And the answer was, "John Kenyon."

Then Mr. Browning and Mr. Kenyon had a nice little visit, talking about

books and art. And Mr. Kenyon told Mr. Browning that Miss Elizabeth

Barrett, the poetess, was a cousin of his--he was a bit boastful of the

fact.

And Mr. Browning nodded and said he had often heard of her, and admired

her work.

Then Mr. Kenyon suggested that Mr. Browning write and tell her so--"You

see she has just gotten out a new book, and we are all a little nervous

about how it is going to take. Miss Barrett lives in a darkened room, you

know--sees no one--and a letter from a man like you would encourage her

greatly."

Mr. Kenyon wrote the address of Miss Barrett on a card and pushed it

across the table.

Mr. Browning took the card, put it in his pocketbook and promised to write

Miss Barrett, as Mr. Kenyon requested.

And he did.

Miss Barrett replied.

Mr. Browning answered, and soon several letters a week were going in each

direction.

Not quite so many missives were being received by Fanny Haworth; and as

for Lizzie Flower, I fear she was quite forgotten. She fell into a

decline, drooped and died in a year.

Mr. Browning asked for permission to call on Miss Barrett.

Miss Barrett explained that her father would not allow it, neither would

the doctor or nurse, and added: "There is nothing to see in me. I am a

weed fit for the ground and darkness."

But this repulse only made Mr. Browning want to see her the more. He

appealed to Mr. Kenyon, who was the only person allowed to call, besides

Miss Mitford--Mr. Kenyon was her cousin.

Mr. Kenyon arranged it--he was an expert at arranging anything of a

delicate nature. He timed the hour when Mr. Barrett was down town, and the

nurse and doctor safely out of the way, and they called on the invalid

prisoner in the darkened room.

They did not stay long, but when they went away Robert Browning trod on

air. The beautiful girl-like face, in its frame of dark curls, lying back

among the pillows, haunted him like a shadow. He was thirty-three, she was

thirty-five. She looked like a child, but the mind--the subtle,

appreciative, receptive mind! The mind that caught every allusion, that

knew his thought before he voiced it, that found nothing obscure in his

work, and that put a high and holy construction on his every sentence--it

was divine! divinity incarnated in a woman.

Robert Browning tramped the streets forgetful of meat, drink or rest.

He would give this woman freedom. He would devote himself to restoring her

to the air and sunshine. What nobler ambition! He was an idler, he had

never done anything for anybody. He was only a killer of time, a vagrant,

but now was his opportunity--he would do for this beautiful soul what no

one else on earth could do. She was slipping away as it was--the world

would soon lose her. Was there none to save?

Here was the finest intellect ever given to a woman--so sure, so vital, so

tender and yet so strong!

He would love her back to life and light!

And so Robert Browning told her all this shortly after, but before he

told, she had divined his thought. For solitude and loneliness and

heart-hunger had given her the power of an astral being; she was in

communication with all the finer forces that pervade our ether. He would

love her back to life and light--he told her so. She grew better.

And soon we find her getting up and throwing wide the shutters. It was no

longer the darkened room, for the sunlight came dancing through the

apartment, driving out all the dark shadows that lurked therein.

The doctor was indignant; the nurse resigned.

Of course, Mr. Barrett was not taken into confidence and no one asked his

consent. Why should they?--he was the man who could never understand.

So one fine day when the coast was clear, the couple went over to Saint

Marylebone Church and were married. The bride went home alone--could walk

all right now--and it was a week before her husband saw her, because he

would not be a hypocrite and go ring the doorbell and ask if Miss Barrett

was home; and of course if he had asked for Mrs. Robert Browning, no one

would have known whom he wanted to see.

But at the end of a week, the bride stole down the stairs, while the

family was at dinner, leading her dog Flush by a string, and all the time,

with throbbing heart, she prayed the dog not to bark. I have oft wondered

in the stilly night season what the effect on English Letters would have

been, had the dog really barked! But the dog did not bark; and Elizabeth

met her lover-husband there on the corner where the mail-box is. No one

missed the runaways until the next day, and then the bride and groom were

safely in France, writing letters back from Dieppe, asking forgiveness and

craving blessings.

* * * * *

"She is the Genius and I am the Clever Person," Browning used to say. And

this I believe will be the world's final judgment.

Browning knew the world in its every phase--good and bad, high and low,

society and commerce, the shop and gypsy camp. He absorbed things,

assimilated them, compared and wrote it out.

Elizabeth Barrett had never traveled, her opportunities for meeting people

had been few, her experiences limited, and yet she evolved truth: she

secreted beauty from within.

