But we would not linger in Taunton,--no, not even for the sake of its

gentle Elizabethan poet, Samuel Daniel, nor would we stay our journey

for trips to the places of varied interest on either side. A little to

the southwest is Wellington, which gave The Iron Duke his title. Going

north from there one would come soon to Milverton, the birthplace of

Dr. Thomas Young, that ingenious linguist who first began to read the

riddle of the Sphinx; for he had deciphered some half dozen of the

Egyptian hieroglyphics in advance of Champollion's great announcement.

A few miles further to the north is Combe Flory, the pleasant

parsonage which Sidney Smith made so gay, even binding his books, and

theological books at that, in brightest colours. To get a tropical

effect, and to hoax his guests, he hung oranges from his garden

shrubs, and to gratify a lady who hinted that deer would ornament the

little park, he fitted out his two donkeys--who doubtless had their

opinion of him and of his doings--with branching antlers, and

stationed them before the windows for a pastoral effect. Well away to

the east of Taunton is Ilchester, the birthplace of that illustrious

thirteenth-century friar, Roger Bacon, a necromancer to his own

generation, and a pioneer in scientific method to ours; and near by

Ilchester is Odcombe, where Tom Coryatt, stoutest-soled of travellers,

was born. He claimed to have walked, between May and October of 1608,

no less than nineteen hundred and seventy-five miles over the

continent of Europe, and had just achieved a pilgrimage to Jerusalem

and a call on the Great Mogul when, under the eastern stars, he died.

England profited by his travels in the entertaining volume commonly

known as Coryatt's "Crudities," as well as in that foreign elegance of

table-forks which he is said to have introduced.

A mightier spell than any of these was upon us, the spell of

Glastonbury, but I do not know why we did not give a few hours to

Athelney, which lay directly in our route. It was here, on an

alder-forested island in a waste of fens and marshes, at the

confluence of the Parrett and the Tone, that King Alfred took shelter

when the Danes had overrun the land. Here he lost that "Alfred's

Jewel" which is now the treasure of the Ashmolean Museum in Oxford;

here this otherwise impeccable monarch burned the cakes; and from here

he made such successful sallies against the enemy that he delivered

England and regained his throne.

The county of Somerset, a land of broad, green valleys enclosed by

rugged ranges of hill and upland, has been compared in form to an arm

slightly bent about the eastern and southern shores of Bristol

Channel. The river Parrett crosses it at the elbow, dividing it into a

southern section,--moors, bogs, mountains, with the deep vale of the

river Tone--and a northern part, larger and more populous, but hardly

less broken. Above the Parrett, and almost parallel with it, runs the

river Brue, draining that once vast peat swamp known as the Brent

Marshes. Glastonbury now stands on the north bank of the Brue, but at

some remote period was islanded in the midst of the river. The

Britons--if the wise say true--called it The Appletree Isle, or

Avalon,--a name caught up in the golden meshes of Arthurian romance.

The wounded king but

"passes to the Isle Avilion,

He passes and is heal'd and cannot die."

The Britons in their heathen days had dreamed of a fairyland where

death and sorrow entered not, the Celtic Tir-na-n'Og, an Island of

Immortal Youth hid somewhere in the flushed, mysterious west, and the

Christian faith, that came so early to Glastonbury, did not destroy

but gathered to itself the wistful hope, so that the site of one of

the earliest churches in England became the centre of strangely

blended legends. It was in the Isle of Avalon, according to Geoffrey

of Monmouth, that the sword Excalibur was forged, and after Arthur had

passed from mortal ken, he was not dead, but still, through the

waiting centuries,

"Mythic Uther's deeply wounded son

In some fair space of sloping greens

Lay, dozing, in the vale of Avalon,

And watched by weeping queens."

Yet the mediæval voices, that we would gladly believe more simply than

we may, tell us that Arthur was buried at Glastonbury in a sarcophagus

hollowed out of the trunk of an oak, that the penitent Guinevere was

laid at his feet, that the skeletons were uncovered and removed to the

church in the reign of Henry II, and were seen by so sane a witness as

Leland so late as the middle of the sixteenth century. But in King

Arthur, death is life, and not his reputed grave, nor the giant bones

folk wondered at, nor the golden lock of Guinevere that crumbled at a

monk's too eager clutch, could shake the faith in his second coming.

