The scenic effects and the joy of climbing are not lost by American

tourists, yet these, as a rule, come to the Lake Country in a temper

quite unlike that of the English holiday seekers. We come as pilgrims

to a Holy Land of Song. We depend perhaps too little upon our own

immediate sense of grandeur and beauty, and look perhaps too much to

Wordsworth to interpret for us "Nature's old felicities." The Lake

Country that has loomed so large in poetry may even disappoint us at

the outset. The memory of the Rockies, of our chain of Great Lakes, of

Niagara, may disconcert our first impressions of this clump of hills

with only four, Scafell Pike, Scafell, Helvellyn, and Skiddaw,

exceeding three thousand feet in height; of lakes that range from

Windermere, ten miles long and a mile broad, to the reedy little pond

of Rydal Water, more conventionally termed "a fairy mere"; of

waterfalls that are often chiefly remarkable, even Southey's Lodore,

for their lack of water. Scales Tarn, of which Scott wrote,

"Never sunbeam could discern

The surface of that sable tarn,

In whose black mirror you may spy

The stars, while noontide lights the sky,"

is seventeen feet deep.

[Illustration: ISLAND IN GRASMERE LAKE]

It is all in proportion, all picturesque,--almost in too regular

proportion, almost too conspicuously picturesque, as if it had been

expressly gotten up for the "tripper." There is nothing of primeval

wildness about it. Nature is here the lion tamed, an accredited human

playmate. Indeed, one almost feels that here is Nature sitting for her

portrait, a self-conscious Nature holding her court of tourists and

poets. Yet this is but a fleeting and a shamefaced mood. It takes

intimacy to discover the fact of reticence, and those are aliens

indeed who think that a single coach-drive, even the boasted "circular

tour," has acquainted them with the Lake Country,--yes, though they

trudge over the passes (for it is coach etiquette to put the

passengers down whenever the road gets steep) Wordsworth in hand. In

truth, the great amount of literary association may be to the

conscientious "Laker" something of a burden. Skiddaw thrusts forth his

notched contour with the insistent question: "What was it Wordsworth

said about me?" Ennerdale church and the Pillar Rock tax one's memory

of "The Brothers," and every stone sheep-fold calls for a recitation

from "Michael." That "cradled nursling of the mountain," the river

Duddon, expects one to know by heart the thirty-four sonnets recording

how the pedestrian poet

"accompanied with faithful pace

Cærulean Duddon from its cloud-fed spring."

The footpath you follow, the rock you rest upon, the yew you turn to

admire, Wishing-Gate and Stepping-Stones admonish you to be ready with

your quotation. Even the tiny cascade of Rydal Water--so small as

presumably to be put to bed at six o'clock, for it may not be visited

after that hour--has been sung by the Grasmere laureate. While your

care-free Englishman goes clambering over the golden-mossed rocks and

far within the slippery recesses of Dungeon Ghyll, your serious

American will sit him down amid the bracken and, tranquilly watched

by Lingmoor from across the vale, read "The Idle Shepherd-Boys," and

the exquisite description of the scene in Mrs. Humphry Ward's

"Fenwick's Career." If he can recall Coleridge's lines about the

"sinful sextons' ghosts," so much the better, and if he is of a

"thorough" habit of mind, he will have read through Wordsworth's

"Excursion" in preparation for this expedition to the Langdales and be

annotating the volume on his knee.

There may be something a little naïve in this studious attitude in the

presence of natural beauty, but the devotion is sincere. Many a

tourist, English and American, comes to the Lake Country to render

grateful homage to those starry spirits who have clustered there. Fox

Howe, the home of Dr. Arnold and dear to his poet son; The Knoll, home

of Harriet Martineau; and the Dove's Nest, for a little while the

abode of Mrs. Hemans, are duly pointed out at Ambleside, but not all

who linger in that picture-book village and climb the hill to the

Church of St. Anne, standing serene with its square, grey,

pigeon-peopled tower, know that Faber was a curate there in the

youthful years before he "went over to Rome." He lived hard by in what

is said to be the oldest house in Ambleside, once a manor-house of

distinction,--that long, low stone building with small, deep-set

windows and the cheery touches of colour given by the carefully tended

flowers about the doors. "A good few" people thought he was not "just

bright," our landlady told us, "because he would be walking with his

head down, busy at his thoughts," yet Wordsworth said that Faber was

the only man he knew who saw more things in Nature than he did in a

country ramble. Bowness cherishes recollections of the gay, audacious

doings of Professor Wilson (Christopher North), and Troutbeck plumes

itself on being the birthplace of Hogarth's father. Keswick, where

Shelley once made brief sojourn, holds the poet-dust of Southey and of

Frederic Myers, and in Crosthwaite Vicarage may be found a living poet

of the Lakes, Canon Rawnsley,--a name to conjure with throughout the

district, whose best traditions he fosters and maintains.

