The Irish Giant Baby "At Home."

The exterior of the Show is painted to represent a

Cottage, and bears the highly improbable name of "Polly

O'Gracious," with an even less credible announcement

that this is the identical "little cot where she was

born." Inside is an ordinary tent, with a rough platform

at the further end, whereon is an empty chair, at which

a group of small Boys, two or three young Women, and

some middle-aged Farm-labourers, have been solemnly and

patiently staring for the last quarter of an hour.

_First Farm Labourer_ (_to Second_). I bin in 'ere 'bout erf an hour, I

hev, and ain't seed nowt so fur!

_Second F. L._ Same 'ere! Seems to take 'em a proper good time a-gittin'

o' this 'ere baby claned up!

_First F. L._ Ah, it do. But look at the _size_ on her!

_Second F. L._ Size! They cudn't be no slower not with a hellyphant!

[The tedium is relieved by a very audible dispute

outside between the Driver of the Baby's Caravan and the

Wife of the Conjuror next door, who appears to have

excited the Driver's displeasure by consenting to take

the money in the absence of the Baby's proprietress.

_The Driver_ (_with dignity_). I consider it a bloomin' liberty, and a

downright piece of himpertinence, you comin' 'ere interferin' with with

my business--and so I tell yer!

_The Lady_ (_with more dignity_). I'm not taking no liberties with

nobody--she ast me to it, or I shoudn't _be_ 'ere--_I_ don't want to

take the money, not without bein' ast to do so. She come and ast me to

take her place while she was away, and in course _I_ wasn't goin' to say

no.

_Driver._ Don't you tork to me. I know what _you_ are, puttin' yerself

forward whenever yer can--a goin' tellin' the people on the road as you

was the Baby's mother!

_The Lady._ I never said no such thing! Why should I want to tell sech a

story for?

_Driver._ Arsk yourself--not me. And p'raps you never said you 'ad

valuable property in our waggin' neither.

_Lady_ (_apparently cut to the heart by this accusation_). It's a

false'ood! I never 'ad no valuable property in your waggin', nor yet

nobody else's; and I'll thank you to keep your distance, and not go

raggin' me.

_Driver_ (_edging nearer_), I'll keep _my_ distance. But don't you make

no mistake--I'm not to be _played_ with! I'm sick o' your goin's on. And

then(_reviving a rankling and mysterious grievance_) to think o' you a

comin' mincin' up on the road with yer(_mimicking_), "Oh, yus, Mrs.

FAIRCHILD, there's a blacksmith jest across the way!" What call 'ad you

got to shove _your_ nose in like that, eh? you're a interferin' cat,

that's what _you_ are!

[The Conjuror's Lady is moved to the verge of tears and

assault, and her wrath is only assuaged by the arrival

of the missing Proprietress, who patches up a temporary

peace; presently the hangings at the back are parted,

and an immensely stout child, dressed in an infant's

frock, waddles in, hoists herself on the platform and

into the chair, from which she regards the Spectators

with stolid composure; the small boys edge back, nudge

one another and snigger furtively; the girls say "Oh,

lor!" in a whisper, and a painful silence follows.

_A Middle-aged Labourer_ (_feeling the awkwardness of the situation_).

'Ow old may you be, Missy?

_The Giant Baby_ (_with a snap_). Ten!

[She gazes all round with the hauteur peculiar to a

phenomenon, and her visitors are only relieved from the

strain by the timely appearance of the Exhibitor, a

Mulatto lady, who gives a brief biographical sketch of

the Infant's career, with details of her weight and

measurements. Then Miss POLLY sings a stanza

of "Little Annie Rooney" in a phonographic manner,

dances a few ponderous steps, and identifies the most

sheepish youth in the audience--much to his

embarrassment--as her sweetheart, after which her

audience is permitted to shake hands with her and

depart.

* * * * *

A Prize Lottery.

A Young Man in a light suit, and a paste pin in a dirty

white necktie, has arrived with a chest, from which he

extracts a quantity of small parcels in coloured

tissue-paper.

_The Young Man_ (_as a group collects around him_). Now, I'm 'ere to

orfer those among yer who 'ave the courage to embark in speckilation an

unrivalled opportunity of enriching themselves at next to no expense.

