CHAPTER XXIV.

MRS. DOBBS BROUGHTON'S DINNER-PARTY.

Mr. John Eames, of the Income-tax Office, had in these days risen

so high in the world that people in the west-end of town, and very

respectable people too,--people living in South Kensington, in

neighbourhoods not far from Belgravia, and in very handsome houses

round Bayswater,--were glad to ask him out to dinner. Money had been

left to him by an earl, and rumour had of course magnified that

money. He was a private secretary, which is in itself a great advance

on being a mere clerk. And he had become the particularly intimate

friend of an artist who had pushed himself into high fashion during

the last year or two,--one Conway Dalrymple, whom the rich English

world was beginning to pet and pelt with gilt sugar-plums, and who

seemed to take very kindly to petting and gilt sugar-plums. I don't

know whether the friendship of Conway Dalrymple had not done as much

to secure John Eames his position at the Bayswater dinner-tables, as

had either the private secretaryship, or the earl's money; and yet,

when they had first known each other, now only two or three years

ago, Conway Dalrymple had been the poorer man of the two. Some chance

had brought them together, and they had lived in the same rooms for

nearly two years. This arrangement had been broken up, and the Conway

Dalrymple of these days had a studio of his own, somewhere near

Kensington Palace, where he painted portraits of young countesses,

and in which he had even painted a young duchess. It was the peculiar

merit of his pictures,--so at least said the art-loving world,--that

though the likeness was always good, the stiffness of the modern

portrait was never there. There was also ever some story told in

Dalrymple's pictures over and above the story of the portraiture.

This countess was drawn as a fairy with wings, that countess as

a goddess with a helmet. The thing took for a time, and Conway

Dalrymple was picking up his gilt sugar-plums with considerable

rapidity.

On a certain day he and John Eames were to dine out together at a

certain house in that Bayswater district. It was a large mansion,

if not made of stone yet looking very stony, with thirty windows at

least, all of them with cut-stone frames, requiring, let me say, at

least four thousand a year for its maintenance. And its owner, Dobbs

Broughton, a man very well known both in the City and over the grass

in Northamptonshire, was supposed to have a good deal more than four

thousand a year. Mrs. Dobbs Broughton, a very beautiful woman, who

certainly was not yet thirty-five, let her worst enemies say what

they might, had been painted by Conway Dalrymple as a Grace. There

were, of course, three Graces in the picture, but each Grace was Mrs.

Dobbs Broughton repeated. We all know how Graces stand sometimes;

two Graces looking one way, and one the other. In this picture, Mrs.

Dobbs Broughton as centre Grace looked you full in the face. The same

lady looked away from you, displaying her left shoulder as one side

Grace, and displaying her right shoulder as the other side Grace. For

this pretty toy Mr. Conway Dalrymple had picked up a gilt sugar-plum

to the tune of six hundred pounds, and had, moreover, won the heart

both of Mr. and Mrs. Dobbs Broughton. "Upon my word, Johnny,"

Dalrymple had said to his friend, "he's a deuced good fellow, has

really a good glass of claret,--which is getting rarer and rarer

every day,--and will mount you for a day, whenever you please,

down at Market Harboro'. Come and dine with them." Johnny Eames

condescended, and did go and dine with Mr. Dobbs Broughton. I wonder

whether he remembered, when Conway Dalrymple was talking of the

rarity of good claret, how much beer the young painter used to drink

when they were out together in the country, as they used to be

occasionally, three years ago; and how the painter had then been

used to complain that bitter beer cost threepence a glass, instead

of twopence, which had hitherto been the recognized price of the

article. In those days the sugar-plums had not been gilt, and had

been much rarer.

Johnny Eames and his friend went together to the house of Mr. Dobbs

Broughton. As Dalrymple lived close to the Broughtons, Eames picked

him up in a cab. "Filthy things, these cabs are," said Dalrymple, as

he got into the Hansom.

"I don't know about that," said Johnny. "They're pretty good, I

think."

"Foul things," said Conway. "Don't you feel what a draught comes in

here because the glass is cracked. I'd have one of my own, only I

should never know what to do with it."

"The greatest nuisance on earth, I should think," said Johnny.

"If you could always have it standing ready round the corner," said

the artist, "it would be delightful. But one would want half a dozen

horses, and two or three men for that."