Opposite Rydal Mount, at Nab Cottage, dwelt, for the closing years of

his clouded life, the darling of the dalesfolk, "Li'le Hartley,"

first-born son of Coleridge,--that boy "so exquisitely wild" to whom

had descended something of his father's genius crossed by the father's

frailty. Hartley's demon was not the craving for opium, but for

alcohol. After a sore struggle that crippled but did not destroy, he

rests in Grasmere churchyard, his stone bearing the inscription, "By

Thy Cross and Passion." It was from Nab Cottage that another soul of

high endowment, menaced by the opium lust, De Quincey, took a bride,

Margaret, a farmer's daughter, who made him the strong and patient

wife his peril needed. They dwelt in Dove Cottage at Townend,

Grasmere, the hallowed garden-nest where Wordsworth and his wife and

his sister Dorothy--that ardent spirit the thought of whom is still

"like a flash of light"--had dwelt before. Wordsworth's later homes at

Allan Bank, the Grasmere Rectory, and even at Rydal Mount are less

precious to memory than this, where he and Coleridge and Dorothy

dreamed the great dreams of youth together. Thither came guests who

held high converse over frugal fare,--among them Sir Walter Scott,

Charles Lamb, "the frolic and the gentle," and that silent poet, the

beloved brother John. It was a plain and thrifty life that Dove

Cottage knew, with its rustic little rooms and round of household

tasks, but thrift took on magic powers in the Lake Country a century

ago. Amazing tales are told of the "Wonderful Walker," schoolmaster of

Buttermere and curate of Seathwaite, the Pastor of the "Excursion,"

but his feats of economy might be challenged by the old-time curate of

Patterdale, who, on an income of from sixty to ninety dollars a year,

lived comfortably, educated his four children, and left them a tidy

little fortune. Such queer turns of fate were his that he published

his own banns and married his father.

Most of those for whose sake the Lake Country is holy ground lived a

contemplative, sequestered life akin to that of the mediæval monks,

the scholars and visionaries of a fighting world; but Coniston, on the

edge of Lancashire, is the shrine of a warrior saint, Ruskin, whose

last earthly home, Brantwood, looks out over Coniston Water, and whose

grave in the quiet churchyard, for which Westminster Abbey was

refused, is beautifully marked by a symbolically carven cross

quarried from the fine greenstone of Coniston Fells. In the Ruskin

Museum may be seen many heart-moving memorials of that hero life, all

the way from the abstracts of sermons written out for his mother in a

laborious childish hand to the purple pall, worked for him by the

local Linen Industry he so eagerly founded, and embroidered with his

own words: "Unto This Last."

Not in any roll-call of the men of letters who have trodden the

Cumbrian Hills should the poet Gray be forgotten. The first known

tourist in the Lake Country, he was delighted with Grasmere and

Keswick, but Borrowdale, plunged deep amid what the earliest

guide-book, that of West in 1774, was to describe as "the most horrid

romantic mountains," turned him back in terror.

Yet Wordsworth, for all his illustrious compeers, is still the

presiding genius of these opalescent hills and silver meres. It is to

him, that plain-faced man who used to go "booing" his verses along

these very roads, that multitudes of visitants have owed

"Feelings and emanations--things which were

Light to the sun and music to the wind."

It is good for the soul to follow that sane, pure life from its "fair

seedtime" on the garden terrace at Cockermouth, where the murmuring

Derwent gave

"Amid the fretful dwellings of mankind,

A foretaste, a dim earnest, of the calm

That Nature breathes among the hills and groves,"

through the boyhood at Hawkshead--that all-angled little huddle of

houses near Esthwaite Water--a boyhood whose inner growth is so

marvellously portrayed in "The Prelude," on through the long and

fruitful manhood of a poet vowed,

"Days of sweet leisure, taxed with patient thought

Abstruse, nor wanting punctual service high,

Matins and vespers of harmonious verse,"

to the churchyard beside the Rotha, where Wordsworth and his kin of

flesh and spirit keep their "incommunicable sleep."

