Chapter I. We emulate the Rollo books.

PENELOPE'S IRISH EXPERIENCES

by Kate Douglas Wiggin.

Published 1901.

To my first Irish friend, Jane Barlow.

Contents.

Part First--Leinster.

I. We emulate the Rollo books.

II. Irish itineraries.

III. We sight a derelict.

IV. Enter Benella Dusenberry.

V. The Wearing of the Green.

VI. Dublin, then and now.

Part Second--Munster.

VII. A tour and a detour.

VIII. Romance and reality.

IX. The light of other days.

X. The belles of Shandon.

XI. 'The rale thing.'

XII. Life at Knockarney House.

XIII. 'O! the sound of the Kerry dancin'.'

XIV. 'Mrs. Mullarkey's iligant locks.'

XV. Penelope weaves a web.

XVI. Salemina has her chance.

Part Third--Ulster.

XVII. The glens of Antrim.

XVIII. Limavady love-letters.

XIX. 'In ould Donegal.'

XX. We evict a tenant.

XXI. Lachrymae Hibernicae.

Part Fourth--Connaught.

XXII. The weeping west.

XXIII. Beams and motes.

XXIV. Humours of the road.

XXV. The wee folk.

Part Fifth--Royal Meath.

XXVI. Ireland's gold.

XXVII. The three chatelaines of Devorgilla.

XXVIII. Round towers and reflections.

XXIX. Aunt David's garden.

XXX. The quest of the fair strangers.

XXXI. Good-bye, dark Rosaleen!

XXXII. 'As the sunflower turns.'

Part First--Leinster.

Chapter I. We emulate the Rollo books.

'Sure a terrible time I was out o' the way,

Over the sea, over the sea,

Till I come to Ireland one sunny day,--

Betther for me, betther for me:

The first time me fut got the feel o' the ground

I was strollin' along in an Irish city

That hasn't its aquil the world around

For the air that is sweet an' the girls that are pretty.'

--Moira O'Neill.

Dublin, O'Carolan's Private Hotel.

It is the most absurd thing in the world that Salemina, Francesca, and I

should be in Ireland together.

That any three spinsters should be fellow-travellers is not in itself

extraordinary, and so our former journeyings in England and Scotland

could hardly be described as eccentric in any way; but now that I am

a matron and Francesca is shortly to be married, it is odd, to say the

least, to see us cosily ensconced in a private sitting-room of a Dublin

hotel, the table laid for three, and not a vestige of a man anywhere to

be seen. Where, one might ask, if he knew the antecedent circumstances,

are Miss Hamilton's American spouse and Miss Monroe's Scottish lover?

Francesca had passed most of the winter in Scotland. Her indulgent

parent had given his consent to her marriage with a Scotsman, but

insisted that she take a year to make up her mind as to which particular

one. Memories of her past flirtations, divagations, plans for a life of

single blessedness, all conspired to make him incredulous, and the loyal

Salemina, feeling some responsibility in the matter, had elected to

remain by Francesca's side during the time when her affections were

supposed to be crystallising into some permanent form.

It was natural enough that my husband and I should spend the first

summer of our married life abroad, for we had been accustomed to do this

before we met, a period that we always allude to as the Dark Ages; but

no sooner had we arrived in Edinburgh, and no sooner had my husband

persuaded our two friends to join us in a long, delicious Irish holiday,

than he was compelled to return to America for a month or so.

I think you must number among your acquaintances such a man as Mr.

William Beresford, whose wife I have the honour to be. Physically the

type is vigorous, or has the appearance and gives the impression of

being vigorous, because it has never the time to be otherwise, since

it is always engaged in nursing its ailing or decrepit relatives.

Intellectually it is full of vitality; any mind grows when it is

exercised, and the brain that has to settle all its own affairs and all

the affairs of its friends and acquaintances could never lack energy.

Spiritually it is almost too good for earth, and any woman who lives in

the house with it has moments of despondency and self-chastisement,

in which she fears that heaven may prove all too small to contain the

perfect being and its unregenerate family as well.

Financially it has at least a moderate bank account; that is, it

is never penniless, indeed it can never afford to be, because it is

peremptory that it should possess funds in order to disburse them to

needier brothers. There is never an hour when Mr. William Beresford is

not signing notes and bonds and drafts for less fortunate men; giving

small loans just to 'help a fellow over a hard place'; educating

friends' children, starting them in business, or securing appointments

for them. The widow and the fatherless have worn such an obvious path to

his office and residence that no bereaved person could possibly lose

his way, and as a matter of fact no one of them ever does. This special

journey of his to America has been made necessary because, first, his

cousin's widow has been defrauded of a large sum by her man of business;

and second, his college chum and dearest friend has just died in Chicago

after appointing him executor of his estate and guardian of his only

child. The wording of the will is, 'as a sacred charge and with full

power.' Incidentally, as it were, one of his junior partners has been

ordered a long sea voyage, and another has to go somewhere for mud

baths. The junior partners were my idea, and were suggested solely that

their senior might be left more or less free from business care, but

it was impossible that Willie should have selected sound, robust

partners--his tastes do not incline him in the direction of selfish

ease; accordingly he chose two delightful, estimable, frail gentlemen

who needed comfortable incomes in conjunction with light duties.