"I think the stands are the best," said Johnny.

They were a little late,--a little later than they should have been

had they considered that Eames was to be introduced to his new

acquaintances. But he had already lived long enough before the world

to be quite at his ease in such circumstances, and he entered Mrs.

Broughton's drawing-room with his pleasantest smile upon his face.

But as he entered he saw a sight which made him look serious in spite

of his efforts to the contrary. Mr. Adolphus Crosbie, secretary to

the Board at the General Committee Office, was standing on the rug

before the fire.

"Who will be there?" Eames had asked of his friend, when the

suggestion to go and dine with Dobbs Broughton had been made to him.

"Impossible to say," Conway had replied. "A certain horrible fellow

of the name of Musselboro, will almost certainly be there. He always

is when they have anything of a swell dinner-party. He is a sort of

partner of Broughton's in the City. He wears a lot of chains, and has

elaborate whiskers, and an elaborate waistcoat, which is worse; and

he doesn't wash his hands as often as he ought to do."

"An objectionable party, rather, I should say," said Eames.

"Well, yes; Musselboro is objectionable. He's very good-humoured you

know, and good-looking in a sort of way, and goes everywhere; that

is among people of this sort. Of course he's not hand-and-glove with

Lord Derby; and I wish he could be made to wash his hands. They

haven't any other standing dish, and you may meet anybody. They

always have a Member of Parliament; they generally manage to catch

a Baronet; and I have met a Peer there. On that august occasion

Musselboro was absent."

So instructed, Eames, on entering the room, looked round at once for

Mr. Musselboro. "If I don't see the whiskers and chain," he had said,

"I shall know there's a Peer." Mr. Musselboro was in the room, but

Eames had descried Mr. Crosbie long before he had seen Mr.

Musselboro.

There was no reason for confusion on his part in meeting Crosbie.

They had both loved Lily Dale. Crosbie might have been successful,

but for his own fault. Eames had on one occasion been thrown into

contact with him, and on that occasion had quarrelled with him and

had beaten him, giving him a black eye, and in this way obtaining

some mastery over him. There was no reason why he should be ashamed

of meeting Crosbie; and yet, when he saw him, the blood mounted

all over his face, and he forgot to make any further search for Mr.

Musselboro.

"I am so much obliged to Mr. Dalrymple for bringing you," said Mrs.

Dobbs Broughton very sweetly, "only he ought to have come sooner.

Naughty man! I know it was his fault. Will you take Miss Demolines

down? Miss Demolines,--Mr. Eames."

Mr. Dobbs Broughton was somewhat sulky and had not welcomed our hero

very cordially. He was beginning to think that Conway Dalrymple gave

himself airs and did not sufficiently understand that a man who had

horses at Market Harboro' and '41 Lafitte was at any rate as good

as a painter who was pelted with gilt sugar-plums for painting

countesses. But he was a man whose ill-humour never lasted long, and

he was soon pressing his wine on Johnny Eames as though he loved him

dearly.

But there was yet a few minutes before they went down to dinner, and

Johnny Eames, as he endeavoured to find something to say to Miss

Demolines,--which was difficult, as he did not in the least know Miss

Demolines' line of conversation,--was aware that his efforts were

impeded by thoughts of Mr. Crosbie. The man looked older than when he

had last seen him,--so much older that Eames was astonished. He was

bald, or becoming bald; and his whiskers were grey, or were becoming

grey, and he was much fatter. Johnny Eames, who was always thinking

of Lily Dale, could not now keep himself from thinking of Adolphus

Crosbie. He saw at a glance that the man was in mourning, though

there was nothing but his shirt-studs by which to tell it; and he

knew that he was in mourning for his wife. "I wish she might have

lived for ever," Johnny said to himself.

He had not yet been definitely called upon by the entrance of the

servant to offer his arm to Miss Demolines, when Crosbie walked

across to him from the rug and addressed him.

"Mr. Eames," said he, "it is some time since we met." And he offered

his hand to Johnny.

"Yes, it is," said Johnny, accepting the proffered salutation. "I

don't know exactly how long, but ever so long."

