CHAPTER V

THE KISS OF RESPECT

Margaret of Scotland, who was betrothed to Charles the Seventh’s son,

the Dauphin Louis (afterwards Louis XI.), one day walked through a hall

where Alain Chartier was sitting asleep in a chair. On perceiving the

sleeping poet, she went up to him and kissed him on the lips. Many of

her suite were astonished at this, “for nature had, so far as Chartier

was concerned, suffered a beautiful and rich mind to take up its abode

in an ugly body.” The princess replied that they were not to marvel at

what she had done, for it was not the man she had kissed, but the mouth

from which so many golden words had proceeded. Margaret’s kiss was

therefore an expression of the respect she had for the poet, and the

admiration and regard inspired by his poetical genius. A little further

back in the Middle Ages we meet with another striking instance of a

kiss as expressive of veneration; but this kiss is of a more humble

nature. We are told that, when the Emperor Otto I. had taken leave of

his pious mother in the church attached to a monastery, the latter

followed him with her eyes as long as she could, and then returned to

the church and kissed the place whereon his feet had stood.

The kiss of veneration is of ancient origin; from the remotest times we

find it applied to all that is holy, noble, and worshipful--to the gods,

their statues, temples, and altars, as well as to kings and emperors;

out of reverence, people even kissed the ground, and both sun and moon

were greeted with kisses.

In the first book of Kings God says to Elijah: “Yet I have left me seven

thousand in Israel, all the knees which have not bowed unto Baal, and

every mouth which hath not kissed him” (xix. 18).

In the thirty-first chapter of Job, Job extols his own piety: “If I

beheld the sun when it shined, or the moon walking in brightness; and my

heart hath been secretly enticed, or my mouth hath kissed my hand” (26,

27). Here, undoubtedly, allusion is made to the kissing of hands

whereby the heathen were wont to salute the heavenly bodies.

When the prophet Hosea laments over the idolatry of the children of

Israel, he says that they make molten images of calves and kiss them.

Even in remote classical times a similar homage was paid to the gods;

people kissed the hands, knees, and feet, even the mouths, of their

idols. Cicero informs us, in one of his speeches against Verres, that

the lips and beard of the famous statue of Hercules at Agrigentum were

worn away by the kisses of devotees.

Bayle tells us, in reference to this passage, that a physician was asked

one day why it was that a bronze face could, in this manner, be worn

away through being kissed, whereas, on the other hand, kisses did not

leave the slightest trace on the countenance of the most fashionable

courtesan. His answer was that the reason, he supposed, was that statues

were kissed for centuries, but that the woman in question was only

kissed for a very few years, viz., so long as her beauty lasted. This

explanation was, however, considered unsatisfactory, and the physician’s

attention was called to the fact that soft flesh must be far sooner

worn away than hard bronze; besides, lover’s kisses being considerably

more violent than those of mere respect. The physician then urged

another reason, viz., that which kisses wear away from bronze lips is

lost for ever, but that which is worn away from living lips is

immediately replaced by renewal of tissue in the body.

The kiss of veneration came to play a very important part in Christian

society. St Luke the Evangelist tells us that when Christ sat at meat in

the Pharisee’s house there came a woman who had been a great sinner,

bringing with her a vase of ointment. “And stood at his feet behind him

weeping, and began to wash his feet with tears, and did wipe them with

the hairs of her head, and kissed his feet, and anointed them with the

ointment” (vii. 38). When the Pharisee wondered at His having allowed

such a woman to touch Him, He rebuked him by the parable of the two

debtors, and added, “Thou gavest me no kiss, but this woman since the

time I came in hath not ceased to kiss my feet. My head with oil thou

didst not anoint, but this woman hath anointed my feet with ointment.”

Again in the Psalms, “Kiss the Son, lest he be angry, and ye perish from

the way, when his wrath is kindled but a little. Blessed are all they

that put their trust in him.”

