CHAPTER XXXII

"Yes, certainly, we will go. Bear up, my dearest, you are safe with me.

I deserve to be shot for bringing you to see this cursed stuff,"

murmured Vansittart, as he supported Joan to the box door, and, sending

the attendant for iced water, brandy, salts, anything, tended her

lovingly until he saw a faint colour creep back into her cheeks and

lips, when, thanking the damsel, who had not been unsympathetic, and

slipping a gold coin into her hand, he took his beloved carefully down

into the open air and once more drove her home in a hansom.

She clung feebly to him as she lay almost helpless upon his breast--the

cool night air, the darkness of the silent street under the starry sky,

thrice welcome after her agony in that hot, glaring theatre--clung,

feeling as if all else in her life were shipwrecked, engulfed in an

ocean of horror, only he, her faithful lover, the one rock that

remained. And a word of confession from her, one damning incident that

betrayed her guilt, and she would lose even that grip on life and be

hopelessly submerged.

"I am so sorry--I was so silly," she feebly began, but he interrupted

her with almost passionate determination.

"My darling, I know, I understand!" he exclaimed. "That was your

friend's story in a stage play. Joan, I feel I must protect you from

yourself, for you have allowed an innocent, girlish freak of yours to

lay hold of you in an unconceivable manner. It would be absurd, if it

were not morbid."

He held forth eloquently on the folly of retrospection, of exaggerating

the follies of youth, not only during the drive home, but when they were

alone together in the cool dining room, for Sir Thomas was out, and Lady

Thorne, not expecting them home so early, had retired for the night; and

when he left her in Julie's hands, unwillingly obeying her behest, her

demand, given with feverish energy, that her maid was not to be told

that she had been attacked with faintness, he felt a little more at ease

about her.

Suspect her he did not, except of being one of the most highly strung

and sensitive creatures alive. And, being sure that this was

so--feeling safe in his unbounded love and trust--she was able to rally.

Through all which might happen--even if Paul Naz changed his mind, and

followed up his suspicions; if the man who found the bottle of drugged

brandy happened to recognize her as the woman he had seen; if "that

actress girl" could identify her as the person she passed in the hansom;

if, indeed, any scraps of her letters or some old photograph of her had

been found among Mercier's belongings--nothing, she believed, would

altogether alienate Vansittart's love.

She clung to the thought; it seemed her one anchor to life. But even as

she gradually recovered from the shocks of that awful hour at the

theatre, she regained a certain amount of hope.

The very pomp and circumstance of her wedding; the accounts in the

papers; the laudation of herself, Vansittart, and their respective

families--all must surely help to avoid exciting the suspicion that she,

the heroine of the glorification, was a whited sepulchre; that she had

stolen out by night and, alone in a poor room in a lowly dwelling-house

with her lover, had poisoned him and then left him to die.

Conscience did not soften the facts of the case. She had to face them

in all their unlovely turpitude and deal with them as best she might.

But that night when she had to see her own story partly enacted on the

stage, and, worse still, hear it commented upon with unconscious

brutality by the dramatic critic, Mr. Hunt, seemed the climax, the

crisis.

As the night gave place to day--and the day was full of pleasing

incidents as well as of fresh proofs of Vansittart's devotion; he

arrived early, and took "her in hand," kept her cheerful, and, with his

flow of joyous content, would not allow her a leisure moment for her

"morbidity," as he called it--she seemed to settle down a little, as one

respited for a time, who deliberately determines to make the most of the

term of peace. The days went by quickly, for with such a function as a

brilliant wedding imminent, there was a perpetual bustle, there were

continual obligatory goings to and fro. Besides, Vansittart mapped out

the days--rides, drives, receptions, dances, all formed part of his

scheme to entertain her until she would be his wife, feeling his

emotions, thinking his thoughts. Only the theatre was rigidly excluded.

He avoided even the subject of the stage, nor did he allow her to hear

much music. He considered that of all the arts music had the greatest

power to reproduce past sensations, to recall memories, especially

undesirable ones. He was rewarded for his solicitude by seeing his

beloved outwardly cheerful, and apparently at ease.

Joan was, indeed, as the days went quietly by, encouraged by the lack of

disturbing elements, by the entire absence of any signs that the tragedy

of Victor Mercier's death had any life left in it to torment her. She

had promised herself that, if nothing happened before her marriage day,

she might consider that she was practically safe. And at last the happy

day dawned--a glorious summer morning--and, arising with gratitude in

her heart, she murmured a fervent "Thank God!"

