THE KEEPER OF THE KEY

The note of a silver bell quivered musically through the scented air of

the ante-room. Madame de Medici stirred slightly upon the divan with its

many silken cushions, turning her head toward the closed door with the

languorous, almost insolent, indifference which one perceives in the

movements of a tigress. Below, in the lobby, where the pillars of

Mokattam alabaster upheld the painted roof, the little yellow man from

Pekin shivered slightly, although the air was warm for Limehouse, and

always turned his mysterious eyes toward a corner of the great staircase

which was visible from where he sat, coiled up, a lonely figure in the

mushrabiyeh chair. Madame blew a wreath of smoke from her lips, and,

through half-closed eyes, watched it ascend, unbroken, toward the canopy

of cloth-of-gold which masked the ceiling. A Madonna by Leonardo da

Vinci faced her across the apartment, the painted figure seeming to

watch the living one upon the divan. Madame smiled into the eyes of the

Madonna. Surely even the great Leonardo must have failed to reproduce

that smile--the great Leonardo whose supreme art has captured the smile

of Mona Lisa. Madame had the smile of Cleopatra, which, it is said, made

Caesar mad, though in repose the beauty of Egypt's queen left him

cold. A robe of Kashmiri silk, fine with a phantom fineness, draped her

exquisite shape as the art of Cellini draped the classic figures which

he wrought in gold and silver; it seemed incorporate with her beauty.

A second wreath of smoke curled upward to the canopy, and Madame watched

this one also through the veil of her curved black lashes, as the

Eastern woman watches the world through her veil. Those eyes were

notable even in so lovely a setting, for they were of a hue rarely seen

in human eyes, being like the eyes of a tigress; yet they could seem

voluptuously soft, twin pools of liquid amber, in whose depths a man

might lose his soul.

Again the silver bell sounded in the ante-room, and, below, the little

yellow man shivered sympathetically. Again Madame stirred with that high

disdain that so became her, who had the eyes of a tigress. Her carmine

lips possessed the antique curve which we are told distinguished the

lips of the Comtesse de Cagliostro; her cheeks had the freshness of

flowers, and her hair the blackness of ebony, enhancing the miracle of

her skin, which had the whiteness of ivory--not of African ivory, but

of that fossil ivory which has lain for untold ages beneath the snows of

Siberia.

She dropped the cigarette from her tapered fingers into a little silver

bowl upon a table at her side, then lightly touched the bell which

stood there also. Its soft note answered to the bell in the ante-room; a

white-robed Chinese servant silently descended the great staircase,

his soft red slippers sinking into the rich pile of the carpet; and the

little yellow man from the great temple in Pekin followed him back up

the stairway and was ushered into the presence of Madame de Medici.

The servant closed the door silently and the little yellow man, fixing

his eyes upon the beautiful woman before him, fell upon his knees and

bowed his forehead to the carpet.

Madame's lovely lips curved again in the disdainful smile, and she

extended one bare ivory arm toward the visitor who knelt as a suppliant

at her feet.

“Rise, my friend!” she said, in purest Chinese, which fell from her lips

with the music of a crystal spring. “How may I serve you?”

The yellow man rose and advanced a step nearer to the divan, but the

strange beauty of Madame had spoken straight to his Eastern heart, had

awakened his soul to a new life. His glance travelled over the vision

before him, from the little Persian slipper that peeped below the

drapery of Kashmir silk to the small classic head with its crown of ebon

locks; yet he dared not meet the glance of the amber eyes.

“Sit here beside me,” directed Madame, and she slightly changed her

position with that languorous and lithe grace suggestive of a creature

of the jungle.

Breathing rapidly betwixt the importance of his mission and a new,

intoxicating emotion which had come upon him at the moment of entering

the perfumed room, the yellow man obeyed, but always with glance averted

from the taunting face of Madame. A golden incense-burner stood upon the

floor, over between the high, draped windows, and a faint pencil from

its dying fires stole grayly upward. Upon the scented smoke the Buddhist

priest fixed his eyes, and began, with a rapidity that grew as he

proceeded, to pour out his tale. Seated beside him, one round arm

resting upon the cushions so as almost to touch him, Madame listened,

watching the averted yellow face, and always smiling--smiling.

The tale was done at last; the incense-burner was cold, and breathlessly

the Buddhist clutched his knees with lean, clawish fingers and swayed to

and fro, striving to conquer the emotions that whirled and fought within

him. Selecting another cigarette from the box beside her, and lighting

it deliberately, Madame de Medici spoke.

“My friend of old,” she said, and of the language of China she made

strange music, “you come to me from your home in the secret city,

because you know that I can serve you. It is enough.”

She touched the bell upon the table, and the white-robed servant

reentered, and, bowing low, held open the door. The little yellow man,

first kneeling upon the carpet before the divan as before an altar,

hurried from the apartment. As the door was reclosed, and Madame found

herself alone again, she laughed lightly, as Calypso laughed when

Ulysses' ship appeared off the shores of her isle.

God fashions few such women. It is well.

Tales of Chinatown · 第 106 / 115 题