C. H. Spurgeon used these lines as the text of a sermon he preached in

the “Music Hall,” London, on the 3rd of July 1859, in which he did his

utmost to make his congregation understand what is meant by saying we

are to “kiss Christ.” “The kiss,” says he, “is a mark of worship; to

kiss Christ is at the same time to recognise Him as God, and to pay Him

divine worship. The kiss is a mark of homage and subjection; we ought

likewise to acknowledge Christ as our King, and promise to follow

blindly His behests. The kiss is a sign of reconciliation; we ought to

show that we are reconciled with God. Lastly, the kiss is the greatest

of all tokens of love; to kiss Christ is therefore only a figurative way

of expressing to love Him with deep and fervent love.”[14]

As the woman that was a sinner showed her reverence for Christ by

kissing His feet, so all saintly men and women henceforward were

honoured in a like manner. They were saluted humbly by kisses on their

hands or feet, and the legend goes that he who kissed the hand of St

Dominic never afterwards committed sin. In many countries, more

especially in Southern Italy, kissing the hands of the priest is still

customary.

The kiss reverential was extended to everything that was holy, or had

been consecrated to sacred purposes.

People kissed the Cross with the image of the Crucified, and such

kissing of the Cross is always regarded as a particularly holy act. In

many countries it is required, on taking an oath, as the highest

asseveration that the witness is speaking the truth, and as a last act

of charity, the image of the Redeemer is handed to the dying or

death-condemned to be kissed. Kissing the Cross brings blessing and

happiness. In the south of France people used formerly, in moments of

difficulty or danger, when no Cross was at hand, to kiss their thumbs

laid in the form of a cross. When devout Catholics salute the Pope by

humbly kissing his slipper, they are fond of explaining away this

greeting. They say that it is not to be taken as any personal homage

paid to the Pope; the kiss having nothing to do with his slipper, but

the cross which is embroidered on it. Therefore Christ it is to whom

they are prostrating themselves. This idea, however, is undoubtedly a

later fancy; the kiss on the slipper ought, I take it, more correctly to

be considered as humble homage to the Pope as primate of the Church, and

such, therefore, must be the view the Pope himself holds, since he has,

times without number, exempted cardinals and other persons of high rank

from kissing his slipper. The number of kings and ambassadors who, in

the course of time, have refused to submit to this ceremony, have

undoubtedly regarded it as a humiliation; and popular conception bears

this out thoroughly. To “kiss the slipper” has become in many languages

synonymous with a low and unworthy cringing. In the old German war-song

against Charles V., we find:

Ah, think the whole imperial race

Through Popery fell in sore disgrace

And German might was riven.

Will you for all their knavery

To slipper-kiss be given?

W. F. H.

People kiss the image of Our Lady. The legend tells us that John of

Antioch even dared to kiss Mary’s mouth, and this kiss gave him wisdom

and great eloquence, and spread a golden glory round his mouth, hence

his surname Chrysostom (golden mouth).[15]

People kiss the pictures and statues of saints. Down in St Peter’s

church in Rome there is a remarkable old bronze figure of St Peter,

which is said to date from the fifth century, and the faithful have, in

all ages, shown the highest veneration to this image, in consequence of

which a great part of the right foot has been gradually kissed away.

Even nowadays the kiss bestowed on the pictures of the saints plays an

enormous part in the Roman Catholic, but more particularly in the Greek

Church. Not only their pictures, but even their relics are kissed; they

make both soul and body whole. St Balbina obtained forgiveness for her

sins by kissing St Peter’s chains, and Pascal’s niece was cured of a

disease in her eyes by kissing one of the thorns of Christ’s Crown. This

cure, the historical authenticity of which is, however, somewhat

doubtful, made a great sensation, and provoked a violent controversy

between the Jansenists and Jesuits.

Besides, there are legends innumerable of sick people regaining their

health by kissing relics; innumerable, too, are the satires which arose

by reason of abuses in respect to cures which were achieved with relics

genuine and false. One of the best known is perhaps the mediæval story

of _The Monk’s Breeches_.

