Introduction

Women's bathing dress holds a unique place in the history of American

costume. This specialized garb predates the age of sports costume which

arrived during the last half of the 19th century. Although bathing dress

shares this distinction with riding costume, the aquatic garb was merely

utilitarian in the late 18th century while riding costume had a

fashionable role. From its modest status, bathing gowns and later

bathing dresses became more important until their successor, the

swimming suit, achieved a permanent place among the outfits worn by 20th

century women. The social significance of this accomplishment was best

expressed by Foster Rhea Dulles, author of _America Learns to Play_, in

1940, when he wrote:

The modern bathing-suit ... symbolized the new status of women

even more than the short skirts and bobbed hair of the jazz age

or the athleticism of the devotees of tennis and golf. It was

the final proof of their successful assertion of the right to

enjoy whatever recreation they chose, costumed according to the

demands of the sport rather than the tabus of an outworn

prudery, and to enjoy it in free and natural association with

men.[1]

[1] FOSTER RHEA DULLES, _America Learns to Play, 1607-1940_ (New York:

D. Appleton-Century Company, 1940), p. 363.

Since the prescribed limitations of women's role in any given period are

determined and affected by many social factors, the evolution of the

bathing gown to the swimming suit may not only be dependent upon the

changes in the American woman's way of life, but also may reflect

certain technological and sociological factors that are not readily

identifiable. The purpose of this paper is to describe the changes in

women's bathing dress and wherever pertinent to present the factors

affecting these styles.[2]

[2] The author is indebted to Mrs. Anne W. Murray, formerly Curator

in Charge of American Costume, Smithsonian Institution, for the

interest she has shown throughout the research and writing of

this paper. The difficulties of this work would have been

greatly compounded without the benefit of her experience and

encouragement.

Anyone who attempts to research the topic of swimming and related

subjects will be confronted with a history of varying reactions. Ralph

Thomas, in 1904, described his experiences through the years that he

spent compiling a book on swimming:

When asked what I was doing, I have felt the greatest reluctance

to say a work on the literature of swimming. People who were

writing novels or some other thing of little practical utility

always looked at me with a smile of pity on my mentioning

swimming. Though I am bound to say that, when I gave them some

idea of the work, the pity changed somewhat but then they would

say "Why don't you give us a new edition of your Handbook of

Fictitious Names?" As if the knowledge of the real name of an

author was of any importance in comparison with the discussion

of a subject that more or less concerns every human being.[3]

[3] RALPH THOMAS, _Swimming_ (London: Sampson Low, Marsten & Company

Limited, 1904), p. 15.

Such reactions toward research about swimming probably discouraged many

serious efforts of writing about the subject. Its scant coverage and

even omission in histories of recreation or sports may be explained by

the fact that swimming cannot be categorized as simply physical

exercise, skill, recreation, or competitive sport. In trying to

determine the extent to which women swam in times past it is frustrating

to observe the historians' masculine bias in researching and reporting

social history.

A study of women's bathing dress meets with similar problems, and while

a discussion of bathing dress can evoke considerable interest, its

nature is usually considered more superficial than serious. Descriptions

of, and even brief references to, bathing apparel for women are very

scarce before the third quarter of the 19th century. Before this time

only decorative costume items were considered worthy of description and

bathing costume was not in this category. It is only within

comparatively recent times that costume historians have conceded

sufficient importance to bathing dress to include meaningful

descriptions in their research.

Participation in water activities was widespread in the ancient world

although the earliest origins of this activity are unknown. For example,

in Greece and, later, in Rome, swimming was valued as a pleasurable

exercise and superb physical training for warriors. The more sedentary

citizens turned to the baths which became the gathering point for

professional men, philosophers, and students. Thus bathing and swimming,

combined originally to fulfill the functions of cleansing and exercise

purely for physical well being, developed the secondary functions of

recreation and social intercourse.

With the rise of the Christian church and its spreading anti-pagan

attitudes, many of the sumptuous baths were destroyed. Christian

asceticism also may have contributed to the decline of bathing for

cleansing. In addition there was a secular belief that outdoor bathing

helped to spread the fearful epidemics that periodically swept the

continent. Although there is isolated evidence that swimming was valued

as a physical skill,[4] swimming and bathing all but disappeared during

the Middle Ages.

[4] JOSEPH STRUTT, _The Sports and Pastimes of the People of England_

(London: Chatto and Windus, 1876), pp. 151-152.

In 1531, long after the Middle Ages, Sir Thomas Elyot wrote of swimming

that

There is an exercise, whyche is right profitable in extreme

danger of warres, but ... it hathe not ben of longe tyme muche

used, specially amoge noble men, perchaunce some reders whl

lyttell esteeme it.[5]

[5] SIR THOMAS ELYOT, _The Boke Named the Governour_ (London, 1557),

vol. 1, pp. 54-55.

This early English writer gave no instructions, but expounded on the

value of swimming as a skill that could be useful in time of war.

It herewith becomes necessary to differentiate between bathing and

swimming with their attendant goals, for it was the goals of each

activity which influenced the associated customs and costume designs.

For this discussion we shall define bathing as the act of immersing all

or part of the body in water for cleansing, therapeutic, recreational,

or religious purposes, and swimming as the self-propulsion of the body

through water. When we refer to swimming it is necessary to distinguish

whether it was considered a useful skill, a therapeutic exercise, a

recreation, or a competitive sport. Thus it is important to note that

while bathing for all purposes and swimming as a physical exercise,

recreation, and sport died out during the Middle Ages, the latter

continued to be valued as a skill, particularly for warriors. This

function of swimming survived to form the link between the ancients and

the 17th century.

