Mr. Malone has observed, that our author’s prose compositions, should

they be discovered, would exhibit the same perspicuity, the same

cadence, the same elegance and vigour, which we find in his plays. In

1751, an attempt was made to impose on the public by a book entitled ‘A

Compendious or Brief Examination of certayne Ordinary Complaints of

divers of our Countrymen in these our Days, &c., by William Shakspeare,

Gentleman;’ the signature to which, in the original edition of 1581, was

“W. S., Gent.;” and Dr. Farmer has clearly proved the initials to mean

“William Stafford, Gent.” Another and more impudent forgery was

attempted by Ireland, who published in 1795 a volume, entitled

‘Shakspeare’s Manuscripts.’ The fraud met with partial success, and the

tragedy of ‘Vortigern’ was performed as one of Shakspeare’s, to the

great disgust, it is said, of John Kemble, who had to act in it much

against his will. Malone exposed the imposition in 1796, and Ireland

himself ultimately acknowledged it. With respect to the probable

character of Shakspeare’s prose compositions, it is needless to

speculate on it, as we have no reason to believe that he ever wrote any

prose, except for the stage.

Some interesting criticisms of Mrs. Siddons on the chief female

characters of Shakspeare will be found in the life of that eminent

actress in this volume. We may here introduce another observation of

hers on Constance in ‘King John.’ She said that the intuition of

Shakspeare in delineating that character struck her as all but

supernatural: she could scarcely conceive the possibility of any man

possessing himself so thoroughly with the most intense and most inward

feelings of the other sex: had Shakspeare been a woman and a mother, he

must have felt neither less nor more than as he wrote.