"Blessing be with them, and eternal praise!"

THREE RUSH-BEARINGS

_Where is the stranger? Rushes, ladies, rushes,

Rushes as green as summer for this stranger._

FLETCHER'S "Valentinian."

I

We heard about it first in Ambleside. We were in lodgings half-way up

the hill that leads to the serene, forsaken Church of St. Anne. It was

there that Faber, fresh from Oxford, had been curate, silently

thinking the thoughts that were to send him into the Roman communion,

and his young ghost, with the bowed head and the troubled eyes, was

one of the friends we had made in the few rainy days of our sojourn.

Another was Jock, a magnificent old collie, who accepted homage as his

royal due, and would press his great head against the knee of the

alien with confident expectation of a caress, lifting in recognition a

long, comprehending look of amber eyes. Another friend--though our

relations were sometimes strained--was Toby, a piebald pony of

piquant disposition. He allowed us to sit in his pony-cart at

picturesque spots and read the Lake Poets to him, and to tug him up

the hills by his bridle, which he had expert ways of rubbing off, to

the joy of passing coach-loads, when our attention was diverted to the

landscape. Another was our kindly landlady. She came in with hot tea

that Saturday afternoon to cheer up the adventurous member of the

party, who had just returned half drowned from a long drive on

coachtop for the sake of scenery absolutely blotted out by the

downpour. There the "trippers" had sat for hours, huddled under

trickling umbrellas, while the conscientious coachman put them off

every now and then to clamber down wet banks and gaze at waterfalls,

or halted for the due five minutes at a point where nothing was

perceptible but the grey slant of the rain to assure them--and the

spattered red guidebook confirmed his statement--that this was "the

finest view in Westmoreland." So when our landlady began to tell us of

the ancient ceremony which the village was to observe that afternoon,

the bedrenched one, hugging the bright dot of a fire, grimly implied

that the customs and traditions of this sieve-skied island--in five

weeks we had had only two rainless days--were nothing to her; but the

tea, that moral beverage which enables the English to bear with their

climate, wrought its usual reformation.

At half-past five we were standing under our overworked umbrellas on a

muddy street corner, waiting for the procession to come by. And

presently it came, looking very much as if it had been through a pond

to gather the rushes. In front went a brass band, splashing along the

puddles to merry music, and then a long train of draggled children,

with a few young men and maidens to help on the toddlers, two or three

of whom had to be taken up and carried, flowers and all. But soberly

and sturdily, in the main, that line of three hundred bonny bairns

trotted along through the heavy clay, under the soft rain--little lads

in rubber coats and gaiters, some holding their tall bunches of

rushes, or elaborate floral designs, upright before them like

bayonets, some shouldering them like guns; tired little lassies

clasping their "bearings" in their arms like dolls, or dragging them

along like kittens. All down the line the small coats and cloaks were

not only damp, but greened and mossed and petal-strewn from the

resting and rubbing of one another's burdens. These were of divers

sorts. Most effective were the slender bundles of rushes,--long,

straight rushes gathered that morning from the meres by men who went

out in boats for the purpose. These rush-fagots towered up from a

distance like green candles, making the line resemble a procession of

Catholic fairies. The village, however, took chief pride in the

moss-covered standards of various device entwined with rushes and

flowers. There were harps of reeds and waterlilies, crosses of ferns

and harebells, shepherds' crooks wound with heather, sceptres,

shields, anchors, crowns, swords, stars, triangles, hearts, with all

manner of nosegays and garlands. Ling and bracken from the hillsides,

marigolds from the marsh, spikes of oat and spears of wheat from the

harvest-fields, and countless bright-hued blossoms from meadow and

dooryard and garden were woven together, with no little taste and

skill, in a pretty diversity of patterns.