Malory, writing in the fifteenth century, illustrates even in his

half denial the persistency of that expectation:

"Yet some men say in many parts of England that King Arthur

is not dead, but had by the will of our Lord Jesu into

another place, and men say that he shall come again, and he

shall win the holy cross. I will not say it shall be so, but

rather, I will say,--here in this world he changed his life,

but many men say that there is written upon his tomb this

verse: _Hic jacet Arthurus Rex quondam Rexque futurus_."

Arthurian legends are attached to other places in Somersetshire,

notably to Cadbury, whose earlier name was Camelot, and to its

adjacent village of Queen's Camel. Here on the river Camel cluster

Arthurian names,--King Arthur's Palace, a moated mound; King Arthur's

Well, a spring of magic virtues; King Arthur's Hunting Causeway, an

old track across the fields; and here the tradition of a great battle

lingers. But Glastonbury is not only an Arthurian shrine; it was once,

in purer days than ours, the keeper of the Holy Grail.

"To whom the monk: 'The Holy Grail! ...

... What is it?

The phantom of a cup that comes and goes?'

"'Nay, monk, what phantom?' answer'd Percivale.

'The cup, the cup itself, from which our Lord

Drank at the last sad supper with his own.

This, from the blessed land of Aromat--

After the day of darkness, when the dead

Went wandering o'er Moriah--the good saint,

Arimathæan Joseph, journeying brought

To Glastonbury, where the winter thorn

Blossoms at Christmas, mindful of our Lord.

And there awhile it bode; and if a man

Could touch or see it, he was healed at once,

By faith, of all his ills. But then the times

Grew to such evil that the holy cup

Was caught away to Heaven, and disappear'd.'

"To whom the monk: 'From our old books I know

That Joseph came of old to Glastonbury,

And there the heathen prince, Arviragus,

Gave him an isle of marsh whereon to build;

And there he built with wattles from the marsh

A little lonely church.'"[9]

Dreamy hours were those we spent under the shadow of Glastonbury Tor,

among the tranquil ruins of that once so glorious abbey, strolling

about with a motley company of sheep, chickens, and tourists over what

is perhaps the most ancient consecrated ground in England. Hither came

St. Joseph of Arimathæa with his eleven companions and here the staff

of the saint, as he thrust it into the ground, put forth leaf and

blossom as a signal that the resting-place was reached. The little

wattled oratory that the Archangel Gabriel commanded and the pagan

king permitted them to build on a waste island of the marsh was

succeeded, in course of time, by a primitive form of monastery, where

St. Patrick, his mission to Ireland accomplished, dwelt many years and

died. Here in a later century great St. Dunstan held the post of abbot

and waged at his forge stern warfare against the Devil. And it is

sober history that here a Christian church and brotherhood lived on in

unbroken peace from British times to English. "What Glastonbury has to

itself, alone and without rival," says Freeman, "is its historical

position as the tie, at once national and religious, which binds the

history and memories of our race to those of the race which we

supplanted."

The after-story of Glastonbury is as tragic as that of Whalley. A

mitred abbey, enlarged and enriched from generation to generation, it

became a court whither the sons of noblemen and gentlemen were sent

for nurture in gracious manners; a school of learning whose library

was one of the most precious in the realm; a seat of princely

hospitalities and lavish charities. When the storm burst, Abbot

Whiting strove to hide from the spoilers some of the abbey plate. He

was forthwith arrested at his manor of Sharpham--the very house where

Fielding the novelist was afterwards born,--sentenced at Wells,

dragged on a hurdle to the top of Glastonbury Tor, and there hanged

and butchered, his head being spiked above the abbey gate. The

magnificent church and extensive conventual buildings, stripped and

abandoned, long served the neighbourhood as a quarry. Richly

sculptured blocks were built into barns and garden-walls and even

broken up for making a road over the marshes. Little is left for the

gazer now save a few weed-crowned columns, an exquisite Early English

chapel on the site of St. Joseph's wattled church, a gabled

tithe-barn, an old pilgrim inn, and the Abbot's Kitchen, a witchcap

structure whose four vast fireplaces must all have roared with jollity

when Abbot Whiting chanced to be entertaining five hundred "persons of

fashion" at a single dinner-party. As we wandered over the daisied

pastureland from one grey fragment to another, we realised the

invisible Glastonbury all the more in the peace that has come with the

perishing of the visible. "Time the Shadow" has but softened the

splendour. More than ever is this

"the island-valley of Avilion;

Where falls not hail, or rain, or any snow,

Nor ever wind blows loudly; but it lies

Deep-meadow'd, happy, fair with orchard lawns

And bowery hollows."