"I am very glad to have the opportunity of shaking hands with you,"

said Crosbie; and then he retired, as it had become his duty to wait

with his arm ready for Mrs. Dobbs Broughton. Having married an earl's

daughter he was selected for that honour. There was a barrister in

the room, and Mrs. Dobbs Broughton ought to have known better. As

she professed to be guided in such matters by the rules laid down by

the recognized authorities, she ought to have been aware that a man

takes no rank from his wife. But she was entitled I think to merciful

consideration for her error. A woman situated as was Mrs. Dobbs

Broughton cannot altogether ignore these terrible rules. She cannot

let her guests draw lots for precedence. She must select some one for

the honour of her own arm. And amidst the intricacies of rank how

is it possible for a woman to learn and to remember everything? If

Providence would only send Mrs. Dobbs Broughton a Peer for every

dinner-party, the thing would go more easily; but what woman will

tell me, off-hand, which should go out of a room first: a C.B., an

Admiral of the Blue, the Dean of Barchester, or the Dean of Arches?

Who is to know who was everybody's father? How am I to remember that

young Thompson's progenitor was made a baronet and not a knight when

he was Lord Mayor? Perhaps Mrs. Dobbs Broughton ought to have known

that Mr. Crosbie could have gained nothing by his wife's rank, and

the barrister may be considered to have been not immoderately severe

when he simply spoke of her afterwards as the silliest and most

ignorant old woman he had ever met in his life. Eames with the lovely

Miss Demolines on his arm was the last to move before the hostess.

Mr. Dobbs Broughton had led the way energetically with old Lady

Demolines. There was no doubt about Lady Demolines,--as his wife

had told him, because her title marked her. Her husband had been

a physician in Paris, and had been knighted in consequence of

some benefit supposed to have been done to some French scion of

royalty,--when such scions in France were royal and not imperial.

Lady Demolines' rank was not much, certainly; but it served to mark

her, and was beneficial.

[Illustration: "I am very glad to have the opportunity

of shaking hands with you."]

As he went downstairs Eames was still thinking of his meeting with

Crosbie, and had as yet hardly said a word to his neighbour, and his

neighbour had not said a word to him. Now Johnny understood dinners

quite well enough to know that in a party of twelve, among whom six

are ladies, everything depends on your next neighbour, and generally

on the next neighbour who specially belongs to you; and as he took

his seat he was a little alarmed as to his prospect for the next two

hours. On his other hand sat Mrs. Ponsonby, the barrister's wife, and

he did not much like the look of Mrs. Ponsonby. She was fat, heavy,

and good-looking; with a broad space between her eyes, and light

smooth hair;--a youthful British matron every inch of her, of whom

any barrister with a young family of children might be proud. Now

Miss Demolines, though she was hardly to be called beautiful, was at

any rate remarkable. She had large, dark, well-shaped eyes, and very

dark hair, which she wore tangled about in an extraordinary manner,

and she had an expressive face,--a face made expressive by the

owner's will. Such power of expression is often attained by dint of

labour,--though it never reaches to the expression of anything in

particular. She was almost sufficiently good-looking to be justified

in considering herself to be a beauty.

But Miss Demolines, though she had said nothing as yet, knew her game

very well. A lady cannot begin conversation to any good purpose in

the drawing-room, when she is seated and the man is standing;--nor

can she know then how the table may subsequently arrange itself.

Powder may be wasted, and often is wasted, and the spirit rebels

against the necessity of commencing a second enterprise. But Miss

Demolines, when she found herself seated, and perceived that on the

other side of her was Mr. Ponsonby, a married man, commenced her

enterprise at once, and our friend John Eames was immediately aware

that he would have no difficulty as to conversation.

"Don't you like winter dinner-parties?" began Miss Demolines. This

was said just as Johnny was taking his seat, and he had time to

declare that he liked dinner-parties at all periods of the year if

the dinner was good and the people pleasant before the host had

muttered something which was intended to be understood to be a grace.

"But I mean especially in winter," continued Miss Demolines. "I don't

think daylight should ever be admitted at a dinner-table; and though

you may shut out the daylight, you can't shut out the heat. And then

there are always so many other things to go to in May and June and

July. Dinners should be stopped by Act of Parliament for those three

months. I don't care what people do afterwards, because we always fly

away on the first of August.

"That is good-natured on your part."

"I'm sure what I say would be for the good of society;--but at this

time of the year a dinner is warm and comfortable."

"Very comfortable, I think."

