CHAPTER VIII.

“IT’S AN ILL WIND--”

London is a wonderful place. From the urban greyness of Jacob Street

to the borders of Hampstead Heath was, even in those days of the slow

horse tram, but a matter of minutes--a good many minutes, perhaps, but

still, considerably under an hour. Yet, in that brief and leisurely

journey, one exchanged the grim sordidness of a most unlovely street

for the solitude and sweet rusticity of open and charming country.

A day or two after my second adventure in the mineral water works, I

was leaning on the parapet of the viaduct--the handsome, red brick

viaduct with which some builder, unknown to me, had spanned the pond

beyond the Upper Heath, apparently with purely decorative motive, and

in a spirit of sheer philanthropy. For no road seemed to lead anywhere

in particular over it, and there was no reason why any wayfarer should

wish to cross the pond rather than walk round it; indeed, in those

days it was covered by a turfy expanse seldom trodden by any feet but

those of the sheep that grazed in the meadows bordering the pond. I

leaned on the parapet, smoking my pipe with deep contentment, and

looking down into the placid water. Flags and rushes grew at its

borders, water-lilies spread their flat leaves on its surface and a

small party of urchins angled from the margin, with the keen joy of

the juvenile sportsman who suspects that his proceedings are unlawful.

I had lounged on the parapet for several minutes, when I became aware

of a man, approaching along the indistinct track that crossed the

viaduct, and, as he drew near, I recognized him as the keeper whom I

had met in Ken Wood on the morning after my discovery of the body in

Millfield Lane. I would have let him pass with a smile of recognition,

but he had no intention of passing. Touching his hat politely, he

halted, and, having wished me good-morning, remarked:

“You didn’t tell me, sir, what it was you were looking for that

morning when I met you in the wood.”

“No,” I replied, “but apparently, someone else has.”

“Well, sir, you see,” he said, “the sergeant came up the next day with

a plain-clothes man to have a look round, and, as the sergeant is an

old acquaintance of mine, he gave me the tip as to what they were

after. I am sorry, sir, you didn’t tell me what you were looking for.”

“Why?” I asked.

“Well,” he replied, “we might have found something if we had looked

while the tracks were fresh. Unfortunately there was a gale in the

night that fetched down a lot of leaves, and blew up those that had

already fallen, so that any foot-marks would have got hidden before

the sergeant came.”

“What did the police officers seem to think about it?” I asked.

“Why, to speak the truth,” the keeper replied, “they seemed to think

it was all bogey.”

“Do you mean to say,” I asked, “that they thought I had invented the

whole story?”

“Oh, no, sir,” he replied, “not that. They believed you had seen a man

lying in the lane, but they didn’t believe that he was a dead man, and

they thought your imagination had misled you about the tracks.”

“Then, I suppose they didn’t find anything?” said I.

“No, they didn’t, and I haven’t been able to find anything myself,

though I’ve had a good look round.” And then, after a brief pause: “I

wonder,” he said, “if you would care to come up to the Wood and have a

look at the place yourself.”

I considered for a moment. I had nothing to do for I was taking a day

off, and the man’s proposal sounded rather attractive. Finally, I

accepted his offer, and we turned back together towards the Wood.

Hampstead--the Hampstead of those days--was singularly rustic and

remote. But, within the wood, it was incredible that the town of

London actually lay within the sound of a church bell or the flight of

a bullet. Along the shady paths, carpeted with moss and silvery

lichen, overshadowed by the boughs of noble beeches; or in leafy

hollows, with the humus of centuries under our feet, and the

whispering silence of the woodland all around, we might have been

treading the glades of some primeval forest. Nor was the effect of

this strange remoteness less, when presently, emerging from the

thicker portion of the wood, we came upon a moss-grown, half-ruinous

boathouse on the sedgy margin of a lake, in which was drawn up a

rustic-looking, and evidently, little-used punt.

“It’s wonderful quiet about here, sir,” the keeper remarked, as a

water-hen stole out from behind a clump of high rushes and scrambled

over the leaves of the water-lilies.

“And presumably,” I remarked, “it’s quieter still at night.”

“You’re right, sir,” the keeper replied. “If that man had got as far

as this, he’d have had mighty little trouble in putting the body where

no one was ever likely to look for it.”

“I suppose,” said I, “that you had a good look at the edges of the

lake?”

“Yes,” he answered. “I went right round it, and so did the police, for

that matter, and we had a good look at the punt, too. But, all the

same, it wouldn’t surprise me if, one fine day, that body came

floating up among the lilies; always supposing, that is,” he added,

“that there really was a body.”

