SCENE THE FIRST.

I. That simple body-cloth framed of leaves, skins, flax, wool, &c.

which modesty had first introduced, for many centuries perhaps sufficed

as the common attire of both sexes amongst the Hebrew Bedouins. It

extended downwards to the knees, and upwards to the hips, about which

it was fastened. Such a dress is seen upon many of the figures in the

sculptures of Persepolis; even in modern times, Niebuhr found it the

ordinary costume of the lower Arabians in Hedsjas; and Shaw assures

us, that from its commodious shape, it is still a favorite dishabille

of the Arabian women when they are behind the curtains of the tent.

From this early rudiment was derived, by gradual elongation, that

well-known under habiliment, which in Hebrew is called _Ch'tonet_, and

in Greek and Latin by words of similar sound. [Footnote 2] In this

stage of its progress, when extended to the neck and the shoulders,

it represents pretty accurately the modern shirt, or _chemise_--except

that the sleeves are wanting; and during the first period of Jewish

history, it was probably worn as the sole under-garment by women of

all ranks, both amongst the Bedouin Hebrews and those who lived in

cities. A very little further extension to the elbows and the calves

of the legs, and it takes a shape which survives even to this day in

Asia. Now, as then, the female habiliment was distinguished from the

corresponding male one by its greater length; and through all antiquity

we find long clothes a subject of reproach to men, as an argument of

effeminacy.

According to the rank or vanity of the wearer, this tunic was made of

more or less costly materials; for wool and flax was often substituted

the finest byssus, or other silky substance; and perhaps, in the latter

periods, amongst families of distinction in Jerusalem, even silk itself.

Splendor of coloring was not neglected; and the opening at the throat

was eagerly turned to account as an occasion for displaying fringe or

rich embroidery.

Bottiger remarks, that, even in the age of Augustus, the morning dress

of Roman ladies when at home was nothing more than this very tunic;

which, if it sate close, did not even require a girdle. The same remark

applies to the Hebrew women, who, during the nomadic period of their

history, had been accustomed to wear no night-chemises at all, but

slept quite naked, or, at the utmost, with a cestus or zone: by way

of bed-clothes, however, it must be observed, that they swathed their

person in the folds of a robe or shawl. Up to the time of Solomon,

this practice obtained through all ranks; and so long the universal

household dress of a Hebrew lady in her harem, was the tunic as here

described; and in this she dressed herself the very moment that she

rose from bed. Indeed, so long as the Hebrew women were content with

a single tunic, it flowed loose in liberal folds about the body; and

was fastened by a belt or a clasp, just as we find it at this day

amongst all Asiatic nations. But, when a second under-garment was

introduced, the inner one fitted close to the shape, whilst the outer

one remained full and free as before.

II. No fashion of the female toilette is of higher antiquity than that

of dyeing the margin of the eyelids and the eyebrows with a black

pigment. It is mentioned or alluded to, 2 Kings, ix. 30, Jerem. iv.

30, Ezek. xxiii. 40; to which may be added, Isaiah, iii. 16. The

practice had its origin in a discovery made accidentally in Egypt. For

it happens, that the substance used for this purpose in ancient times,

is a powerful remedy in cases of ophthalmia and inflammation of the

eyes;--complaints to which Egypt is, from local causes, peculiarly

exposed. This endemic infirmity, in connection with the medical science

for which Egypt was so distinguished, easily account for their

discovering the uses of antimony, which is the principal ingredient

in the pigments of this class. Egypt was famous for the fashion of

painting the face from an early period: and in some remarkable

curiosities illustrating the Egyptian toilette, which were discovered

in the catacombs of Sahara in Middle Egypt, there was a single joint

of a common reed containing an ounce or more of the coloring powder,

and one of the needles for applying it. The entire process was as

follows:--The mineral powder, finely prepared, was mixed up with a

preparation of vinegar and gall-apples--sometimes with oil of almonds,

or other oils--sometimes, by very luxurious women, with costly gums

and balsams. [Footnote 3] And perhaps, as Sonnini describes the practice

among the Mussulman women at present, the whole mass thus compounded

was dried and again reduced to an impalpable powder, and consistency

then given to it by the vapors of some odorous and unctuous substance.