"And people get to know each other;"--in saying which Miss Demolines

looked very pleasantly up into Johnny's face.

"There is a great deal in that," said he. "I wonder whether you and I

will get to know each other?"

"Of course we shall;--that is, if I'm worth knowing."

"There can be no doubt about that, I should say."

"Time alone can tell. But, Mr. Eames, I see that Mr. Crosbie is a

friend of yours."

"Hardly a friend."

"I know very well that men are friends when they step up and shake

hands with each other. It is the same as when women kiss."

"When I see women kiss, I always think that there is deep hatred at

the bottom of it."

"And there may be deep hatred between you and Mr. Crosbie for

anything I know to the contrary," said Miss Demolines.

"The very deepest," said Johnny, pretending to look grave.

"Ah; then I know he is your bosom friend, and that you will tell him

anything I say. What a strange history that was of his marriage!"

"So I have heard;--but he is not quite bosom friend enough with me to

have told me all the particulars. I know that his wife is dead."

"Dead; oh, yes; she has been dead these two years I should say."

"Not so long as that, I should think."

"Well,--perhaps not. But it's ever so long ago;--quite long enough

for him to be married again. Did you know her?"

"I never saw her in my life."

"I knew her,--not well indeed; but I am intimate with her sister,

Lady Amelia Gazebee, and I have met her there. None of that family

have married what you may call well. And now, Mr. Eames, pray look at

the menu and tell me what I am to eat. Arrange for me a little dinner

of my own, out of the great bill of fare provided. I always expect

some gentleman to do that for me. Mr. Crosbie, you know, only lived

with his wife for one month."

"So I've been told."

"And a terrible month they had of it. I used to hear of it. He

doesn't look that sort of man, does he?"

"Well;--no. I don't think he does. But what sort of man do you mean?"

"Why, such a regular Bluebeard! Of course you know how he treated

another girl before he married Lady Alexandrina. She died of

it,--with a broken heart; absolutely died; and there he is,

indifferent as possible;--and would treat me in the same way

to-morrow if I would let him."

Johnny Eames, finding it impossible to talk to Miss Demolines about

Lily Dale, took up the card of the dinner and went to work in

earnest, recommending his neighbour what to eat and what to pass by.

"But you've skipped the pâté," she said, with energy.

"Allow me to ask you to choose mine for me instead. You are much more

fit to do it." And she did choose his dinner for him.

They were sitting at a round table, and in order that the ladies

and gentlemen should alternate themselves properly, Mr. Musselboro

was opposite to the host. Next to him on his right was old Mrs. Van

Siever, the widow of a Dutch merchant, who was very rich. She was

a ghastly thing to look at, as well from the quantity as from the

nature of the wiggeries which she wore. She had not only a false

front, but long false curls, as to which it cannot be conceived

that she would suppose that any one would be ignorant as to their

falseness. She was very thin, too, and very small, and putting aside

her wiggeries, you would think her to be all eyes. She was a ghastly

old woman to the sight, and not altogether pleasant in her mode of

talking. She seemed to know Mr. Musselboro very well, for she called

him by his name without any prefix. He had, indeed, begun life as a

clerk in her husband's office.

"Why doesn't What's-his-name have real silver forks?" she said to

him. Now Mrs. What's-his-name,--Mrs. Dobbs Broughton we will call

her,--was sitting on the other side of Mr. Musselboro, between him

and Mr. Crosbie; and, so placed, Mr. Musselboro found it rather hard

to answer the question, more especially as he was probably aware that

other questions would follow.

"What's the use?" said Mr. Musselboro. "Everybody has these plated

things now. What's the use of a lot of capital lying dead?"

"Everybody doesn't. I don't. You know as well as I do, Musselboro,

that the appearance of the thing goes for a great deal. Capital isn't

lying dead as long as people know that you've got it."

Before answering this Mr. Musselboro was driven to reflect that Mrs.

Dobbs Broughton would probably hear his reply. "You won't find that

there is any doubt on that head in the City as to Broughton," he

said.

"I shan't ask in the City, and if I did, I should not believe what

people told me. I think there are sillier folks in the City than

anywhere else. What did he give for that picture upstairs which the

young man painted?"

"What, Mrs. Dobbs Broughton's portrait?"

