FRESH GROUND

It was not my inspiration to run one of our huts entirely as a library

for the troops. I was merely the fortunate person chosen to conduct the

experiment. In most of the huts there was already some small supply of

books for circulation, and at our headquarters in the town a dusty

congestion of several hundred volumes which nobody had found time to

take in hand. The idea was to concentrate these scattered units, to

obtain standard reinforcements from London and the base, indent for all

the popular papers and magazines, and go into action as a Free Library

at the Front. It was at first proposed to do without any kind of a

canteen; but I was all against driving a keen reader elsewhere for his

tea, and held out for light refreshments after four and cigarettes all

the time. On this and many other points I was given my way in a fashion

that would have fired anybody to make the venture a success.

The hut placed at my disposal was a very good one in the middle of the

town, indeed within the palisade of the once magnificent Town Hall. That

grandiose pile had been knocked into mountains of rubbish, with the mere

stump of its dizzy belfry still towering over all as the Matterhorn of

the range. These ruins formed one side of a square like a mouthful of

bad teeth, all hollow stumps or clean extractions; our upstart hut was

the only whole building of any sort within sight. It had a better saloon

than my last land-ship; on the other hand, it was infested with rats

from the surrounding wrecks. They would lope across the floor under

one's nose, or dangle their tails from the beams overhead, and I slept

with a big stick handy.

Relays of peace-time carpenters, borrowed from their units for a day or

two each, fell upon all the benches and table-tops they required, and

turned them into five long tiers of book-shelves behind the counter. In

the meantime our own Special Artist was busy on a new and noble scheme

of decoration, and two or three of us up to our midriffs in the first

thousand books. They were a motley herd: the sweepings of unknown

benefactors' libraries, the leavings of officers and men, cunning shafts

from the devout of all denominations, and the first draft of cheap

masterpieces from the base. Classification was beyond me, even if time

had been no object: how could one classify 'The Sol of Germany,' 'A

Yorkstireman Alroad,' 'The Livinz Waze,' 'From Workhouse to Westminster:

Life-Story of With Gooks, M.P.' (four copies), or even the books these

titles stood for in the typewritten catalogue that arrived (from Paris)

too late to entertain us? All authors in alphabetical order seemed the

simplest principle; and in practice even that arrangement ran away with

days.

Then each volume had to be labelled (over the publishers' imprint on the

binding) and the labels filled in with the letter and number of each in

one's least illegible hand; and this took more days, though the rough

draft of the catalogue emerged simultaneously; and the merit of the

plan, if any, was that the catalogue order eventually coincided with

that of the actual books on the shelves. The drawback was that books

kept dropping in or turning up too late for insertion in their proper

places. I could think of no better way out of this difficulty than by

resorting to a large Z class, or dump, for late-comers. This met the

case though far from satisfying my instincts for the rigour of a game.

Another time (this coming winter, for instance, when I hope to have it

all to do again) I shall be delighted to adopt some more approved method

of dealing with a growing library; last spring one had to do the best

one could by the light of nature. Nevertheless, there was not much amiss

(except the handwriting) with the clean copy (in carbon duplicate) of a

catalogue which ran to a good many thousand words, and kept two of us

out of bed till several successive midnights; for by this time I had a

staunch confederate who took the whole thing as seriously as I did, and

perhaps even found it as good fun.

We had hoped to open--it was really very like producing a play--early in

February, but a variety of vicissitudes delayed the event until the

twentieth of the month. As the day approached we had many visitors, who

had heard of our effort and were prepared to spread our fame; time was

well lost in showing them round, and I confess I enjoyed the job. They

had to begin by admiring the scraper. It was perhaps the worst scraper

in Europe--I ached for a week from sinking its two uprights into harder

chalk with a heavier pick-axe than I thought existed--but it was

symbolical. It meant that you could leave the mud of war outside our

hut; but I am afraid the first thing to be seen inside was inconsistent

with this symbol. It was the complete _Daily Mail_ sketch-map of the

Western Front, the different sheets joined together and mounted on the

locked door opposite the one in use. The feature of this feature was

that the Line was pegged out from top to bottom with the best red-tape

procurable in the town. It toned delightfully with the art-green of the

sketch-map.

In the ordinary Y.M.C.A. nobody would have seen it! In winter, at any

rate, it is dusk at high noon in the ordinary hut, which is lighted only

by canvas windows under the eaves. In our hut, however, we had a pair of

fine skylights, expressly cut to save our readers' eyes, and glazed with

some shimmering white stuff which seemed to increase the light, like a

fall of snow, instead of slightly diluting it like the best of glass.

The side windows glistened with the same material, so that a dull day

seemed to clear up as you entered. Between the skylights stood four

trestle tables under one covering of American cloth, whereon the day's

papers, magazines and weeklies, were to be displayed club-fashion; the

writing tables, likewise in American cloth, were arranged under the side

windows; and at an even distance from either end of the fourfold reading

table were the two stoves. One stove is the ordinary hut-allowance.

Round each stove ran a ring of canvas and wicker arm-chairs, in which a

tired man might read himself to sleep, and between the chairs stood

little round tables for his tea and biscuits when he woke. They were

garden tables painted for the part, with spidery black legs and bright

vermilion tops, and on each a nice new ash-tray (of the least possible

intrinsic value, I admit) in further imitation of the club smoking-room.