A Franciscan friar was a very intimate friend of a merchant in Orleans

and his wife--especially of the latter. One evening the merchant

returned home unexpectedly from a journey, and the friar, who had tried

to the best of his ability to entertain the wife in the husband’s

absence, for certain circumstances which were capable of being

misunderstood, thought it wisest to disappear as quick as possible; but

in his haste he forgot his breeches. The merchant, however, did not

notice anything; the night was dark, and next morning he even put on the

friar’s breeches instead of his own. On coming back home from his office

in the afternoon--he had long discovered his mistake--he demanded, with

violent and hasty words, an explanation from his wife; but the latter,

who had discovered at once in the morning what had happened, hurriedly

sent a messenger to the friar to consult with him as to what was to be

done. According to their arrangement she answered her husband very

calmly:

“My dear friend, don’t fly into a passion; you ought to thank me instead

of quarrelling with me. You know we have no children, and we have tried

everything--but all in vain. Now I heard that St Francis’ breeches could

work miracles, even of that sort, and that is why I had them fetched for

you. Take them off now, for I expect some one from the monastery will be

coming for them directly.” The poor man in his delight quickly got out

of his breeches, and directly he had done so there came a knocking at

the door. It was the friar, followed by a choir boy carrying holy-water

and a censer. He had come to fetch the precious relic of the monastery,

and inquisitive neighbours flocked in from all quarters. He wrapped the

breeches reverently up in a white hand-cloth, and sprinkled them with

holy-water while the boy incensed them, after which he lifted up the

sacred bundle. Meanwhile all fell on their knees, and after pronouncing

a panegyric on St Francis, he himself carried round the breeches so that

the people who had assembled might kiss them. This they did with deep

piety and emotion, more especially the honest and grateful merchant.

This little story afforded much merriment in the Middle Ages. People

found much enjoyment in its burlesque humour, and never got tired of

hearing it. It occurs as a _fabliau_, a _farce_, and a story, and

belongs to the _facetiæ_ with which the Pope’s Secretary, Poggio, amused

his friends in _Il Bugiale_ (The Lie Manufactory).

Even as regards the great ones of this world the kiss used to serve in

various ways as a mark of humility and reverence. Its use in ancient

times was remarkably widespread; people threw themselves down on the

ground before their rulers, kissed their footprints, literally “licked

the dust,” as it is termed. In the Psalms, Solomon sings of the promised

King: “They that dwell in the wilderness shall bow before him; and his

enemies shall lick the dust”; and the prophet Isaiah says: “Kings shall

be thy nursing fathers, and queens thy nursing mothers: they shall bow

down to thee with their face before the earth and lick up the dust of

thy feet” (xlix. 23).

They kissed not only the ground under the powerful, but also their feet,

knees, hands, or the hem of their garments.

Certain Roman Emperors adopted these oriental usages. Thus Caligula

ordered people to kiss his hands and feet, and even in the Middle Ages

the custom of kissing the feet of kings was in vogue.

Nearly everywhere, wheresoever an inferior meets a superior, we observe

the kiss of respect. The Roman slaves kissed the hands of their masters;

pupils and soldiers those of their teachers and captains respectively.

During the Middle Ages the vassal paid homage to his feudal lord by a

kiss on the hand or foot, hence the expression _devoir la bouche et les

mains_. It is well-known what befell Charles the Simple when Rollo, the

Norman chieftain, had to pay him feudal homage. The proud Viking would

not bow down to the king, but laid hold of the latter’s feet and lifted

them up to his mouth, whereat the king, amidst the laughter of the

spectators, tumbled down. Thus the scene is depicted briefly and

graphically in the _Roman de Rou_:--

Quant baisier dut le pie, baisier ne le deigna,

La main tendi aual, le pie al rei leua,

A sa bouche le traist e le rei enuersa;

Asez s’en ristrent tuit, e li reis se dreça.[16]

They also kissed their liege lords on the thigh, and this method of

kissing can be traced down to the sixteenth and seventeenth centuries;

but the kiss on the hand was undoubtedly most frequently in use; and it

was the general custom for the vassal at the same time to hand his lord

a present, which is the reason why the word _baise-main_ (hand-kiss)

gradually got this meaning.

If the lord was absent when the vassal waited on him, the latter had to

kiss the door, the lock or bolt, which was regarded as a valid

substitution for kissing the hand. From this arose the expressions,

_baiser l’huis_, (the door), _baiser le verrouil_, (the bolt), which

were used partly as an expression of slavish subserviency, and partly

in an ironical sense of lovers who have been rejected by their

mistresses, and thus constrained to

Kiss the door, and kiss its chains

For ladies’ sake who are within.