Concealed in each o' these small porcels is a prize o' more or less

value, amongst them bein', I may tell yer, two 'undred threepenny

pieces, not to mention 'igher coins up to 'arf a sov'rin. Mind, I

promise nothing--I only say this: that those who show confidence in me

I'll reward beyond their utmost expectations.( _To an_ Agricultural

Labourer _in the circle._) 'Ere, you Sir, 'ave you ever seen me before

in all your life?

[Illustration:

"Concealed in each o' these small porcels is a prize o'

more or less value."]

_The Agricultural Labourer_ (_with a conscientious fear of committing

himself_). I _may_ 'ave.

_The Young Man._ You _may_ 'ave! '_Ave_ you? 'Ave _I_ ever seen _you_?

Come now!

_The Agr. L._ (_cautiously_). I carn't answer fur what you've _seen_,

Sir.

_The Y. M._ Well, are you a friend o' mine?

_The A. L._ (_after inward searchings_). Not as I'm aweer on.

_The Y. M._ Then take this packet.(_The_ A. L. _grins and hesitates._)

Give me a penny for it.(_The_ A. L. _hangs back._) Do as I _say_! (_His

tone is so peremptory that the_ A. L. _hastens to obey._) Now don't open

that till I tell you, and don't go away--or I shall throw the money

after yer. (_The_ A. L. _remains in meek expectation;_ Old Billy

Fairplay, _and a_ Spotty-faced Man, _happen to pass; and join the group

out of innocent curiosity._) Will _you_ give me a penny for this, Sir?

(_To the Spotty-faced One, who shakes his head._) To oblige Me! (_This

is said in such an insinuating tone, that it is impossible to resist

him._) Now you've shown your confidence in me, will you open that packet

and show the company what it contains.

_The Spotty-faced Man_ (_undoing the packet_). There's nothink inside o'

mine--it's a reg'lar do!

[_Roars of laughter._

_The Y. M._ Quite right--there _was_ nothink inside o' thet partickler

packet. I put it there a-purpose, as a test. But I don't want nobody to

go away dissatisfied with my manner o' doin' business, and, though I

ain't promised yer nothing, I'll show yer I'm better than my word, and

them as trusts me'll find no reason to repent of 'aving done so. 'Ere's

your original penny back, Sir, and one, two, _three_ more atop of

that--wait, I ain't done with yer yet--'ere's sixpence more, because

I've took a fancy to yer face--and _now_ I 'ope you're satisfied!

_The Sp.-F. M._ (_in an explanatory undertone to his neighbours_). I

knew it's on'y them as comes last thet gits left, d' yer see!

[_Several bystanders hasten to purchase._

_Old Billy Fairplay_ (_in an injured tone_). There ain't on'y a

three-penny-bit in mine!

_The Y. M._ 'Ark at 'im--there's a discontented ole josser for yer! I

carn't put 'arf a sov'rin' in _all_ o' the packets, not and make my

expenses. P'raps you'll 'ave better luck next time.

[_The packets are in more demand than ever._

_The Agr. L._ May I open this 'ere packet now, Master?

_The Y. M._ If you don't tell nobody what's in it, you may. I've sold as

many as I keer to a' ready.

_The Agr. L._ (_opening the parcel, and finding a toy-watch of the value

of one farthing sterling_). 'Ere, I'll give yer this back--'tain't no

good to me!

_The Y. M._ (_with concern_). I'm reelly very sorry, Sir, I've given you

a wrong 'un by mistake. I _quite_ fancied as----Allow me to apologise,

and, as a proof I 'aven't lost your good opinion, give me a penny for

this one.

[_He selects a packet with great care from the heap._

_The A. L._ You don't take me in no moor--I'd sooner make ye a _present_

o' the penny!

_The Y. M._ (_wounded_). Don't talk like that, Sir--you'll be sorry for

it afterwards! (_In a whisper._) It's all right _this_ time, s'elp me!

_The A. L._ I know as it's a kitch o' some sort ... --hows'ever, jest

this once. (_He purchases another packet, and is rewarded by an

eyeglass, constructed of cardboard and coloured gelatine, which he

flings into the circle in a fury._) 'Tis nobbut a darned swindle--and

I've done wi' ye! Ye're all a pack o' rogues together!

[Exit, amidst laughter from the rest, whose confidence,

however, has been rewarded by very similar results.

