CHAPTER XXXI

To see Robert Corder reassuring his children, gravely taking this new

burden on himself and shouldering it courageously, was for Hannah,

rather like watching a man palming off the work of an artist as his

own, and she wondered he did not see the pathos, the tacit reproach, of

Ethel's surprised admiration for him and of the relief which flushed

Ruth's face, but, after all, it did not matter to Hannah why he acted

well so long as he did it, and she remembered that her suggestions

had been successful, not because she was skilful, but because they

were practical. If he was to keep his picture of his broad-minded,

optimistic self, he must take Howard's departure and give it his

approval in a wise, fore-sighted spirit; only so could he mount his

pulpit on Sunday and feel that he still dominated his people. There

are certain kinds of sorrow which add to a man's value, but that of

possessing a bad son is not one of them, and Robert Corder decided not

to have it. That, at least, was Hannah's criticism of his behaviour.

Ruth had her own comment to make, though she put it as a question

which was not meant to be enlightening. She had the appearance, Hannah

thought, as she lit the night-light, of a person who has had a severe

bout of pain, and lies limp and contented in its cessation. Her face,

which softened and hardened so quickly, seemed to have taken on

childish contours, but her eyes, drowsy with comfort, kept their look

of guarded intelligence.

'Isn't it wonderful,' she sighed, 'not to be as miserable as you

thought you were going to be?'

'Is it? I don't know. I'm never miserable.'

'Well, you must have been, often, when you were young.'

'There was always something else,' Hannah said. 'There's always

something else, when you look for it. But no, I wasn't unhappy when

I was young. There were my boots, of course, but there were the feet

inside them and, you know, if I'd had the kind of boots I wanted, my

feet wouldn't have been so pretty now, and I suppose I realised, even

then, that it was all for the best. I've always been good at that.'

'You're very conceited about your feet. And people don't notice feet

much.'

'What does that matter to me? I notice them myself, and every night I

have a little reception for them. They sit at one end of the bed and I

sit at the other and I look at my nice straight toes and all the little

bones of my feet and think of the manifold works of God. It's not

conceit. I didn't make them.'

'But you like them more because they're yours than you would if they

were mine.'

'Perhaps; they're such a surprise. My father and mother had honest

yeomen's feet and so has Lilla.'

'Lilla? That's Mrs. Spenser-Smith's name.'

'Did I say Lilla? I meant Hilda.'

'Who's she?'

'Oh, she's a cousin, rather a mysterious cousin. I'll tell you about

her some day. She was better looking than me, but not much, and her

feet were ugly. Nice hands, though, and she used to say that if

she and I could pick out our best features, we might make one quite

decent-looking woman of us.'

'Is she alive now?'

'Good gracious, yes, I hope so. Somewhere. She's no older than I am,

but I haven't seen her for years. Elusive creature,' Hannah said,

staring at the little flame of the night-light.

'Go on about her.'

'Not now. Good night.'

'Moley ...' this was Ruth's question, 'was Father angry when you took

in his tea? I know he was furious with Uncle Jim, because we heard him

shouting, and I never thought he'd come in and be so nice to us.'

'But as it wasn't your fault, why should he be angry with you?'

Ruth made no reply to that; there was none to make and she did not

refer to past experience. It was plain to Hannah that Ruth was giving

credit where credit was due, and it was sad that she should have to

look beyond her father's character for the cause of his unexpected

gentleness. 'Well, I hope he'll stop being angry with Uncle Jim,' she

said. 'I'll tell you what I've decided. I shall go out to South Africa,

to be with Howard, as soon as I can.'

'And what about me?'

'Couldn't you stay and look after Father?'

'I'm here to look after you because you're such a baby and can't mend

your own stockings. As soon as you can, I shall go.'

'Is that why you haven't tried to make me do it?' Ruth asked slyly.

'And why shouldn't you come too?'

'I don't know why I didn't go years ago,' Hannah said. 'What a fool

I've been!'

'There was your little house.'

'Yes,' she said, 'perhaps that had something to do with keeping me, but

there, I never had enough money to pay my fare and I never shall have.'

'That's because you're so extravagant about your shoes,' Ruth said

pertly. 'And that reminds me. There's the story about breaking the

window, and now there's your cousin Hilda. You're always promising and

never telling.'

'I can't tell you about the window because the story isn't finished.

Neither is the one about Cousin Hilda, for that matter. Stories don't

finish. The window one is coming to what you might call a period, but

not an end. No indeed. I fancy that Part Two will be less exciting but

more enthralling to the student of human nature than Part One. Really

good biographies can't be written until the what-you-may-call-thems are

dead. But I might tell you when we're in South Africa,--far away.'

'Couldn't you just give me a hint about why you broke the window? Was

it in Radstowe?'

'Not a hint,' Hannah said. 'Why can't you make up some stories for

yourself? That's what I have to do.'

'But these are true, aren't they?' Ruth cried anxiously. 'Not like the

burglar one?'

'Not in the least like the burglar one. And now, sleep. If you're going

to South Africa, you must take a profession with you and you'll never

have one if you stay awake till this time of night. Be anything you

like, but be something. Simply being a useful woman like me isn't good

enough.'

'You're good enough for me,' Ruth said, shutting her eyes on the

awkwardness of this confession.

