AUTHOR'S PREFACE.

In that delightful and provoking book, "THE DOCTOR, &c.," Southey says:

"'Prefaces,' said Charles Blount, Gent., 'Prefaces,' according to this

flippant, ill-opinioned, and unhappy man, 'ever were, and still are, but

of two sorts, let the mode and fashions vary as they please,--let the

long peruke succeed the godly cropt hair; the cravat, the ruff;

presbytery, popery; and popery, presbytery again,--yet still the author

keeps to his old and wonted method of prefacing; when at the beginning

of his book he enters, either with a halter round his neck, submitting

himself to his readers' mercy whether he shall be hanged or no, or else,

in a huffing manner, he appears with the halter in his hand, and

threatens to hang his reader, if he gives him not his good word. This,

with the excitement of friends to his undertaking, and some few

apologies for the want of time, books, and the like, are the constant

and usual shams of all scribblers, ancient and modern.' This was not

true then," says Southey, "nor is it now." I differ from Southey, in

thinking there is some truth in both ways of wearing the halter. For

though it be neither manly nor honest to affect a voluntary humility

(which is after all, a sneaking vanity, and would soon show itself if

taken at its word), any more than it is well-bred, or seemly to put on

(for it generally is put on) the "huffing manner," both such being truly

"shams,"--there is general truth in Mr. Blount's flippancies.

Every man should know and lament (to himself) his own

shortcomings--should mourn over and mend, as he best can, the

"confusions of his wasted youth;" he should feel how ill he has put out

to usury the talent given him by the Great Taskmaster--how far he is

from being "a good and faithful servant;" and he should make this rather

understood than expressed by his manner as a writer; while at the same

time, every man should deny himself the luxury of taking his hat off to

the public, unless he has something to say, and has done his best to say

it aright; and every man should pay not less attention to the dress in

which his thoughts present themselves, than he would to that of his

person on going into company.

Bishop Butler, in his "Preface to his Sermons," in which there is

perhaps more solid living sense than in the same number of words

anywhere else after making the distinction between "obscurity" and

"perplexity and confusion of thought,"--the first being in the subject,

the others in its expression, says,--"confusion and perplexity are, in

writing, indeed without excuse, because any one may, if he pleases, know

whether he understands or sees through what he is about, and it is

unpardonable in a man to lay his thoughts before others, when he is

conscious that he himself does not know whereabouts he is, or how the

matter before him stands. _It is coming abroad in disorder, which he

ought to be dissatisfied to find himself in at home._"

There should therefore be in his Preface, as in the writer himself, two

elements. A writer should have some assurance that he has something to

say, and this assurance should, in the true sense, not the Milesian, be

modest.

* * * * *

I have to apologize for bringing in "Rab and his Friends." I did so,

remembering well the good I got then, as a man and as a doctor. It let

me see down into the depths of our common nature, and feel the strong

and gentle touch that we all need, and never forget, which makes the

world kin; and it gave me an opportunity of introducing, in a way which

he cannot dislike, for he knows it is simply true, my old master and

friend, Professor Syme, whose indenture I am thankful I possess, and

whose first wheels I delight in thinking my apprentice-fee purchased,

thirty years ago. I remember as if it were yesterday, his giving me the

first drive across the west shoulder of Corstorphine Hill. On starting,

he said, "John, we'll do one thing at a time, and there will be no

talk." I sat silent and rejoicing, and can remember the very complexion

and clouds of that day and that matchless view: _Damyat_ and _Benledi_

resting couchant at the gate of the Highlands, with the huge Grampians,

_immane pecus_, crowding down into the plain.

This short and simple story shows, that here, as everywhere else,

personally, professionally, and publicly, reality is his aim and his

attainment. He is one of the men--they are all too few--who desire to be

on the side of truth more than to have truth on their side; and whose

personal and private worth are always better understood than expressed.

It has been happily said of him, that he never wastes a word, or a drop

of ink, or a drop of blood; and his is the strongest, exactest, truest,

immediatest, safest intellect, dedicated by its possessor to the

surgical cure of mankind, I have ever yet met with. He will, I firmly

believe, leave an inheritance of good done, and mischief destroyed, of

truth in theory and in practice established, and of error in the same

exposed and ended, such as no one since John Hunter has been gifted to

bequeath to his fellow-men. As an instrument for discovering truth, I

have never seen his perspicacity equalled; his mental eye is

_achromatic_, and admits into the judging mind a pure white light, and

records an undisturbed, uncolored image, undiminished and unenlarged in

its passage; and he has the moral power, courage, and conscience, to use

and devote such an inestimable instrument aright. I need hardly add,

that the story of "Rab and his Friends" is in all essentials strictly

matter of fact.

