From a population such as we have described, of which only a very

limited part is employed in creating the means of actual subsistence,

a very considerable portion may always be abstracted for purposes

of attack or defence. It is usually calculated, that one-fifth part

of the inhabitants of every country is capable of bearing arms. On

this calculation, Great Britain contains four millions of fighting

men, of whom it is believed one million might be formed into an army

without any very serious interruption to the essential operations

of agriculture and commerce. This supposition may seem a little

extravagant, but it must be recollected that, at one period during

the late war, the number of men under arms was actually calculated at

seven hundred and fifty thousand.

In the second place, such a state of things is favourable to public

liberty. The congregation of men in great masses is found to give

great force to the influence of public opinion; by the spirit of

discussion which it generates; by the anxiety for intelligence which

it diffuses; by the collisions of opinion which it engenders, and by

the facility of union which it affords. Nations purely or principally

agricultural are generally under a despotic government, especially

large states, for the maxim of _divide et impera_ is applicable as

well to internal as to external politics. Ancient Persia and Assyria,

and modern Russia and Poland, are instances in point. The fierce

and demoralizing tyranny of the feudal system, which, after [p289]

the destruction of the Roman monarchy, left scarcely any other

division of the people than those of tyrant and vassal, could only

be effectually broken by the rise of great towns. These communities

were alone competent to resist the aristocratical and subordinate

despotisms into which all the nations of Europe were subdivided, and

which, as is well known, overawed the throne, whilst they enslaved

the people. In confirmation of this, it may be remarked, that the

free republics of antiquity, as well as those of the middle ages,

derived the spirit which nurtured them almost entirely from the

capital city; and though, in the former case, there was scarcely

any commerce to excite the activity of the people, yet the mere

congregation of a numerous body of men sustained the power of public

opinion.

But the most important question remains behind. Is a civil community

thus constituted favourable to individual virtue and happiness?

This is assuredly the point which it most behoves us to ascertain,

since no truism is more obvious than that power and opulence, and

refinement and splendour, and even liberty itself, are only so far

valuable as they tend to make men wiser, and better, and happier.

Is it true, then, that Great Britain has anteceded other nations in

these fundamental points, as much as in those we have just described?

This question cannot be answered without some hesitation: for we may

say, with Addison’s facetious Knight, “that a great deal may be urged

on both sides.” On the one hand it is certain that our situation is

eminently favourable to intellectual improvement. The increasing

spread of instruction, and the rapid advancement of knowledge which

are necessarily concurrent with our career of prosperity, must

ultimately advance us in the scale of moral and rational agents. If

knowledge be power, it is also happiness; for communities as well as

individuals would all be happy if they knew how to be so. It is also

certain that the incessant struggles of competition and the strenuous

efforts for distinction which are always at work in an over-peopled

and highly refined country are favourable to the active virtues.

They operate amongst the higher classes to provide many objects of

laudable ambition; and amongst the lower, afford perpetual facilities

for bettering their condition, [p290] and furnish an incessant

supply of occupation, the want of which is sure to open the door to

the incursion of all the worst propensities and basest vices. They

bring into action all the resources of human ingenuity; all the

aids of fortitude and enterprise; all the trials of patience and

perseverance; all the equanimity demanded by the constant mutations

and rotations of fortune. It is not to be denied, moreover, that the

first-rate virtues of beneficence, charity, and hospitality, take

root and flourish with peculiar vigour in a commercial community. The

fluctuations of condition to which almost every man knows himself

liable, and the constant proximity of distress and opulence, offer

perpetual excitements to the benevolent affections.