The two first folio editions are in great request among book-collectors,

and, owing to their scarcity, fetch high prices at auctions. They have

nothing to recommend them either as to accuracy or elegance of

typography, but are really valuable for the various readings which they

contain. The best modern editions are those of Johnson and Steevens, and

Malone. The last edition is the posthumous one of Malone, edited by

Boswell, and little room is left for any farther elucidation of our

great dramatist, as far as verbal criticism is concerned. But for the

higher branches of criticism, the works of such a poet are as

inexhaustible as those of Homer; and if his fame be equally immortal,

its fate is more singular. However ardent may be the admiration of Homer

on the part of modern scholars, and however profound their investigation

of his merits, far from pretending to discoveries unknown to the Grecian

critics and philosophers, they support their own views by constant

references to the ancients; but Shakspeare has found his most elaborate,

and with certain drawbacks, his best critics, among foreigners. In

England Shakspeare is the idol of those who read either for the

amusement of the imagination, or as students not of poetical or

metaphysical, but of every-day nature; and his English editors have

rather criticised down to the level of such readers, than aimed at

ripening their taste, or elevating their conceptions. We find eminent

men among them, such as Pope, Warburton, and Johnson, yet none well

qualified to perform the highest functions of a commentator. Johnson’s

Preface is highly valued for the justness of his general criticism, and

his vindication of the poet on the score of the unities is triumphantly

conclusive. But his remarks at the end of each play are so jejune and

superficial, that short as they are, no reader perhaps ever wished them

longer. One cannot help wondering that the acute, and in many instances

profound, though sometimes partial, critic of Cowley, Milton, Dryden,

Pope and Gray, should have skimmed so lightly over the surface of

Shakspeare. Not so his German translators and critics. No sooner did the

Germans take up the study of English literature, than they selected

Shakspeare on whom to try their powers; and they are thought to have

dived deeper into his mind than have his own countrymen, with their

apparently better opportunities. Nor is this wonderful: for they have

regarded the poet not merely as the minister of amusement to an admiring

audience, but as a metaphysical philosopher of nature’s forming,

possessed of deepest insight into the complex motives which move the

hearts, and stimulate the actions of mankind. And seeking with a

reverent attention to trace the workings of the _maker’s_ mind (for in

this instance there is a peculiar propriety in translating the Greek

word _poet_) they have succeeded in furnishing profound and satisfactory

explanations of much that less intellectual critics had treated as

instances of the author’s irregular and capricious genius. In this, as

in other branches of German literature, Goëthe stands pre-eminent: and

the translation of his ‘Wilhelm Meister’ has placed within the reach of

all readers a series of original and masterly criticisms, especially on

that stumbling-block of commentators, the character of Hamlet. We may

quote as a specimen his exposition of the principle upon which the

anomalies of the Prince of Denmark’s conduct are to be solved. “It is

clear to me that Shakspeare’s intention was to exhibit the effects of a

great action, imposed as a duty upon a mind too feeble for its

accomplishment. In this case I find the character consistent throughout.

Here is an oak tree planted in a china vase, proper only to receive the

most delicate flowers. The roots strike out and the vessel flies to

pieces. A pure, noble, highly moral disposition, but without that energy

of soul which constitutes the hero, sinks under a load which it can

neither support nor endure to abandon altogether. _All_ his obligations

are sacred to him; but this alone is above his powers! An impossibility

is required at his hands; not an impossibility in itself, but that which

is so to him. Observe, how he turns, shifts, hesitates, advances, and

recedes;—how he is continually reminded and reminding himself of his

real commission, which he nevertheless in the end seems almost entirely

to lose sight of, and this without ever recovering his former

tranquillity!” How different this from the praise of _variety_ allowed

to this tragedy by Johnson, to “the pretended madness, causing mirth,”

without any adequate cause for feigning it, and the objection that

through the whole piece he is “rather an instrument than an agent!”

Malone’s “attempt to ascertain the order in which the plays of

Shakspeare were written” occupies 180 pages. Where so many words are

necessary, the arrangement to be justified may not be very certain; but

that of Malone is generally received. It runs thus: The First Part of

King Henry VI., 1589. Second and Third Parts, Two Gentlemen of Verona,

1591. Comedy of Errors, 1592. King Richard II. and III., 1593. Love’s

Labour’s Lost, Merchant of Venice, Midsummer Night’s Dream, 1594. Taming

of the Shrew, Romeo and Juliet, King John, 1596. First Part of King

Henry IV., 1597. Second Part, All’s well that ends well, 1598. King

Henry V., As You like it, 1599. Much ado about Nothing, Hamlet, 1600.

Merry Wives of Windsor, 1601. Troilus and Cressida, 1602. Measure for

Measure, King Henry VIII., 1603. Othello, 1604. King Lear, 1605.

Macbeth, 1606. Twelfth Night, Julius Cæsar, 1607. Antony and Cleopatra,

1608. Cymbeline, 1609. Coriolanus, Timon of Athens, 1610. Winter’s Tale,

1611. Tempest, 1612. Except the placing of the historical plays in

separate succession, the order of Malone’s edition follows the above

dates. Previous editions arranged the plays as comedies, histories, and

tragedies, beginning with the Tempest, the last written, and ending with

Othello. We must add to the list of plays ascribed to Shakspeare, and

included in the editions of his works, Pericles and Titus Andronicus,

which are now acknowledged not to be the composition of Shakspeare,

though perhaps retouched by him. The Yorkshire Tragedy, Lord Cromwell,

and others, have still less right to bear the honour of his name.

[Illustration: [Shakspeare’s Monument at Stratford-upon-Avon.]]

[Illustration:

_Engraved by B. Holl._

EULER.

_From a Picture by A. Lorgna in the Collection of the Institute of

France._

Under the Superintendance of the Society for the Diffusion of Useful

Knowledge.

_London, Published by Charles Knight, Ludgate Street._

]

[Illustration]

EULER.

