A dignified answer to this: "I thinking."

"What about, Sing Lee?"

A faint smile. The smile seems to set Sing Lee in motion. It comes from

behind the automaton. It is perhaps Sing Lee's first gesture of life in

weeks.

"You don't mind my sitting here and smoking a pipe, eh?"

* * * * *

The minutes pass. Sing Lee stands up. He turns on a small electric light.

This is a concession. This done, he opens a drawer behind the counter and

removes a little bronze casket. The casket is placed on the counter.

Slowly as if in a deep dream Sing Lee lights a match and holds it inside

the casket. A thin spiral of lavender smoke unwinds from its mouth.

Sing Lee watches the spiral of smoke. It wavers and unwinds. A finger

writing; an idiot flower. Then it opens up into a large smoke eye. Smoke

eyes drift casually away. An odor crawls into the air. Sing Lee's eyes

close gently and his thin body moves as he takes a deep breath.

His eyes still closed, Sing Lee speaks.

"You writer?" he murmurs.

"Yes."

"I too," says Sing Lee. "I write poem."

"Yes? When did you do that?"

"Oh, long ago. Mebbe year. Mebbe five years."

Sing Lee reaches into the open drawer and takes out a large sheet of rice

paper. It is partly covered with Chinese letters up and down.

"I read you in English," says Sing Lee. His eyes remain almost shut. He

reads:

The sky is young blue.

Many fields wait.

Many people look at young blue sky.

Old people look at young blue sky.

Many birds fly.

At night moon comes and young blue sky is old.

Many young people look at old sky.

"Did you write that about Chicago, Sing Lee?"

"No, no," says Sing Lee. His eyes open. The smoke eyes from the incense

pot drift like miniature ghost clouds behind him and creep along the rows

of yellow laundry packages.

"No, no," says Sing Lee. "I write that about Canton. I born in Canton many

years ago. Many, many years ago."

A Thousand and One Afternoons in Chicago · 第 112 / 144 题