CHAPTER III.

THE LUCIFER THAT SAVED MY LIFE.

Surprised, not to say startled, I certainly was, and all the more so

for the reason that I recognised the voice of the speaker. It was that

of my long time friend and at one time colleague, Robert Grant, the

detective.

When I turned round--not suddenly or abruptly, for I feared to attract

the attention, possibly the suspicion, of the four men still whispering

on the landing--the two Chinamen were still sucking nonchalantly at

their flute-shaped opium pipes, and still eyeing me, as I have already

said, as pigs, lying on a muck-heap in the sunshine, eye a terrier who

has entered their domain.

Stretching my arms, I affected to yawn, as if tired of waiting the

result of the conference outside. Then, hands deep in my trousers

pockets, I slouched leisurely across the room and bent over the

Chinamen's mattress, as if to examine the picture of the Crucifixion

which was plastered on the wall above.

The nearer of the two Chinamen made a great pretence of puffing noisily

at his pipe, as if trying hard to prevent it from going out, but

between each puff came a volley of whispered words in soft staccato:

"Make pretence to be friendly with them--disarm suspicion--but get

away--if they'll let you--go to police station--say it's me--arrest the

lot. Look out--they're coming--go away!"

The "they" were the leader and the other man.

They now returned to the room, still whispering, and the two who had

been on guard at the head of the stairs, after noisily calling out

"Good-night," made their way down, and so into the street, for we could

distinctly hear them unlocking the door, which this time--as I did not

hear it banged to--they had apparently left open.

"I don't think much of your Art Exhibition," I said, turning to the

leader of the gang and jerking my thumb over my shoulder in the

direction of the hideous representation of the Crucifixion, at which I

had made pretence to be looking. "It reminds me of what I once said to

a famous art critic and æsthete about a picture that hung in some cheap

bachelor lodgings of mine.

"'I have a picture in my room,' I said to him, 'that will give your

æsthetic senses a cold chill, not to say a shock. It's "Daniel in the

Lions' Den," done in chromo--four colours--and loud enough to win a

whistling match.'

"'How terrible!' said my friend. 'But I can imagine something even more

terrible.'

"'What is it?' I inquired.

"'A poor lion in a den of Daniels,' was the reply."

I told this story, as the reader will have surmised, in pursuance of

Grant's advice to "make pretence to be friendly," and apparently it had

the desired effect, for the leader of the gang seemed amused.

"I think I can place the man who said it," he said. "I used to meet him

often in Paris. No; we're not great on Art here, and that picture over

the couch is a terror. I've made it all right for you with my friends.

Would you like to smoke a pipe of opium, now you're here? You can if

you like."

"That's very kind of you, but I don't think I'll stop to-night," I

replied. "Fact is, you gave me a fright between you, for really I

thought you meant knocking me on the head."

He laughed.

"All right; come some other night, if you like. I'm sorry if we

frightened you, but of course we have to protect ourselves, and really

I thought at first that you had come here to interfere with our

customers and with our business. But it is all right now, and if you

want to be off, we won't detain you. Good-night."

"Good-night," I answered pleasantly, glad to get away, and making for

the door. With my hand on the handle I turned and looked back. My late

host, the man whom I have called the leader, was standing--a sort of

pocket caricature of Napoleon--his hands behind his back, and his

short legs straddled widely apart. His great head, resting almost on

his shoulders, was thrust forward, vulture-wise, the eyes glittering

venomously out of the dead-white face. On the mattress behind him, the

two men whom I had supposed to be Chinamen, but one of whom I now knew

to be Detective Grant, pulled away at their pipes as nonchalantly as

ever, the ghastly figure of the Crucified One stretching bare arms

over them on the wall.

"Good-night," smiled the leader again. "Good-night, and _bon voyage_."

I do not know why I shuddered--perhaps out of fear for Grant;

perhaps at the thought of the sacred figure of the Saviour in such

surroundings; perhaps merely because I was tired and overstrained.

But with the shudder shaking me, almost like an ague, I turned, closed

the door, and made my way down the stairs.

From the second landing window, the yard which lay immediately

underneath and the stretch of waste land beyond, looked more

darkly-desolate than ever. A single light on the far side of the river

made a snake of fire, writhing and twisting as if in the throes of

torturing agony upon the water. Otherwise, nothing moved, nothing

stirred.

Arrived at the first landing I saw that the chink of light from under

the two doors had gone, so that the stairs, leading down to the passage

and to the kitchen door, were in absolute darkness. As I reached the

bottom of the stairs and turned into the passage, I was immensely

relieved to see that the front door stood ajar, evidently as the two

men who had just gone out had left it. The whiff of outer air which

blew through the opening was infinitely sweet after the reek and stench

of opium in the den upstairs. My spirits rose at a bound. Surely I must

have been mistaken in thinking the house other than merely a place for

the smoking of opium. If anything illicit, anything in the nature of

crime, were carried on here, the door would not have been left ajar,

as I now found it, nor have been left unlatched and unlocked as it was

when I had first come to the place.

All this went through my brain in a flash while my foot was between the

last step of the staircase and the passage floor. Then suddenly the

picture I had seen, when looking in the eyes of the leader of the gang,

flashed before me--the picture of a man in a dark passage, as I at that

moment was, and two other men waiting to brain him as he groped his way

out.

"It's precious dark here!" I said aloud as if to myself, and in the

most unconcerned voice I could assume. "I must go carefully, for I

nearly came a cropper over the break-neck stairs in going up."

Meanwhile, I had been feeling stealthily in my pocket for a match-box.

Ah! I had it!

Slipping out a vesta, I struck it sharply, and placing the palm of my

open hand between the flame and myself, so as to shade my own face and

to cast what light there was in the direction of the door, I scanned

the passage as if I had of a sudden become all eyes. Stretched across,

just where it would take me over the ankle and so cause me to stumble

forward, was a piece of wire. Behind the door, and with what looked

like an iron bar, upraised ready to strike as I fell, was a man; and in

case he failed to finish me, another--for I saw the white face of him

peeping through the chink of the partly opened door--stood outside. And

then, as the light in my hand suddenly flickered and went out, I heard

behind me the stealthy steps of someone creeping down the stairs.

The Dumpling · 第 3 / 39 章