That was the atmosphere I wanted for the body of the hut.

At the platform end we were ready for anything, from itinerant lecturers

to the most local preacher, and from hymns to comic songs; the best

piano in the area was equal to any strain; and a somewhat portentous

rostrum, though not knocked together for me, was just my height, while

the American cloth in which we found it was a dead match for our

extensive importations of that fabric. It was at this end of the hut

that our Special Artist and Decorator had excelled himself. All down the

sides were his frieze of flags, his dado of red and white cotton in

alternate stripes, and his own extraordinarily effective chalk drawings

on sheets of brown paper between the windows. But for the angle under

the roof, over the platform, he had reserved his masterpiece. One day,

while we were still busy with the books, our handy man of genius had

stood for an hour or two on a ladder; and descending, left behind him a

complete allegorical cartoon of Literature, including many life-size

figures in flowing robes busy with the primitive tools of one's trade.

I am not an art critic, like my friend the war correspondent, who

ruthlessly detected faults in drawing, instead of applauding all we had

to show him; to me, the pride of our walls was at least a remarkable

_tour de force_. The Official Photographer was to have come at a later

date to witness if I exaggerate. He left it too long. He may have

another chance this winter. 'Literature' has been preserved.

These private views too often started at the counter, because visitors

had a way of entering through my room; but to see the library as I do

think it deserved seeing, one had to turn one's back upon all I have

described, and with a proper piety bear down upon the books. In their

five long shelves, each edged and backed with the warm red cotton of the

dado, and broken only by my door behind the counter, those thirty yards

of good and bad reading were wholly good to see, on our opening day

especially, before the first borrower had made the first gap in their

serried ranks. There indeed stood they at attention, their labels at the

same unwavering height as so many pairs of puttees (except the few I had

not affixed myself); and I felt that I, too, had turned a mob into an

army.

Immediately over the top row, on a scroll expertly lettered by our

Special Illuminator (another of our talented band), its own new motto,

from Thomas a Kempis, ran right across the hut:

_Without Labour there is no Rest; nor without Fighting can the Victory

be Won._

I really think I was as pleased with that, on the morning I thought of

it in bed (having just decided to call the hut The Rest Hut), as

Thackeray is said to have been when he danced about his bedroom

crying--'"Vanity Fair"! "Vanity Fair"! "Vanity Fair"!' But I only once

heard a remark upon our motto from the men. 'Well, that's logic anyhow!'

said one when he had read it out across the counter. I could have wished

for no better comment from a soldier.

Higher still, in the angle of the roof at this end, the flags of the

Allies enfolded the Sign of the Rest Hut, which was an adaptation of the

Red Triangle. I was having a slightly more elaborate version compressed

into a rubber stamp for all literary matter connected with the hut.

The rubber stamp did not arrive in time for the opening; nor had there

been time to stick our few rules into more than a few of the books. But

I had a paste-pot and a pile of these labels ready on the counter. And

since we _are_ going into details, one may as well swing for the whole

sheep:--

THE REST HUT LIBRARY

(=Y.M.C.A.=)

_This book may be taken out on a deposit of =1 franc.=

which will be returned when the book is brought back._

_Books cannot be exchanged more than once daily, and

no Reader is entitled to more than one volume at a

time._

_A book may be kept as long as required: but in each

other's interests Readers are begged to return all

books as soon as they conveniently can, and in as good

order as possible._

Frankly, we flattered ourselves on dispensing with time-limit and fine;

and in practice I can commend that revolutionary plan to other amateur

librarians. Obviously you are much less likely to get a book back at all

if you want more money with it. You shall hear in what circumstances

many of ours were to come back, and at what touching trouble to men of

whom one can hardly bear to think to-day.

But all the books were not for circulation; a Poetry and Reference Shelf

bestrode my end of the counter. Duplicate Poets were to be allowed out

like novels; but they were not expected to have many followers. A more

outstanding feature, perhaps the apple of the librarian's glasses was

the New Book Table, just in front of the counter at the same end. I

thought a tableful of really new books would be tremendously attractive

to the real readers, that their mere appearance might convey a certain

element of morale. So one long day I had spent upon fifteen begging

letters to fifteen different publishers--not the same begging letter

either, for some of them I knew and some knew me not wisely but too

well. On the whole the fifteen played up, and the New Book Table was

well and truly spread for the inaugural feast. The novelties were to

grace it for a fortnight before going into the catalogue; and we started

with quite a brave display. There were travels and biographies, new

novels and books of verse, all spick-and-span in their presentation

wrappers; and we arranged them most artistically on a gaudy table-cloth

that cost thirty francs; with a large cardboard mug (by our Illuminator)

warning other mugs off the course. And I think that really is the last

of our preparations, unless I mention the receptacles for waste-paper,

which proved quite unable to compete against the floor.

They were, I daresay, the most fatuously faddy and elaborate

preparations ever made for a library which might be blown sky-high at

any moment by a shell. I had not forgotten that none too remote

contingency. But it was the last thing I wanted any man to remember

from the moment he crossed our threshold. We were just about five miles

from the Germans, and I had gone to work exactly as I should in the

peaceful heart of England. But that was just where I wanted a man to

think himself--until he stepped back into the War.

Notes of a Camp-Follower on the Western Front · 第 22 / 38 题