“How far is it,” I asked, “from the lake to the place where you met me

that morning?”

“It’s only a matter of two or three minutes,” he answered, “we may as

well walk that way and you can see for yourself.” Accordingly, we set

forth together, and, coming presently upon one of the moss-grown

paths, followed it past a large summerhouse until we came in sight of

the beech beyond which I had encountered him while I was searching for

the tracks. As we went, he plied me with questions as to what I had

seen on the night in the lane, and I made no scruple of telling him

all that I had told the police, seeing that they, on their side, had

made no secret of the matter.

Of course, it was idle, after this long period--for it was now more

than seven weeks since I had seen the body--to attempt anything in the

nature of a search. It certainly did look as if the man who had stolen

into that wood that night had been bound for the solitary lake. The

punt, I had noticed, was only secured with a rope, so that the

murderer--for such I assumed he must have been--could easily have

carried his dreadful burden out into the middle, and there sunk it

with weights, and so hidden it for ever. It was a quick, simple and

easy method of hiding the traces of his crime, and, if the police had

not thought it worth while to search the water with drags, there was

no reason why the buried secret should not remain buried for all time.

After we had walked for some time about the pleasant, shady wood, less

shady now that the yellowing leaves were beginning to fall with the

passing of autumn, the keeper conducted me to the exit by which I had

left on the previous occasion.

As I was passing out of the wicket, my eye fell once more on the

cottage which I had then noticed, and, recalling the remark that my

fair acquaintance had let fall concerning the artist to whom the

derelict knife was supposed to belong, I said: “You mentioned, I

think, that that house was let to an artist.”

“It was,” he replied; “but it’s empty now, the artist has gone away.”

“It must be a pleasant little house to live in,” I said, “at any rate,

in summer.”

“Yes,” he replied, “a country house within an hour’s walk of the Bank

of England. Would you like to have a look at it, sir? I’ve got the

keys.”

Now I certainly had no intention of offering myself as a tenant, but,

yet, to an idle man, there is a certain attractiveness in an empty

house of an eligible kind, a certain interest in roaming through the

rooms and letting one’s fancy furnish them with one’s own household

goods. I accepted the man’s invitation, and, opening the wide gate

that admitted to the garden from a byroad, we walked up to the door of

the house.

“It’s quite a nice little place,” the keeper remarked. “There isn’t

much garden, you see, but then, you’ve got the Heath all around; and

there’s a small stable and coachhouse if you should be wanting to go

into town.”

“Did the last tenant keep any kind of carriage?” I asked.

“I don’t think so,” said the keeper, “but I fancy he used to hire a

little cart sometimes when he had things to bring in from town; but I

don’t know very much about him or his habits.”

We walked through the empty rooms together looking out of the windows

and commenting on the pleasant prospects that all of them commanded,

and talking about the man who had last lived in the house.

“He was a queer sort of fellow,” said the keeper. “He and his wife

seem to have lived here all alone without any servant, and they seem

often to have left the house to itself for a day or two at a time; but

he could paint. I have stopped and had a look when he has been at

work, and it was wonderful to see how he knocked off those pictures.

He didn’t seem to use brushes, but he had a lot of knives, like little

trowels, and he used to shovel the paint on with them, and he always

wore gloves when he was painting; didn’t like to get the paint on his

hands, I suppose.”

“It sounds as if it would be very awkward,” I said.

“Just what I should have thought,” the keeper agreed. “But he didn’t

seem to find it so. This seems to be the place that he worked in.”

Apparently the keeper was right. The room, which we had now entered,

was evidently the late studio, and did not appear to have been cleaned

up since the tenant left. The floor was littered with scraps of paper

on which a palette-knife had been cleaned, with empty paint-tubes and

one or two broken and worn-out brushes, and, in a packing-case, which

seemed to have served as a receptacle for rubbish, were one or two

canvases that had been torn from their stretchers and thrown away. I

picked them out and glanced at them with some interest, remembering

what my fair friend had said. For the most part, they were mere

experiments or failures, deliberately defaced with strokes or daubs of

paint, but one of them was a quite spirited and attractive sketch,

rough and unfinished, but skilfully executed and undefaced. I

stretched out the crumpled canvas and looked at it with considerable

interest. It represented Millfield Lane, and showed the large elms and

the posts and the high fence under which I had sheltered in the rain.

In fact, it appeared to have been taken from the exact spot on which

the body had been lying, and from which I had made my own drawing; not

that there was anything in the latter coincidence, for it was the only

sketchable spot in the lane.

“It’s really quite a nice sketch,” I said; “it seems a pity to leave

it here among the rubbish.”