W. F. H.

As expressive not only of respect, but also of repentance, children in

former days were made to kiss the rod by which they had been chastised.

Geiler von Keiserberg writes in the sixteenth century: “When children

are thrashed they kiss the rods and say:

Liebe ruot, trute ruot

werestu, ich tet niemer guot.[17]

“They kiss the rods and jump over them, yea they leap over them.” We

have a memorial of this custom in the phrase, “kissing the rod.”

There is still one great power that we have not mentioned, and one who

demands, too, homage by kisses, _i.e._, the devil; but, in order that

the humility shown to him may be as great as possible, he must be kissed

on his behind, _i.e._, on the place where the back ceases to be called

the back. Old pictures of the Sabbath on Blocksberg exhibit to us his

Satanic majesty, in the guise of a goat or cat, sitting on a high seat,

while his worshippers reverently approach and kiss him under his tail.

In several confessions of witches we find this kiss still more closely

described: “The devil has a big tail, and under it a sort of face, but

with this face he never speaks, as the only use he makes of it is to let

his most devoted followers kiss the same; for kissing this face is

regarded as an especially great honour.” This somewhat awkward kiss

occurs, moreover, in several sagas. In _Harehyrden_ the Jeppe gives up

his magic flute to the king on condition that the latter kisses his ass

under its tail. It can also be shown in actual life, and we have some

anecdotes from the Middle Ages which seem to prove that the _podex_-kiss

was used as a derisory punishment. There is also a story told of a merry

knight, once upon a time, compelling a party of monks to pay their

respects to their abbot in the aforesaid less dignified way.

Kisses _in ano_ seem also to have been required of neophytes on their

reception into certain secret societies.

The part this kiss plays in insulting speech ought to be sufficiently

well known. The Romans ere now spoke about _lingere culum_ or _lambere

nates_; the Germans more decently say: _Küss mich da ich sitz’_ (Kiss me

where I sit), or _Er kann mich küssen da wo ich keine Nase habe_ (He can

kiss me where I have no nose). Frenchmen even use the last mentioned

paraphrastic expression. It is told in an old poem about Theodore de

Beza, whose youth was, as you are aware, a very dissipated one, that, on

one occasion, he said of a lady that he would like to kiss her, but he

did not know how he could manage to do so as her nose was far too long.

When the lady learnt this she wittily replied:

... Pour si peu ne tenez,

Car si cela seulement vous en garde!

J’ai bien pour vous un visage sans nez.[18]

We have no knowledge if this offer tempted the rigid Calvinist that was

to be; but the lady was undoubtedly young, and even if he had not found

her face so remarkably beautiful, yet it would have been very different

had the invitation come from an old crone, as the well-known saying,

“_baiser le cul de la vieille_,” implies the deepest ignominy that can

befall a man, at any rate a gambler--viz., to lose without scoring a

point.

There is a Jutland variant of the story about Theodore de Beza: “I was

driving one day with Niels Hundepenge, and we saw at a distance a woman

walking on in front. Says Niels, ‘Peter, there goes a pretty girl; just

see what a figure, and how she steps out.’ When we got up to her we

found she was pock-marked and hideous. Then says Niels, ‘Now, my girl,

if you were only as good-looking in front as you are behind, I should

want to kiss you.’ ‘Well, if you think so,’ replied she, ‘you can kiss

me, you know, where you fancy I am best looking.’”

Allow me, in connection with this, to call your attention to a

peculiarity about the Latin word _osculum_. The first syllable os of

course signifies “mouth,” the two last, on the other hand, mean the

correlative part on the reverse side of the body. This circumstance has

been made use of in a Latin anecdote about a married lady. An

importunate suitor asked her for a kiss, whereupon she replied that

this could not be granted, inasmuch as the first of what he asked

absolutely belonged to her husband, but, as she did not wish to be too

hard on him, he was welcome to have the last:

Syllaba prima meo debetur tota marito,

Sume tibi reliquas, non ero dura, duas.[19]

In modern times the ceremonious kiss of respect has gone clean out of

fashion in the most civilised countries; it is only retained in the

Church, but in all other domains it is practically unknown--so unknown,

indeed, that in many cases the practice would be offensive or

ridiculous.

