Monastery of St. Michael_ to the Prior of Norton, gave a messuage

adjoining this church to the Abbot of Stanlaw. Two years afterwards,

viz., on Mid-lent Sunday 1180, this Church and monastery were, with a

large portion of the city, destroyed by fire; and Bradshaw the poet-monk

assures us, doubtless “on the best authority,” that if it had not been

for the virtues attaching to the holy shrine of St. Werburgh, the whole

city would have then “lain in dust and ashes!” He that hath faith enough

to remove mountains, let him swallow this also—_we_ are confessedly an

infidel. The _Monastery_ does not appear to have been rebuilt after the

Great Fire; but of the _Church_ frequent mention is made in old charters

and deeds. It has been several times rebuilt—the last time in 1849–50—so

that it is, at this moment, the newest ecclesiastical edifice in the

city. Mr. James Harrison, the architect of the Savings Bank and Music

Hall, furnished the plans and elevations for the present Church of St.

Michael.

[Picture: St. Michael’s Church, and Lecture Hall]

Perhaps the best view we can have of ST. MICHAEL’S CHURCH is from a

little way down Bridge Street, just opposite to that useful building, the

NEW LECTURE HALL. Chester has long stood in need of a room for such

purposes, moderate in dimensions, and conveniently situate; and Dr.

Norton, the proprietor of the new LECTURE HALL, has laudably ministered

to that want, by providing a public room admirably adapted, from its size

and situation, for popular lectures and musical entertainments. Our

illustration embraces a view both of the LECTURE HALL and of ST.

MICHAEL’S CHURCH.

Just behind where we have been standing is a curious relic of the timber

architecture of Chester—the Falcon Inn. A few yards higher up than the

Falcon, the street was for nearly two centuries blocked up by a

strange-looking timber building, erected by Randle Holme in 1655, called

the OLD LAMB ROW. While this house was in being it was the greatest

curiosity of its kind in the city; but in 1821, the decaying timbers

suddenly parted from their bearings, and the entire pile fell in with a

great crash, to the unspeakable relief of the pent-up thoroughfare, but

to the great chagrin and regret of the antiquary.

We are now descending LOWER BRIDGE STREET, which abounds, on either side,

with those queer-looking tenements, not to be met with in such numbers

and variety in any other city but Chester. Here is one with the date

1603, evidently the residence, in its earliest days, of some Cestrian

magnate long since “returned to his dust.”

But see! yonder rattles a bus, with a party from the station, down to

that first-class establishment, the ALBION HOTEL. This house has no

superior in the city; for while of handsome external proportions, its

interior arrangements have all been conceived with especial regard to the

comfort and convenience of visitors. The _Assembly Room_ is the largest

in the city; the other rooms are light and lofty; in short, under the

zealous superintendence of Mr. and Mrs. Chambers, none who once make

acquaintance with the ALBION will ever sigh for better or more

comfortable quarters. Behind the HOTEL are extensive pleasure-grounds,

as well as a verdant and spacious Bowling-green, to which there is a

carriage entrance from _Park Street_.

Only a step or two from the Albion, and on the same side, near the

residence of MR. SNAPE, the eminent dentist, is _St. Olave’s Lane_, so

named from the Lilliputian church, dedicated to that saint, at its

south-west corner. This Church dates back earlier than the Conquest.

The advowson in the eleventh century was vested in the Botelers or

Butlers; from whom it passed by gift of Richard Pincerna, in 1101, to the

Abbey of St. Werburgh. ST. OLAVE’S appears to have been always “in low

water,” a _starving_ rather than a _living_; for in 1393, on account of

its poverty, the parish was temporarily united with St. Mary’s. Down to

the seventeenth century, however, it eked out a precarious existence; but

after the close of the civil war, the ordinary services of the church

were discontinued for about a century; when they were again resumed,

until the final extinction of ST. OLAVE’S as a distinct parish, in 1841.

In that year the Church was finally closed, and the parish united to that

of St. Michael. The “powers that be” are fast allowing this ancient

structure to develop into a ruin.

[Picture: Lower Bridge Street, and Albion Hotel]

Opposite to St. Olave’s is CASTLE STREET; beyond which, up a flight of

steps, is a large tenement, of late years known as the _Boarding-School

Yard_. This was in the seventeenth century the mansion-house of the

Gamulls, a worthy Cheshire family; and here, on September 27, 1645, Sir

Francis Gamull (Mayor of Chester in 1634) lodged and entertained Charles

I. on his Majesty’s visit to Chester during the great Civil War. The

house is now divided into tenements; but several of the rooms still

retain evidence of their original splendour.

Still farther down, we have upon the left _Duke Street_, and on the right

_Shipgate Street_, through which, in old time, the citizens used to pass

by way of the Ship Gate, across the river, into Handbridge. It leads

also to St. Mary’s Hill; on the summit of which, half-embowered in trees,

we are introduced to the ancient Church of ST. MARY.

ST. MARY’S CHURCH is in all probability of Norman foundation; and is in

old writings termed indifferently _St. Mary’s of the Castle_, and _St.

Mary’s upon the Hill_, to distinguish it from the handsome Church of the

White Friars, which was also dedicated to that saint. Randle Gernons,

fourth earl of Chester, presented the advowson to the Monastery of St.

Werburgh; but shortly after the dissolution it was wrested from the dean

and chapter by that rapacious spoiler of churches and religious houses,

Sir R. Cotton, who afterwards sold it for 100_l._ to John Brereton of

Wettenhall. In this family it continued for about a century, when it

passed by purchase to the Wilbrahams of Dorfold. From them it came by

marriage to the Hills of Hough, whose representative sold it to the

father of the present Marquis of Westminster. Of no external beauty,

with a tower of miserably stunted proportions (so built in 1715, in order

that it might not overlook the Castle), ST. MARY’S CHURCH is nevertheless

well deserving a visit from all lovers of true ecclesiastical order.

