LETTERS

One of the drawers in my desk is full of letters that people have sent in.

Some of them are knocks or boosts, but most of them are tips. There are

several hundred tips on stories in the drawer.

Today, while looking them over I thought that these tips were a story in

themselves. To begin with, the different kinds of stationery and the

different kinds of handwriting. You would think that stationery and

handwriting so varied would contain varied suggestions and varied points

of view.

But from the top of the pile to the bottom--through 360 letters written on

360 different kinds of paper--there runs only one tip. And in the 360

different kinds of handwriting there runs only one story.

* * * * *

"There is a man I see almost every day on my way home from work," writes

one, "and I think he would make a good story. There is something queer

about him. He keeps mumbling to himself all the time." This tip is on

plain stationery.

"--and I see the old woman frequently," writes another. "Nobody knows who

she is or what she does. She is sure a woman of mystery. You ought to be

able to get a good story out of her." This tip is on pink stationery.

"I think you can find him around midnight walking through the city hall.

He walks through the hall every midnight and whistles queer tunes. Nobody

has ever talked to him and they don't know what he does there. There is

certainly a queer story in that man." This tip is written on a business

letterhead.

"She lives in a back room and so far as anybody knows has no occupation.

There's something awfully queer about her and I've often wondered what the

mystery about her really was. Won't you look her up and write it out? Her

address is--" This tip is on monogrammed paper.

"I've been waiting for you to write about the queer old man who hangs out

on the Dearborn Street bridge. I've passed him frequently and he's always

at the same place. I've wondered time and again what his history was and

why he always stood in the same place." This tip is on a broker's

stationery.

"He sells hot beans in the loop and he's an old-timer. He's always

laughing and whenever I see him I think, 'There's a story in that old man.

There's sure something odd about him.'" This tip is on scratch paper.

"I saw her first several years ago. She was dressed all in black and was

running. As it was past midnight I thought it strange. But I've seen her

since and always late at night and she's always running. She must be about

forty years old and from what I could see of her face a very curious kind

of woman. In fact, we call her the woman of mystery in our neighborhood.

Come out to Oakley Avenue some night and see for yourself. There's a

wonderful story in that running woman, I'm certain." This tip is signed "A

Stenographer."

They continue--tips on strange, weird, curious, odd, old, chuckling,

mysterious men and women. Solitaries. Enigmatic figures moving silently

through the streets. Nameless ones; exiles from the free and easy

conformity of the town.

If you should read these letters all through at one sitting you would get

a very strange impression of the city. You would see a procession of

mysterious figures flitting through the streets, an unending swarm of dim

ones, queer ones. And then as you kept on reading this procession would

gradually focus into a single figure. This is because all the letters are

so nearly alike and because the mysterious ones offered as tips are

described in almost identical terms.

So the dim ones, the queer ones, would become a composite, and you would

have in your thought the image of a single one. A huge, nebulous

caricature--hooded, its head lowered, its eyes peering furtively from

under shaggy brows, its thin fingers fumbling under a great black cloak,

its feet moving in a soundless shuffle over the pavement.

Sometimes I have gone out and found the "woman of mystery" given in a

letter. Usually an embittered creature living in the memory of wrongs that

life has done her. Or a psychopathic case suffering from hallucinations or

at war with its own impulses. And each of them has said, "I hate people. I

don't like this neighborhood. And I keep to myself."

A Thousand and One Afternoons in Chicago · 第 117 / 144 题