THE CELTIC ELEMENT IN LITERATURE

I

ERNEST RENAN described what he held to be Celtic characteristics

in _The Poetry of the Celtic Races_. I must repeat the well-known

sentences: ‘No race communed so intimately as the Celtic race with the

lower creation, or believed it to have so big a share of moral life.’

The Celtic race had ‘a realistic naturalism,’ ‘a love of nature for

herself, a vivid feeling for her magic, commingled with the melancholy

a man knows when he is face to face with her, and thinks he hears her

communing with him about his origin and his destiny.’ ‘It has worn

itself out in mistaking dreams for realities,’ and ‘compared with the

classical imagination the Celtic imagination is indeed the infinite

contrasted with the finite.’ ‘Its history is one long lament, it

still recalls its exiles, its flights across the seas.’ ‘If at times

it seems to be cheerful, its tear is not slow to glisten behind the

smile. Its songs of joy end as elegies; there is nothing to equal the

delightful sadness of its national melodies.’ Matthew Arnold, in _The

Study of Celtic Literature_, has accepted this passion for nature, this

imaginativeness, this melancholy, as Celtic characteristics, but has

described them more elaborately. The Celtic passion for nature comes

almost more from a sense of her ‘mystery’ than of her ‘beauty,’ and it

adds ‘charm and magic’ to nature, and the Celtic imaginativeness and

melancholy are alike ‘a passionate, turbulent, indomitable reaction

against the despotism of fact.’ The Celt is not melancholy, as Faust or

Werther are melancholy, from ‘a perfectly definite motive,’ but because

of something about him ‘unaccountable, defiant and titanic.’ How well

one knows these sentences, better even than Renan’s, and how well one

knows the passages of prose and verse which he uses to prove that

wherever English literature has the qualities these sentences describe,

it has them from a Celtic source. Though I do not think any of us who

write about Ireland have built any argument upon them, it is well to

consider them a little, and see where they are helpful and where they

are hurtful. If we do not, we may go mad some day, and the enemy root

up our rose-garden and plant a cabbage-garden instead. Perhaps we must

restate a little, Renan’s and Arnold’s argument.

The Collected Works in Verse and Prose of William Butler Yeats, Vol. 6 (of 8) Ideas of Good and Evil · 第 59 / 72 题