It is only six miles from Glastonbury to Wells, one of the loveliest

cathedral cities of England, not a place to hurry through, but to

settle in and quietly enjoy. Lodgings in Vicar's Close, leisurely

strolls through the gardens of the Bishop's Palace, hours of revery in

choir and chapter-house and Lady Chapel,--it is so that one is taken

to the heart of all this holy beauty. The foundation dates back to the

beginning of the eighth century, but Saxon church melted into Norman,

and Norman into Early English,--substantially the cathedral of to-day,

with that wonderful façade of which Fuller truly said: "England

affordeth not the like." The story of the city is the story of the

church, and the story of the church is one of honour and untroubled

peace. Not being a monastery, it was untouched by the blow that smote

Glastonbury down. The rage of war has passed it by. Its bishops have

left saintly memories. Above this matchless group of ecclesiastical

buildings tender benignities brood like outspread wings. There is

blessing in the very air.

Wells lies in a basin at the foot of the Mendip Hills, which offer

tempting points for excursions. Our most uncanny trip was to Wookey

Hole, where, according to a ballad in Percy's "Reliques," "a

blear-eyed hag" used to dwell. A farmer, groaning with rheumatism,

guided us along a rocky footpath to the cavern entrance, where an

impish boy met us, gave us lighted tapers and himself literally blazed

the way with a can of some lurid-burning oil. After scrambling up and

scrambling down, frequently abjured by our little leader to "mind yer

'eads," we left Hell's Ladder behind us and came out into an open

space known as the Witch's Kitchen. Here was the Witch herself, a

sphinx-like figure made by the petrifaction of the water dripping from

the roof. She received us with a stolid stare, the graceless urchin

threw a pebble at her flat nose, and we gladly scrambled back to upper

day.

I have a pleasanter recollection of Cox's Cave at Cheddar, with its

clearly defined pillars and pinnacles, some amber, some olive, some

transparent, some musical. It requires but little imagination to

distinguish in this fantastic world the queer assortment of "Hindoo

Temple," "Mummy," "Bat's Wings," "Eagle's Wings," "Loaf of Bread,"

"Hanging Goose," "Rat running up a Rock," "Turkeys," "Carrots," and

the splendid "Draperies." There is a place where stalagmite and

stalactite nearly touch,--only one drop wanting, yet in all these

years since Mr. Cox, while prosaically digging for a coach-house,

discovered this elfin grotto, in 1837, that drop has not

crystallised,--so slow is the underground sculptor.

All this region of the Mendip Hills, whose limestone cliffs rise

sheer, terrace above terrace, is full of fascination. Traces of

prehistoric man, as well as of extinct animal species, have been found

in its deep caverns. In the Hyæna Den, when disclosed in 1852, the

eyes of geologists could discern the very places where our shaggy

forbears had lighted their fires and cooked their food. It seems a far

cry from those low-browed cave-folk to Lord Macaulay, who loved this

West Country so well, and to John Locke, who was born in the village

of Wrington,--a village which furthermore prides itself on one of the

noblest church-towers in Somerset and on the decorous grave of Hannah

More.

All manner of literary associations jostle one another in the town of

Bath, to which at home I have heard English visitors liken our Boston.

They meant it as a compliment, for Bath is a handsome city, even

ranked by Landor, one of its most loyal residents, above the cities of

Italy for purity and consistent dignity of architecture. To reach Bath

we have journeyed east from the Mendip Hills into the valley of the

Lesser Avon. Here "the Queen of all the Spas" holds her court, the

tiers of pale stone terraces and crescents climbing up the steep sides

of the valley to a height of some eight hundred feet.

Of the sights of Bath, the Abbey is most disappointing, and well it

may be, for it was despoiled not only of its glass but even of its

iron and lead by Henry VIII, and only a bleak framework left to pass

through a series of purchasers to the citizens. The west front wears a

curious design of ladders on which battered angels clamber up and

down. The interior has no "dim religious light," but gilt and colour

and such a throng of gaudy monuments that the wits have made merry at

the expense of the vaunted mineral springs.

"These walls, adorned with monument and bust,

Show how Bath waters serve to lay the dust."