These, it must be confessed, are important ingredients in the

composition of human happiness; but considerations not less momentous

present themselves on the opposite side, for every thing in human

affairs is on a system of compensations. It is not to be denied

that a state of society, in which one-half of the population is

congregated in towns, and nearly a moiety of this half crowded

together in enormous factories, is highly unpropitious to virtue, to

health, and to happiness. In these huge receptacles of human labour,

it would be absurd to expect that the women should be distinguished

for their modesty and propriety, or the men for their prudence,

temperance, and regularity. It is an unhappy law of human nature,

that the force of example is most prevalent on the side of vice. A

few depraved characters scattered amongst a multitude are commonly

found sufficient to corrupt the whole mass: hence we may always

expect to find, in the seat of a great manufactory, all the worst

ingredients of civilized society; all the base depravities of a

luxurious and opulent community, combined with much of the grossness

and rudeness of the savage state: in a word, all the corruptions of

high civilization without any of its polish. Nor is this mode of

life, generally speaking, more favourable to health and comfort than

to good morals. The constitution of the young is impaired, and their

growth retarded by excessive labour and close confinement. Those of

maturer age are glad to seek relief from the depressing effects of a

wearisome and monotonous labour, unwholesome air, and constant [p291]

restraint, in intemperate indulgence; and all the long train of

vices and miseries to which the poor are liable, follows of course.

Nor are their prospects for the future often such as to encourage

hope or stimulate exertion. The habitual improvidence of the poor

is aggravated in their case by the dangerous fluctuation of their

trade. Sometimes they are eagerly courted with high wages, and lavish

promises; at others, no employment is to be had, and not enough can

be earned, even by the most unnatural exertions, to sustain their

families. Nothing can be imagined more fatal to order, regularity,

and comfort, than these vicissitudes. Hence it commonly happens,

that, in the decline of life, these poor creatures are driven to

the sad resource of parish relief. It is moreover not one of the

least evils of the manufacturing system, that it has a tendency, in

prosperous times, to generate an excessive population, which, on any

great reverse, is suddenly thrown on the community as a superfluous

burden. The changes of a fashion, the caprice of public taste, or the

sudden interruption of a foreign market, will reduce thousands to

helpless and unexpected poverty.

It must, however, be admitted, that the picture of rural life has

also its unfavourable aspect. Those who retire into the country are

apt to find themselves somewhat disappointed in their expectations

of rustic simplicity and pastoral innocence. In situations where

every breath of air, and every feature of nature express nothing but

peace and love, they are a little surprised to see the selfish and

malignant passions at work in all their baneful activity; to find, as

in the purlieus of a court, the symptoms of “envy, hatred, malice,

and all uncharitableness.” Still we shall find that instances of

utter depravity and abandoned profligacy are of much rarer occurrence

than in great towns. In a village, every individual is known, and the

very consciousness of being conspicuous, creates a sense of shame

which is highly salutary. It has often been observed, that men in a

body will commit, and even justify, atrocities which no individual

amongst them would be capable of attempting, if not screened by the

shelter of a crowd. We find, accordingly, in the annals of Wesley

and Whitfield, that the great scenes of their operations are in

collieries, factories, [p292] mines, canals, and all the other

appendages of a great commercial and manufacturing nation. It was

there, according to Whitfield, that the “Arch Enemy” raised his

triumphant standard; it was there, that the harvest of lost souls was

ripe and abundant. But the most decisive proof of the comparative

purity of the rural population above that of the manufacturing

districts, is the fact that the single town of Manchester will

furnish ten times more criminal prosecutions than two Welch counties

which contain an equal number of inhabitants.

On the whole, I think we cannot escape the conclusion, that, though a

certain degree of commercial and manufacturing property is necessary

to stimulate the agriculture of a nation, and to call forth its

utmost powers of production, yet that it is not desirable that

this country should proceed much further in that dangerous career,

or increase still further the disproportion between its urban and

rural population. The late increase in our numbers is so rapid and

alarming, that I am afraid some positive checks (to use Mr. Malthus’s

language) of very terrible potency must soon be brought into action.

The forcible lines of Goldsmith, though that great poet knew

little enough of political economy, are applicable to the wise and

benovolent statesmen of all times—

’Tis theirs to judge, how wide the limits stand

Between a splendid and a happy land.