_The Y. M._ He don't know what he's lost by givin' way to his narsty

temper--but there, _I_ forgive 'im! (_He begins to replace the remaining

parcels in the chest; one packet escapes his notice, and is instantly

pounced upon by a sharp, but penniless urchin._) Now, Gentlemen, I'm

'ere reppersentin' two Charitable Institootions--the Blind Asylum, and

the Idjut Orfins--but I'm bloomin' sorry to say that, _this_ time, arter

I've deducted my little trifling commission, there'll be a bloomin'

little to 'and over to either o' them deservin' Sercieties; so, thenkin'

you all, and wishin' you bloomin' good luck, and 'appiness and

prosperity through life, I'll say good-bye to yer.

_The Sharp Urchin_ (_after retiring to a safe distance with his booty._)

Theer's _summat_ inside of 'un--I can 'ear un a-rartlin' ... 'ow many

_moor_ wrops! 'Tis money, fur sartin!... (_Removes the last wrapping._)

Nawthen but a silly owld cough-drop! (_He calls after the_ Young Man,

_who is retreating with_ Mr. Fairplay, _and his spotty friend._) I've a

blamed good mind to 'ave th' Lar on ye fur that, I hev--a chatin' foaks

i' sech a way! Why don't ye act honest?

[_Is left masticating the cough-lozenge in speechless

indignation._

* * * * *

"THE SINS OF SOCIETY."

READ yesterday, in the _Fortnightly_, this article by OUIDA. Resolved to

follow her teachings at once. Changed my "frightful, grotesque, and

disgraceful male costume" for the most picturesque garments I had--a

kilt, a blue blazer, and a yellow turban, which I once wore at a fancy

dress ball. Then strolled along Piccadilly to the Club. Rather cool.

Having abandoned "the most vulgar form of salutation, the shake-hands,"

bowed distantly to several men I had known for years--but they looked

another way. Met a policeman. "Hullo!" he said. "Come out o' that! Your

place is in the road." He mistook me for a sandwich-man! Explained that

I was advocating a new style of dress. "Where's yer trousers?" he asked.

"Trousers!" I cried. "Why, OUIDA"--but it was useless to explain to such

a fool--so I left him.

At the Club, immense astonishment. Again explained. Members tapped their

foreheads, and said I had better see the Doctor. Why? Then they all

avoided me. Grand chance to show my ability "to support solitude, and to

endure silence." Deuced dull, but it saved me from "the poisoned

atmosphere of crowded rooms." Began to feel hungry about lunch-time, but

happily remembered that "it is not luxury which is enervating, it is

over-eating." Exhausted, but virtuous. Remembered that I had to dine at

my aunt's. Awkward! Could I go in that dress? She is so prim, and so

prejudiced in favour of trousers. Also she is so rich, and I was her

heir. It needs money to obtain the luxury which the great teacher

advocates. Hurried home, and put on hateful evening dress. Avoided

hansoms, they being too much connected with one "ugly hurry-skurry," and

drove to my aunt's in a damp, dirty four-wheeler. Even the new moralist

herself would have been satisfied with the slowness of that.

At dinner sat between two charming women, evidently as clever as they

were beautiful. Suddenly remembered that we "lose the subtle and fine

flavours of our best dishes, because we consider ourselves obliged to

converse with somebody," and after that did not speak a word. Charming

women stared, and then each turned towards me a beautiful shoulder, and

I saw her face no more. Was just enjoying the flavours when I

recollected that nothing "can make even tolerable, artistically

speaking, the sight of men and women sitting bolt upright close together

taking their soup." We were long past the soup, but it was not too late.

I left the table at once, and reclined elegantly on the floor, with my

plate by my side. "AUGUSTUS," said my Aunt, "are you ill?" I shook my

head; I could not speak, for I was just enjoying an unusually subtle

flavour. Then one of the guests, a member of my Club, whispered to my

aunt, and tapped his forehead. Then she tapped her forehead, and all the

guests tapped their foreheads. I had finished that flavour, so I said,

"My dear Aunt, I am not mad, I----" "Then," said she, "you must be

intoxicated. Leave the house!" And, with the butler and the footmen

escorting me to the street-door, I was obliged to do so.

It is all over. I know that my Aunt will bequeath her fortune to the

Society for the Prevention of Cruelty to Ancient Buildings among the

Jews, but I am consoled by the thought that I, at least, have followed

the noble teachings of the New Morality.

* * * * *

"WHEN FOUND MAKE A NOTE OF."--By Captain SCUTTLE, to

British East African Co.:--"Your Room is better than

your Company."

* * * * *

Punch, or the London Charivari, Volume 103, December 10, 1892 · 第 8 / 17 题