Kissing the earth is another instance of such kisses that I shall quote.

It plays a part in the old stories about Junius Brutus. Together with

King Tarquin’s sons he journeyed to Delphi to consult the oracle. The

answer they received was that the supreme power would fall to the lot of

him who first kissed his mother. Brutus then made a pretence of

stumbling, and as he fell he kissed the earth, our common mother. A few

years after this, the royal family were expelled from Rome, and Brutus

and Lucius Tarquinius were elected consuls.

People also kissed the earth for joy on returning to their native land

after a lengthened absence. When Agamemnon returned from the Trojan War:

Stepped he forth inwardly glad to the shore of his well-loved country,

Kissing and kissing again his mother earth while the scalding

Tears down his cheeks were coursing, though his heart was

brimming with blitheness.

Even nowadays people feel glad at seeing their native country again

after long absence, but they have another way of expressing their joy,

and, without exaggeration, it would be safe to assert that if any one

returning from a journey wished to emulate Agamemnon, that person would

undoubtedly be put down as mad.

We find in Holberg (“Ulysses of Ithaca,” or “A German Comedy”) a parody

of the old usage, where Ulysses says: “Let us fall down, after the old

hero’s fashion, and kiss our mother earth.” They fall down and kiss the

ground, but Chilian gets up hurriedly and says: “The deuce! I don’t

really understand the use of these ceremonies. Eugh, somebody has been

here before--that I can plainly perceive.”

The old custom now only survives in certain sayings. Frenchmen use the

expression _baiser la terre_ (to kiss the earth), jeeringly, of a person

falling; and the German, _die Erde küssen_ (to kiss the earth), is a

euphemistic way of saying “die.” I may add, for the sake of

completeness, that kissing the earth still occurs sporadically nowadays

in the sense of the profoundest humility mingled with regret. When

Raskolnikow, in Dostojewski’s novel of that name, has confided to Sonja

how he murdered the old usurer’s wife, he exclaims in his despair: “And

what shall I do now?”--“What shall you do now,” exclaims Sonja, and her

eyes flash: “Get up, go hence at once; station yourself at a crossway,

kneel down and kiss the earth you have defiled, bow down thus before all

the people, and say to them: ‘I have committed murder.’ Then God shall

give you new life.” And, finally, when Raskolnikow has determined

publicly to acknowledge his crime and denounce himself as a murderer, he

falls prostrate on his knees in the middle of the market-place, bows

down, and, amidst the laughter and derision of the bystanders, kisses

the dirty ground with ecstasy and delight.

In Europe, at least, we no longer kiss the ground before the feet of the

mighty, any more than we salute them by kissing their hands or feet; a

bow more or less gracious, according to circumstances, serves the same

purpose generally. Nevertheless, at certain courts, such as the Spanish,

English, and Russian, kissing the hand is still customary as a sort of

ceremonial salutation; but its practice is usually confined to certain

solemn occasions.

Individuals of princely rank excepted, the kiss of respect to superiors

is to be regarded as all but extinct; but even in the eighteenth

century, kissing the hem of their garments is mentioned as a salutation

befitting ladies of exalted rank, and in Holberg’s _Politiske

Kandestøber_ (the Political Pewterer), we see how Madame Abrahamsen and

Madame Sanderus even kissed Gedske on the apron.

Kissing, as expressive of admiration, still undoubtedly occurs, but can

scarcely be said to be particularly general; it becomes less and less

common as we approach our own time.

A half-ironical instance occurs in Molière; in _Les Femmes Savantes_

Armande and Philaminte fall into raptures over Vadius’ great learning.

_Du grec! O ciel! du grec! Il sait du grec, ma sœur!_ (Greek! good

heavens! Greek! He knows Greek, sister), says the one, and the other

answers: _Du grec! quelle douceur!_ (Greek! how sweet!). In their

boundless enthusiasm they ask Vadius to let them kiss him as a mark of

their admiration. He accepts this salutation very politely, if not with

any particularly great joy; but when he turns to young Henriette, from

whose lips he is especially desirous of receiving so tender an

expression of admiration, she rejects him quite abruptly with the

remark: _Excusez-moi, monsieur, je n’entends pas le Grec_ (Excuse me,

sir, I don’t understand Greek).