Thus prepared, the pigment was applied to the tip or pointed ferule

of a little metallic pencil, called, in Hebrew, _Makachol_, and made

of silver, gold, or ivory; the eyelids were then closed, and the little

pencil, or probe, held horizontally, was inserted between them:--a

process which is briefly and picturesquely described in the Bible. The

effect of the black rim, which the pigment traced about the eyelid,

was to throw a dark and majestic shadow over the eye; to give it a

languishing and yet a lustrous expression; to increase its apparent

size, and to apply the force of contrast to the white of the eye.

Together with the eyelids, the Hebrew women colored the eyebrows, the

point aimed at being twofold--to curve them into a beautiful arch of

brilliant ebony--and, at the same time, to make the inner ends meet

or flow into each other.

III. Ear-rings of gold, silver, inferior metals, or even horn, were

worn by the Hebrew women in all ages; and in the flourishing period

of the Jewish kingdom, probably by men: and so essential an ornament

were they deemed, that in the idolatrous times, even the images of

their false gods were not considered becomingly attired without them.

Their ear-rings were larger, according to the Asiatic taste; but whether

quite large enough to admit the hand, is doubtful. In a later age, as

we collect from the Thalmud, Part VI. 43, the Jewish ladies wore gold

or silver pendants, of which the upper part was shaped like a lentil,

and the lower hollowed like a little cup or pipkin. It is probable

also, that, even in the oldest ages, it was a practice amongst them

to suspend gold and silver rings, not merely from the lower, but also

from the upper end of the ear, which was perforated like a sieve. The

tinkling sound, with which, upon the slightest motion, two or three

tiers of rings would be set a-dancing about the cheeks, was very

agreeable to the baby taste of the Asiatics.

From a very early age, the ears of Hebrew women were prepared for this

load of trinketry; for, according to the Thalmud, II. 23, they kept

open the little holes, after they were pierced, by threads or slips

of wood: a fact which may show the importance they attached to this

ornament.

IV. Nose-rings, at an early period, became a universal ornament in

Palestine. We learn, from Biblical and from Arabic authority, that it

was a practice of Patriarchal descent amongst both the African and

Asiatic Bedouins, to suspend rings of iron, wood, or braided hair,

from the nostrils of camels, oxen, &c.--the rope by which the animal

was guided being attached to these rings. It is probable, therefore,

that the early Hebrews who dwelt in tents, and who, in the barrenness

of desert scenery, drew most of their hints for improving their personal

embellishment from the objects immediately about them, were indebted

for their nose-rings to this precedent of their camels. Sometimes a

ring depended from both nostrils; and the size of it was equal to that

of the ear-ring; so that, at times, its compass included both upper

and under lip, as in the frame of a picture; and, in the age succeeding

to Solomon's reign, we hear of rings which were not less than three

inches in diameter. Hebrew ladies of distinction had sometimes a cluster

of nose-rings, as well for the tinkling sound which they were contrived

to emit, as for the shining light which they threw off upon the face.

That the nose-ring possessed no unimportant place in the Jewish

toilette, is evident, from its being ranked, during the nomadic state

of the Israelites, as one of the most valuable presents that a young

Hebrew woman could receive from her lover. Amongst the Midianites, who

were enriched by the caravan commerce, even men adopted this ornament:

and this appears to have been the case in the family to which Job

belonged, [chap. xli. 2.] Under these circumstances, we should naturally

presume that the Jewish courtezans, in the cities of Palestine, would

not omit so conspicuous a trinket, with its glancing lights, and its

tinkling sound: this we might presume, even without the authority of

the Bible: but, in fact, both Isaiah and Ezekiel expressly mention it

amongst their artifices of attraction.