_On the Modern Ornaments of Architecture, &c._

In no age since the Augustan era of Rome, perhaps, has decoration

of the interior of dwellings been carried to greater excess than

at present; nor, since the days of the florid style of Gothic

architecture, has the exterior received more embellishment.

Architectural ornaments have generally been copied from the antique,

those especially which belong to the orders. Indeed there is a kind

of classical standard, which governs the architect in the execution

of public edifices, from which he cannot with propriety depart.

National, and regal emblems, wherever suitable, should always be

introduced in public buildings, and in those of a private or mixed

character [p293] all legitimate ornaments may be displayed. Of

this class the acanthus, vignette, the branches of the olive, and

leaves of the palm, the crown of laurel, the chaplet of myrtle, and

the wreath of roses, are all proper when judiciously introduced;

and the rose and honeysuckle flowers, and the folicles, trefoils,

cinquefoils, &c., which so often occur on sculpture and plaster work,

are also proper, because they are imitations of nature.

But in our present style of decorative execution, from the most

elaborate finishing of a regal palace, down to the pattern of a

milk-maid’s gown, there is such latitude taken in the display of

licentious fancy, that imagination itself is baffled to find anything

in the infinite variety of nature’s works, to which their designs can

be compared, or to which they bear the most distant resemblance!

It is really unaccountable, that the whole tribe of our artists,

the ornamental statuary, scagliolist, paper-stainer, weaver, chintz

and cotton printer, &c. should all be “straining their low thought

to form unreal” forms and figures; and striking out the most

intricate and complicated, to the utter neglect (except in very few

instances) of those numberless simple though transcendently beautiful

configurations, which everywhere appear in the works of nature.

This is surely a dereliction of all propriety, an exuberance of

grovelling taste which no consideration can excuse, nor reason

justify. In this age of refinement, good taste should be the guide

in all things where invention is necessary, and design requisite;

whatever is grotesque or fantastic, should be banished from our

labours of art, and the elegant forms of vegetable or animal nature

alone take their place.

If it be asked, how it happens that such obliquity of fancy (for

it cannot be called taste) should so generally prevail, the answer

is, were these pattern-mongers to copy from nature every body could

judge of their ability as imitators, and, if unfaithful, would decry

the artist; whereas, whilst bringing forth his nondescript and

nondescribable forms of imaginary figures, he escapes the lash of the

critic, which otherwise he would be subjected to. [p294]

It may be granted, that it is as ridiculous to form stone or plaster

flowers, as those geometrical frets and fanciful nothings which

are usually pourtrayed in architectural decoration: but it may be

answered that if any ornament be necessary, that of a nondescript

character is not more appropriate, as such, than natural forms would

be; and these latter having a name, and many of them an emblematical

character, may be often applied with a propriety which cannot belong

to the other.

The old fashioned tapestry, notwithstanding its sombre appearance,

was in its plan much more rational than the multifigurations of

our modern paper hangings. The first represented some historical

event or legendary tale, yielding some mental information, or it

taught perhaps a moral lesson—the eye was amused while tracing the

ideas of the ingenious sempstress; but in our ephemeral and gaudy

ten-thousand-times repeated _paper_ nothings, there is no design to

interest, nor combination to amuse the eye longer than a transient

glance. Even the Chinese, who, in all their decorative finishings

shew _rigidity_ itself, have escaped from tame mannerism in paper

hangings, by imitating, from the edge of the carpet to the ceiling,

all the gradations of turf, herbs, shrubs, and trees, upon a sky

ground, enriched with figures or rather portraits of flowers and

fruit, as well as beasts, birds and insects. This though it cannot

deceive the spectator for one moment in mistaking a fictitious

for a real scene, yet is certainly far superior to European

paper-upholstery, as it at least may introduce a knowledge of

natural history, which the latter has no pretension to, indeed seems

studiously to discard, as beneath imitation.