The healing quality of the waters is attributed, by the veracious

Geoffrey of Monmouth, to the British king Bladud, father of King Lear.

This Bladud, being skilled in sorcery, placed in the gushing spring a

cunning stone that made the water hot and curative. The wizard met an

untimely end in a flight on wings of his own devising. He rode the air

safely from Bath to London, but there fell and was dashed in pieces on

the roof of the temple of Apollo. The Romans knew the virtue of these

waters, and modern excavation has disclosed, with other remnants of a

perished splendour, elaborate Roman baths, arched and columned and

beautifully paved. It is so long since the hour when I went wandering

down into those buried chambers that I but dimly recall a large

central basin, where languid gold-fish circled in a green pool, begirt

by a stone platform, old and mossy. This was set about with pilasters

and capitals and all manner of classic fragments, among which were

mingled bits of mediæval carving. For a Saxon monastery was founded

here, where, according to the Exeter Book, still stood "courts of

stone," and the baths were known and frequented throughout the Middle

Ages and in Tudor and Stuart times. But the Bath of the

eighteenth-century society-novel, the Bath of which Miss Burney and

Miss Austen, Fielding and Smollet have drawn such graphic pictures,

owed its being chiefly to Beau Nash. The city to which this gallant

Oxonian came in 1703 was a mean, rough place enough. The baths were

"unseemly ponds," open to the weather and to the view of the

passersby, who found it amusing to pelt the invalid bathers with dead

cats--poor pussies!--and frogs. But Nash secured a band of music for

the Pump Room, set orderly balls on foot, and soon won the title of

King of Bath, which he made such a focus of fashion that the place

grew during his lifetime from its poor estate into the comely city of

to-day. This arbiter of elegance maintained a mimicry of royal pomp.

His dress glistened with lace and embroidery and he travelled in a

chaise drawn by six grey horses, with a full complement of outriders,

footmen, and French horns.

The Pump Room is worth a visit. It is an oblong saloon, with a

semicircular recess at either end. At the west end is a music gallery,

and at the east a statue of Beau Nash. A three-fourths square of

cushioned seats occupies the middle of the room and opens toward a

counter. Here a white-capped maid dispenses, at twopence a glass, the

yellow fluid which hisses up hot from a fountain just behind her and

falls murmuring into a marble vase. And all about, a part of the

spectacle, sit the health-seekers, sipping the magic water from

glasses in decorated saucers and looking a trifle foolish.

Here, or in steering one's course among the Bath chairs that claim a

native's right of way in park and promenade, fancy may choose almost

any companion she will. Pope hated Bath, to be sure, and called it

"the sulphurous pit," but not even Pope kept out of it; Beckford, the

author of "Vathek," lived here; Butler, author of the "Analogy," died

here; Pepys scribbled a page of his "Diary" here; Herschel the

astronomer played a chapel-organ here; Lord Chesterfield's manners and

Sheridan's wit found here an apt field of exercise; but for my

part--and it was a scandalous choice, with the ghosts of Pitt and

Burke, Wolfe and Nelson, Cowper and Scott and Goldsmith and Moore

ready to do escort duty--I wished for the company of Chaucer's Wife of

Bath, for such a piquant gossip could not have failed to add some

entertaining items to the story of the town.

Our final pilgrimage of last summer was made to Clevedon, a lonely

village which has within half a century become a popular summer

resort. It lies

"By that broad water of the west,"

where the Severn merges into the Bristol Channel. Here is Myrtle

Cottage, where Coleridge and his bride had their brief season of joy.

"Low was our pretty cot; our tallest rose

Peeped at the chamber window. We could hear

At silent noon, and eve, and early morn

The sea's faint murmur. In the open air

Our myrtle blossomed; and across the porch

Thick jasmines twined."

It was here that this poet of boundless promise,

"The rapt one of the godlike forehead,

The heaven-eyed creature,"

wrote his "Æolian Harp," his "Frost at Midnight," and other lyrics

touched with an unwonted serenity and sweetness, and here that Hartley

Coleridge was born.

[Illustration: ST. PETER'S CHURCH, CLEVEDON]

But our first walk took us by the beach and across the fields to that

"obscure and solitary church" where lies Tennyson's Arthur, son of

Henry Hallam the historian, and himself a poet. He was in Vienna when

"God's finger touch'd him and he slept,"

and Tennyson linked the Austrian and the English rivers in his elegy.

