We journeyed from Clovelly to Bideford by carrier's cart, sitting up

with what dignity we could amidst a remarkable miscellany of

packages. Once arrived at Kingsley's hero-town, we read, as in honour

bound, the opening chapter of "Westward Ho!" crossed the historic

bridge and sought out in the church the brass erected to the noble

memory of Sir Richard Grenville, who drove the little _Revenge_ with

such a gallant recklessness into the thick of the Spanish fleet,

fought his immortal fight, and died of his wounds "with a joyful and

quiet mind." The exceeding charm of this Bristol Channel coast made us

intolerant of trains and even of coaches, so that at lovely, idle

Ilfracombe we took to our feet again and walked on by a cliff path to

Combe Martin. Here we were startled, on going to bed, to find packed

away between the thin mattresses a hoard of green pears, hard as

marbles, and not much bigger, which the small boy of the inn,

apparently intent on suicide, had secreted. The towered church, some

eight or nine centuries old, was shown to us by a sexton who claimed

that the office had descended in his family from father to son for the

past three hundred years. However that may be, he was an entertaining

guide, reading off his favourite "posy-stones" with a relish, and

interpreting the carvings of the curious old rood-screen according to

a version of Scripture unlike any that we had known before. Thence our

way climbed up for two toilsome miles through a muddy sunken lane, in

whose rock walls was a growth of dainty fern. It was good to come out

in view of the rival purples of sunny sea and heathery hills, good to

be regaled on "cold shoulder" and Devonshire junket in a stone-floored

kitchen with vast fireplace and ponderous oaken settles, good to start

off again across Trentishoe Common, glorious with gorse, and down the

richly wooded combe, past a farmyard whose great black pig grunted at

us fearsomely, and still down and down, through the fragrance of the

pines. We turned off our track to follow the eddying Heddon to the

sea, and had, in consequence, a stiff scramble to gain our proper path

cut high in the Channel side of the cliff. We walked along that narrow

way in a beauty almost too great to bear, but the stress of emotion

found some relief in the attention we had to give to our footing, for

the cliff fell sheer to the sunset-coloured waters. We spent the night

at Wooda Bay, walking on in the morning for a jocund mile or two

through fresh-scented larchwoods, then across Lee Abbey Park and

through the fantastic Valley of Rocks, along another cliff-walk and

down a steep descent to Lynmouth, where Shelley's "myrtle-twined

cottage" stands upon the beach. Lynmouth, where the songs of sea and

river blend, was more to our taste in its picturesque mingling of the

old and the new, of herring-village and watering-place, than its airy

twin, Linton, perched on the cliff-top four hundred feet above, but

both are little paradises and, having located ourselves in one, the

first thing we did was to leave it and visit the other. We lingered

for a little in this exquisite corner of creation, till one blithe

morning we could put up no longer with the saucy challenge of the Lyn

and chased that somersaulting sprite, that perpetual waterfall, five

miles inland, so coming out on the heathery waste of Exmoor.

We would gladly have turned gipsies then and there, if so we might

have wandered all over and over that beautiful wild upland, and down

through the undulating plain of mid-Devon, with its well-watered

pastures and rich dairy-farms for whose butter and cheese the

Devonshire sailors, as Hakluyt's narratives tell, used to long sorely

on their far voyages. But the genuine garden of Devon is South Hams,

below Dartmoor and between the Teign and the Tamar. This is the

apple-country of which the poet sings:

"For me there's nought I would not give

For the good Devon land,

Whose orchards down the echoing cleeve

Bedewed with spray-drift stand,

And hardly bear the red fruit up

That shall be next year's cider-cup."

Little as Parson Herrick, the indignant incumbent of Dean Prior,

enjoyed his Devonshire charge, the cider industry of the region must

have appealed to him.

But this broad county, outranked in size only by York and

Lincolnshire, has in its south, as in its north, a desolate tableland.

Dartmoor has been described as a "monstrous lump of granite, covered

with a peaty soil." The rocks are rich in lead and iron, tin and

copper, but the soil is too poor even for furze to flourish in it.

