KATE AND YOLA.

Occupying one corner of the mansion of Mount Welcome--that which was

farthest removed from the din and clangour of the kitchen--was a small

chamber, richly and elegantly furnished. The light was admitted into it

on two sides through latticed windows, that, when open, left a free

passage from the floor to a little balcony outside--with which each of

the windows was provided.

One of these windows looked out to the rearward, commanding a view of

the garden, and the wooded steep beyond. The other opened to the left

side of the house, upon the shrubbery grounds that extended in that

direction as far as the foot of the ridge.

Even had there been no one within this little chamber, the style and

character of its furniture would have told, that the person to whom it

appertained was of the gentler sex.

In one corner stood a bed, with carved posts of yellow lance wood; from

which hung what at first sight might have been taken for white muslin

curtains, but which, on closer scrutiny, could be seen to be the

gauze-like netting of a "mosquito bar."

The size of the bed told that it was intended for but one individual.

Its habitual occupant was therefore unmarried.

In the bay of one of the windows stood a dressing-table of _papier

mache_, inlaid with mother-of-pearl; and upon this was placed a mirror

of circular shape on a stand of the finest Spanish mahogany.

In front of the mirror was a variety of objects of different forms--

among which might be noticed the usual implements of the toilet, with

many of those eccentric little articles of _luxe_ and _vertu_, that

bespeak the refined presence of woman.

Other pieces of furniture in the room were three or four Chinese chairs;

a small marqueterie table; a work-box of tortoise-shell veneer, on a

pedestal of like material; and a little cabinet of ebony wood, richly

inlaid with buhl.

There was neither mantel nor fireplace--the climate of eternal summer

precluding all necessity for such "fixtures."

The window-curtains were of a thin transparent muslin, with a pattern of

pink flowering woven into the stuff, and bordered with a fringe of

alternate pink and white tassels.

A breeze, laden with the perfume of a thousand flowers, blowing in

through the open lattice-work of the jalousies, kept these light

hangings almost continually in motion, imparting an aspect of coolness

to the chamber. This was further heightened by the glossy smoothness of

the hard-wood floor, which glistened under foot like a mirror.

No one could have glanced into this little apartment, without being

struck with its costly yet chaste adornment. Rich and elegant, however,

as was the case, it was no more than worthy of the jewel which it was

accustomed to contain. It was the bedroom and boudoir of "Lilly

Quasheba," the heiress _presumptive_ of Mount Welcome.

But few were ever favoured with a glance into that luxurious chamber.

It was a sacred precinct, into which curious eyes were not permitted to

penetrate. Its polished floor was not to be trodden by vulgar feet.

With the exception of her father, no man had ever intruded into that

virgin shrine; and he, only on rare and extraordinary occasions. Even

to the domestics it was not of free access. Only one, besides its

mistress, could enter it unbidden--her brown-skinned handmaid Yola.

------------------------------------------------------------------------

On that same day--shortly after the ringing of the bells had announced

the arrival of the English ship, and while the dusky domestics were

engaged, as described, in their ante-prandial preparations--two

individuals occupied the chamber in question.

One was the young lady to whom the apartment pertained--the other her

maid.

They were in different attitudes: the mistress seated upon one of the

Chinese chairs in front of the window, while the maid was standing

behind, occupied in arranging her mistress's hair.

The girl was just entering upon her task--if we may so designate that

which many might have deemed a pleasure. Already the complicated

machinery of combs and hair-pins lay strewed over the table; and the

long chestnut-coloured tresses hung in luxuriant confusion around those

shoulders of snow, in whose velvet-like epidermis there appeared no

trace of the _taint_.

Involuntarily the maid ceased from her task, and stood gazing upon her

young mistress with a look of instinctive admiration.

"Oh, beautiful!" exclaimed she, in a low, murmured voice; "you

beautiful, missa!"

"Tut, Yola: 'tis only flattery of you to say so! You are as beautiful

as I; only your beauty is of a different order. No doubt, in your

country you would be a great belle."

"Ah, missa, you belle anywhere--black man--white man--all think you

beautiful--all the same!"

"Thank you, Yola! but I shouldn't particularly desire to be the object

of such universal admiration. For my part, I don't know one male biped

in whose eyes I care to appear attractive."

"Perhaps missa no so say, when come young buckra from Inglis' country!"

"Which buckra?--there are two of them expected from the English

country."

"Yola no hear two come. Massa she hear speak of one--only one."

"Oh, you've heard speak of one only! Did you hear his name mentioned?"

"Yes; he grand man--great lord--Sultan of Mongew. He have other name--

Yola hear it; but she no sabbey speak it."

"Ha! ha! ha! I don't wonder at that. It's as much as I `sabbey' myself

to pronounce that second name: which I presume to be _Smythje_. Is that

the name you heard?"

"That it, missa--he berry fine gentl'man, he beauty man. Massa he so

tell Massr' Trusty."

"Ah, Yola! your master is a man, and men are not always the best judges

of one another's looks. Perhaps the Sultan of Mongew, as you call him,

might not be such a pattern of perfection as papa describes him. But no

doubt, we shall soon have an opportunity of judging for ourselves. Did

you hear your master say nothing about another `buckra' that is

expected?"