The bells rang out blithe welcome as the procession neared the

steepled Church of St. Mary, where a committee of ladies and gentlemen

received the offerings and disposed them, according to their merit, in

chancel or aisles. The little bearers were all seated in the front

pews, the pews of honour, before we thronging adults, stacking our

dripping umbrellas in the porch, might enter. The air was rich with

mingled fragrances. Along the chancel rail, in the window-seats, on

the pillars, everywhere, were rushes and flowers, the choicest

garden-roses whispering with foxglove and daisy and the feathered

timothy grass. But sweeter than the blossoms were the faces of the

children, glad in their rustic act of worship, well content with their

own weariness, no prouder than the smiling angels would have had them

be. Only here and there a rosy visage was clouded with disappointment,

or twisted ruefully awry in the effort to hold back the tears, for it

must needs be that a few devices, on which the childish artists had

spent such joyful labour, were assigned by the expert committee to

inconspicuous corners. The mere weans behaved surprisingly well,

though evensong, a brief and sympathetic service, was punctuated by

little sobs, gleeful baby murmurs, and crows of excitement. The vicar

told the children, in a few simple words, how, in earlier times, when

the church was unpaved, the earth-floor was strewn with sweet-smelling

rushes, renewed every summer, and that the rushes and flowers of

to-day were brought in memory of the past, and in gratitude for the

beauty of their home among the hills and lakes. Then the fresh child

voices rang out singing praises to Him who made it all:

"The purple-headed mountain,

The river running by,

The sunset, and the morning

That brightens up the sky."

They sang, too, their special hymn written for the Ambleside

rush-bearers seventy years ago, by the well-beloved vicar of Brathay,

the Rev. Owen Lloyd:

"Our fathers to the house of God,

As yet a building rude,

Bore offerings from the flowery sod,

And fragrant rushes strew'd.

* * * * *

"These, of the great Redeemer's grace

Bright emblems, here are seen;

He makes to smile the desert place

With flowers and rushes green."

One highly important ceremony, to the minds of the children, was yet

to come,--the presentation of the gingerbread. As they filed out of

the church, twopenny slabs of a peculiarly black and solid substance

were given into their eager little hands. The rain had ceased, and we

grown-ups all waited in the churchyard, looking down on the issuing

file of red tam-o'-shanters, ribboned straw hats, worn grey caps, and,

wavering along very low in the line, soft, fair-tinted baby hoods,

often cuddled up against some guardian knee. Under the varied headgear

ecstatic feasting had begun even in the church porch, though some of

the children were too entranced with excitement to find their mouths.

One chubby urchin waved his piece of gingerbread in the air, and

another laid his on a gravestone and inadvertently sat down on it. A

bewildered wee damsel in robin's-egg blue had lost hers in the basket

of wild flowers that was slung about her neck. One spud of a boy,

roaring as he came, was wiping his eyes with his. In general, however,

the rush-bearers were munching with such relish that they did not

trouble themselves to remove the tissue paper adhering to the bottom

of each cake, but swallowed that as contentedly as the rest.

Meanwhile their respective adults were swooping down upon them,

dabbing the smear of gingerbread off cheeks and chins, buttoning up

little sacques and jackets, and whisking off the most obtrusive

patches of half-dried mud. Among these parental regulators was a

beaming old woman with a big market-basket on her arm, who brushed and

tidied as impartially as if she were grandmother to the whole parish.

Then, again, rang out those gleeful harmonies of which our Puritan

bells know nothing. The circle of mountains, faintly flushed with an

atoning sunset, looked benignly down on a spectacle familiar to them

for hundreds of Christian summer-tides; and if they remembered it

still longer ago, as a pagan rite in honour of nature gods, they

discreetly kept their knowledge to themselves.

The rushes and flowers brightened the church through the Sunday

services, which were well attended by both dalesfolk and visitors. On

Monday twelve prizes were awarded, and the bearings were taken away by

their respective owners. Then followed "the treat," an afternoon of

frolic, with rain only now and then, on a meadow behind St. Mary's.

The ice-cream cart, the climbing-pole, swings and games, seemed to

hold the full attention of the children, to each of whom was tied a

cup; but when the simple supper was brought on to higher ground close

by the church, who sat like a gentle mother in the very midst of the

merry-make, a jubilant, universal shout, "It's coom! It's coom!" sent

all the small feet scampering toward the goodies. To crown it all, the

weather obligingly gave opportunity, on the edge of the evening, for

fireworks, which even the poor little Wesleyans outside the railing

could enjoy.