Heather, reeds, moss and whortleberries make shift to grow, and afford

a rough pasturage to the scampering wild ponies, the moor-sheep and

red cattle. It is a silent land of rugged tors and black morasses, of

sudden mists and glooms, of prehistoric huts, abandoned mines, and,

above all, for "Superstition clings to the granite," of dark stories,

weird spells, and strange enchantments. Indeed, it folds a horror in

its heart,--Dartmoor Prison, where our American sailors suffered a

century ago, and where English convicts are now ringed in by grim

walls and armed sentries. It is said that even to-day, when a Dartmoor

child gets a burn, the mother's first remedy is to lay her thumb upon

the smarting spot and repeat:

"There came two angels out of the west,

One brought fire, the other brought frost.

Out, fire! In, frost!

By the Father, the Son, and the Holy Ghost!

Amen, amen, amen."

Among the mysterious groups of so-called Druid stones is a circle

known as the Nine Maidens, for these uncouth grey shapes were once

slender girls so fond of dancing that they would not cease on Sunday,

and for that sin were petrified. And still every Sabbath noon these

impenitent stones come to life and dance thrice around in a circle.

FOOTNOTE:

[9] Tennyson's "The Holy Grail," 36-64.

CORNWALL

But the veritable Pixydom lies south of the Tamar. In Cornwall, that

stretch of deserted moors furrowed on either side by little

river-valleys, that rocky promontory which seems to belong more to the

kingdom of the sea than to England, the Celtic imagination has rioted

at will. There were giants in the land in bygone days, for the

wanderer among those strangely sculptured crags of granite, slate, and

serpentine chances at every turn on a Giant's Cradle or a Giant's

Chair, Giant's Spoon, Giant's Bowl, Giant's Key, Giant's Hat, Giant's

Table, Giant's Well, Giant's Pulpit, Giant's Grave. Cornishmen have

heard the music and seen the fairy dances, spied on fairy banquets,

and peeped in on fairy funerals. The Small People have been gay and

kindly neighbours, sometimes whisking away a neglected baby and

returning the little mortal all pink and clean, wrapped in leaves and

blossoms, "as sweet as a nut." These are the spirits of Druids, or of

other early Cornwall folk, who, as heathen, may not go to heaven, but

are too innocent for hell. So they are suffered to live on in their

old happy haunts, but ever dwindling and dwindling, till it is to be

feared that bye and bye, what with all the children growing stupid

over schoolbooks, and all the poets writing realistic novels, the

Small People will twinkle out of sight. The Spriggans, lurking about

the cairns and cromlechs, where they keep guard over buried treasures,

could better be spared. They are such thievish and mischievous trolls,

with such extraordinary strength in their ugly bits of bodies, it is

more likely they are the diminished ghosts of the old giants. The

Piskies are nearly as bad, as any bewildered traveller who has been

Pisky-led into a bog would testify. The only sure protection against

their tricks is to wear your garments inside out. Many a Cornish

farmer has found a fine young horse all sweated and spent in the

morning, his mane knotted into fairy stirrups showing plainly how some

score of the Piskies had been riding him over night. And many a

Cornish miner, deep down in the earth, has felt his hair rise on his

head as he heard the _tap_, _tap_, _tap_ of the Knockers, souls of

long-imprisoned Jews sent here by Roman emperors to work the tin-mines

of Cornwall. The Brownies, who used to be so helpful about the house,

have grown shy of late and can be depended on for assistance only when

the bees are swarming. Then the housewife beats on a tin pan, calling

at the top of her voice: "Brownie! Brownie!" till she sees that he has

heard her and is persuading the bees to settle. Offended mermaids have

choked up Cornish harbours and buried sea-coast villages under sand.