"You don't call that a portrait, do you? I mean the one with the

three naked women?" Mr. Musselboro glanced round with one eye, and

felt sure that Mrs. Dobbs Broughton had heard the question. But the

old woman was determined to have an answer. "How much did he give for

it, Musselboro?"

"Six hundred pounds, I believe," said Mr. Musselboro, looking

straight before him as he answered, and pretending to treat the

subject with perfect indifference.

"Did he indeed, now? Six hundred pounds! And yet he hasn't got silver

spoons. How things are changed! Tell me, Musselboro, who was that

young man who came in with the painter?"

Mr. Musselboro turned round and asked Mrs. Broughton. "A Mr.

John Eames, Mrs. Van Siever," said Mrs. Broughton, whispering

across the front of Mr. Musselboro. "He is private secretary to

Lord--Lord--Lord--I forget who. Some one of the Ministers, I know.

And he had a great fortune left him the other day by Lord--Lord--Lord

somebody else."

"All among the lords, I see," said Mrs. Van Siever. Then Mrs. Dobbs

Broughton drew herself back, remembering some little attack which had

been made on her by Mrs. Van Siever when she herself had had the real

lord to dine with her.

There was a Miss Van Siever there also, sitting between Crosbie and

Conway Dalrymple. Conway Dalrymple had been specially brought there

to sit next to Miss Van Siever. "There's no knowing how much she'll

have," said Mrs. Dobbs Broughton, in the warmth of her friendship.

"But it's all real. It is, indeed. The mother is awfully rich."

"But she's awful in another way, too," said Dalrymple.

"Indeed she is, Conway." Mrs. Dobbs Broughton had got into a way of

calling her young friend by his Christian name. "All the world calls

him Conway," she had said to her husband once when her husband caught

her doing so. "She is awful. Her husband made the business in the

City, when things were very different from what they are now, and I

can't help having her. She has transactions of business with Dobbs.

But there's no mistake about the money."

"She needn't leave it to her daughter, I suppose?"

"But why shouldn't she? She has nobody else. You might offer to paint

her, you know. She'd make an excellent picture. So much character.

You come and see her."

Conway Dalrymple had expressed his willingness to meet Miss Van

Siever, saying something, however, as to his present position being

one which did not admit of any matrimonial speculation. Then Mrs.

Dobbs Broughton had told him, with much seriousness, that he was

altogether wrong, and that were he to forget himself, or commit

himself, or misbehave himself, there must be an end to their pleasant

intimacy. In answer to which, Mr. Dalrymple had said that his Grace

was surely of all Graces the least gracious. And now he had come to

meet Miss Van Siever, and was seated next to her at table.

Miss Van Siever, who at this time had perhaps reached her

twenty-fifth year, was certainly a handsome young woman. She was fair

and large, bearing no likeness whatever to her mother. Her features

were regular, and her full, clear eyes had a brilliance of their

own, looking at you always stedfastly and boldly, though very

seldom pleasantly. Her mouth would have been beautiful had it not

been too strong for feminine beauty. Her teeth were perfect,--too

perfect,--looking like miniature walls of carved ivory. She knew

the fault of this perfection, and shewed her teeth as little as she

could. Her nose and chin were finely chiselled, and her head stood

well upon her shoulders. But there was something hard about it all

which repelled you. Dalrymple, when he saw her, recoiled from her,

not outwardly, but inwardly. Yes, she was handsome, as may be a horse

or a tiger; but there was about her nothing of feminine softness.

He could not bring himself to think of taking Clara Van Siever as

the model that was to sit before him for the rest of his life. He

certainly could make a picture of her, as had been suggested by his

friend, Mrs. Broughton, but it must be as Judith with the dissevered

head, or as Jael using her hammer over the temple of Sisera. Yes,--he

thought she would do as Jael; and if Mrs. Van Siever would throw

him a sugar-plum,--for he would want the sugar-plum, seeing that

any other result was out of the question,--the thing might be done.

Such was the idea of Mr. Conway Dalrymple respecting Miss Van

Siever,--before he led her down to dinner.

At first he found it hard to talk to her. She answered him, and

not with monosyllables. But she answered him without sympathy, or

apparent pleasure in talking. Now the young artist was in the habit

of being flattered by ladies, and expected to have his small talk

made very easy for him. He liked to give himself little airs, and

was not generally disposed to labour very hard at the task of making

himself agreeable.