I am railing at my husband for all this, but I love him for it just the

same, and it shows why the table is laid for three.

“Salemina,” I said, extending my slipper toe to the glowing peat, which

by extraordinary effort had been brought up from the hotel kitchen, as a

bit of local colour, “it is ridiculous that we three women should be in

Ireland together; it's the sort of thing that happens in a book, and of

which we say that it could never occur in real life. Three persons do

not spend successive seasons in England, Scotland and Ireland unless

they are writing an Itinerary of the British Isles. The situation is

possible, certainly, but it isn't simple, or natural, or probable. We

are behaving precisely like characters in fiction, who, having been

popular in the first volume, are exploited again and again until their

popularity wanes. We are like the Trotty books or the Elsie Dinmore

series. England was our first volume, Scotland our second, and here we

are, if you please, about to live a third volume in Ireland. We fall in

love, we marry and are given in marriage, we promote and take part

in international alliances, but when the curtain goes up again, our

accumulations, acquisitions--whatever you choose to call

them--have disappeared. We are not to the superficial eye the

spinster-philanthropist, the bride to be, the wife of a year; we are

the same old Salemina, Francesca and Penelope. It is so dramatic that my

husband should be called to America; as a woman I miss him and need him;

as a character I am much better single. I don't suppose publishers like

married heroines any more than managers like married leading ladies.

Then how entirely proper it is that Ronald Macdonald cannot leave his

new parish in the Highlands. The one, my husband, belongs to the first

volume; Francesca's lover to the second; and good gracious, Salemina,

don't you see the inference?”

“I may be dull,” she replied, “but I confess I do not.”

“We are three?”

“Who is three?”

“That is not good English, but I repeat with different emphasis WE are

three. I fell in love in England, Francesca fell in love in Scotland-”

And here I paused, watching the blush mount rosily to Salemina's grey

hair; pink is very becoming to grey, and that, we always say, accounts

more satisfactorily for Salemina's frequent blushes than her modesty,

which is about of the usual sort.

“Your argument is interesting, and even ingenious,” she replied, “but

I fail to see my responsibility. If you persist in thinking of me as

a character in fiction, I shall rebel. I am not the stuff of which

heroines are made; besides, I would never appear in anything so cheap

and obvious as a series, and the three-volume novel is as much out of

fashion as the Rollo books.”

“But we are unconscious heroines, you understand,” I explained. “While

we were experiencing our experiences we did not notice them, but they

have attained by degrees a sufficient bulk so that they are visible

to the naked eye. We can look back now and perceive the path we have

travelled.”

“It isn't retrospect I object to, but anticipation,” she retorted; “not

history, but prophecy. It is one thing to gaze sentimentally at the road

you have travelled, quite another to conjure up impossible pictures of

the future.”

Salemina calls herself a trifle over forty, but I am not certain of

her age, and think perhaps that she is uncertain herself. She has good

reason to forget it, and so have we. Of course she could consult the

Bible family record daily, but if she consulted her looking-glass

afterward the one impression would always nullify the other. Her hair is

silvered, it is true, but that is so clearly a trick of Nature that it

makes her look younger rather than older.

Francesca came into the room just here. I said a moment ago that she was

the same old Francesca, but I was wrong; she is softening, sweetening,

expanding; in a word, blooming. Not only this, but Ronald Macdonald's

likeness has been stamped upon her in some magical way, so that,

although she has not lost her own personality, she seems to have added

a reflection of his. In the glimpses of herself, her views, feelings,

opinions, convictions, which she gives us in a kind of solution, as

it were, there are always traces of Ronald Macdonald; or, to be more

poetical, he seems to have bent over the crystal pool, and his image is

reflected there.

You remember in New England they allude to a bride as 'she that was'

a so-and-so. In my private interviews with Salemina I now habitually

allude to Francesca as 'she that was a Monroe'; it is so significant

of her present state of absorption. Several times this week I have been

obliged to inquire, “Was I, by any chance, as absent-minded and dull in

Pettybaw as Francesca is under the same circumstances in Dublin?”

“Quite.”

“Duller if anything.”

These candid replies being uttered in cheerful unison I change the

subject, but cannot resist telling them both casually that the building

of the Royal Dublin Society is in Kildare Street, just three minutes'

from O'Carolan's, and that I have noticed it is for the promotion of

Husbandry and other useful arts and sciences.

Penelope's Irish Experiences · 第 1 / 32 章