[Illustration: THE RUSH-BEARING AT GRASMERE]

II

The Ambleside rush-bearing takes place on the Saturday before the last

Sunday in July. The more famous Grasmere rush-bearing comes on the

Saturday next after St. Oswald's Day, August fifth. This year (1906)

these two festivals fell just one week apart. The London papers were

announcing that it was "brilliant weather in the Lakes," which, in a

sense, it was, for the gleams of sunshine between the showers were

like opening doors of Paradise; yet we arrived at Grasmere so wet

that we paid our sixpences to enter Dove Cottage, a shrine to which we

had already made due pilgrimage, and had a cosey half-hour with Mrs.

Dixon, well known to the tourist world, before the fireplace whose

quiet glow often gladdened the poets and dreamers of its great days

gone by.

Our canny old hostess, in the bonnet and shawl which seem to be her

official wear, was not disposed this afternoon to talk of the

Wordsworths, whom she had served in her girlhood. Her mind was on the

rush-bearing for which she had baked the gingerbread forty-three

years. There were five hundred squares this time, since, in addition

to what would be given to the children, provision must be made for the

Sunday afternoon teas throughout Grasmere. The rolling out of the

dough had not grown easier with the passing of nearly half a century,

and she showed us the swollen muscles of her wrist. Her little

granddaughters, their flower erections borne proudly in their arms,

were dressed all spick and span for the procession, and stood with

her, for their pictures, at the entrance to Dove Cottage.

It was still early, and we strolled over to the tranquil church beside

the Rotha. Under the benediction of that grey, embattled tower, in

the green churchyard with

"Ridge rising gently by the side of ridge,

A heaving surface,"

sleep Wordsworth, his sister Dorothy, and their kindred, while the

names of Hartley Coleridge and Arthur Hugh Clough may be read on

stones close by. We brought the poets white heather and heart's ease

for our humble share in the rush-bearing.

Grasmere church, with its strange row of rounded arches down the

middle of the nave and its curiously raftered roof, still wears the

features portrayed in _The Excursion_:

"Not raised in nice proportions was the pile,

But large and massy; for duration built;

With pillars crowded, and the roof upheld

By naked rafters intricately crossed,

Like leafless underboughs, in some thick wood,

All withered by the depths of shade above.

Admonitory texts inscribed the walls,

Each in its ornamental scroll enclosed,

Each also crowned with wingèd heads--a pair

Of rudely painted Cherubim. The floor

Of nave and aisle, in unpretending guise,

Was occupied by oaken benches ranged

In seemly rows; the chancel only showed

Some vain distinctions, marks of earthly state,

By immemorial privilege allowed."

There were a number of people in the church, but the reverent hush was

almost unbroken. Strangers in the green churchyard were moving softly

about, reading the inscriptions on stones and brasses, or waiting in

the pews, some in the attitude of devotion. In the south aisle leaned

against the wall the banner of St. Oswald, a crimson-bordered

standard, with the figure of the saint in white and crimson, worked on

a golden ground. A short, stout personage, with grey chin-whiskers and

a pompous air, presumably the sexton, came in a little after three

with a great armful of fresh rushes, and commenced to strew the floor.

Soon afterwards the children, with their bearings, had taken their

positions, ranged in a long row on the broad churchyard wall, fronting

the street, which by this time was crowded with spectators, for the

Grasmere rush-bearing is the most noted among the few survivals of

what was once, in the northern counties of England, a very general

observance. There is an excellent account of it, by an eyewitness, as

early as 1789. James Clarke, in his _Survey of the Lakes_, wrote:

"I happened once to be at Grasmere, at what they call a

Rushbearing.... About the latter end of September a number of

young women and girls (generally the whole parish) go

together to the tops of the hills to gather rushes. These

they carry to the church, headed by one of the smartest girls

in the company. She who leads the procession is styled the

Queen, and carries in her hand a huge garland, and the rest

usually have nosegays. The Queen then goes and places her

garland upon the pulpit, where it remains till after the next

Sunday. The rest then strew their rushes upon the bottom of

the pews, and at the church door they are met by a fiddler,

who plays before them to the public house, where the evening

is spent in all kinds of rustic merriment."

Still more interesting is the record, in Hone's _Year Book_, by "A

Pedestrian." On July 21, 1827, the walking tour of this witness

brought him to Grasmere.

From Gretna Green to Land's End: A Literary Journey in England. · 第 2 / 17 段