"Were you ever painted yet?" he asked her after they had both been

sitting silent for two or three minutes.

"Was I ever--ever painted? In what way?"

"I don't mean rouged, or enamelled, or got up by Madame Rachel; but

have you ever had your portrait taken?"

"I have been photographed,--of course."

"That's why I asked you if you had been painted,--so as to make some

little distinction between the two. I am a painter by profession, and

do portraits."

"So Mrs. Broughton told me."

"I am not asking for a job, you know."

"I am quite sure of that."

"But I should have thought you would have been sure to have sat to

somebody."

"I never did. I never thought of doing so. One does those things at

the instigation of one's intimate friends,--fathers, mothers, uncles,

and aunts, and the like."

"Or husbands, perhaps,--or lovers?"

"Well, yes; my intimate friend is my mother, and she would never

dream of such a thing. She hates pictures."

"Hates pictures!"

"And especially portraits. And I'm afraid, Mr. Dalrymple, she hates

artists."

"Good heavens; how cruel! I suppose there is some story attached

to it. There has been some fatal likeness,--some terrible

picture,--something in her early days?"

"Nothing of the kind, Mr. Dalrymple. It is merely the fact that her

sympathies are with ugly things, rather than with pretty things. I

think she loves the mahogany dinner-table better than anything else

in the house; and she likes to have everything dark, and plain, and

solid."

"And good?"

"Good of its kind, certainly."

"If everybody was like your mother, how would the artists live?"

"There would be none."

"And the world, you think, would be none the poorer?"

"I did not speak of myself. I think the world would be very much

the poorer. I am very fond of the ancient masters, though I do not

suppose that I understand them."

"They are easier understood than the modern, I can tell you. Perhaps

you don't care for modern pictures?"

"Not in comparison, certainly. If that is uncivil, you have brought

it on yourself. But I do not in truth mean anything derogatory to the

painters of the day. When their pictures are old, they,--that is the

good ones among them,--will be nice also."

"Pictures are like wine, and want age, you think?"

"Yes, and statues too, and buildings above all things. The colours

of new paintings are so glaring, and the faces are so bright and

self-conscious, that they look to me when I go to the exhibition like

coloured prints in a child's new picture-book. It is the same thing

with buildings. One sees all the points, and nothing is left to the

imagination."

"I find I have come across a real critic."

"I hope, at any rate, I am not a sham one;" and Miss Van Siever as

she said this looked very savage.

"I shouldn't take you to be a sham in anything."

"Ah, that would be saying a great deal for myself. Who can undertake

to say that he is not a sham in anything?"

As she said this the ladies were getting up. So Miss Van Siever also

got up, and left Mr. Conway Dalrymple to consider whether he could

say or could think of himself that he was not a sham in anything.

As regarded Miss Clara Van Siever, he began to think that he should

not object to paint her portrait, even though there might be no

sugar-plum. He would certainly do it as Jael; and he would, if he

dared, insert dimly in the background some idea of the face of

the mother, half-appearing, half-vanishing, as the spirit of the

sacrifice. He was composing his picture, while Mr. Dobbs Broughton

was arranging himself and his bottles.

"Musselboro," he said, "I'll come up between you and Crosbie. Mr.

Eames, though I run away from you, the claret shall remain; or,

rather, it shall flow backwards and forwards as rapidly as you will."

"I'll keep it moving," said Johnny.

"Do; there's a good fellow. It's a nice glass of wine, isn't it? Old

Ramsby, who keeps as good a stock of stuff as any wine-merchant in

London, gave me a hint, three or four years ago, that he'd a lot of

tidy Bordeaux. It's '41, you know. He had ninety dozen, and I took it

all."

"What was the figure, Broughton?" said Crosbie, asking the question

which he knew was expected.

"Well, I only gave one hundred and four for it then; it's worth a

hundred and twenty now. I wouldn't sell a bottle of it for any money.

Come, Dalrymple, pass it round; but fill your glass first."

"Thank you, no; I don't like it. I'll drink sherry."

"Don't like it!" said Dobbs Broughton.

"It's strange, isn't it? but I don't."

"I thought you particularly told me to drink his claret?" said Johnny

to his friend afterwards.

"So I did," said Conway; "and wonderfully good wine it is. But I make

it a rule never to eat or drink anything in a man's house when he

praises it himself and tells me the price of it."