Judith, when she appeared before the tent of Holofernes in the whole

pomp of her charms, and appareled with the most elaborate attention

to splendor of effect, for the purpose of captivating the hostile

general, did not omit this ornament. Even the Jewish Proverbs show how

highly it was valued; and that it continued to be valued in later

times, appears from the ordinances of the Thalmud, II. 21, in respect

to the parts of the female wardrobe which were allowed to be worn on

the Sabbath.

V. The Hebrew women of high rank, in the flourishing period of their

state, wore NECKLACES composed of multiple rows of pearls. The thread

on which the pearls were strung, was of flax or woollen,--and sometimes

colored, as we learn from the Thalmud, VI. 43; and the different rows

were not exactly concentric; but whilst some invested the throat,

others descended to the bosom; and in many cases, even to the zone.

On this part of the dress was lavished the greatest expense; and the

Roman reproach was sometimes true of a Hebrew family, that its whole

estate was locked up in a necklace. Tertullian complains heavily of

a particular pearl necklace, which had cost about ten thousand pounds

of English money--as of an enormity of extravagance. But, after making

every allowance for greater proximity to the pearl fisheries, and for

other advantages enjoyed by the people of Palestine, there is reason

to believe that some Hebrew ladies possessed single pearls which had

cost at least five times that sum. [Footnote 4] So much may be affirmed,

without meaning to compare the most lavish of the ladies of Jerusalem

with those of Rome, where it is recorded of some _elegantes_, that

they actually slept with little bags of pearls suspended from their

necks, that even when sleeping, they might have mementos of their pomp.

But the Hebrew necklaces were not always composed of pearls, or of

pearls only--sometimes it was the custom to interchange the pearls

with little golden bulbs or berries: sometimes they were blended with

the precious stones; and at other times, the pearls were strung two

and two, and their beautiful whiteness relieved by the interposition

of red coral.

VI. Next came the BRACELETS of gold or ivory, and fitted up at the

open side with a buckle or enamelled clasp of elaborate workmanship.

These bracelets were also occasionally composed of gold or silver

thread; and it was not unusual for a series of them to ascend from the

wrist to the elbow. From the clasp, or other fastening of the bracelet,

depended a delicate chain-work or netting of gold; and in some

instances, miniature festoons of pearls. Sometimes the gold chain-work

was exchanged for little silver bells, which could be used, upon

occasion, as signals of warning or invitation to a lover.

VII. This _bijouterie_ for the arms, naturally reminded the Hebrew

lady of the ANKLE-BELLS, and other similar ornaments for the feet and

legs. These ornaments consisted partly in golden belts, or rings,

which, descending from above the ankle, compressed the foot in various

parts, and partly in shells and little jingling chains, which depended

so as to strike against clappers fixed into the metallic belts. The

pleasant tinkle of the golden belts in collision, the chains rattling,

and the melodious chime of little silver ankle-bells, keeping time

with the motions of the foot, made an accompaniment so agreeable to

female vanity, that the stately daughters of Jerusalem, with their

sweeping trains flowing after them, appear to have adopted a sort of

measured tread, by way of impressing a regular cadence upon the music

of their feet. The chains of gold were exchanged, as luxury advanced,

for strings of pearls and jewels, which swept in snaky folds about the

feet and ankles.

This, like many other peculiarities in the Hebrew dress, had its origin

in a circumstance of their early nomadic life. It is usual with the

Bedouins to lead the camel, when disposed to be restive, by a rope or

a belt fastened to one of the fore feet, sometimes to both; and it is

also a familiar practice to soothe and to cheer the long-suffering

animal with the sound of little bells, attached either to the neck or

to one of the fore legs. Girls are commonly employed to lead the camels

to water; and it naturally happened, that, with their lively fancies,

some Hebrew or Arabian girl should be prompted to repeat, on her own

person, what had so often been connected with an agreeable impression

in her mule companions to the well.

It is probable, however, that afterwards, having once been introduced,

this fashion was supported and extended by Oriental jealousy. For it

rendered all clandestine movements very difficult in women; and by

giving notice of their approach, it had the effect of preparing men

for their presence, and keeping the road free from all spectacles that

could be offensive to female delicacy.