For two years after their elopement they did not write--how could they?

goodness me! They were on their wedding-tour. They lived in Florence and

Rome and in various mountain villages in Italy.

Health came back, and joy and peace and perfect love were theirs. But it

was joy bought with a price--Elizabeth Barrett Browning had forfeited the

love of her father. Her letters written him came back unopened, books

inscribed to him were returned--he declared she was dead.

Her brothers, too, discarded her, and when her two sisters wrote, they did

so by stealth, and their letters, meant to be kind, were steel for her

heart. Then her father was rich; and she had always known every comfort

that money could buy. Now, she had taken up with a poor poet, and every

penny had to be counted--absolute economy was demanded.

And Robert Browning, with a certain sense of guilt upon him, for

depriving her of all the creature comforts she had known, sought by

tenderness and love to make her forget the insults her father heaped upon

her.

As for Browning, the bank-clerk, he was vexed that his son should show so

little caution as to load himself up with an invalid wife, and he cut off

the allowance, declaring that if a man was old enough to marry, he was

also old enough to care for himself. He did, however, make his son several

"loans"; and finally came to "bless the day that his son had sense enough

to marry the best and most talented woman on earth."

Browning's poems were selling slowly, and Mrs. Browning's books brought

her a little royalty, thanks to the loyal management of John Kenyon, and

so absolute want and biting poverty did not overtake the runaways.

After the birth of her son, in Eighteen Hundred Forty-nine, Mrs.

Browning's health seemed to have fully returned. She used to ride

horseback up and down the mountain passes, and wrote home to Miss Mitford

that love had turned the dial backward and the joyousness of girlhood had

come again to her.

When John Kenyon died and left them ten thousand pounds, all their own, it

placed them forever beyond the apprehension of want, and also enabled them

to do for others; for they pensioned old Walter Savage Landor, and

established him in comfortable quarters around the corner from Casa

Guidi.

I intimated a moment ago that their honeymoon continued for two years.

This was a mistake, for it continued for just fifteen years, when the

beautiful girl-like form, with her head of flowing curls upon her

husband's shoulder, ceased to breathe. Painlessly and without apprehension

or premonition, the spirit had taken its flight.

That letter of Miss Blagdon's, written some weeks after, telling of how

the stricken man paced the echoing hallways at night crying, "I want her!

I want her!" touches us like a great, strange sorrow that once pierced our

hearts.

But Robert Browning's nature was too strong to be subdued by grief. He

remembered that others, too, had buried their dead, and that sorrow had

been man's portion since the world began. He would live for his boy--for

Her child.

But Florence was no longer his Florence, and he made haste to settle up

his affairs and go back to England. He never returned to Florence, and

never saw the beautiful monument, designed by his lifelong friend,

Frederick Leighton.

When you visit the little English Cemetery at Florence, the slim little

girl that comes down the path, swinging the big bunch of keys, opens the

high iron gate and leads you, without word or question, straight to the

grave of Elizabeth Barrett Browning.

Browning was forty-nine when Mrs. Browning died.

And by the time he had reached his fiftieth meridian, England, harkening

to America's suggestion, was awakening to the fact that he was one of the

world's great poets.

Honors came slowly, but surely: Oxford with a degree; Saint Andrew's with

a Lord-Rectorship; publishers with advance payments. And when Smith and

Elder paid one hundred pounds for the poem of "Herve Riel," it seemed that

at last Browning's worth was being recognized. Not, of course, that money

is the infallible test, but even poetry has its Rialto, where the extent

of appreciation is shown by prices current.

Browning's best work was done after his wife's death; and in that love he

ever lived and breathed. In his seventy-fifth year, it filled his days and

dreams as though it were a thing of yesterday, singing in his heart a

perpetual eucharist.

"The Ring and the Book" must be regarded as Browning's crowning work.

Offhand critics have disposed of it, but the great minds go back to it

again and again. In the character of Pompilia the author sought to pay

tribute to the woman whose memory was ever in his mind; yet he was too

sensitive and shrinking to fully picture her. He sought to mask his

inspiration; but tender, loving recollections of "Ba" are interlaced and

interwoven through it all.

When Robert Browning died, in Eighteen Hundred Eighty-nine, the world of

literature and art uncovered in token of honor to one who had lived long

and well and had done a deathless work. And the doors of storied

Westminster opened wide to receive his dust.

Little Journeys to the Homes of the Great - Volume 05 Little Journeys to the Homes of English Authors · 第 11 / 26 题