STRIVINGS AND LABORS

150. "We live in this world only that we may go onward without

ceasing, a peculiar help in this direction being that one

enlightens the other by communicating his ideas; in the sciences

and fine arts there is always more to learn."

(Salzburg, September 7, 1776, to Padre Martini of Bologna, whose

opinion he asks concerning a motet which the Archbishop of

Salzburg had faulted.)

151. "I am just now reading 'Telemachus;' I am in the second

part."

(Bologna, September 8, 1770, to his mother and sister.)

152. "Because you said yesterday that you could understand

anything, and that I might write what I please in Latin,

curiosity has led me to try you with some Latin lines. Have the

kindness when you have solved the problem to send the result to

me by the Hagenauer servant maid."

"Cuperem scire, de qua causa, a quam plurimis adolescentibus

ottium usque adeo aestimetur, ut ipsi se nec verbis, nec

verberibus ab hoc sinant abduci."

(The Archiepiscopal concertmaster, aged 13, writes thus to a girl

friend.)

153. "Since then I have exercised myself daily in the French

language, and already taken three lessons in English. In three

months I hope to be able to read and understand the English books

fairly well."

(Vienna, August 17, 1782, to his father. Mozart had given it out

that he intended to go to Paris or London. Prince Kaunitz had

said to Archduke Maximilian that men like Mozart lived but once

in a hundred years, and should not be driven out of Germany.

Mozart, however, writes to his father: "But I do not want to wait

on charity; I find that, even if it were the Emperor, I am not

dependent on his bounty.")

154. "I place my confidence in three friends, and they are strong

and invincible friends, viz: God, your head and my head. True our

heads differ, but each is very good, serviceable, and useful in

its genre, and in time I hope that my head will be as good as

yours in the field in which now yours is superior."

(Mannheim, February 28, 1778, to his father.)

155. "Believe me, I do not love idleness, but work. True it was

difficult in Salzburg and cost me an effort and I could scarcely

persuade myself. Why? Because I was not happy there. You must

admit that, for me at least, there was not a pennyworth of

entertainment in Salzburg. I do not want to associate with many

and of the majority of the rest I am not fond. There is no

encouragement for my talent! If I play, or one of my compositions

is performed, the audience might as well consist of tables and

chairs....In Salzburg I sigh for a hundred amusements, and here

for not one; to live in Vienna is amusement enough."

(Vienna, May 26, 1781, to his father, who was concerned as to the

progress making in Vienna.)

156. "I beg of you, best and dearest of fathers, do not write me

any more letters of this kind,--I conjure you, for they serve no

other purpose than to heat my head and disturb my heart and mood.

And I, who must compose continually, need a clear head and quiet

mood."

(Vienna, June 9, 1781, to his father, who had reproached him

because of his rupture with the Archbishop.)

157. "If there ever was a time when I was not thinking about

marriage it is now. I wish for nothing less than a rich wife, and

if I could make my fortune by marriage now I should perforce have

to wait, because I have very different things in my head. God did

not give me my talent to put it a-dangle on a wife, and spend my

young life in inactivity. I am just beginning life, and shall I

embitter it myself? I have nothing against matrimony, but for me

it would be an evil just now."

(Vienna, July 25, 1781, to his father, who was solicitous lest he

fall in love with one of the daughters in the Weber family with

whom he was living. All manner of rumors had been carried to him.

The father persuaded his son to seek other lodgings; but

Constanze Weber eventually became Mozart's wife nevertheless.)

158. "This sort of composer can do nothing in this genre. He has

no conception of what is wanted. Lord! if God had only given me

such a place in the church and before such an orchestra!"

(A remark made in Leipsic, in 1789, in reference to a composer

who was suited to comic opera work, but had received an

appointment as Church composer. Mozart examined a mass of his and

said: "It sounds all very well, but not in church." He then

played it through with new words improvised by himself, such as

(in the Cum sancto spiritu) "Stolen property, gentlemen, but no

offence.")

159. "You see my intentions are good; but if you can't, you

can't! I do not want to scribble, and therefore can not send you

the whole symphony before next post day."

(Vienna, July 31, 1782, to his father, who had asked for a

symphony for the Hafner family in Salzburg.)

160. "I do not beg pardon; no! But I beg of Herr Bullinger that

he himself apply to himself for pardon in my behalf, with the

assurance that as soon as I can do so in quiet I shall write to

him. Until now no such occasion has offered itself, for as soon

as I know that in all likelihood I must leave a place I have no

restful hour. And although I still have a modicum of hope, I am

not at ease and shall not be until I know my status."

(Mannheim, November 22, 1777, to his father. Abbe Bullinger was

the most intimate friend that the Mozart family had in Salzburg.

Mozart had been negligent in his correspondence.)

161. "To live well and to live happily are different things, and

the latter would be impossible for me without witchcraft; it

would have to be supernatural; and that is impossible for there

are no witches now-a-days."

(Paris, August 7, 1778, to his friend Bullinger, who had sought

to persuade him to return to Salzburg.)

162. "The Duke de Chabot sat himself down beside me and listened

attentively; and I--I forgot the cold, and the headache and

played regardless of the wretched clavier as I play when I am in

the mood. Give me the best clavier in Europe and at the same time

hearers who understand nothing or want to understand nothing, and

who do not feel what I play with me, and all my joy is gone."

(Paris, May 1, 1778, to his father. The Duchess had behaved very

haughtily and kept Mozart sitting in a cold room for a long time

before the Duke came.)

Mozart: The Man and the Artist, as Revealed in His Own Words · 第 24 / 31 题