According to Ralph Thomas, the first book on swimming was written by

Nicolas Winmann, a professor of languages at Ingolstadt in Bavaria, and

printed in 1528. The first book published in England on swimming was

written in Latin by Everard Digby and printed in 1587. As Thomas has

stated, Digby's book

... is entitled to a far more important place than the first of

the world, because, whereas Winmann had never (up to 1866) been

translated or copied or even quoted by any one, Digby has been

three times translated; twice into English and once into French

and through this latter became and probably still is the best

known treatise on the subject.[6]

[6] THOMAS, op. cit. (footnote 3), p. 172.

This French version was first published in 1696 with its purported

author being Monsieur Melchisedesh Thevenot. In his introduction

Thevenot indicates that he has made use of Digby's book in his own

treatise and that he knows of Winmann's publication. The English

translation of Thevenot's version became the standard instruction book

for English-speaking peoples. Typically, his reasons in favor of men

swimming were based on its being a useful skill (i.e., to keep from

being drowned in a shipwreck, to escape capture when being pursued by

enemies, and to attack an enemy posted on the opposite side of a

river).[7]

[7] MELCHISEDESH THEVENOT, _The Art of Swimming_ (London: John Lever,

1789), pp. 4-5.

In the 18th and 19th centuries numerous other publications on swimming

appeared--too numerous to deal with in this paper. Nevertheless, the

refinement of the art of swimming was not related to the number of

instruction books. Few of these books actually offered new insights in

comparison with those that were outright plagiarisms or filled with

misinformation. In the meantime, bathing was reintroduced and as this

activity became more widespread swimming was regarded as more than a

useful skill, but only for men.

There is little evidence of women bathing or swimming prior to the 17th

century; these activities seem to have been exclusively for men.

Nevertheless, Thomas refers to Winmann as writing, in 1538, that

at Zurich in his day (thus implying that he was an elderly man

and that the custom had ceased) the young men and maidens bathed

together around the statue of "Saint Nicolai." Even in those

days his pupil asks "were not the girls ashamed of being naked?"

"No, as they wore bathing drawers--sometimes a marriage was

brought about." If any young man failed to bring up stones from

the bottom, when he dived, he had to suffer the penalty of

wearing drawers like the girls.[8]

[8] THOMAS, op. cit. (footnote 3), p. 161.

Thomas goes on to say that the only evidence he had found of women

swimming in England in early days was in a ballad entitled "The Swimming

Lady" and dating from about 1670. Despite these isolated references it

was not until the 19th century that women were encouraged to swim.

After its decline in the Middle Ages, bathing achieved new popularity as

a medicinal treatment for both men and women. In England this revival

occurred in the 17th century when certain medical men held that bathing

in fresh water had healing properties. The resultant spas, which were

developed at freshwater springs to effect such "cures," expanded rapidly

as the number of their devotees increased. By the mid-18th century,

rival practitioners claimed even greater health-giving properties for

sea water both as a drink and for bathing. An economic benefit resulted

when, tiny, poverty-stricken fishing hamlets became famous through the

patronage of the wealthy in search of health as well as pleasure.

When the early colonists left England in the first half of the 17th

century, the beliefs and practices they had acquired in their original

homes were brought to the new world. Thus, it is important to note that

during this period in Europe, swimming was a skill practiced by few,

primarily soldiers and sailors. It was not until the second half of the

century that bathing for therapeutic purposes was becoming popular in

the old world.

The earliest reference to women's bathing costume has been quoted

previously in Winmann's amazing description of mixed bathing at Zurich.

He referred to women, wearing only drawers, bathing with men as a custom

no longer practiced when he wrote his book in 1538.

One of the earliest illustrations of bathing costume I have located is

part of a painted fan leaf, about 1675, that was reproduced in volume 9

of Maurice Leloir's _Histoire du Costume de l'Antiquite_ in 1914. In one

corner of this painting, which depicts a variety of activities going on

in the Seine and on the river banks at Paris, women are shown immersing

themselves in water within a covered wooden frame. They are wearing

loose, light-colored gowns and long headdresses. An English source of

the late 17th century described a very similar costume.

The ladye goes into the bath with garments made of yellow

canvas, which is stiff and made large with great sleeves like a

parson's gown. The water fills it up so that it's borne off that

your shape is not seen, it does not cling close as other

lining.[9]

[9] CELIA FIENNES, _Through England on Horseback_, as quoted in IRIS

BROOKE and JAMES LAVER, _English Costume from the Fourteenth

through the Nineteenth Century_ (New York: The Macmillan Company,

1937), p. 252.

In the course of my contacts with other costume historians I have

encountered the belief that women did not wear any bathing costume

before the mid-19th century. Supporting this theory I have seen a

reproduction of a print, about 1812, showing women bathing nude in the

ocean at Margate, England, but the evidence already presented indicates

clearly that costume was worn earlier. Also certain English secondary

sources refer to a nondescript chemise-type of bathing dress that was

worn during the first quarter of the 19th century. Because little study

has been given European bathing costume, it is not possible to

conjecture under what circumstances costume was or was not used. We do

know, however, that when bathing became popular in the new world bathing

gowns were worn by some women in the old.

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