Hannah went upstairs and stood in the darkness of her bedroom. For

the first time she heard her own true story with Ruth's ears and she

did not like the sound of it, and Ruth did not repeat her assertion

that Miss Mole was good enough for her. She was mute, stricken, all her

faiths shaken, what she had seen as beauty changed to ugliness, her

sight, perhaps incurably, dimmed or distorted, and this was Hannah's

work. Apart from the consequences of her acts on the innocent, the

undreamed of, her adult conscience was not troubled. Her regrets were

for her lack of judgment, not for a chastity which did not seem to her

to be sensibly diminished. She had loved her lover and expected to

marry him, but she did not make that expectation an excuse. She did

not need an excuse. Her values were not those of Robert Corder and

Beresford Road Chapel and she was heartily thankful that there was no

legal bond, but she was unhappy when she tried to exchange her own

conscience for Ruth's juvenile one, and what Ruth made of the story

would chiefly depend on who presented it to her. If it were her father

or her sister, all these happy hours they had had together would be

smeared by their disgust. And yet Hannah had a heartening belief in the

independence of Ruth's mind and her natural tendency to go contrary to

her relatives: moreover, they were not likely to tell her much. Miss

Mole would disappear mysteriously, her name would not be spoken, and

Ruth's silent loyalty might be strengthened by her secret defiance, yet

she might be disillusioned, though she was still loyal. No woman, not

even Hannah, who had made a practice of indifference to most people's

opinions, could relish the prospect of being thought evil, but it was

the effect on Ruth herself about which she was really troubled, and

it seemed to her hard that what she had done ten years ago should

have its influence on a child of whose existence she had not known,

so hard and unreasonable that her sanity refused to take the weight

of this responsibility and, as she stood there, meditating immediate

flight, her commonsense resisted a temptation which, indeed, was not

very alluring, for where was she to go and what good would she be doing

Ruth if she left the field to Mr. Pilgrim? And perhaps her cousin Hilda

would save her from him as she had saved her from the bull. No, she

told herself, undressing in the darkness which clarified her thoughts,

the worst thing she could do was to waste the powers which had been

signally proved this evening. Through her means, Ruth and Ethel had

gone comparatively happily to bed and all her calculations were grossly

wrong if Robert Corder did not return cheerfully from his interview

with Lilla, for by the first post, she would learn that the occasion

for discreet behaviour had arrived. And, during the interview in which

they tried to make things easy for each other, Hannah hoped Robert

Corder would speak enthusiastically of his housekeeper. That would give

Lilla something to worry about, she chuckled, as she got into bed, and

she thought she would be almost willing to sacrifice herself maritally

to Robert Corder, if she got the chance, for the sake of supplanting

Lilla as leading lady of the chapel, a short-lived joy for a long

martyrdom, but she knew that he would only praise her in flattery of

Lilla and that he was in happy ignorance of his indebtedness to Miss

Mole.

It was difficult to endure his look of self-satisfaction the next

evening. A stranger would have thought he had planned his son's escape

and made Mrs. Spenser-Smith a party in the enterprise, and Hannah had

another glimpse into the life of Mrs. Corder, who, surely, must have

wilted and perhaps actually died, under the blandly arrogant delusions

of her husband. The face which looked out of its silver frame was that

of a woman with delicate perceptions who would find more truth in Mr.

Samson's extravagant inventions than in Robert Corder's interpretation

of his acts and thoughts, but, no doubt, her chief desire, like

Hannah's, was for the happiness of her children and she had borne with

her husband as wives find it necessary to do.

This was Hannah's view of their relationship and Uncle Jim had given

her no cause to change or amplify it. He, at least, did not yield to

Hannah's wiles. Under his matter-of-fact directness, he was not simple;

he seemed able to guess the destination of Hannah's conversation, when

it was Mrs. Corder, though she might start in the opposite direction,

and she gave him up. When she saw him go, the next day, she would be

almost as poor in information as she was when he arrived and this was

hardly fair, for he had constantly questioned her about farming and

expressed his regret that he could not see her little place. He would

be a good tenant when she wanted another one. The place would suit him

very well, he thought; it was near enough to Radstowe and he wanted to

keep an eye on Ruth.

'Well, one never knows,' Hannah said. 'You'd better leave me your

address. I suppose,' she went on thoughtfully, 'I've got another twenty

years of work left in me. My tenant may not last as long as that and,

while I'm working, you could be paying me rent. And I'll charge you a

high one too, for depreciation of my property. Then, at sixty, I'll

turn you out and retire. But the difficulty is that if I lose this job,

I may not get another.'

'Why should you lose it? But look here, if you do, you've got to let

me know. I'm going to wander about for a bit, but my bank will always

find me.'

'Are you thinking of kidnapping Ruth, too?' Hannah asked coolly.

'I'll have a shot,' he said.

'And Ethel?'

'No, I don't think I need kidnap Ethel. I'm hoping she'll get married.

Who was that black-haired chap who made such a fool of himself at the

party? I thought they seemed pretty friendly.'

'Would you like her to marry him?'

'I'd like her to marry anybody, so long as he didn't drink or knock her

about,' he said, and increased Hannah's respect for his astuteness.

'But perhaps it will be Mr. Corder who gets married. There are plenty

of ladies in the congregation who would meet him more than half-way.'

'Yes, I spotted one of those, too,' he said. 'The fair, floppy one. No

use to Ruth at all. I wish to goodness,' he said, knocking his pipe out

against the grate, 'you'd marry him yourself.'

'Anything to oblige you, of course,' Hannah said dryly, and then,

flaring up, she cried: 'Upon my word, I think you're the most

unscrupulous person I ever met.'

Miss Mole · 第 31 / 40 章