“It does, sir,” the keeper agreed. “If you like it, you had better

roll it up and put it in your pocket. You won’t be robbing anyone.”

As it seemed that I was but rescuing it from a rubbish-heap, I

ventured to follow the keeper’s advice, and, rolling the canvas up,

carefully stowed it in my pocket. And shortly after as I had now seen

all that there was to see, which was mighty little, we left the house,

and, at the gate, the keeper took leave of me with a touch of his hat.

I made my way slowly back towards my lodgings by way of the Spaniard’s

Road and Hampstead Lane, turning over in my mind as I went, the

speculation suggested by my visit to the wood. Of the existence of the

lake I had not been previously aware. Now that I had seen it, I felt

very little doubt that it was known to the mysterious murderer--for

such I felt convinced he was--who must have been lurking in the lane

that night when I was sheltering under the lee of the fence. The route

that he had then taken appeared to be the direct route to the lake.

That he was carrying the body, I had no doubt whatever; and, seeing

that he had carried it so far, it appeared probable that he had some

definite hiding-place in view. And what hiding-place could be so

suitable as this remote piece of still water? No digging, no

troublesome and dangerous preparation would be necessary. There was

the punt in readiness to bear him to the deep water in the middle; a

silent, easily-handled conveyance. A few stones, or some heavy object

from the boat-house, would be all that was needful; and in a moment he

would be rid for ever of the dreadful witness of his crime.

Thus reflecting--not without dissatisfaction at the passive part that

I had played in this sinister affair--I passed through the turnstile,

or “kissing-gate,” at the entrance to Millfield Lane. Almost

certainly, the murderer or the victim or both, had passed through that

very gate on the night of the tragedy. The thought came to me with

added solemnity with the recollection of the silent wood and the dark,

still water fresh in my mind, and caused me unconsciously to tread

more softly and walk more sedately than usual.

The lane was little frequented at any time and now, at mid-day, was

almost as deserted as at midnight. Very remote it seemed, too, and

very quiet, with a silence that recalled the hush of the wood. And yet

the silence was not quite unbroken. From somewhere ahead, from one of

the many windings of the tortuous lane, came the sound of hurried

footsteps. I stopped to listen. There were two persons, one treading

lightly, the other more heavily, apparently a man and a woman. And

both were running--running fast.

There was nothing remarkable in this, perhaps; but yet the sound smote

on my ear with a certain note of alarm that made me quicken my pace

and listen yet more intently. And suddenly there came another sound;

a muffled, whimpering cry like that of a frightened woman. Instantly I

gave an answering shout and sprang forward at a swift run.

I had turned one of the numerous corners and was racing down a

straight stretch of the lane when a woman darted round the corner

ahead, and ran towards me, holding out her hands. I recognized her at

a glance, though now she was dishevelled, pale, wild-eyed, breathless

and nearly frantic with terror, and rage against her assailant spurred

me on to greater speed. But when I would have passed her to give chase

to the wretch, she clutched my arm frantically with both hands and

detained me.

“Let me go and catch the scoundrel!” I exclaimed; but she only clung

the tighter.

“No,” she panted, “don’t leave me! I am terrified! Don’t go away!”

I ground my teeth. Even as we stood, I could hear the ruffian’s

footsteps receding as rapidly as they had advanced. In a few moments

he would be beyond pursuit.

“Do let me go and stop that villain!” I implored. “You’re quite safe

now, and you can follow me and keep me in sight.”

But she shook her head passionately, and, still clutching my sleeve

with one hand, pressed the other to her heart.

“No, no, no!” she gasped, with a catch in her voice that was almost a

sob, “I can’t be alone! I am frightened. Oh! Please don’t go away from

me!”

What could I do? The poor girl was evidently beside herself with

terror, and exhausted by her frantic flight. It would have been cruel

to leave her in that state. But all the same, it was infuriating. I

had no idea what the man had done to terrify her in this way. But that

was of no consequence. The natural impulse of a healthy young man when

he learns that a woman has been ill-used is to hammer the offender

effectively in the first place, and then to inquire into the affair.

That was what I wanted to do; but it was not to be.

“Well,” I said, by way of compromise, “let us walk back together.

Perhaps we may be able to find out which way the man went.”

To this she agreed. I drew her arm through mine--for she was still

trembling and looked faint and weak--and we began to retrace her steps

towards Highgate. Of course the man was nowhere to be seen, and by the

time that we had turned the sharp corner where I had found the body of

the priest, the man was not only out of sight, but his footsteps were

no longer audible.

