THE BIRD AND THE MOUSE.

Belonging to our household was a tiny creature, Nixie, who from his

gilded cage between the lace curtains observed and commented on all our

actions. His door was left open occasionally, and his gregariousness

moved him to go where he could take part in conversations and see

people. He desired company even at his bath; he had never heard of fear,

and won our hearts by his perfect trust. Morning and evening we gave him

first salutation, and allowed him to pick our fingers by way of shaking

hands. Messages came to him from over sea; gifts fell to him at

Christmas; in all our life he had a part. And even the mouse made its

bow.

Our hearts had been softened toward the “wee, cow’rin, timrous beasties”

by a tender little tale of a parsonage mouse, and we made friends with a

gray visitor that showed itself, now in the den at the back of our

house, now in the sitting room in front. Because we took our meals out,

Monsieur Mousie’s crumbs were uncertain; but he investigated thoroughly

and managed to find a livelihood. In our quiet rooms we often heard him

at his hunting, and smiled at thought of his daring and industry. Twice

he was emptied out of the carpet-sweeper (he must have fallen on very

hard times at those periods), but seemed none the worse for the

adventure, although the manipulator of the sweeper was herself much

disturbed. The waste paper basket finally became his cupboard, and

peanut shells his favorite fare. Often as we sat, my brother smoking and

I reading, we would hear bits of paper rustling and would know bright

eyes were watching us while sharp teeth nibbled the husks we had saved

for them. Daily, for a month or two, the small thing came for his share.

Alone in the room one Sunday evening, I was lying on the couch reading

when I saw a little gray shadow steal out and creep toward the waste

paper basket. I knew there was nothing in it, and lazily felt for

Mousie’s disappointment. The gray shadow stole back, halted by the lace

curtains, floated up them half way, and stopped near Nixie’s cage. I

held my breath. What next? Was he after bird seed? Was this the

explanation of Nixie’s empty cup that had perplexed me the last week?

But a peculiar, quick chirp made me wonder if the bird were afraid, if

the mouse could get at and hurt him. I raised my head and saw the gray

thing sitting on the seed cup eating like one starved. Nixie was looking

at it, his wings wide spread, eyes flashing, mouth wide open in protest,

body poised for attack. But the feast went quietly on. Nixie gave a few

sharp questions and then settled down to study his visitor.

It was too good to keep to myself; I called my mother and brother and

whistled up the tube for neighbors to join us in watching the strange

scene. By the time the audience was gathered the actors were ready to

play their parts. Nixie went close to the seed dish and chirped a

welcome to his guest, then, hopping backward, selected a station and

sang a sweet song for him. The mouse seemed to like it. He left off his

eating and crept along outside the floor of the cage, which extended a

couple of inches from the bars. Nixie within and Mousie without

promenaded together around the four sides; and close together, too,

Nixie all the time gayly gossiping and chattering. We say they kept it

up for half an hour, but that is a pretty long time. At any rate it was

several minutes.

How the acquaintance might have ended I cannot say. The next day the

curtains were taken down and Mousie, sadly disappointed, had no ladder

by which to climb. And later in the week Nixie went out of town for the

summer. We wanted to take the mouse, too, but the noise the packers and

movers made probably frightened him to such an extent that he dared not

show himself. We do not know what his future was, but we trust it was

crowned with the success due pluck and gentleness.

Katharine Pope.

[Illustration: GRASSHOPPER SPARROW.

(Ammodramus savannarum passerinus).

Life-size.

FROM COL. CHI. ACAD. SCIENCES.]

THE GRASSHOPPER SPARROW.

(_Ammodramus savannarum passerinus._)

Of all the bird voices of the meadow, for its interesting originality

and its effect in ensemble, we can least spare that of the little

Grasshopper Sparrow.—R. M. Silloway, in “Sketches of Some Common

Birds.”

This little bird of the meadow and hayfield is quite easily identified

by the marked yellow color at the shoulders of the wings, the yellowish

color of the lesser wing coverts, the buff colored breast and the orange

colored line before the eyes. Its home is on the ground, where its

retiring habits lead it to seek the protecting cover of tall grass and

other herbage. As it is not often seen except when flushed or when it

rises to the rail of a fence or to the top of a tall spear of grass to

utter its peculiar song, it is often considered rare. It is, however, a

common bird in many localities of its range, which covers the whole of

eastern North America, where it builds, upon the ground, its nest of

grass lined with hair and a few feathers. It nests as far north as

Massachusetts and Minnesota and winters in the southern states and the

adjacent islands.

This bird was given the name Grasshopper Sparrow from the fancied

resemblance of its weak cherup—“a peculiar monotonous song”—to the

shrilling produced by the long-horned grasshopper. However, the song

often begins and ends with a faint warble. Mr. Chapman says that these

notes “may be written pit túck zee-e-e-e-e-e-e-e-e.”

Mr. Silloway writes at length and enthusiastically of the Grasshopper

Sparrow. He says, “To the sympathetic ear the voice of the humble

Grasshopper Sparrow is as necessary to the harmony of the meadow

overture as the clear piping of the meadow lark or the jingling triangle

of the bobolink. The leading instruments of the orchestra usually

receive our attention, yet the accompanying pieces are chiefly

responsible for the resulting harmony. Taken alone, the notes of the

minor parts are harsh and unmelodious, but sounded in time and accord

with the cornet, the first violin, and the double bass, they assist in

producing an effect delightful and harmonious. Thus it is with the

voices of our little accompanist in the mottled brown coat. Heard alone

at close station, it is seemingly shrill and unmusical; but in the midst

of expanded verdure, following the lead of the meadow voices, its

noonday crooning produces a dreamy harmony perfectly in accord with the

thoughts of the listener.”

The name of this little bird is not only appropriate because of its song

but also on account of its food. In the examination of one hundred and

seventy stomachs, Dr. Sylvester D. Judd found that the contents

contained sixty-three per cent of animal matter, twenty-three per cent

of which consisted of the remains of grasshoppers. His investigations

covered a period of eight months. Thus during that period these insects

formed nearly one-fourth of the total diet of the birds examined. He

also discovered that during the month of June, the greatest number of

grasshoppers was eaten and formed about sixty per cent of the stomach

contents.

In rural districts it is seldom called a sparrow and is more commonly

called Grass-bird, Ground-bird or Grasshopper-bird. Another appropriate

name is Yellow-winged Sparrow. All these names well portray its habits

and characteristics. Its flights are short and rapid, but “on the ground

or in the grass it runs like meadow mice to elude the presence and

notice of intruders.”

The Grasshopper Sparrow is an adept in leading an intruder from the

vicinity of its nest. The male seldom utters its song close by its

brooding mate, and either bird when disturbed in the vicinity of their

home will skulk through the grass for some distance and, if necessity of

refuge requires flight, will rise from a point sufficiently far away to

mislead the intruder.

Both sexes bear the responsibilities of brooding and their home life

seems to be one round of contentment. “Although the male seeks to win

the affections of his lady love by persistently shrilling near her the

story of his passion he generally represses his love trills near the

home which his mistress has established. * * * Cheer her he must,

however, and so he trills throughout the day from fancied situations

within her hearing, yet safely removed from the guarded spot.”

Birds and Nature, Vol. 12 No. 2 [July 1902] Illustrated by Color Photography · 第 5 / 21 题