Leonard Euler[7] was born at Basle, April 15, 1707. His father was the

clergyman of Reichen, near Basle, and had himself been a pupil of James

Bernouilli. He intended his son for his own profession, and after having

been himself his first instructor in mathematics, sent him to the

university of Basle. John Bernouilli was at this time Professor, and his

sons, Nicolas and Daniel, two more of the _eight_ Bernouillis known to

the history of science, were under him. With the sons Euler contracted

an intimate friendship; and obtained such a degree of favour even with

their father, that the latter gave him a private lesson weekly, upon

points more advanced than those treated in the public course. This was a

strong mark of favour from John Bernouilli, who was of an unamiable

disposition, jealous of his brother, of his son, and finally of almost

every one who displayed a superior talent for mathematics. Euler at

first turned his attention to theology, in accordance with the wishes of

his father, but this was not of long continuance. At the age of

nineteen, besides obtaining a degree from his University, he had merited

the notice of the Academy of Sciences for a memoir on some points of

naval architecture. In the same year, he was an unsuccessful candidate

for a Professorship at Basle, an unlucky event, M. Condorcet observes,

for his country, inasmuch as a few days afterwards he left it for

Russia, and never returned. His friends the Bernouillis (Nicolas and

Daniel) had, two years before, accepted invitations from the Empress

Catherine; and he followed them in hopes of obtaining employment and

subsistence at St. Petersburgh. But by the time he arrived, both Nicolas

Bernouilli and the Empress were dead, the Academy of St. Petersburgh was

left without a patron, and Euler, a nameless stranger, could not for a

long time obtain any settled avocation. How he maintained himself we are

not told; but he was upon the point of entering the Russian service as a

sailor, when his prospects brightened, and he obtained the place of

Professor of Natural Philosophy. In 1733 he succeeded Daniel Bernouilli,

who returned to his own country, as Professor of Mathematics. In the

same year he married a young lady named Gsell, the daughter of an artist

of Basle, who had emigrated to Russia in the reign of Peter the Great.

Footnote 7:

We have followed the _éloge_ of Condorcet as to facts and dates. We

should have preferred that of M. Fuss, but have not had the

opportunity of seeing it. The mere biographical details of Euler’s

life are, however, of the simplest character.

The despotism of the Russian government could not please the republican

born; but circumstances obliged him to endure it till 1741, when he

quitted Petersburgh for Berlin on the invitation of Frederic the Great.

To the necessity for continual reserve and government of the tongue

which was necessary in the Russian capital has been attributed his love

of silence and study, which exceeded all that is related of any of his

contemporaries. The mother of Frederic, who was as much attached to the

conversation of distinguished men as the King himself, could never

obtain more than a few syllables from Euler at any one time. On her

asking the reason why he would not speak, he is said to have replied,

“Madam, I have lived in a country where men who speak are hanged.”