There is an odd sort of point, if it can be called a point, on which I

would fain say something--and that is an occasional outbreak of sudden,

and it may be felt, untimely humorousness. I plead guilty to this,

sensible of the tendency in me of the merely ludicrous to intrude, and

to insist on being attended to, and expressed: it is perhaps too much

the way with all of us now-a-days, to be forever joking. _Mr. Punch_, to

whom we take off our hats, grateful for his innocent and honest fun,

especially in his Leech, leads the way; and our two great novelists,

Thackeray and Dickens, the first especially, are, in the deepest and

highest sense, essentially humorists,--the best, nay, indeed the almost

only good thing in the latter, being his broad and wild fun; Swiveller,

and the Dodger, and Sam Weller, and Miggs, are more impressive far to my

taste than the melo-dramatic, utterly unreal Dombey, or his strumous and

hysterical son, or than all the later dreary trash of "Bleak House," &c.

My excuse is, that these papers are really what they profess to be, done

at bye-hours. _Dulce est desipere_, when in its fit place and time.

Moreover, let me tell my young doctor friends, that a cheerful face, and

step, and neckcloth, and button-hole, and an occasional hearty and

kindly joke, a power of executing and setting agoing a good laugh, are

stock in our trade not to be despised. The merry heart does good like a

medicine. Your pompous man, and your selfish man, don't laugh much, or

care for laughter; it discomposes the fixed grandeur of the one, and has

little room in the heart of the other, who is literally self-contained.

My Edinburgh readers will recall many excellent jokes of their

doctors--"Lang Sandie Wood," Dr. Henry Davidson our _Guy Patin_ and

better, &c.

I may give an instance, when a joke was more and better than itself. A

comely young wife, the "cynosure" of her circle, was in bed, apparently

dying from swelling and inflammation of the throat, an inaccessible

abscess stopping the way; she could swallow nothing; everything had been

tried. Her friends were standing round her bed in misery and

helplessness. "_Try her wi' a compliment_," said her husband, in a not

uncomic despair. She had genuine humor, as well as he; and as

physiologists know, there is a sort of mental tickling which is beyond

and above control, being under the reflex system, and instinctive as

well as sighing. She laughed with her whole body and soul, and burst the

abscess, and was well.

Humor, if genuine (and if not, it is not humor), is the very flavor of

the spirit, its rich and fragrant _ozmazome_--having in its aroma

something of everything in the man, his expressed juice; wit is but the

laughing flower of the intellect or the turn of speech, and is often

what we call a "gum-flower," and looks well when dry. Humor is, in a

certain sense, involuntary in its origin in one man, and in its effect

upon another; it is systemic, and not local.

Sydney Smith, in his delightful and valuable _Sketches of Lectures on

Moral Philosophy_, to which I have referred, makes a touching and

impressive confession of the evil to the rest of a man's nature from the

predominant power and cultivation of the ludicrous. I believe Charles

Lamb could have told a like, and as true, but sadder story. He started

on life with all the endowments of a great, ample, and serious nature,

and he ended in being little else than the incomparable joker and

humorist, and was in the true sense, "of large discourse."[1]

[1] Many good and fine things have been said of this wonderful

and unique genius, but I know none better or finer than

these lines by my friend John Hunter of Craigcrook. They are

too little known, and no one will be anything but pleased to

read them, except their author. The third line might have

been Elia's own:--

"... Humor, wild wit,

Quips, cranks, puns, sneers,--with clear sweet thought profound;--

_And stinging jests, with honey for the wound_,"--

The subtlest lines of ALL fine powers, split

To their last films, then marvellously spun

In magic web, whose million hues are ONE!"

I knew one man who was almost altogether and absolutely

comic, and yet a man of sense, fidelity, courage, and worth,

but over his entire nature the comic ruled supreme--the late

Sir Adam Ferguson, whose very face was a breach of

solemnity; I dare say, even in sleep he looked a wag. This

was the way in which everything appeared to him first, and

often last too, with a serious enough middle saw him not

long before his death, when he was of great age and knew he

was dying; there was no levity in his manner, or

thoughtlessness about his state; he was kind, and shrewd as

ever; but how he flashed out with utter merriment when he

got hold of a joke, or rather when it got hold of him, and

shook him, not an inch of his body was free of its power--it

possessed him, not he it. The first attack was on showing me

a calotype of himself by the late Adamson (of Hill and

Adamson; the Vandyke and Raeburn of photography), in the

corner of which he had written, with a hand trembling with

age and fun, "Adam's-sun _fecit_"--it came back upon him and

tore him without mercy.

Then, his blood being up, he told me a story of his uncle,

the great Dr. Black the chemist; no one will grudge the

reading of it in my imperfect record, though it is to the

reality what reading music is to hearing it.

