A MYSTERIOUS MESSAGE.

As is known, Hamersley's suspicions about the treachery of the peon are

not without cause. On the contrary, they might seem second-sight. For,

almost at the moment he is communicating them to Colonel Miranda, the

native is telling his tale to Uraga.

Nor does the latter lose much time in acting upon the information

gained--only that short interlude given to exultation as he stepped up

to the portrait of Adela Miranda, and stood triumphantly regarding the

likeness of her he now looks upon as sure to be his. He has no hope to

get possession of her by fair means; foul are alone in his thoughts.

After delivering his half-frenzied apostrophe to the painted image, he

returns to the table, beside which Roblez has already taken a seat.

They re-fill their glasses, and drink the toasts specified, with a

ceremony in strange contrast to the hellish glee sparkling in the eyes

of the Lancer-Colonel. His countenance beams with triumph, such as

might be shown by Satan over the ruin of innocence. For he now feels

sure of his victims--alike that of his love as well as those of his

revenge.

Not long does he remain over his cups in the company of his subordinate.

He has an important matter upon his mind which calls for reflection--in

silence and by himself.

Though often admitting his adjutant to a share in his criminal schemes,

the participation is only in their profits and the act of execution.

Despotic even in his villainies, he keeps the planning to himself, for

he has secrets even Roblez must not know. And now an idea has dawned

upon his mind, a purpose he does not care to communicate to the

subaltern till such time as may be necessary or seem fit to him. Not

that he dreads treachery on the part of his fellow freebooter. They are

mutually compromised, and long have been; too much to tell tales about

one another. Besides, Roblez, though a man of undoubted courage, of the

coarse, animal kind, has, neverthless, a certain moral dread of his

commanding officer, and fears to offend him. He knows Gil Uraga to be

one whose hostility, once provoked, will stop short at nothing, leave no

means untried to take retribution--this of a terrible kind. Hence a

control which the colonel holds over him beyond that drawn from his

superior military rank. Hence, also, his receiving but a small share in

the proceeds of their various robberies, and his being satisfied with

this, or, at all events, seeming so.

On his side, Uraga has several motives for not letting his subordinate

into the knowledge of all his complicated schemes; among them one

springing from a moral peculiarity. He is of a strangely-constituted

nature, secretive to the last degree--a quality or habit in which he

prides himself. It is his delight to practice it whenever the

opportunity offers; just as the thief and detective officer take

pleasure in their respective callings beyond the mere prize to be

derived from their exercise.

The intelligence just received from the traitorous mule-driver,

unexpected as pleasing, has opened to him the prospect of a grand

success. It may enable him to strike a _coup_ covering all--alike

giving gratification to his love, as his hate.

But the blow must needs be dealt deftly. There are circumstances to be

considered and precautions taken, not only to prevent its failing, but

secure against a publicity that might cause scandal to himself, to say

naught of consequent danger.

And it must be struck soon--at once. It is too ticklish a matter to

admit of delay, either in the design or execution.

Already has the matter flitted before his mind in its general outlines;

almost soon as receiving the report of the peon.

It is only the details that remain for consideration; and these he

intends considering alone, without any aid from his adjutant.

As time is an object, he speedily terminates his carousal with the

subaltern; who, dismissed, returns to the military _cuartel_.

Soon as he is gone the colonel again seats himself, and lighting a fresh

cigar, continues smoking. For several minutes he remains silent, his

eyes turned upwards, and his features set in a smile. One might fancy

him but watching the smoke of his cigar as it rises in spiral wreaths to

the ceiling. He is occupied with no such innocent amusement. On the

contrary, his grim smile betokens meditation deep and devilish. He is

mentally working out a problem, a nefarious scheme, which will ere long

bear evil fruit.

As the cigar grows shorter he seems to draw nearer to his conclusions.

And when at length there is only the stump between his teeth, he spits

it out; and, taking a hand-bell from the table, rings until a domestic

appears in the doorway in answer to the summons.

"Call in the guard-corporal!" is the order received by the servant, who

withdraws without saying a word.

Soon the soldier shows himself, saluting as he enters the door.

"_Cabo_! Bring your prisoner before me."

The corporal retires, and shortly after returns, having the Indian in

charge. He is commanded to leave the latter, and himself remain waiting

without. Directed also to close the door; which he does on getting

outside.

Thus closeted with the peon--still wondering why he has been made a

prisoner--Uraga submits him to a process of examination, which elicits

from the scared creature everything he seeds to know. Among the rest,

he makes himself acquainted with the situation of the valley, where the

exiles have found temporary asylum; the direction, distance, and means

of access to it--in short, its complete topography.

With all the Indian is familiar, can correctly describe it, and does so.