Euler remained at Berlin till 1766. In 1761 he lost his mother, who had

resided with him for eleven years. During this time he was not

considered as having abandoned his Russian engagements, and a part of

his salary was regularly paid. When the Russians invaded Brandenburg in

1760, a farm belonging to him was destroyed, but he was immediately more

than reimbursed, by the order of the Empress Elizabeth. On the

invitation of that princess he consented to return to Petersburgh in

1766. He had for some years suffered from weakness in the eyes; and not

long after his return to Russia he became so nearly blind, that he could

distinguish nothing except very large letters marked with chalk on a

slate. In this state he continued for the remainder of his life; and by

constant exercise he acquired a power of recollection, whether of

mathematical formulæ or figures, which would be totally incredible, if

it were not supported by strong evidence. He formed in his head, and

retained in his memory, a table of the first six powers of all numbers

up to 100, containing about 3000 figures. Two of his pupils had summed

seventeen terms of a converging series, and differed by a unit in the

fiftieth decimal of the result; Euler decided between them correctly by

a mental calculation[8]. His chief amusement during his deprivation was

the formation of artificial magnets, and the instruction of one of his

grandchildren in mathematics. His studies were in no degree relaxed by

it. In 1771 Euler’s house was destroyed by fire, together with a

considerable part of the city. He was himself saved by a

fellow-countryman named Grimm, and his manuscripts were also rescued. In

1776 he married the aunt of his first wife. No other event worthy of

special notice occurred before his death, which took place suddenly,

September 7, 1783. He had been employed in calculating the laws of the

ascent of balloons, which were then newly introduced; he afterwards

dined with his family and M. Lexell, his pupil, conversed with them on

the newly-discovered planet of Herschel, and was amusing himself with

one of his grandchildren; suddenly the pipe which he held in his hand

dropped on the ground, and it was found that[9] “life and calculation

were at an end.” He had thirteen children, of whom only three survived

him; one of them, John Albert Euler, was known as a mathematician.

Footnote 8:

We suspect some mistake in this account, which is constantly given. A

very surprising story ought to be consistent: now it is difficult to

believe that any series which was actually employed in practice (and

people do not sum series to fifty places for amusement) would converge

so quickly, as to give fifty places in seventeen terms. The well-known

series for the base of Napier’s logarithms is called a rapidly

converging series, and gives about fifteen places in seventeen terms.

We cannot help thinking, either that Euler settled one disputed term

only, or that there is some mistake about the number of figures.

Footnote 9:

Il cessa de calculer et de vivre.—CONDORCET.

Of the scientific character of Euler it is impossible to speak in

detail, since even the _resumé_ of M. Condorcet, which is much longer

than any account we can here insert, is meagre in the extreme; and we

imagine that the reader would form no idea whatsoever of the man we are

describing, from any brief enumeration of discoveries for which we

should be able to allow room. In more than fifty years of incessant

thought, Euler wrote thirty separate works and more than seven hundred

memoirs: which could not altogether be contained in forty large quarto

volumes. These writings embrace every existing branch of mathematics,

and almost every conceivable application of them, to such an extent,

that there is no one among mathematicians, past or present, who can be

placed near to Euler in the enormous variety of the subjects which he

treated. And the contents of these volumes are without exception the

original fruit of his own brain; seeing that he left no subject as he

found it. He is not a diffuse writer, except in giving a large number of

examples, and this renders him in some respects the most instructive of

all writers. His works are full of the most original thoughts developed

in the most original manner; so that they have been a mine of

information for his successors, which is even now far from being

exhausted. Let a student be employed upon any subject connected with

mathematics, however remotely, and he has discovered but little if he

has not found out that Euler was there before him.

Of all mathematical writers, Euler is one of the most simple, and this

in a manner which renders his writings not by any means a sound

preparation for future investigations. Difficulties seem to have

disappeared in the progress, or never to have been encountered; and the

student is rather made to feel that Euler could take him anywhere, than

furnished with the means of providing for himself, when his guide shall

have left him. Hence the writings of others, in every way inferior to

Euler in elegance and simplicity, are to be preferred, and have been

preferred, for the formation of mathematical power.

Euler is to be measured by the assistance which he gave to his immediate

successors, and here it is well known that he paved the way for the

research of others in a more effectual manner than any of his

contemporaries. The incessant repetition of his name in later authors is

sufficient authority for this assertion. His writings are the first in

which the modern analysis is uniformly the instrument of investigation.

His predecessors, James and John Bernouilli, had perhaps the largest

share in bringing the infinitesimal analysis of Newton and Leibnitz to

the state of power required for extensive application. To Euler (besides

important extensions) belongs the distinct merit of showing how to apply

it to physical investigations, in conjunction with D’Alembert, who ran a

splendid and contemporary career of a similar character in this respect.

But though it would be perhaps admitted that there are individual

results of the latter which exceed anything done by the former, in

generality of application, there is no comparison whatsoever between the

extent of the labours of the two.