If you doubt it, go and look at the little church of St. Piran--the

miners' saint, who came sailing from Ireland on a millstone and

discovered the Cornish tin--the church that for seven centuries was

hidden under the sands and then, as the restless winds sifted and

searched them, rose again to human sight. Spectral hounds bay across

the moors, and a phantom coach is sometimes heard rolling with a

hollow rumble along the deep-hedged roads. Ghost ships with all sail

set drive by the shores on gusty nights, and the Death Ship, tall,

dark, square-rigged, with black sails and a demon crew, has been

known to come, in crashes of thunder and flare of lightning, for the

soul of a notorious wrecker. Drowned sailors call from under the tide

or speed along the strand with dripping clothes and hair. Witches,

sorcerers, fortune-tellers, charmers and "cunning men" are among the

historic characters of Cornwall. In fact, the Witch of Freddam still

rides the seas in her coffin, stirring up storms with her ladle and

broom. The luckless sailor who has set eyes on her will not see his

home again. Miners, too, have their special dangers. The goblins that

they sometimes chance on underground, hunched up into uncouth shapes

or tumbling heels over head, are not ill-met, as their presence

indicates rich lodes, but it would never do to mark a cross on the

wall of a mine gallery, or to pass a snail on your way to the shaft

without dropping for it a morsel of tallow from your candle. The newly

dead notify their friends of the event in many a curious fashion, even

by shaking the milk in the pans and spoiling the clotted cream. A

woman shamed to suicide haunts her betrayer in the form of a white

hare. Cornishmen cannot die easy on a feather-bed, nor in a house

where any key is turned or bolt is shot, nor would they be carried to

the grave by a new road, nor buried on the north side of the church.

If rain fall--as in Cornwall it often does--on a bier, it is a sign

that the soul has "arrived safe."

Amid all these supernatural influences, it is reassuring to know that

the Devil never enters this county, having a wholesome fear of being

made into a pie. His cloven hoofs once ventured across the Tamar, but

he was dismayed to find that the Cornish women put everything, fish,

flesh, fowl, vegetables, whatnot, into pie. By the time poor Beelzebub

had partaken of fishy pie, stargazy pie--made of pilchards,--conger

pie--made of eels,--lamy pie--made of kid,--herby pie, parsley pie,

and piggy pie, his nerves gave way, and he bolted out of the shire so

precipitately that he strewed the hills and the coast with his

travelling equipment of Devil's Bellows, Devil's Ovens, and Devil's

Frying-pans.

It is mainly in West Cornwall that such fantastic figurings in the

rocks are referred to the Devil or the giants. On the eastern moors

they are more commonly attributed to King Arthur, whose Beds and

Chairs and Cups and Saucers and the Footprints of whose horse are

numerous enough to put the skeptic out of countenance. But not only

our first encounter, as we entered Cornwall by the east, was with King

Arthur, but almost our last, as we left the Duchy by the west,--for

this shire is proud to be known as the Royal Duchy, claiming that the

eldest son of the Crown is born Duke of Cornwall and only subsequently

created Prince of Wales. Within what seemed but a short time after

crossing the broad boundary stream, dotted with sleepy craft, we found

ourselves at Liskeard, a sleepy old market-town blest with a noble

church on whose outer wall is a sundial with the grave motto: "So soon

passeth it away." It was already late in the afternoon, but a dark,

thin, bright-eyed Cornishwoman in the railway carriage had given us

most cheering information. Could we drive to Dozmare Pool before

sunset? Easily; it was only a round of three or four miles and would

take us by the Devil's Cheesewring and The Hurlers and St. Keyne's

Well. The waters of this well, she went on to tell us, have the magic

property of giving the upper hand to that one of a wedded pair first

drinking of them after the ceremony; and she recited with charming

vivacity snatches of Southey's ballad, while a burly, red-faced,

blue-eyed, beaming tourist from over the Tamar, the only man in the

compartment, blurted out a gallantry to the effect that ladies ought

to have their way anyhow, wells or no wells, and his silent little

wife smiled a knowing little smile.