Still we went on for some distance in the hopes of meeting someone who

could tell us which way the miscreant had gone. But we met nobody.

Only, some distance past the posts, we came in sight of a sketching

box and a camp-stool, lying by the side of the path.

“Surely those are your things?” I said.

“Yes,” she answered. “I had forgotten all about them. I dropped them

when I began to run.”

I picked up the box and the stool, and debated with myself whether it

was worth while to go on any farther. From where we stood, nothing was

to be seen, for the lane was still enclosed on both sides by a seven

foot fence of oak boards. But the chance of overtaking the fugitive

was not to be considered; by this time he was probably out of the lane

on the Heath or in the surrounding meadows; and meanwhile, my

companion, though calmer and less breathless, looked very pale and

shaken.

“I don’t know that it’s any use,” I said, “to tire you by going any

farther. The man is evidently gone.”

She seemed relieved at my decision, and it then occurred to me to

suggest that she should sit down awhile on the bank under the high

fence to recover herself, and to this, too, she assented gladly.

“If it wouldn’t distress you,” I said, “would you mind telling me what

had happened?”

She pondered for a few seconds and then answered: “It doesn’t sound

much in the telling and I expect you will think me very silly to be so

much upset.”

“I’m sure I shan’t,” I said, with perfect confidence in the

correctness of my statement.

“Well,” she said, “what happened was this as nearly as I can remember:

I was coming up the path from the ponds and I had to pass a man who

was leaning against the fence by the stile. As I came near to him, he

looked at me, at first, in quite an ordinary way, and then, he

suddenly began to stare in a most singular and disturbing fashion, not

at me, so much, as at this little crucifix which I wear hung from my

neck. As I passed through the turnstile, he spoke to me: ‘Would you

mind letting me look at that crucifix?’ he asked. It was a most

astonishing piece of impertinence, and I was so taken aback that I

hardly had the presence of mind to refuse. However, I did, and very

decidedly, too. Then he came up to me, and, in a most threatening and

alarming manner, said: ‘You found that crucifix. You picked it up

somewhere near here. It’s mine, and I’ll ask you to let me have it, if

you please.’

“Now this was perfectly untrue. The crucifix was given to me by my

father when I was quite a little child, and I have worn it ever since

I have been grown up--ever since he died, in fact, six years ago. I

told the man this, but he made no pretence of believing me, and was

evidently about to renew his demand, when two labourers appeared,

coming down the lane. I thought this a good opportunity to escape, and

walked away quickly up the lane; it was very silly of me; I ought to

have gone the other way.”

“Of course you ought,” I agreed, “you ought to have got out into a

public road at once.”

“Yes, I see that now,” she said. “It was very foolish of me. However,

I walked on pretty quickly, for there was something in the man’s face

that had frightened me, and I was anxious to get home. I looked back,

from time to time, and, when I saw no sign of the man, I began to

recover myself; but just as I had got to the most solitary part of the

lane, just about where we are now, shut in by these high fences, I

heard quick footsteps behind me. I looked back and saw the man coming

after me. Then, I suppose, I got in a sudden panic, for I dropped my

sketching things and began to run. But as soon as I began to run, the

man broke into a run too. I raced for my life, and when I heard the

man gaining on me, I suppose I must have called out. Then I heard your

shout from the upper part of the lane and ran on faster than ever to

gain your protection. That’s all, and I suppose you think that I have

been making a great fuss about nothing.”

“I don’t think anything of the kind,” I said, “and neither would our

absent friend if I could get hold of him. By the way, what sort of

person was he?--a tramp?”

“Oh, no, quite a respectable looking person; in fact, he would have

passed for a gentleman.”

“Can you give any sort of description of him, not that verbal

descriptions are of much use except in the case of a hunchback or a

Chinaman or some other easily identifiable creature.”

“No, they are not,” she agreed, “and I don’t think that I can tell you

much about this man excepting that he was clean-shaved, of medium

height, quite well dressed, and wore a round hat and slate-coloured

suede gloves.”

“I’m afraid we shan’t get hold of him from that description,” I said.

“The only thing that you can do is to avoid solitary places for the

present and not to come through this lane again alone.”

“Yes,” she said. “I suppose I must, but it’s very unfortunate. One

cannot always take a companion when one goes sketching even if it were

desirable, which it is not.”

