AN IOWA HUMORESQUE

In a room at the Auditorium Hotel a group of men and women connected with

the opera were having tea. As they drank out of the fragile cups and

nibbled at the little cakes they boasted to each other of their love

affairs.

"And I had the devil of a time getting rid of her," was the motif of the

men's conversation. The women said, "And I just couldn't shake him. It was

awful."

There was one--an American prima donna--who grew pensive as the amorous

boasting increased. An opulent woman past 35, dark-haired, great-eyed; a

robust enchantress with a sweep to her manner. Her beauty was an

exaggeration. Exaggerated contours, colors, features that needed

perspective to set them off. Diluted by distance and bathed by the

footlights she focused prettily into a Manon, a Thaïs, an Isolde. But in

the room drinking tea she had the effect of a too startling close-up--a

rococo siren cramped for space.

The barytone leaned unctuously across the small table and said to her with

a preposterous archness of manner:

"And how does it happen, my dear, that you have nothing to tell us?"

"Because she has too much," said one of the orchestra men, laughingly.

The prima donna smiled.

"Oh, I can tell a story as well as anybody," she said. "In fact, I was

just thinking of one. You know I was in Iowa last month. And I visited the

town where I was born and lived as a girl--until I was nineteen. It's

funny."

Again the pensive stare out of the window at the chill-looking autumn sky

and the sharp outlines of the city roofs.

"Go on," her hostess cried. To her guests she added, in the social

curtain-raiser manner peculiar to rambunctious hostesses, "if Mugs tells

anything about herself you can be sure it'll be something immense. Go on,

Mugs." Mugs is one of the nicknames the prima donna is known by among her

friends.

"We went to school together," the prima donna smiled, "John and I. And I

don't think I've ever loved anybody as I loved him. He used to frighten me

to death. You see, I was ambitious. I wanted to be somebody. And John

wanted me to marry him. Somehow marriage wasn't what I wanted then. There

were other things. I had started singing and at night I used to lie awake,

not wanting to sleep. I was so taken up with my dreams and plans that I

hated to lose consciousness. That's a fact.

"Well, John grew more and more insistent. And one evening he came to call

on me. I was alone on the porch. John was about twenty-three then. That

was about twenty years ago. He was a tall, good-looking, sharp-faced young

man with lively eyes. I thought him marvelous at the time. And he stood on

the steps of the porch and talked to me. I never forgot a word he said. I

have never heard anything so wonderful since."

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