The people at the inn exchanged glances when we announced our route

and although, setting out at five, we confidently ordered dinner at

seven, the landlady slipped a packet of sandwiches and two bottles of

ginger ale into the carriage. The coachman, thin and dark and vivid of

countenance, like all the rest of this new Cornish world about us,

kindly but firmly refused to include in the drive St. Keyne's Well,

the Cheesewring, a curious pile of granite blocks some thirty feet

high, whose topmost stone is so sensitive that it whirls about three

times whenever _it hears_ a cock crow, and The Hurlers, three

prehistoric stone circles reported by legend, in its later Puritan

garb, to be groups of young Cornishmen thus enchanted for indulging

on a Sunday in the traditional Cornish sport of "hurling." Dozmare

Pool was all that our determined Jehu would undertake, although he

graciously allowed us, in passing, a glimpse of St. Cleer's Well. This

is not as famous as the well of St. Neot the Pigmy, who endowed the

sacred waters with miraculous virtue by standing in them, day after

day, immersed to his neck, while he repeated the entire book of

Psalms, or of various others, but it is a spring of old renown,

covered over by a steep-pitched roof supported on time-worn pillars

and arches. The niches of this little open-air baptistry are now empty

and its pinnacles are broken, but beside it still stands an ancient

cross. The lofty-towered church of St. Cleer was close by, and we

entered to bow our heads for a moment under its vaulted and timbered

roof.

Our coachman would allow no further pause. The sunset was already

casting a crimson light over the wastes of fern and bracken and the

earthscars of abandoned mines, for the hills all about contain tin and

copper, which it does not pay to work. Our old white nag--I hope his

name was Merlin--seemed incapable of fatigue. I half suspect he was a

sorcery steed of metal. Up and down the hills he scrambled with

unquenchable enthusiasm. As the sun sank into a bed of bracken, we

marvelled that the driver could be sure of his way across those dim

and featureless moors, but he turned unerringly from one deep lane

into another. As we drew nearer the Pool, that "middle mere" into

which Sir Bedivere flung the jewel-hilted Excalibur, the evil powers

began to array themselves against us. For the wild spirit Tregeagle,

whose howling as he is chased by demon dogs has been heard all over

Cornwall, is doomed for his sins in this mortal life to labour

endlessly at the hopeless task of emptying Dozmare Pool. It is so

deep--notwithstanding the awkward fact of its going dry in rainless

summers--that not all the bell-ropes in Cornwall can reach to its

bottom, and a thorn-bush, once flung into it, floated out into

Falmouth harbour. The bailing must be done by a limpetshell with a

hole in it and, altogether, it is no wonder that Tregeagle's temper

has grown exceedingly morose. For change of occupation, he is

sometimes taken to the north coast and set to spinning ropes of sand,

or is given a choked-up harbour to sweep out, but these tasks please

him no better, and the shrieks of his torment are borne on every

storm.

As we drove on, a light mist crept over the meadows and defined the

course of an attendant stream. Clouds and trees took on weird aspects.

There were Druid robes floating across the sky, misshapen figures

crouching under the hedges, menacing arms shaken from the trees, and

one wizard branch shot out and splashed our faces with unholy dew. The

mist thickened and rose. The carriage left the road and bumped

uncertainly along till it came to a stop at what we vaguely made out

to be the foot of a hill. For by this time the clinging vapours had

driven us into our waterproofs and so blurred all vision that the

driver, who could not leave his fiery veteran of a horse, would not

let us attempt the half-mile climb alone, but sent a shout plunging

through that wet, white air and brought out some bogie of the moor

embodied as a gaunt old Cornish dame to be our guide. Feeling her way

with a stout stick, she led us up the hill and along a stony track

where we could not see our steps nor one another's faces. When she

stayed us with her staff and said we had reached the pool, we could

discern nothing of the sort, but reckless of life and limb we followed

her down an abrupt bank and over a hummocky bit of ground to the very

brink, as she assured us, of the bottomless tarn. We tried to think we

saw a glimmer, although we heard not even

"the ripple washing in the reeds,

And the wild water lapping on the crag."

