PROFESSORS

I have not been fortunate in my professors. It might be urged that I

have not been in a position, being idle and sluggish, to take advantage

of their instruction. I believe, however, that if they had been good

teachers, now that so many years have passed, I should be able to

acknowledge their merits.

I cannot remember a single teacher who knew how to teach, or who

succeeded in arousing any interest in what he taught, or who had any

comprehension of the student mentality. No one learned how to reason in

the schools of my youth, nor mastered any theory, nor acquired a

practical knowledge of anything. In other words, we learned nothing.

In medicine, the professors adhered to a system that was the most

foolish imaginable. In the two universities in which I studied, subjects

might be taken only by halves, which would have been ridiculous enough

in any branch, but it was even more preposterous in medicine. Thus, in

pathology, a certain number of intending physicians studied the subject

of infection, while others studied nervous disorders, and yet others the

diseases of the respiratory organs. Nobody studied all three. A plan of

this sort could only have been conceived by Spanish professors, who, it

may be said in general, are the quintessence of vacuity.

"What difference does it make whether the students learn anything or

not?" every Spanish professor asks himself continually.

Unamuno says, apropos of the backwardness of Spaniards in the field of

invention: "Other nations can do the inventing." In other words, let

foreigners build up the sciences, so that we may take advantage of them.

There was one among my professors who considered himself a born teacher

and, moreover, a man of genius, and he was Letamendi. I made clear in my

_Tree of Knowledge_ what I thought of this professor, who was not

destitute, indeed, of a certain talent as an orator and man of letters.

When he wrote, he was rococo, like so many Catalans. Sometimes he would

discourse upon art, especially upon painting, in the class-room, but the

ideas he entertained were preposterous. I recall that he once said that

a mouse and a book were not a fit subject for a painting, but if you

were to write the words _Aristotle's Works_ on the book, and then

set the mouse to gnawing at it, what had originally meant nothing would

immediately become a subject for a picture. Yes, a picture to be hawked

at the street fairs!

Letamendi was prolixity and puerile ingenuity personified. Yet Letamendi

was no different from all other Spaniards of his day, including even the

most celebrated, such as Castelar, Echegaray and Valera.

These men read much, they possessed good memories, but I verily believe

that, honestly, they understood nothing. Not one of them had an inkling

of that almost tragic sense of the dignity of culture or of the

obligations which it imposes, which distinguishes the Germans above all

other nationalities. They nearly all revealed an attitude toward science

which would have sat easily upon a smart, sharp-tongued Andalusian young

gentleman.

I recall a profoundly moving letter by the critic Garve, which is

included in Kant's _Prolegomena_.

Garve wrote an article upon _The Critique of Pure Reason_, and sent

it to a journal at Göttingen, and the editor of the journal, in malice

and animosity toward Kant, so altered it that it became an attack on the

philosopher, and then published it unsigned.

Kant invited his anonymous critic to divulge his name, whereupon Garve

wrote to Kant explaining what had taken place, and Kant made a reply.

It would be difficult to parallel in nobility these two letters, which

were exchanged between a comprehensive intellect such as Garve and one

of the most portentous geniuses of the world, as was Kant.

They appear to be two travellers, face to face with the mystery of

Nature and the Unknown. No such feeling for learning and culture is to

be met with among our miserably affected Latin mountebanks.

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