All this vitiated taste, or fashion rather, is to be regretted;

especially as it appears that those

Fancied forms which on the ceilings sprawl,

And shapeless frets which decorate the wall,

are just as expensive, and difficult of execution, as the most

elegant imitation of vegetable or animal configuration would be; and

surely when such variety of forms are presented to the artist, they

deserve to be copied as transcendently superior to the capricious

fancies of the most celebrated decorator, or of [p295] the most

splendid fashionable designs; either in the works of the sculptor,

scagliolist, &c. or the more insignificant designers of figured paper

or drapery. Indeed there can be no good reason why ox-heads and

garlands (now the days of sacrifices are past) should not be banished

from the frieze and entablature, to admit the far more appropriate

figures of foliage, fruit, and flowers, aquatic as well as

terrestrial, which every garden yields;—and for interior enrichments

of cornices, mouldings, &c., the curious and elegant forms of the

testacea, would afford beautiful copies for imitation.

In fine, if there be any merit or propriety in the adaptation of

whatever is elegant in form, beautiful in outline, harmonious

in tint and proportion, and congruous in combination, such may

readily be found in the animal and vegetable kingdoms. Faithful

representations of such objects, not only open a fine field for the

exercise of individual ability, at this time, but also a source

from which might be drawn a large share of public patronage, and

consequent commensurate reward. Indeed it is now pretty evident that

in many things, especially in the minor works of art, we have been

too long and too rigidly impressed with a veneration for the works

of antiquity, or what is equally benumbing, a passive following of

tyrant fashion; and that many a bright genius has been “nipped in

the bud,” and remained “twinkling in the socket” of Grecian and

Roman rules, who, if venturous enough to have burst the shackles of

professional thraldom, would have improved and elevated his art, as

well as himself, by designs and works which would have advanced his

profession and adorned his country.

But it is not yet too late; a knowledge and study of the genuine

elements of taste, whether of art or nature, and a mind embued with

rational perceptions of all that is beautiful and picturesque, and

grand or sublime in either, will rise superior to all precedential

fetters, as well as all modern mannerism, and will equally regard the

excellencies of the ancients, as it will avoid the errors of some

modern artists, who, in leaving the beaten track, have deviated far

and widely from the point to which good sense and good taste would

have led. [p296]

A list of plants, &c. which exemplify all that is elegant in

form, beautiful in outline and graceful in position, should have

accompanied the above imperfect remarks, but this must be deferred to

another opportunity.

J. M.

_De l’Influence des Agens Physiques sur la Vie. Par_ W. F. Edwards,

D. M., &c.

[Continued from the last Number.]

In our last number we presented our readers with a general abstract

of the first part of this valuable work. The second part refers to

animals of the _cold blood_ order, including _fish_ and _reptiles_.

The _larvæ_ of the latter underwent some comparative experiments

detailed in the first chapter, because they partake of the nature

both of _fish_ and _reptiles_, as to their _respiratory function_;

the imperfection of their intermediate state and developement of

organization not interfering with the objects in view, and the

double mode of aërification being exercised unequally. The _skin_

of these young animals furnishes them with the means of producing

the requisite changes in the blood by _absorption_, as in the

adult, while it lives in water; and the cutaneous respiration goes

on through this medium at a temperature which the subsequent more

perfect animal is unable to endure. The object entertained is the

influence of physical agents upon the changes which these animals

pass through in their form and structure.

An important condition of their advancement to maturity seems to be,

that the nutriment suspended in the water should be in very small and

limited proportions. Temperature also influences their constitutional

changes.

Sometimes the _larvæ_ pass through the winter in their primitive

state; a fact not generally known. Some _tadpoles_ were confined

within wooden boxes submersed in the river Seine, in which holes

were perforated to allow the stream to pass through, without the

possibility of the animals rising to the surface of the water, and

thus to inhale air. Others were placed in a large vessel of Seine

water renewed at intervals, with power to rise above the surface.

Ten in twelve of the first box underwent no transformation, the

others having gone partially through their change. But [p297] those

of the large vessel, and not submersed in the river, passed through

their changes of form without the least appearance of the phenomenon

being retarded. The running waters of the Seine probably contained

nutritious matter, which the water periodically renewed was more

deficient in.