From the Hebrew Bedouins, this custom passed to all the nations of

Asia; Medes, Persians, Lydians, Arabs, &c., and is dwelt on with

peculiar delight by the elder Arabic poets. That it had spread to the

westernmost parts of Africa, early in the Christian times, we learn

from Tertullian, who cannot suppress his astonishment, that the foolish

women of his time should bear to inflict such compression upon their

tender feet. Even as early as the times of Herodotus, we find, from

his account of a Lybian nation, that the women and girls universally

wore copper rings about their ankles. And at an after period, these

ornaments were so much cherished by the Egyptian ladies, that, sooner

than, appear in public without their tinkling ankle-chimes, they

preferred to bury themselves in the loneliest apartments of the harem.

Finally, the fashion spread partially into Europe; to Greece even, and

to polished Rome, in so far as regarded the ankle-belts, and the other

ornamental appendages, with the single exception of the silver bells;

these were too entirely in the barbaresque taste, to support themselves

under the frown of European culture.

VIII. The first rude sketch of the Hebrew SANDAL may be traced in that

little tablet of undrest hide which the Arabs are in the habit of tying

beneath the feet of their camels. This primitive form, after all the

modifications and improvements it has received, still betrays itself

to an attentive observer, in the very-latest fashions of the sandal

which Palestine has adopted.

To raw hides succeeded tanned leather, made of goat-skin, deer-skin,

&c.; this, after being accurately cut out to the shape of the sole,

was fastened on the bare upper surface of the foot by two thongs, of

which one was usually carried within the great toe, and the other in

many circumvolutions round about the ankles, so that both finally met

and tied just above the instep.

The laced sole, or sandal, of this form, continued in Palestine to be

the universal out-of-doors protection for the feet, up to the

Christian-era; and it served for both sexes alike. It was not, however,

worn within doors. At the threshold of the inner apartments the sandals

were laid aside; and visitors from a distance were presented with a

vessel of water to cleanse the feet from the soiling of dust and

perspiration. [Footnote 5]

With this extreme simplicity in the form of the foot apparel, there

was no great field for improvement. The article contained two parts--the

sole and the fastening. The first, as a subject for decoration, was

absolutely desperate; coarse leather being exchanged for fine, all was

done that could be done; and the wit of man was able to devise no

further improvement. Hence it happened, that the whole power of the

inventive faculty was accumulated upon the fastenings, as the only

subject that remained. These were infinitely varied. Belts of bright

yellow, of purple, and of crimson, were adopted by ladies of

distinction--especially those of Palestine, and it was a trial of art

to throw these into the greatest possible varieties of convolution,

and to carry them on to a nexus of the happiest form, by which means

a reticulation, or trellis-work, was accomplished, of the most brilliant

coloring, which brought into powerful relief the dazzling color of the

skin.

It is possible that, in the general rage for ornaments of gold which

possessed the people of Palestine, during the ages of excessive luxury,

the beauties of Jerusalem may have adopted gilt sandals with gilt

fastenings, as the ladies of Egypt did. It is possible, also, that the

Hebrew ladies adopted at one time, in exchange for the sandal, slippers

that covered the entire foot, such as were once worn at Babylon, and

are still to be seen on many of the principal figures on the monuments

of Persepolis; and, if this were really so, ample scope would, in that

case, have been obtained for inventive art: variations without end

might then have been devised on the fashion or the materials of the

subject; and by means of color, embroidery, and infinite combinations

of jewellery and pearls, an unceasing stimulation of novelty applied

to the taste of the gorgeous Asiatic.

IX. The VEIL, of various texture--coarse or fine--according to

circumstances, was thrown over the head by the Hebrew lady, when she

was unexpectedly surprised, or when a sudden noise gave reason to

expect the approach of a stranger. This beautiful piece of drapery,

which flowed back in massy folds over the shoulders, is particularly

noticed by Isaiah, as holding an indispensable place in the wardrobe

of his haughty country-women; and in this it was that the enamored

Hebrew woman sought the beloved of her heart.

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