CHAPTER XXXVI

IN THE PAGODA AND ON THE BENCH

So long as he may live Basil Gregory will never understand how he

lived through those hours in the pagoda--his last hours in the pagoda

by the lotus lake. So long as he lives he must remember them, and

shudder newly at each remembering--waiting again in torture and alone

to hear the deep-throated damnation of Wu Li Chang’s gong telling him

that--that he was branded forever, soul-scarred. Wu Li Chang had hit

upon something that not even a man could forget.

How he got there he never knew. He remembered being taken to the

mandarin, the terrible interview, the news of Nang Ping’s death, the

demoniac threat of his mother’s ordeal and agony, but nothing of his

return to the pagoda. For a time--he had no way of knowing how long

or how brief--a merciful space of blank had been vouchsafed him. And

the utmost fury need not have grudged him it. For, if the mother in

the house suffered more than a death, the son in the pagoda, when

consciousness crept back, suffered her sufferings multiplied. She was

his mother, and he loved her. Always she had been very good to him. And

he had been so proud of her. Could he ever feel quite that pride again?

Her very sacrifice must smirch her in the eyes of the son for whom

it was made, and whose crime it punished. Even his love for her must

be a little tarnished, a little weaker, after the clang out of that

brazen gong. Wu Li Chang had found a great revenge. His own honor had

never burdened Basil Gregory; but his mother’s honor--ah! Or, for that

matter, even Hilda’s, or his cousin May Gregory’s--for, like so many

such men, Basil Gregory leaned his soul (such as he had) and his pride

upon the women of his blood. To be virtuous vicariously is a positive

talent with some men.

His mother! He writhed. His mother! He tore against the pagoda’s

walls with his hands, all pinioned as they were--for his freed hand

was bound again--until his knuckles bled. If such punishment as Wu

had devised could be shown vividly, anticipatorily, to men about to

stray, the gravest of the social problems must be so somewhat solved,

the most stinging of the burning questions somewhat answered. If sons,

light, selfish, weak, could expect such chastisement as Basil Gregory

was enduring now, a famous commandment would be honored in observance

an hundredfold, dishonored by breach miraculously less. A daughter’s

shame--a sister’s--that scourges most men; a wife’s--oh! well, there

are wives and wives, there are men and men, but a mother’s--ah! That

touches all manhood on its quick. Brand the scarlet initial of adultery

on his mother’s brow in punishment of him, and what son would commit

the fault? Fewer!

From the sun--for there were spaces pierced in the elaborate stonework

of the pagoda’s thick sides, and he could see through some of them--he

thought that he must have escaped nearly an hour of the misery of

consciousness.

Heaven knows the scene enacted in the smaller audience hall was

exquisitely terrible enough; but the man alone in the pagoda pictured

it ten times more terrible, more hideous, more stenched than it was.

Made an artist in fiendishness by his love for his child, Wu was most

fiendish, most exquisite, in his enmaddening deliberateness. He drew

out the woman’s agony until the sinews of her soul seemed to crack and

bleat. The hideous hour seemed an age to her. To Basil, waiting alone

in the pagoda, the hour seemed ages piled on ages.

Alone? But no, he was not alone. This was Nang Ping’s pagoda. She had

given him “free” of it, and shared it with him. She shared it with him

still. A ghost--a girlish Chinese ghost--stood beside him and looked at

him adoringly, accusingly, with death and motherhood in her eyes. “Oh!

Nang Ping! Nang Ping! Forgive, forgive!” he cried, and hid his face on

his pinioned arm. Then he looked up with a cry--wide-eyed, for he had

seen his mother in the room he’d left, the room where the gong was,

and Wu--he saw his mother, and the Chinese moving towards her, and he

turned and cursed the girl-ghost at his side--the poor dishonored ghost

with a tiny nestling in her arms.

Angry at punishment self-entailed, to shift, or seek to shift, the

blame, or some part of it, upon shoulders other than our own, is a

common phase of human frailty. “The woman tempted me.” And so the fault

is really hers. Punish the temptress and let me go. “The woman tempted

me”: it is the oldest and the meanest of the complaints. But sadly

often it is true enough.

A man never had less cause to urge it, in self-extenuation, or even in

explanation, than Basil Gregory had. Nang Ping had never tempted him.

Even in the consummation of their loves, the heyday of her infatuation,

she had never wooed him. In their first acquaintance, contrived in part

by him, brought about in part by a fan of Low Soong’s, lost and found,

Nang Ping had been as shy and unassertive as a violet. She had never

tempted except with her own sweet reserve and the fragrant piquancy of

her picturesque novelty. And that she had not sought him, or, for some

time, allowed him advance, had been her chief charm for him. And on the

day that he had told her that he was returning to Europe, and at once,

leaving her to face their dilemma alone, she had uttered no reproach,

made no outcry--just a quiet expostulation abandoned as soon as made.

“You will not come back,” she had said quietly, and had gone from him

calmly, with dignity.

Never lover had less just cause to reproach mistress than he had to

reproach or blame Nang Ping. But for his mother’s sake, and, too,

perhaps, for his craven own, he did, and cursed the girl who had died

for him, as he raged futilely here in the pagoda, where he had taken,

and she had given, her all.

It is a big thing to be a manly man.

It is a tragedy to be a woman--except when it’s the very best of great

good luck.

* * * * *

Very little of the good luck of life, very little of the joyousness of

womanhood, had ever been Ah Wong’s. All her life she had worked hard

for scant pay and no thanks. All her life she had yearned passionately

for companionship, and been lonely. From a brutal father she had

escaped to a brutal husband. Her children were dead, and had not

promised much while they lived. God knows, Mrs. Gregory had given her

little enough--almost nothing. And yet Mrs. Gregory had given her her

best time--the nearest approach to a “good time” she’d ever known. And

she was pathetically grateful to have had even so much of creature

comfort, such crumbs of kindness, so shabby and lukewarm a sipping

of the wine of life. The Englishwoman did not even know that she had

been kind to the amah. Indeed, Ah Wong had merely warmed her cramped

and frozen being in the careless overflow of a nature that, by happy

accident, was full of sunshine and brimmed with radiance.

Ah Wong was grateful, and Ah Wong was honest. She meant to repay. She

hated debt; almost all Chinese do. She had loyalty. She had grit. She

had Chinese wit. And she had the light wrist of her sex at subterfuge:

it is world-wide.

Ejected from the house, she sat down contentedly in the courtyard and

began to knit--an industry foreign to Chinese eyes. It brought curious

women of the household about her. She had intended that it should. They

brought her liangkao and melon seeds--for hospitality was the rule of

the house--and she ate all the liangkao and cracked all the melon seeds

while the other women chattered to her and to each other.

She said that she was very tired--her lady was a hard taskmistress.

She didn’t like the English. She was very tired, but she’d like to

see something of so beautiful a place, now that she was here, and she

tottered about a little wearily from treasure to treasure, but never

far from the house, from tiny forest trees a few inches high, in pots

the size of thimbles, to an evergreen that was a century old and that

had its widest branches cut into birds in full flight. She cried out in

ecstasy at a great dragon sprawling on the grass, a dragon of geraniums

and foliage plants. And presently she yawned and said that she was very

tired, and sat down heavily on a carved stone bench. After a little

she fell asleep, and the women giggled at her good-naturedly and left

her. The bench was not far from the window that high up looked into the

mandarin’s sitting-room.

Mr. Wu Based on the Play "Mr. Wu" by H. M. Vernon and Harold Owen · 第 36 / 44 章