The pedantic Vadius got just what he deserved--a kiss as dry as dust

from two middle-aged, sexless blue-stockings, which nobody begrudges

him. On the other hand, many, perhaps, will read with envy of the

homage received by Benjamin Franklin at the French Court. Mme. de

Campan, in her _Mémoires_, says: “At one of the splendid entertainments

given in Franklin’s honour, I saw how the most beautiful of the three

hundred ladies present was chosen to place a laurel crown on the white

locks of the American philosopher and imprint a kiss on each of the old

man’s cheeks.”

The kiss of admiration and respect has, I suppose, been the longest to

survive in the form of kissing ladies’ hands. Formerly, in many

countries, it constituted a friendly greeting on meeting a lady or

saying good-bye to her; but nowadays this custom has grown obsolete in

most places; nevertheless we have certain literary reminiscences of it.

In Austria people say _Küss die Hand, gnädige Frau_, and _Sârut mâna_ in

Roumania, but still it is comparatively rare that this expression is

followed by actual kisses, as was formerly the case. _Je vous baise les

mains_ is now only used in an ironical sense in France. Ceremonial

kisses, however, still flourish in Spain to a marked degree, not only in

the language of the Court, but also in general conversation. When I was

first presented to a Spanish lady I expressed my gladness at making her

acquaintance by kissing her hand--only, however, by figure of

speech--but her husband at once pointed out to me in a laughing way,

that I had failed to show her proper respect. One can only kiss a

Spanish lady’s feet: _Beso à usted los pies_ or _à los pies de usted_ (I

kiss your feet), as they say.

Before leaving the subject of the kiss reverential I will mention two

different ways in which it has been used. Formerly it was the custom, at

least at the French Court, for pages to first kiss the articles they

were to hand to distinguished personages. Henri Estienne tells an

anecdote about a page who had to carry a letter to the Princess of

Naples. It was expressly enjoined on him to kiss it (_baisez-la_), but

the page pretended he had misunderstood the words, so when he had to

leave the letter he first kissed the unsuspecting princess.

We find another peculiar form of the kiss reverential in the cases when

a person kisses his own hand before offering it to the guest he would

especially honour, or before accepting a present for which he wishes to

show his gratitude in an extraordinarily polite manner.[A]

In an old comedy of Marivaux, “_Harlequin poli par l’Amour_,” a fairy

falls in love with a rustic lout. She carries him off, entertains him in

her castle, and tries in every possible way to gain his love; but he

remains utterly callous to all her blandishments, and behaves all the

time in a most foolish manner. He takes a fancy to a valuable ring the

fairy is wearing; she removes it from her finger and gives it to him,

but when he scarcely says “Thank you” for it, she says to chide him:

_Mon cher Arlequin, un beau garçon comme vous, quand une dame lui

présente quelque chose, doit baiser la main en la reçevant_.[20]

Arlequin takes hold of the fairy’s hand and kisses it; but she corrects

him again, and says: “He does not understand me once, but I like his

mistake. It is your own hand, you know, that you should kiss.”[21]

This usage still prevails amongst old peasants in Jutland, and is termed

receiving something with “kissed hand,” or “kiss hand.” The expression

_Kusshand_ is also employed in German, and is explained thus: “Gruss,

wobei man die eigne Hand küsst und dann nach der zu grüssenden Person

hin bewegt oder sie reicht.” The same sort of greeting is found both in

England and France. Voltaire tells us that children in certain countries

are taught to kiss their right hand when anybody gives them something

good. Even at the present day, in certain places on the Alps, peasants

express their thanks by kissing their hand before taking what is given

to them.

VI

THE KISS OF FRIENDSHIP

Par amistiet l’en baisat en la buche.

_Chanson de Roland._

For friendship pressed a kiss upon his mouth.

W. F. H.

The kiss and its history · 第 5 / 8 章