"No, Missa Kate. One only he speak of--dis same one of Mongew Castle."

A low ejaculation, expressive of disappointment, escaped the lips of the

young Creole, as she settled down into an attitude of silent reflection,

her eyes turned upon the shining floor at her feet.

It is not easy to tell why she put the last interrogatory. Perhaps she

had some suspicion of her father's plans. At all events, she knew there

was some mystery, and was desirous of penetrating it.

The maid was still gazing upon her, when all at once the dark Arab-like

features of the latter assumed a changed expression--the look of

admiration giving place to one of earnest inquiry, as if some strange

thought had occurred to her.

"Allah!" ejaculated she, still keeping her eyes fixed upon the face of

her mistress.

"Well, Yola," said the latter, attracted by the exclamation, and looking

up; "why do you call upon Allah? Has anything occurred to you?"

"Oh! beauty missa! you so like one man."

"I like a man! I resemble a man! Is that what you mean?"

"Yes, missa. Nebber see it before--you berry, berry like!"

"Well, Yola, you are certainly not flattering me now. Who might this

man be? I pray you tell me."

"He man of the mountains--Maroon."

"Oh! worse and worse! I resemble a _Maroon_? Gracious me! Surely you

are jesting, Yola?"

"Oh! missa, he beauty man; roun black eyes that glance like the fire-fly

in the wood--eyes like yours--berry like you eyes, missa."

"Come, silly girl!" said the young lady, speaking in a tone of reproval,

more affected than real; "do you know that it is very naughty of you, to

compare me to a man--much more to a Maroon?"

"Oh! Missa Kate, he beauty man--berry beauty man."

"That I doubt very much; but even were it so, you should not speak of

his resembling _me_."

"Me pardon, missa. I no more so say."

"No, you had better not, good Yola. If you do, I shall ask papa to

_sell_ you."

This was said in a tone of gentle raillery, which told that any

intention of carrying out the threat was far from the speaker's

thoughts.

"By the bye, Yola," continued the young lady, "I could get a good price

for you. How much do you suppose I was offered for you the other day?"

"Missa Kate, I no know. Allah forbid me you ebber leave! If you no

more my missa, I care no more live."

"Thanks, Yola," said the young Creole, evidently touched by the words of

her attendant, the sincerity of which was proved by the tone in which

they were spoken. "Be not afraid of my parting with you. As proof that

I shall not, I refused a very large sum--how much, can you guess?"

"Ah! missa, I worth nothing to no one but you. If I you forced leave, I

be no more happy in this world."

"Well, there is one who thinks you worth two hundred pounds, and has

offered that for you."

"Who, missa?"

"Why--he who sold you to papa--Mr Jessuron."

"Allah help poor Yola! Oh! missa Kate, he bad master; he berry wicked

man. Yola die--Cubina kill her! Yola herself kill rather than she go

back to Jew slave-dealer! Good missa!--beauty missa!--you no sell you

poor slave?"

The girl fell upon her knees at the feet of her young mistress, with her

hands clasped over her head, and for some moments remained in this

attitude.

"Don't fear my selling you," said the young lady, motioning the

suppliant to rise to her feet; "least of all to him--whom I believe to

be what you have styled him, a very wicked man. Have no fear for that.

But tell me, what name was that you pronounced just now? _Cubina_, was

it not?"

"Yes, missa, Cubina."

"And pray who is Cubina?"

The brown maid hesitated before making reply, while the crimson began to

show itself on her chestnut-coloured cheeks.

"Oh, never mind!" said her young mistress, noticing her hesitation. "If

there's any secret, Yola, I shall not insist upon an answer."

"Missa, from you Yola no have secret. Cubina, he mountain man--Maroon."

"What! is he the Maroon I am supposed to resemble?"

"True, missa, he same."

"Oh! I see how it is--I suppose that accounts for you thinking _me_

beautiful? This Cubina, no doubt, is a sweetheart of yours?"

Yola lowered her eyes without making reply. The crimson appeared in

deeper tint through the chestnut.

"You need not answer, good Yola," said the young Creole, with a

significant smile. "I know what your answer _ought_ to be, if you were

to speak your mind. I think I have heard of this Cubina. Have a care,

my girl! These Maroons are a very different sort of men from the

coloured people on the plantations. Like me, he is--ha! ha! ha!" and

the young beauty glanced coyly at the mirror. "Well, Yola, I'm not

angry with you, since it is your sweetheart with whom I am compared.

Love, they say, is a wonderful beautifier; and no doubt Master Cubina

is, in your eyes, a perfect Endymion.

"Come girl!" added she, coquettishly tossing the chestnut tresses over

her shoulders of ivory, "I fear we have been wasting time. If I'm not

ready to receive this grand guest, I'll get into trouble with papa. Go

on, and trick me out in a style becoming the mistress of Mount Welcome."

With a peal of merry laughter at the air of grandeur she had thus

jestingly assumed, the young lady bent down her head, submitting her

magnificent _chevelure_ to the manipulation of her maid.

Volume One, Chapter XIII.

The Maroon · 第 15 / 134 题