Here is a Church which, when _we_ first remember it, was a disgrace alike

to the authorities and to the parish—choked up with galleries of hideous

shape and size—disfigured with pews of unsightly construction,—the walls

and ceilings buried in plaster, whitewash, and dust, and the monuments

and windows all alike in a state of ruin and decay. Let us step into the

Church, and survey the change which has been effected within a few short

years. We are no sooner inside, than we are at once convinced that this

is indeed the House of God, gradually, and, under the auspices of the

present worthy rector, _judiciously_ returning to its first estate, as a

seemly temple, worthy of the Most High. Here is none of that venerable

dust, that insidious mould, so painfully visible in other churches we

might mention; but everything we see, from the floor to the ceiling, from

the altar to the organ, is both correct in taste, scrupulously clean, and

in most beautiful, Church-like order. The Church consists of a nave,

with a clerestory of twelve lights, and a handsome panelled roof adorned

with Christian monograms and devices,—two side aisles,—two chancel

chapels, named respectively _Troutbeck’s_ and _St. Catherine’s_,—and a

spacious chancel, in which are some elaborately carved stalls and open

seats. So rapidly as stolid prejudice will admit, this uniform style of

seat will be adopted throughout the Church.

The monuments within the Church are of considerable interest. One there

is, in the north aisle, profuse in heraldic display, to the imperishable

memory of the four RANDAL HOLMES, local antiquaries and heralds of

considerable note, whose united Cheshire collections fill more than 250

MS. volumes in the British Museum. The third Randal was the author of

that extraordinary and scarce heraldic work,—the “Academy of Armory”

published in 1688. An elegant modern brass, and two altar-tombs of

curious workmanship, adorn St. Catherine’s Chapel, at the end of this

aisle. One of the latter remembers Thomas Gamull, Recorder of Chester in

1613, son of Edmund Gamull, aforetime Mayor of Chester, and father of the

celebrated royalist Sir Francis Gamull, who suffered sequestration of his

estates during the Usurpation. The recumbent figures of the Recorder and

his wife Alice appear upon the tomb; and at the feet of the lady kneels

their infant son, afterwards the loyal Sir Francis Gamull. Their three

infant daughters, holding skulls in their hands, and two elaborate

shields of arms, ornament the side of the tomb. A similar tomb near

bears the half-recumbent effigy of Philip Oldfield of Bradwall, dressed

in the costume of the period, with a long gown and ruff, and a roll in

his left hand. The figures of his four sons, each bearing a shield of

arms, support the slab on which he leans, and between them a painted

skeleton, in a similar attitude to the effigy, appears on the side of the

tomb. Two daughters kneel at his head, and these also bear shields, in

token of their marriage. Both these monuments are deserving the

attention of the curious.

One of the north windows, by the side of these relics, is filled with

stained glass. The east window also of this aisle, attracting the eye of

the visitor the moment he enters, has just been adorned with an obituary

memorial of intense national interest. Erected by public subscription,

this window commemorates the glorious deeds of the gallant 23rd Regiment

(Royal Welsh Fusileers) at the battles of Alma, Inkermann, and Sebastopol

in 1854–5. The 23rd is a regiment highly esteemed by the Cestrians, nay,

almost regarded by them as their own; and most of those brave spirits,

officers and men, who nobly fell “with their faces to the foe” on those

hard-won fields, had but a few months before regularly attended divine

service at ST. MARY’S CHURCH. The subject represented in the window is

Aaron and Hur holding up the hands of Moses, while the patriarch blesses

the warring hosts of Israel; for as we read, in Exodus xvii. ver. 11, 12,

“Moses’ hands were heavy, and Aaron and Hur stayed up his hands, the one

on the one side, and the other on the other; for it came to pass, that

when Moses held up his hands Israel prevailed, and when his hands fell

down, Amalek prevailed.” It is a pretty and appropriate subject for such

a memorial as this, implying the Christian Soldier’s dependence upon the

God of Battles!

The chancel, and Troutbeck chapel in the south aisle, also contain some

tasteful and appropriate painted windows, ancient and modern; and on the

south wall of the latter were discovered, a few years ago, some curious

remains of ancient mural painting, representing the _Crucifixion_ and

_Resurrection_ in curious juxtaposition with the figures of a _King_, a

_Bishop_, and the _red and white roses_ of York and Lancaster. The many

beautiful monuments once embellishing the Troutbeck aisle were destroyed

by the falling in of the roof in 1660. In bidding adieu to the church of

_St. Mary the Virgin_, we may confidently assert that “_ne vile fano_” is

the motto of Mr. Massie, the present rector, {77} for a neater and better

ordered church we have not yet met with in our tour through the city.

Once more returning to Lower Bridge Street, we have before us the

BRIDGEGATE, and two or three choice but eccentric-looking houses of the

wood and plaster type, as depicted in our engraving.

Passing under the BRIDGEGATE, by the DEE MILLS and OLD BRIDGE, we might,

if we chose, wander forth into HANDBRIDGE, were there anything in that

suburb deserving our especial notice. As it is, however, we will make

good our return to THE CROSS, and pursue, in the next chapter, our

peregrinations through the Streets of “rare old Chester!”

[Picture: The Bridge Gate]

The view here engraved affords a capital idea of the old timber houses

still glorifying the city; while we gain, at the same time, such a

prospect of the BRIDGE GATE as is not to be obtained from any other

point.

The Stranger's Handbook to Chester and Its Environs Containing a short sketch of its history and antiquities, a descriptive walk round the walls, and a visit to the cathedral, castle, and Eaton Hall. · 第 7 / 11 章