Dr. Black, when Professor of Chemistry in Edinburgh

University, had a gruff old man as his porter, a James

Alston. James was one of the old school of chemistry, and

held by phlogiston, but for no better reason than the

endless trouble the new-fangled discoveries brought upon him

in the way of apparatus.

The Professor was lecturing on Hydrogen Gas, and had made

arrangements for showing its lightness, what our preceptor,

Dr. Charles Hope, called, in his lofty way, its "principle

of absolute levity." He was greatly excited, the good old

man of genius. James was standing behind his chair, ready

and sulky. His master told his young friends that the

bladder he had filled with the gas must, on principle,

ascend; but that they would see practically if it did, and

he cut the string. Up it rushed, amid the shouts and

upturned faces of the boys, and the quiet joy of their

master; James regarding it with a glum curiosity.

Young Adam Ferguson was there, and left at the end of the

hour with the rest, but finding he had forgotten his stick,

went back; in the empty room, he found James perched upon a

lofty and shaky ladder, trying, amid much perspiration, and

blasphemy, and want of breath, to hit down his enemy, who

rose at each stroke--the old battling with the new. Sir

Adam's reproduction of this scene, his voice and screams of

rapture, I shall never forget.

Let me give another pleasant story of Dr. Black and Sir

Adam, which our Principal (Dr. Lee) delights to tell; it is

merely its bones. The doctor sent him to the bank for

L5--four in notes, and one in silver; then told him that he

must be paid for his trouble with a shilling, and next

proceeded to give him good advice about the management of

money, particularly recommending a careful record of every

penny spent, holding the shilling up before him all the

time. During this address, Sir Adam was turning over in his

mind all the trash he would be able to purchase with the

shilling, and his feeling may be imagined when the doctor

finally returned it to his own pocket.

It only remains now for me to thank my cousin and life-long friend, John

Taylor Brown, the author of the tract on "St. Paul's Thorn in the

Flesh." I am sure my readers will thank me not less heartily than I now

do him. The theory that the thorn of the great apostle was an affection

of the eyes is not new; it will be found in "Hannah More's Life," and in

"Conybeare and Howson;" but his argument and his whole treatment, I have

reason to believe, from my father and other competent judges, is

thoroughly original; it is an exquisite monograph, and to me most

instructive and striking. Every one will ask why such a man has not

written more--a question my fastidious friend will find is easier asked

than answered.

* * * * *

This Preface was written, and I had a proof ready for his pencil, when I

was summoned to the death of him to whom I owe my life. He had been

dying for months, but he and I hoped to have got and to have given into

his hands a copy of these _Horae_, the correction of which had often

whiled away his long hours of languor and pain. God thought otherwise. I

shall miss his great knowledge, his loving and keen eye--his _ne quid

nimis_--his sympathy--himself. Let me be thankful that it was given to

me _assidere valetudini, fovere deficientem, satiari vultu, complexu_.

_Si quis piorum manibus locus; si, ut sapientibus placet, non cum

corpore extinguuntur magnae animae; placide quiescas!_

Or, in more sacred and hopeful words, which, put there at my father's

request, may be found at the close of the paper on young Hallam: "O man

greatly beloved, go thou thy way till the end; for thou shalt rest, and

stand in thy lot at the end of the days."

It is not for a son to speak what he thinks of his father so soon after

his death. I leave him now with a portrait of his spiritual lineaments,

by Dr. Cairns,--which is to them what a painting by Velasquez and Da

Vinci combined would have been to his bodily presence.

"As he was of the Pauline type of mind, his

Christianity ran into the same mould. A strong,

intense, and vehement nature, with masculine

intellect and unyielding will, he accepted the Bible

in its literal simplicity as an absolute revelation,

and then showed the strength of his character in

subjugating his whole being to this decisive

influence, and in projecting the same convictions

into other minds. He was a believer in the sense of

the old Puritans, and, amid the doubt and skepticism

of the nineteenth century, held as firmly as any of

them by the doctrines of atonement and grace. He had

most of the idiosyncrasy of Baxter, though not

without the contemplation of Howe. The doctrines of

Calvinism, mitigated but not renounced, and received

simply as dictates of Heaven, without any effort or

hope to bridge over their inscrutable depths by

philosophical theories, he translated into a

fervent, humble, and resolutely active life.

"There was a fountain of tenderness in his nature as

well as a sweep of impetuous indignation; and the

one drawn out, and the other controlled by his

Christian faith, made him at once a philanthropist

and a reformer, and both in the highest departments

of human interest. The union of these ardent

elements, and of a highly devotional temperament,

not untouched with melancholy, with the patience of

the scholar, and the sobriety of the critic, formed

the singularity and almost the anomaly of his

personal character. These contrasts were tempered by

the discipline of experience; and his life, both as

a man and a Christian, seemed to become more rich,

genial, and harmonious as it approached its

close."--_Scotsman_, October 20th.

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