"And I make it a rule never to cut the nose off my own face," said

Johnny.

Before they went, Johnny Eames had been specially invited to call

on Lady Demolines, and had said that he would do so. "We live in

Porchester Gardens," said Miss Demolines. "Upon my word, I believe

that the farther London stretches in that direction, the farther

mamma will go. She thinks the air so much better. I know it's a long

way."

"Distance is nothing to me," said Johnny; "I can always set off over

night."

Conway Dalrymple did not get invited to call on Mrs. Van Siever, but

before he left the house he did say a word or two more to his friend

Mrs. Broughton as to Clara Van Siever. "She is a fine young woman,"

he said; "she is indeed."

"You have found it out, have you?"

"Yes, I have found it out. I do not doubt that some day she'll

murder her husband or her mother, or startle the world by some

newly-invented crime; but that only makes her the more interesting."

"And when you add to that all the old woman's money," said Mrs. Dobbs

Broughton, "you think that she might do?"

"For a picture, certainly. I'm speaking of her simply as a model.

Could we not manage it? Get her once here, without her mother knowing

it, or Broughton, or any one. I've got the subject,--Jael and Sisera,

you know. I should like to put Musselboro in as Sisera, with the nail

half driven in." Mrs. Dobbs Broughton declared that the scheme was a

great deal too wicked for her participation, but at last she promised

to think of it.

"You might as well come up and have a cigar," Dalrymple said, as he

and his friend left Mr. Broughton's house. Johnny said that he would

go up and have a cigar or two. "And now tell me what you think of

Mrs. Dobbs Broughton and her set," said Conway.

"Well; I'll tell you what I think of them. I think they stink of

money, as the people say; but I'm not sure that they've got any all

the same."

"I should suppose he makes a large income."

"Very likely, and perhaps spends more than he makes. A good deal of

it looked to me like make-believe. There's no doubt about the claret,

but the champagne was execrable. A man is a criminal to have such

stuff handed round to his guests. And there isn't the ring of real

gold about the house."

"I hate the ring of the gold, as you call it," said the artist.

"So do I,--I hate it like poison; but if it is there, I like it to be

true. There is a sort of persons going now,--and one meets them out

here and there every day of one's life,--who are downright Brummagem

to the ear and to the touch and to the sight, and we recognize them

as such at the very first moment. My honoured lord and master, Sir

Raffle, is one such. There is no mistaking him. Clap him down upon

the counter, and he rings dull and untrue at once. Pardon me, my

dear Conway, if I say the same of your excellent friend Mr. Dobbs

Broughton."

"I think you go a little too far, but I don't deny it. What you mean

is, that he's not a gentleman."

"I mean a great deal more than that. Bless you, when you come to talk

of a gentleman, who is to define the word? How do I know whether or

no I'm a gentleman myself? When I used to be in Burton Crescent, I

was hardly a gentleman then,--sitting at the same table with Mrs.

Roper and the Lupexes;--do you remember them, and the lovely Amelia?"

"I suppose you were a gentleman, then, as well as now."

"You, if you had been painting duchesses then, with a studio in

Kensington Gardens, would not have said so, if you had happened to

come across me. I can't define a gentleman, even in my own mind;--but

I can define the sort of man with whom I think I can live

pleasantly."

"And poor Dobbs doesn't come within the line?"

"N--o, not quite; a very nice fellow, I'm quite sure, and I'm very

much obliged to you for taking me there."

"I never will take you to any house again. And what did you think of

his wife?"

"That's a horse of another colour altogether. A pretty woman with

such a figure as hers has got a right to be anything she pleases.

I see you are a great favourite."

"No, I'm not;--not especially. I do like her. She wants to make up a

match between me and that Miss Van Siever. Miss Van is to have gold

by the ingot, and jewels by the bushel, and a hatful of bank shares,

and a whole mine in Cornwall, for her fortune."

"And is very handsome into the bargain."

"Yes; she's handsome."

"So is her mother," said Johnny. "If you take the daughter, I'll

take the mother, and see if I can't do you out of a mine or two.

Good-night, old fellow. I'm only joking about old Dobbs. I'll go and

dine there again to-morrow, if you like it."

The Last Chronicle of Barset · 第 24 / 78 章