Under circumstances of moderate nourishment and temperature, the

tadpoles under water did not complete their changes but in a very

partial and protracted manner, while the greater portion made no

change. The great difference in the circumstances of the experiments

seems to have been the access to the air of those which went

through their transformations as usual. Exclusion from light made

no difference in the results, and these were solely influenced by

occasional renewal of air from pulmonary respiration.

These animals possessing a double respiration, cutaneous and

pulmonic, that is, absorbing air from the water around them and

inhaling it from the atmosphere on its surface, renders these facts

highly curious. Fish possess only the means of aquatic respiration,

and the influence of temperature was tried upon them submersed in

water deprived of its air by previous boiling, the heat being varied

from 0° to 40°. The fish died quicker under these circumstances

than the frog species in the same situation; but their lives were

prolonged more in the _descent_ of the thermometer than during its

_elevation_, as also occurred with the experiments on frogs and

salamanders; and, in both cases, the younger the animal, the less it

could resist the higher temperatures. At 40° the young animals only

survived about two minutes, and the adults many more.

Fish were also submersed in closed vessels of aërated water, and, by

varying the temperature and the quantities of water, the duration

of their lives was augmented in proportion to the increased volume

of the liquid, the temperature remaining the same; but when these

experiments were conducted in open vessels, the contact with the

atmosphere altered the phenomena. At 20°, a small fish expired in

four hours; and when the temperature was lowered to 10° or 12°,

the same sort of animal lived several days; and when the water was

kept clean by being changed every twenty-four hours, the fish lived

indefinitely.

It is known that fish rise periodically to the surface of the waters

to respire; and Dr. Edwards discovered that they did so when they

have reduced the properties of the air [p298] dissolved in the water

to a lower standard than is requisite for the proper aërification of

their blood; thus renewing their supply of _oxygen_.

The functions of this class of animals have always been obscure; and

their phenomena are different from those of others. Different species

of fish die at various periods when deprived of water, some in a few

minutes, others in a few hours; and it appears that their dissolution

arises not so much from incapability of atmospheric respiration (for

the experiments of Sylvester prove that they can respire pure air),

as from the different state of the air.

Some experiments on _lizards_, _snakes_, and _turtles_ conclude the

researches among cold-blooded animals. The skins of these, like those

of the frogs and salamanders, received vivifying influence from

the air, mainly acting, in conjunction with pulmonary respiration,

to promote their existence. _Snakes_ and _turtle_, their pulmonary

respiration being insulated, from their skins being guarded from

atmospheric influence, were found alive; but the _lizards_ died

in a few hours, when the vivifying contact of the air was removed

from their bodies, and they breathed only by their mouths. Animals

naturally defended by _scales_ transpire much less than such as have

their skins free. Thus _frogs_, _toads_, and _salamanders_ yielded

more by perspiration than _lizards_, _snakes_, and _turtle_, in a

given time; and the porosity of the skin of course regulates the

facility of transpiration in all cases.

With these experiments and remarks, Dr. Edwards concludes the second

part of his researches. The third part includes _animals of warm

blood_, in which will be found some curious and interesting remarks

on the heat of young animals compared with that of adults.

Dr. Edwards refutes the common notion of young animals being

necessarily hotter than adults. The heat of young puppies was very

near that of the parent, or one or two degrees less, but this

variation was not constant. Some new-born kittens and rabbits were

also subjected to similar trials, and the results led to a conclusion

that the temperature of young animals is _less_ than that of adults.

According to these experiments, the power of resisting the cooling

influence of the air acquires force as the animal grows up; and those

examples related, in which artificial covering was adopted, show that

nudity is not the only cause of the reduction of heat, which is,

in fact, more referrible [p299] to their infantile constitution.

At first the sucking animal shows little variation from the parent

temperature; then this becomes more and more reduced, and about the

fifteenth day it is a degree or two below the mother.

The Quarterly Journal of Science, Literature and the Arts, July-December, 1827 · 第 29 / 51 段