Euler was a man of a simple, reserved, and benevolent mind; with a

strong sense of devotion, and a decided religious habit, according to

the Calvinism of the Established Church of his country. At the court of

Frederic, he himself conducted the devotions of his family every

evening; a practice which then and there implied much moral courage, and

insensibility to ridicule. But he possessed humour, for when he was

asked to calculate the horoscope of one of the Russian princes, he

quietly suggested that it was the official duty of the astronomer, and

imposed the duty upon a colleague, who doubtless did not feel very much

flattered by the application.

There are few men whom the usual biographical formulæ as to moral

character and habits would better fit than Euler, according to every

account which has appeared of him. But such praises are no distinction;

and it will be more to the purpose to state that the only occasion in

which he was betrayed into printing a word which his eulogists have

regretted, was in the dispute between Maupertuis and himself against

others on the principle known by the name of _least action_, one of the

warmest and most angry discussions which ever took place.

Perhaps it is to the quiet abstraction of his life that he owed the

perpetuity of his tenure of investigation. Many eminent mathematical

discoverers have run the brilliant part of their career while

comparatively young. Euler “ceased to calculate and to live” at once.

But it may be that this was a part of his natural constitution, and a

distinct feature of his mind. The nature of his writings rather confirms

the latter supposition. There is the same difference between them and

those of others, that there is between conversation and oratory. He

seems to be moving in his natural element, where others are swimming for

their lives.

The best works of Euler for a young mathematician to read, in order to

get an idea of his style and methods, are the ‘_Analysis Infinitorum_,’

and the ‘_Treatise on the Integral Calculus_.’

[Illustration]

SIR W. JONES.

William Jones, the most accomplished Oriental scholar of the last

century, an upright magistrate, and eminent benefactor of the native

subjects of our Indian dominions, was born in London on Michaelmas Eve,

1746. His father, a man esteemed by his contemporaries, a skilful

mathematician, and the friend of Newton, died in July, 1749. His mother

then devoted herself entirely to the education of this her only

surviving son; and to her careful and judicious culture of his infant

years, bestowed indeed upon a happy soil, is to be ascribed the early

development of that thirst for learning and faculty of profitable

application, which enabled Jones to accumulate in a short and busy life

a quantity and variety of abstruse knowledge, such as the same age does

not often see equalled. To the end of her life he acknowledged and

repaid her care and affection by ardent love and unchanging filial

respect. When only seven years old, he was sent to Harrow. His progress,

slow at first, afterwards became most rapid; and the head master, Dr.

Thackeray, a man not given to praise, spoke of him as “a boy of so

active a mind, that if he were left naked and friendless on Salisbury

Plain he would find the way to fame and riches.”

At the time of his quitting school, besides a much deeper acquaintance

with the classical languages than usually falls to the lot of a

schoolboy, Jones had acquired the French and Italian languages, had

commenced the study of Hebrew, and (a thing only worth mention as

indicative of his tastes) had made himself acquainted with the Arabic

letters. Botany, the collection of fossils, and composition in English

verse, were his favourite amusements at this period. March 16, 1764, he

was entered as a student of University College, Oxford. He was elected a

scholar on the Bennett foundation, October 30, 1764; and fellow on the

same foundation, August 7, 1766, before he was of standing to proceed to

the degree of B.A., which he took in 1768. At an early period of his

residence he applied in earnest

[Illustration:

_Engraved by J. Posselwhite._

SIR WILLIAM JONES.

_From the Picture in the Hall of University College, Oxford._

Under the Superintendence of the Society for the Diffusion of Useful

Knowledge.

_London, Published by Charles Knight, Ludgate Street._

]

to the study of Arabic; and his zeal was such, that, though habitually

self-denying, and anxious not to trespass on his mother’s slender

income, he maintained at Oxford, at his own expense, a Syrian, with whom

he had become acquainted in London, for the benefit to be derived from

his instruction. From the Arabic he proceeded to learn the Persian

language.

The Gallery of Portraits: with Memoirs. Volume 5 (of 7) · 第 13 / 20 段