OF THE ARRIVAL OF QUEEN ISABELLA AT THE CAMP BEFORE MOCLIN, AND OF THE
PLEASANT SAYINGS OF THE ENGLISH EARL.
The war of Granada, however poets may embroider it with the flowers of
their fancy, was certainly one of the sternest of those iron conflicts
which have been celebrated under the name of “holy wars.” The worthy
Fray Antonio Agapida dwells with unsated delight upon the succession of
rugged mountain-enterprises, bloody battles, and merciless sackings and
ravages which characterized it; yet we find him on one occasion pausing
in the full career of victory over the infidels to detail a stately
pageant of the Catholic sovereigns.
Immediately on the capture of Loxa, Ferdinand had written to Isabella,
soliciting her presence at the camp that he might consult with her as to
the disposition of their newly-acquired territories.
It was in the early part of June that the queen departed from Codova
with the princess Isabella and numerous ladies of her court. She had
a glorious attendance of cavaliers and pages, with many guards and
domestics. There were forty mules for the use of the queen, the
princess, and their train.
As this courtly cavalcade approached the Rock of the Lovers on the banks
of the river Yeguas, they beheld a splendid train of knights advancing
to meet them. It was headed by that accomplished cavalier the
marques-duke de Cadiz, accompanied by the adelantado of Andalusia. He
had left the camp the day after the capture of Illora, and advanced
thus far to receive the queen and escort her over the borders. The queen
received the marques with distinguished honor, for he was esteemed the
mirror of chivalry. His actions in this war had become the theme of
every tongue, and many hesitated not to compare him in prowess with the
immortal Cid.*
* Cura de los Palacios.
Thus gallantly attended, the queen entered the vanquished frontier of
Granada, journeying securely along the pleasant banks of the Xenil, so
lately subject to the scourings of the Moors. She stopped at Loxa, where
she administered aid and consolation to the wounded, distributing money
among them for their support according to their rank.
The king after the capture of Illora had removed his camp before the
fortress of Moclin, with an intention of besieging it. Thither the queen
proceeded, still escorted through the mountain-roads by the marques of
Cadiz. As Isabella drew near to the camp the duke del Infantado issued
forth a league and a half to receive her, magnificently arrayed and
followed by all his chivalry in glorious attire. With him came the
standard of Seville, borne by the men-at-arms of that renowned city,
and the prior of St. Juan with his followers. They ranged themselves in
order of battle on the left of the road by which the queen was to pass.
The worthy Agapida is loyally minute in his description of the state
and grandeur of the Catholic sovereigns. The queen rode a chestnut mule,
seated in a magnificent saddle-chair decorated with silver gilt. The
housings of the mule were of fine crimson cloth, the borders embroidered
with gold, the reins and head-piece were of satin, curiously embossed
with needlework of silk and wrought with golden letters. The queen wore
a brial or regal skirt of velvet, under which were others of brocade;
a scarlet mantle, ornamented in the Moresco fashion; and a black hat,
embroidered round the crown and brim. The infanta was likewise mounted
on a chestnut mule richly caparisoned: she wore a brial or skirt of
black brocade and a black mantle ornamented like that of the queen.
When the royal cavalcade passed by the chivalry of the duke del
Infantado, which was drawn out in battle array, the queen made a
reverence to the standard of Seville and ordered it to pass to the right
hand. When she approached the camp the multitude ran forth to meet her
with great demonstrations of joy, for she was universally beloved by her
subjects. All the battalions sallied forth in military array, bearing
the various standards and banners of the camp, which were lowered in
salutation as she passed.
The king now came forth in royal state, mounted on a superb chestnut
horse and attended by many grandees of Castile. He wore a jubon or close
vest of crimson cloth, with cuisses or short skirts of yellow satin,
a loose cassock of brocade, a rich Moorish scimetar, and a hat with
plumes. The grandees who attended him were arrayed with wonderful
magnificence, each according to his taste and invention.
These high and mighty princes (says Antonio Agapida) regarded each other
with great deference as allied sovereigns, rather than with connubial
familiarity as mere husband and wife. When they approached each other,
therefore, before embracing, they made three profound reverences, the
queen taking off her hat and remaining in a silk net or caul, with her
face uncovered. The king then approached and embraced her, and kissed
her respectfully on the cheek. He also embraced his daughter the
princess, and, making the sign of the cross, he blessed her and kissed
her on the lips.*
* Cura de los Palacios.
The good Agapida seems scarcely to have been more struck with the
appearance of the sovereigns than with that of the English earl. He
followed (says he) immediately after the king, with great pomp and,
in an extraordinary manner, taking precedence of all the rest. He was
mounted “a la guisa,” or with long stirrups, on a superb chestnut horse,
with trappings of azure silk which reached to the ground. The housings
were of mulberry powdered with stars of gold. He was armed in proof,
and wore over his armor a short French mantle of black brocade; he had a
white French hat with plumes, and carried on his left arm a small round
buckler banded with gold. Five pages attended him, apparelled in silk
and brocade and mounted on horses sumptuously caparisoned; he had also a
train of followers bravely attired after the fashion of his country.
He advanced in a chivalrous and courteous manner, making his reverences
first to the queen and infanta, and afterward to the king. Queen
Isabella received him graciously, complimenting him on his courageous
conduct at Loxa, and condoling with him on the loss of his teeth. The
earl, however, made light of his disfiguring wound, saying that “our
Blessed Lord, who had built all that house, had opened a window there,
that he might see more readily what passed within;” * whereupon the
worthy Fray Antonio Agapida is more than ever astonished at the pregnant
wit of this island cavalier. The earl continued some little distance
by the side of the royal family, complimenting them all with courteous
speeches, his horse curveting and caracoling, but being managed with
great grace and dexterity, leaving the grandees and the people at large
not more filled with admiration at the strangeness and magnificence of
his state than at the excellence of his horsemanship.**
* Pietro Martyr, Epist. 61.
* *Cura de los Palacios.
To testify her sense of the gallantry and services of this noble English
knight, who had come from so far to assist in their wars, the queen sent
him the next day presents of twelve horses, with stately tents, fine
linen, two beds with coverings of gold brocade, and many other articles
of great value.
Having refreshed himself, as it were, with the description of this
progress of Queen Isabella to the camp and the glorious pomp of the
Catholic sovereigns, the worthy Antonio Agapida returns with renewed
relish to his pious work of discomfiting the Moors.
The description of this royal pageant and the particulars concerning the
English earl, thus given from the manuscript of Fray Antonio Agapida,
agree precisely with the chronicle of Andres Bernaldez, the curate of
Los Palacios. The English earl makes no further figure in this war. It
appears from various histories that he returned in the course of the
year to England. In the following year his passion for fighting took
him to the Continent, at the head of four hundred adventurers, in aid of
Francis, duke of Brittany, against Louis XI. of France. He was killed
in the same year (1488) in the battle of St. Alban’s between the Bretons
and the French.