Lacking an Excalibur, I cast a stone into the invisible, hoping I

might hit Tregeagle, but the hollow splash that came back aroused such

uncanny echoes we all three with one accord skurried away and

scrabbled back down sandy ruts to the haven of the carriage. As we

gratefully munched our sandwiches, we reflected that perhaps the

mystical mere was more impressive so than if we had actually beheld

that little fresh-water pond, about a mile in circumference and some

eight or ten feet deep, lying on its mid-Cornwall tableland with the

crest of Brown Gilly rising up behind. Our eyes had told us nothing

that we could urge against Malory's geography, with its sea-route from

Dozmare to Glastonbury.

[Illustration: CHURCH OF ST. COLUMB MINOR]

"Then Sir Bedivere took the King upon his back, and so went

with him to that water side, and when they were at the water

side, even fast by the bank hoved a little barge with many

fair ladies in it, and among them all was a queen, and all

they had black hoods, and all they wept and shrieked when

they saw King Arthur. 'Now put me into the barge,' said the

King; and so he did softly. And there received him three

queens with great mourning, and so they sat them down, and in

one of their laps King Arthur laid his head, and then that

queen said, 'Ah, dear brother, why have ye tarried so long

from me? Alas; this wound on your head hath caught overmuch

cold.' And so then they rowed from the land, and Sir Bedivere

cried, 'Ah, my lord Arthur, what shall become of me, now ye

go from me and leave me here alone among mine enemies?'

'Comfort thyself,' said the King, 'and do as well as thou

mayst, for in me is no trust for to trust in. For I will into

the vale of Avalon to heal me of my grievous wound.'"

But the Cornish mist in which Arthur fought his last "dim, weird

battle of the west" was to us no longer a fable.

"A death-white mist slept over sand and sea;

Whereof the chill, to him who breathed it, drew

Down with his blood, till all his heart was cold

With formless fear; and ev'n on Arthur fell

Confusion, since he saw not whom he fought.

For friend and foe were shadows in the mist,

And friend slew friend not knowing whom he slew;

And some had visions out of golden youth,

And some beheld the faces of old ghosts

Look in upon the battle."

Now that we had braved Tregeagle and done the deed, that heavy mist

thinned away as suddenly as it had gathered, and when, at ten o'clock,

we reached our inn, the sky was bright with stars, and a great moon

was slowly drifting up from the horizon.

But the paramount Table Round locality in Cornwall is Tintagel on the

western coast where Arthur's Castle stands and where, moreover, the

hushed tide brought him first from the mystery of "the great deep."

"For there was no man knew from whence he came;

But after tempest, when the long wave broke

All down the thundering shores of Bude and Boss,

There came a day as still as heaven, and then

They found a naked child upon the sands

Of wild Dundagil by the Cornish sea;

And that was Arthur."

The high, bleak, rugged and desolate tract of Bodwin Moor, at whose

heart is Dozmare Pool, lies between the four towns of Liskeard,

Bodwin, Launceston and Camelford. This last was our starting-point for

Tintagel. We had reached Camelford by a day's journey from Penzance,

setting out by train through a country seamed all over with abandoned

surface diggings of the tin mines, pierced by shafts and defaced by

heaps of mineral refuse to which heather was already bringing the

first healing of nature. We had our nooning at Newquay and would have

been glad to linger on its broad beach, looking up at the twin barrows

where sleep, according to tradition, two kings of long ago,--kings who

fought on that open headland a whole day through and fell together at

sunset, each slain by the last thrust of the other. But we pressed on

by carriage, hardly glancing at the long, low, stately towered church

of St. Columb Minor, and cutting short our survey of the curious old

panels, so richly carved with sacred emblems--pelicans, crosses, the

instruments of the Passion, the pierced hand, a heart within a crown

of thorns, the lamb, the wafer and the cup--in the brother church of

St. Columb Major. From the depths of our Cornish road shut in by banks

and hedges some ten or twelve feet high, we eyed the ripe blackberries

hanging well above our reach; we saw a blazing rick on one side and,

on the other, a maze of white butterflies circling among the fuchsia

trees; we met a group of rustic mourners pushing a bier set on wheels;

and just as the hedges began to open here and there, giving us vistas

of wheatfield, moor, and sea, we found ourselves at Wadebridge, a

little town with a street of ivy-greened houses dignified by a grey

church-tower. We crossed a stone bridge of many arches that seemed too

big for its river, and took train for Camelford. On our right we had

the granite masses of Brown Willy and Rough Tor and presently, on our

left, the great gashes of the Delalobe slate quarries.