In that imposing presence he dare not attempt deception, even if

inclined. But he is not. Between questioner and questioned the aim and

end are similar, if not the same. Besides, the peon's blood has again

been warmed up, and his tongue set loose, by a fresh infusion of

aguardiente--so that his confessions are full as free. He tells about

the life led by the Mexican refugees, as also their American guests--all

he knows, and this is nearly everything. For trusted, unsuspected, he

has had every opportunity to learn. The only thing concealed by him is

his own love affair with Conchita and its disastrous ending, through the

intrusion of the Texan Ranger.

This, if told, would give his listener slight concern, alongside the

grave impressions made upon him by another affair; some particulars of

which the peon communicates. These points refer to tender relations

existing between the young prairie trader and Adela Miranda, almost

proving their existence. Confirmed or not, on hearing of them Gil Uraga

receives a shock which sends the blood rushing in quick current through

his veins; while upon his countenance comes an expression of such bitter

malignity, that the traitor, in fear for his own safety, repents having

told him.

But Uraga has no spite against him--no motive for having it. On the

contrary, he intends rewarding him, after he gets out of him certain

other services for which he is to be retained.

When his cross-questioning is at length brought to a close, he is once

more committed to the charge of the guard-corporal, with orders to be

returned to the prison. At the same time a hint is given him that his

incarceration is only precautionary, with a promise it will not be for

long.

Immediately after his removal, Uraga seats himself before an escritoire,

which stands on one side of the room. Laying open the lid, he spreads a

sheet of paper upon it, and commences to write what appears an epistle.

Whatever it is, the composition occupies some considerable time.

Occasionally he stops using the pen, as though pondering what to put

down.

When it is at length completed, apparently to his satisfaction, he folds

the sheet, thrusts a stick of wax into the flame of a candle, and seals

the document, but without using any seal-stamp. A small silver coin

taken from his pocket makes the necessary impression. There does not

appear to be any name appended to the epistle, if one it is; and the

superscription shows only two words, without any address. The words are

"El Barbato."

Again ringing the bell, the same servant answers it.

"Go to the stables," commands his master, "or the corral, or wherever he

may be, and tell Pedrillo I want him. Be quick about it!"

The man bows and disappears.

"It will take them--how many days to reach the Tenawas' town, and how

many back to the Pecos?" soliloquises Uraga, pacing the floor, as he

makes his calculations. "Three, four, five. No matter. If before them

we can wait till they come. Pedrillo!"

Pedrillo has put in an appearance. He is an Indian of the tame sort,

not greatly differing from the man Manuel, with a countenance quite as

forbidding. But we have seen Pedrillo before; since he was one of the

two muleteers who conducted the _atajo_ transporting the spoil from the

caravan of the prairie traders.

"Pedrillo," directs the Colonel, "catch a couple of the best roadsters

in the corral--one for yourself, the other for Jose. Have them saddled,

and get yourselves ready for a journey of two weeks, or so. Make all

haste with your preparations. When ready, come here, and report

yourself."

The muleteer disappears, and Uraga continues to pace the floor,

apparently yet busied with a mental measurement of time and distance.

At intervals he stops before the portrait on the wall, and for a second

or two gazes at it. This seems to increase his impatience for the man's

reappearance.

He has not a great while to wait. The scrip and staff of a New Mexican

traveller of Pedrillo's kind is of no great bulk or complexity. It

takes but a short time to prepare it. A few _tortillas_ and _frijoles_,

a head or two of _chile Colorado_, half a dozen onions, and a bunch of

_tasojo_--jerked beef. Having collected these comestibles, and filled

his _xuaje_, or water gourd, Pedrillo reports himself ready for the

road, or trail, or whatever sort of path, and on whatever errand, it may

please his master to despatch him.

"You will go straight to the Tenawa town--Horned Lizard's--on the south

branch of the Goo-al-pah. You can find your way to the place, Pedrillo.

You've been there before?"

The Indian nods an affirmative.

"Take this." Here Uraga hands him the sealed paper. "See you show it

to no one you may chance to meet passing out from the settlements. Give

it to Barbato, or hand it to the Horned Lizard himself. He'll know who

it's for. You are to ride night and day, as fast as the animals can

carry you. When you've delivered it you needn't wait, but come back--

not here, but to the Alamo. You know the place--where we met the

Tenawas some weeks ago. You will find me there. _Vaya_!"

On receiving these instructions Pedrillo vanishes from, the room; a

strange sinister glance in his oblique Indian eyes telling that he knows

himself to be once more--what he has often been--an emissary of evil.

Uraga takes another turn across the floor, then, seating himself by the

table, seeks rest for his passion-tossed soul by drinking deep of the

_mescal_ of Tequila.

The Lone Ranche · 第 95 / 173 题