THE POSTMASTER

The postmaster first took up his duties in the village of Ulapur.

Though the village was a small one, there was an indigo factory near

by, and the proprietor, an Englishman, had managed to get a post office

established.

Our postmaster belonged to Calcutta. He felt like a fish out of water

in this remote village. His office and living-room were in a dark

thatched shed, not far from a green, slimy pond, surrounded on all

sides by a dense growth.

The men employed in the indigo factory had no leisure; moreover, they

were hardly desirable companions for decent folk. Nor is a Calcutta

boy an adept in the art of associating with others. Among strangers

he appears either proud or ill at ease. At any rate, the postmaster

had but little company; nor had he much to do.

At times he tried his hand at writing a verse or two. That the movement

of the leaves and the clouds of the sky were enough to fill life with

joy--such were the sentiments to which he sought to give expression.

But God knows that the poor fellow would have felt it as the gift of a

new life, if some genie of the _Arabian Nights_ had in one night swept

away the trees, leaves and all, and replaced them with a macadamised

road, hiding the clouds from view with rows of tall houses.

The postmaster's salary was small. He had to cook his own meals, which

he used to share with Ratan, an orphan girl of the village, who did

odd jobs for him.

When in the evening the smoke began to curl up from the village

cow-sheds,[38] and the cicalas chirped in every bush; when the faquirs

of the Baül sect sang their shrill songs in their daily meeting-place,

when any poet, who had attempted to watch the movement of the leaves in

the dense bamboo thickets, would have felt a ghostly shiver run

down his back, the postmaster would light his little lamp, and call

out 'Ratan.'

[38] Smoky fires are lit in the cow-sheds to drive off mosquitoes.

Ratan would sit outside waiting for this call, and, instead of coming

in at once, would reply: 'Did you call me, sir?'

'What are you doing?' the postmaster would ask.

'I must be going to light the kitchen fire,' would be the answer.

And the postmaster would say: 'Oh, let the kitchen fire be for awhile;

light me my pipe first.'

At last Ratan would enter, with puffed-out cheeks, vigorously blowing

into a flame a live coal to light the tobacco. This would give the

postmaster an opportunity of conversing. 'Well, Ratan,' perhaps

he would begin, 'do you remember anything of your mother?' That was a

fertile subject. Ratan partly remembered, and partly didn't. Her

father had been fonder of her than her mother; him she recollected more

vividly. He used to come home in the evening after his work, and

one or two evenings stood out more clearly than others, like pictures

in her memory. Ratan would squat on the floor near the postmaster's

feet, as memories crowded in upon her. She called to mind a little

brother that she had--and how on some bygone cloudy day she had

played at fishing with him on the edge of the pond, with a twig for a

make-believe fishing-rod. Such little incidents would drive out

greater events from her mind. Thus, as they talked, it would often

get very late, and the postmaster would feel too lazy to do any

cooking at all. Ratan would then hastily light the fire, and toast

some unleavened bread, which, with the cold remnants of the morning

meal, was enough for their supper.

On some evenings, seated at his desk in the corner of the big empty

shed, the postmaster too would call up memories of his own home, of

his mother and his sister, of those for whom in his exile his heart

was sad,--memories which were always haunting him, but which he could

not talk about with the men of the factory, though he found himself

naturally recalling them aloud in the presence of the simple little

girl. And so it came about that the girl would allude to his people

as mother, brother, and sister,[39] as if she had known them all her

life. In fact, she had a complete picture of each one of them painted

in her little heart.

[39] Family servants call the master and mistress father and mother

and the children elder brothers and sisters.

One noon, during a break in the rains, there was a cool soft breeze

blowing; the smell of the damp grass and leaves in the hot sun felt

like the warm breathing of the tired earth on one's body. A persistent

bird went on all the afternoon repeating the burden of its one

complaint in Nature's audience chamber.

The postmaster had nothing to do. The shimmer of the freshly washed

leaves, and the banked-up remnants of the retreating rain-clouds were

sights to see; and the postmaster was watching them, and thinking

to himself: 'Oh, if only some kindred soul were near--just one loving

human being whom I could hold near my heart!' This was exactly, he

went on to think, what that bird was trying to say, and it was the

same feeling which the murmuring leaves were striving to express. But

no one knows, or would believe, that such an idea might also take

possession of an ill-paid village postmaster in the deep, silent

mid-day interval of his work.

The postmaster sighed, and called out 'Ratan.' Ratan was then

sprawling beneath the guava-tree, busily engaged in eating unripe

guavas. At the voice of her master, she ran up breathlessly, saying:

'Were you calling me, Dada?'[40] 'I was thinking,' said the

postmaster, 'of teaching you to read,' and then for the rest of

the afternoon he taught her the alphabet.

[40] Dada = elder brother.

Thus, in a very short time, Ratan had got as far as the double

consonants.

It seemed as though the showers of the season would never end. Canals,

ditches, and hollows were all overflowing with water. Day and night

the patter of rain was heard, and the croaking of frogs. The village

roads became impassable, and marketing had to be done in punts.

One heavily clouded morning, the postmaster's little pupil had been

long waiting outside the door for her call, but, not hearing it as

usual, she took up her dog-eared book, and slowly entered the room.

She found her master stretched out on his pallet, and, thinking he

was resting, she was about to retire on tip-toe, when she suddenly

heard her name--'Ratan!' She turned at once and asked: 'Were you

sleeping, Dada?' The postmaster in a plaintive voice said: 'I am not

well. Feel my head; is it very hot?'

In the loneliness of his exile, and in the gloom of the rains, his

ailing body needed a little tender nursing. He longed to remember

the touch on the forehead of soft hands with tinkling bracelets,

to imagine the presence of loving womanhood, the nearness of mother

and sister. And the exile was not disappointed. Ratan ceased to be a

little girl. She at once stepped into the post of mother, called in the

village doctor, gave the patient his pills at the proper intervals,

sat up all night by his pillow, cooked his gruel for him, and every

now and then asked: 'Are you feeling a little better, Dada?'

It was some time before the postmaster, with weakened body, was able to

leave his sick-bed. 'No more of this,' said he with decision. 'I

must get a transfer.' He at once wrote off to Calcutta an application

for a transfer, on the ground of the unhealthiness of the place.

Relieved from her duties as nurse, Ratan again took up her old place

outside the door. But she no longer heard the same old call. She would

sometimes peep inside furtively to find the postmaster sitting on

his chair, or stretched on his pallet, and staring absent-mindedly

into the air. While Ratan was awaiting her call, the postmaster was

awaiting a reply to his application. The girl read her old lessons over

and over again--her great fear was lest, when the call came, she might

be found wanting in the double consonants. At last, after a week, the

call did come one evening. With an overflowing heart Ratan rushed

into the room with her--'Were you calling me, Dada?'

Mashi, and Other Stories · 第 49 / 71 题