The house was crammed full of visitors--mostly the bridesmaids and their

chaperons. At an early hour these girls, attired in their delicate

chiffon frocks and "picture hats," were fluttering about the mansion

like belated butterflies; for the marriage was to be early, for a

fashionable one, to enable Lord and Lady Vansittart to start betimes for

their honeymoon, which was to be spent on board Vansittart's yacht, but

where, remained the young couple's secret. The bride was closeted in her

room, Julie alone was with her. "I do not wish any one to see me before

I appear in church," she had said, so decidedly, that her attendant

maidens subdued their curiosity and started for the church in a couple

of carriages--there were eight of them--without having had even a

glimpse of the bridal attire.

Joan felt that she could not have borne the innocent chatter of those

bright, unconscious girls, so happy in their unsullied ignorance of life

and its undercurrent of horrors. Only in a silent, inward clinging to

the thought of Vansittart--so soon to be her husband, her mainstay, her

refuge, her only hope--could she endure the few hours before she would

be safe--safe--alone with him on the high seas, no one knowing where

they were or whither they were going.

Julie? Julie was her servant, of late quite her obsequious slave, with

the prospect of being maid to "a great lady," and therefore a personage

among her compeers before her. Julie was silent when she was silent. So

no bride had ever been decked for the altar with greater show of

solemnity than was Joan on her wedding morn.

"Am I good enough--do I look good enough--for him?" she asked herself as

she gazed at her reflection in the long mirrors arranged by Julie so

that she could see herself at all points--full face, back, profile. What

she seemed to see was a pyramid of glistening satin, a quantity of lace,

and a small pathetic face with a golden glimmer about it, under a frothy

veil.

"A bride's dress is very unbecoming, after all," she somewhat gloomily

said, as she accepted the bouquet Julie handed her--myrtle and delicate

orchids; for she had told Vansittart, urged by the dread of being

confronted with blossoms like the one she had seen in Victor Mercier's

buttonhole as he lay dead, that if there were any strongly perfumed

flowers about she might faint; a threat which had driven Vansittart to

the florist who was to decorate the church to veto all but scentless

blossoms. "It seems strange, does it not, Julie? that weddings and

funerals should have the same kind of flowers."

Julie gave a little shriek. "Mais, mademoiselle, to speak of death on

your wedding-day!"

"There are worse things than death, Julie," said she, with a sigh. And

she proceeded below, Julie carefully carrying her train, while wondering

with some dismay at her young mistress's extraordinary _tristesse_,

then, met by the somewhat agitated Sir Thomas in the hall, she drove

with him to the church.

Policemen were keeping back the crowd. She went up the flight of

crimson-carpeted steps, and, passing into the church, dimly saw a double

line of bridesmaids, with their pure white frocks and eager, blushing

faces; then the officiating clergymen and choristers in their surplices.

"They meet a bride as they meet the dead," she thought, with a delirious

instinct to burst into laughter. Then she heard the sweet, solemn

strains of the wedding hymn, and she felt rather than saw Vansittart,

his manly form erect, even commanding, standing at the altar awaiting

her, his eyes fixed gravely on her, compelling her by some mesmeric

influence to be calm.

How dreamlike it all was! The serious, holy words; the sacred promises;

the ring placed upon her finger; the farce, to her who had lost the

power to pray real prayers, of kneeling on bended knees with downcast

eyes at her husband's side; then the fuss and fervour in the vestry, the

cheery smiles of the clergy, the excited embraces, the tiresome

congratulations. Suddenly she began to feel her carefully-accumulated

patience give way, and in a terror lest she should betray herself, she

turned to Vansittart.

"Cannot we go now?" she almost wailed, with a pathetic, entreating

glance.

"Of course, my dearest!"

The registers were signed, the business of the ceremony completed, and,

somewhat abruptly, bride and bridegroom left the vestry and the little

crowd of their gaily dressed friends, and went quickly through the

church, to return to the house.

What stares and murmurs she had passed through, running the gauntlet of

the crowded pews of sightseers! As she emerged on her husband's arm,

the cool air made her gasp with relief.

Whispers, murmurs, policemen backing the crowd with commanding gestures.

There was the bridal carriage. She saw Vansittart's horses; they were

plunging a little. What a monster bouquet the coachman had! She was

passing down the carpeted steps, she was about to halt to step into the

landau, when someone came right in front of her, offering her some

flowers.

Flowers! Those horribly white, thick-scented blossoms! She recoiled

for an instant, then, remembering she must appear gratified, she took

them, vaguely seeing a ghastly face, blazing blue eyes, a figure in deep

black, a figure she did not know.

In another moment she was in the carriage; they drove off. "Horrible

things; throw them out of window," she faintly said, recognizing the

hideous fact that the posy was of the very flower Victor had worn when

he died.

"Presently, dearest; we cannot let the girl see us do it," he gravely

said. He was examining a label attached. In sudden terror she flung

down her bouquet, snatched the posy from him, and stared wildly at the

written words--

"In memory of Victor. 'Vengeance is Mine, I will repay, saith the

Lord.'"

A Woman Martyr · 第 32 / 35 章