INTRODUCTION

There are two ways of recording and communicating to others an

impression, say, of a building or a place. One way is to sit down at a

definite point, and make an elaborate picture. It is thus perhaps that

one grasps the artistic significance and unity of the object best; one

sees it in a chosen light of noon or eve; one feels its dominant

emotion, its harmony of proportion and outline. Or else one may wander

about and take sketches of it from a dozen different points of view,

record little delicacies of detail, tiny whims and irregularities; and

thus one learns more of the variety and humours of the place, its

gestures and irritabilities, its failures of purpose or design. The

question is whether you like a thing idealised or realised. As to the

different methods of interpretation, they can hardly be compared or

subordinated. An artist does not choose his method, because his method

is himself.

The book that follows is an attempt, or rather a hundred attempts, to

sketch some of the details of life, seen from a simple plane enough,

and with no desire to conform it to a theory, or to find anything very

definite in it, or to omit anything because it did not fit in with

prejudices or predilections. The only unity of mood which it reflects

is the unity of purpose which comes from a decision. I had chosen a

life which seemed to me then to be wholesome, temperate, and simple, in

exchange for a life that was complicated, restless, and mechanical. The

choice was not in the least a revolt against conventions; it was only

the result of a deliberate belief that conventions were not necessary

to contentment, and that if one never ventured anything in general, one

would never gain anything in particular. It was not, to speak with

absolute frankness, intended to be an attempt to shirk my fair share of

the natural human burden. If I had believed in my own power of bearing

that burden profitably and efficiently, I hope I should not have laid

it down. It was rather that I thought that I had carried a burden long

enough, without having the curiosity to see what it contained. When I

did untie it and inspect it, it seemed to me that a great part of what

it contained was not particularly useful, but designed, like the

furniture of the White Knight's horse, in _Through the Looking Glass_,

to provide against unlikely contingencies. I thought that I might live

life, of the brevity and frailty of which I had become suddenly aware,

upon simpler and more rational lines.

I was then, in embarking upon this book, in what may be described as a

holiday-making frame of mind, as a man might be who, after a long

period of sedentary life, finds himself at leisure, strolling about on

a sunny morning in a picturesque foreign town, in that delicious mood

when the smallest sights and sounds and incidents have a sharpness and

delicacy of flavour which brings back the untroubled and joyful

passivity of childhood, when one had no need to do anything in

particular, because it was enough to be. It seemed so futile to go on

consuming stolidly and grimly the porridge of life, when one might take

one's choice of its dainties! I had no temptation to waste my substance

in riotous living. I had no relish for the passionate and feverish

delights of combat and chase. It did not seem to be worth while to

pretend that I had, merely for the sake of being considered robust and

full-blooded. To speak the truth, I did not particularly care what

other people thought of my experiment. It seemed to me that I had

deferred to all that too long; and though I had no wish to break

violently with the world or to set it at defiance, I thought I might

venture to find a little corner and a little book, and see the current

spin by. It seemed to me, too, that most of the people who waxed

eloquent about the normal duties and responsibilities of life chose

them not reluctantly and philosophically, but because, on the whole

they preferred them, and felt dull without them; and I imagined that I

had my right to a preference too, particularly if it was not pursued at

the expense of other people.

Whether or not the choice was wise or foolish will be seen, or may be

inferred. But I do not abjure the theory. I think and believe that

there are a good many people in the world who pursue lives for which

they are not fitted, and lose all contentment in the process, simply

because they respect conventions too much, and have not the courage to

break away from them. Some of the most useful people I know are people

who not only think least about being useful, but are ready to condemn

themselves for their desultoriness. The people who have time to listen

and to talk, to welcome friends and to sympathise with them, to enjoy

and to help others to enjoy, seem to me often to do more for the world

than the people who hurry from committee to committee, address

meetings, and do what is called some of the drudgery of the world,

which might in a hundred cases be just as well undone. It is most of it

merely a childish game either way; and the child who looks on and

applauds is often better employed than the child who makes a long

score, and thinks of nothing else for the rest of the afternoon.

And anyhow, this is what I saw and thought and did; not a very

magnificent performance, but a little piece of life observed and

experienced and written down.

The Silent Isle · 第 6 / 61 题