As to the desirability, in the case of a good-looking girl, of

wandering about alone in solitary places, I had my own opinions; and

very definite opinions they were. But I kept them to myself. And so we

sat silent for awhile. She was still pale and agitated, and perhaps

her recital of her misadventure had not been wholly beneficial. At the

moment that this idea occurred to me, a crackling in my breast-pocket

reminded me of the forgotten canvas, and I bethought me that perhaps a

change of subject might divert her mind from her very disagreeable

experience. Accordingly, I drew the canvas out of my pocket, and,

unrolling it, asked her what she thought of the sketch. In a moment

she became quite animated.

“Why,” she exclaimed, “this looks exactly like the work of that artist

who was working on the Heath a little while ago.”

“It is his,” I replied, considerably impressed and rather astonished

at her instantaneous recognition; “but I didn’t know you were so

familiar with his work.”

“I’m not very familiar with it,” she replied; “but, as I told you, I

sometimes managed to steal a glance or two when I passed him. You see,

his technique is so peculiar that it’s easily recognized, and it

interested me very much. I should have liked to stop and watch him and

get a lesson.”

“It is rather peculiar work,” I said, looking at the canvas with new

interest. “Very solid and yet very smooth.”

“Yes. It is typical knife-work, almost untouched with the brush. That

was what interested me. The knife is a dangerous tool for a

comparative tyro like myself, but yet one would like to learn how to

use it. Did he give you this sketch?”

I smiled guiltily. “The truth is,” I admitted, “I stole it.”

“How dreadful of you!” she said, “I suppose that you could not be

bribed to steal another?”

“I would steal it for nothing if you asked me,” I answered, “and

meanwhile, you had better take possession of this one. It will be of

more use to you than to me.”

She shook her head: “No, I won’t do that,” she said, “though it is

most kind of you. You paint, I think, don’t you?”

“I’m only the merest amateur,” I replied. “I annexed the sketch for

the sake of the subject. I have rather an affection for this lane.”

“So had I,” said she, “until to-day. Now, I hate it, but, might I ask

how you managed your theft?”

I told her about the empty cottage and the rejected canvases in the

rubbish box.

“I’m afraid none of the others would be of any use to you because he

had drawn a brushful of paint across each of them.”

“Oh, that wouldn’t matter,” she said. “The brush-strokes would be on

dry paint and could easily be scraped off. Besides, it is not the

subject but the technique that interests me.”

“Then I will get into the cottage somehow and purloin the remaining

canvases for you.”

“Oh, but I mustn’t give you all this trouble,” she protested.

“It won’t be any trouble,” I said. “I shall quite enjoy a deliberate

and determined robbery. But where shall I send the spoil?”

She produced her card-case, and, selecting a card, handed it to me,

with a smile: “It seems, to me,” she said, “that I am inciting you to

robbery and acting as a receiver of stolen goods, but I suppose

there’s no harm in it, though I feel that I ought not to give you all

this trouble.”

I made the usual polite rejoinder as I took from her the little

magical slip of pasteboard that, in a moment, transformed her from a

stranger to an acquaintance, and gave her a local habitation and a

name. Before bestowing it in my pocket-book, I glanced at the neat

copper-plate and read the inscription: “Miss Sylvia Vyne. The

Hawthorns. North End.”

The effect of our conversation had answered my expectations. Her

agitation had passed off, the colour had come back to her cheeks, and,

in fact, she seemed quite recovered. Apparently she thought so

herself, for she rose, saying that she now felt well enough to walk

home, and held out her hand for the colour-box and stool.

“I think,” said I, “that if you won’t consider me intrusive, I should

like to see you safely out on to an inhabited road at least.”

“I shall accept your escort gratefully,” she replied, “as far as the

end of the lane, or farther if it is not taking you too much out of

your way.”

Needless to say, I would gladly have escorted so agreeable and winsome

a protegée from John o’ Groats to Land’s End and found it not out of

my way at all; and when she passed out of the gate into Hampstead

Lane, I clung tenaciously to the box and stool and turned towards “The

Spaniards” as though no such thing as a dismissal had ever been

contemplated. In fact, with the reasonable excuse of carrying the

impedimenta, I maintained my place by her side in the absence of a

definite congé; and so we walked together, talking quite easily,

principally about pictures and painting, until, in the pleasant little

hamlet, she halted by a garden gate, and, taking her possessions from

me, held out a friendly hand.

“Good-bye,” she said. “I can’t thank you enough for all your help and

kindness. I hope I have not been very troublesome to you.”

I assured her that she had been most amenable, and, when I had once

more cautioned her to avoid solitary places, we exchanged a cordial

hand-shake and parted, she to enter the pleasant, rustic-looking

house, and I to betake myself back to my lodgings, lightening the way

with much agreeable and self-congratulatory reflection.

A silent witness · 第 8 / 22 章