"The Danube to the Severn gave

The darken'd heart that beat no more;

They laid him by the pleasant shore,

And in the hearing of the wave.

"There twice a day the Severn fills;

The salt sea-water passes by,

And hushes half the babbling Wye,

And makes a silence in the hills."

The ancient church, now but seldom opened for service, was locked, and

we had to hunt for the sexton. It was dusk when he arrived, but we

groped our way to the south transept and, by the light of a lifted

taper, made out the pathetic farewell:

VALE DULCISSIME

VALE DILECTISSIME

DESIDERATISSIME

REQUIESCAS IN PACE

It was this tablet that haunted the restlessness of Tennyson's grief

as, on moonlight nights, he would seem to see that lustre which fell

across his bed slipping into the transept window and becoming "a glory

on the walls."

"The marble bright in dark appears,

As slowly steals a silver flame

Along the letters of thy name,

And o'er the number of thy years.

"The mystic glory swims away;

From off my bed the moonlight dies;

And closing eaves of wearied eyes

I sleep till dusk is dipt in grey:

"And then I know the mist is drawn

A lucid veil from coast to coast,

And in the dark church like a ghost

Thy tablet glimmers to the dawn."

From Clevedon, from Bath, from Cheddar, from Wells, the roads lead to

Bristol, which must not, if only for the sake of poor Chatterton, be

ignored. This worn, dignified old city has had something of a vagrant

career. Before the Norman Conquest, and for long after, Bristol stood

north of the Avon and was a Gloucestershire town. In course of time it

stretched across the river and lay partly in Somerset. And in the

fourteenth century, when for wealth and consequence it ranked second

only to London, Edward III created it a county by itself. From the

dawn of its history it was a trading-mart. Nothing came amiss to it,

even kidnapping, so that among its gains it gained the title

"Stepmother of all England." The merchants and the mariners of Bristol

stood in the front of English enterprise. Even in the time of Stephen

it was deemed wellnigh the richest city of the kingdom. When a foreign

war was in hand, Bristol could be counted on for a large contingent

of ships and men. Its merchants lived in towered mansions, with

capacious cellars for the storage of their goods, warehouses and shops

on the street floor, the family parlours and bedrooms above, and

attics for the prentices in the sharp-pitched gables. The

banquet-halls, at the rear of these spacious dwellings, were splendid

with carven roofs, rich tapestries, and plate that would have graced a

royal board. Even the critical Pepys, who visited Bristol after its

Spanish and West Indian trades were well established, found its quay

"a most large and noble place."

Bristol sailors bear no small part in the tales of English sea-daring

and records of discovery. As early as 1480, Bristol merchants were

sending out tall ships to search west of Ireland for "the Island of

Brazil and the Seven Cities." Sixteen years later the Venetian mariner,

John Cabot, probably accompanied by his son Sebastian--"shadow-seekers,"

the old Bristol tars would call them--had touched the coast of North

America. On his return the "Great Admiral" clad himself in silk and was

a notable figure in the Bristol streets. Phantasmal though it all seems

in a retrospect of centuries, many are the men who have drawn the gaze

in these ever-moving thoroughfares,--William Canynges, "Merchant Royal,"

whose trade with the north of Europe probably exceeded that of any other

merchant in England; Thomas Norton, fifteenth-century alchemist and

dreamer, who believed that he had discovered both the Philosopher's

Stone and the Elixir of Life; Captain Thomas James, for whom James's Bay

is named, he whose search for the Northwest Passage is one of the heroic

chapters in the annals of the sea; the Reverend Richard Hakluyt, always

deep in talk with some grizzled seaman; Captain Martin Pring, proud of

the load of sassafras he had brought back from Cape Cod; Colston the

philanthropist, the local saint. Mere literary folk would have been

embarrassed by little enough attention as they went their quiet ways.

What was Chatterton to the trading, shipbuilding, ship-lading town but a

bright-eyed Blue-Coat boy? And how those hard-headed merchants would

have chuckled over the eager scheme of three penniless young poets,

Coleridge, Southey, and Lovell, for founding a community on the

Susquehanna--a river of melodious name and delightfully far away--where

no one should labour more than two hours out of the twenty-four!

From Gretna Green to Land's End: A Literary Journey in England. · 第 14 / 17 段