[Illustration: ARTHUR'S CASTLE, TINTAGEL]

These held the close attention of a Cornish miner who, after forty

years of fortune-seeking in Australia, was coming home to Camelford

for a visit. He drove up with us in the rattling wagonette, gazing on

ragged hedge and prickly furze as a thirsty soul might gaze on

Paradise. The fulness of his heart overflowed in little laughters,

though the tears were glistening on his lashes, and in broken words of

memory and joy. He kept pointing out to us, mere strangers that we

were, not noting and not caring what we were, the stiles and streams

and rocks associated with special events of his boyhood and youth.

As we went clattering down into the little stone huddle of houses, we

had to turn away from the rapture in his eyes. Brothers and sisters

were waiting to greet him, with tall children of theirs that had been

to him but names, yet the human welcome could hardly penetrate through

his dream, through his ecstatic communion with the scene itself. As we

were driving out of Camelford early the next morning, we caught sight

of our grizzled Cornishman once again, standing in one of those humble

doorways with the shining still upon his face.

A man like that would make anybody homesick and, to speak impartially,

we thought that Camelford was far less worthy of such emotion than two

villages we severally remembered over sea. We fell out of humour with

the poor old town, would not hear of it as the Arthurian Camelot,

"a city of shadowy palaces

And stately,"

and disdained the tradition that the blameless king fell at Slaughter

Bridge. My athletic comrade, however, to the admiration of a flock of

little schoolgirls, swung herself down the riverbank to see his

tombstone and reported it as reading:

_Caten hic jacit filius Marconi._

The drive to Tintagel was through a world of slate,--slate everywhere.

There were slate walls, slate houses, heaps of slate-refuse, banks of

broken slate feathered with gorse and heather, yawning mouths of

disused slate quarries. We passed through defiles where slate was

piled cliff-high on either side. Slate steps led up to the footpaths

that ran along the top of the hedge-banks. By way of this forsaken

region we came to a sleeping town. Tintagel Church lay before us,

hoary, silent. Not a soul was in the streets,--not the fierce ghosts

of Gorlois and of Uther Pendragon, nor the sad ghost of Igraine, nor

the loving ghosts of Tristram and Iseult. We left the carriage and

climbed by slippery paths to Arthur's Castle, which is no castle, but

a colossal confusion of tumbled rocks, some heaped and mortared once

by human hands, some grouped in the fantastic architecture of nature.

There we sat astonished and dismayed, for the place is like a robber

hold, a den of pirates fortified against the land, rather than a court

of chivalry. But the scene was superbly beautiful. The ocean on which

we looked was a dazzling blue, and far to north and south stood out

the stern, dark outlines of the coast. The sunshine that filled the

surf with shimmering tints gleamed on the white plumage of a gull

enthroned on the summit rock of the castle,--most likely the spirit of

Guinevere, for Arthur, when he revisits Tintagel, comes as the Cornish

chough,

"Talons and beak all red with blood,"--

a bird which no true Cornishman will shoot.

The monstrous crags and huge fragments of old wall were cleft in a

fashion strongly suggestive of

"casements opening on the foam

Of perilous seas in fairylands forlorn,"

and we shuddered to imagine with what stupendous force the terrible

tides of winter must beat against that naked coast.

We realised what the fury of the sea-winds here must be as we strolled

through the churchyard, whose slate slabs are buttressed with masonry

and, even so, tip and lean over those graves too old for grief. All is

ancient about Tintagel church, and most of all the Norman font whose

sculptured faces are worn dim and sleepy with innumerable years, each

year bringing its quota of babies for the blessing of the holy water.

[Illustration: BOSCASTLE]

From Gretna Green to Land's End: A Literary Journey in England. · 第 16 / 17 段