A CHARACTER STUDY

O’Donovan Rossa was not the greatest man of the Fenian generation, but

he was its most typical man. He was the man that to the masses of his

countrymen then and since stood most starkly and plainly for the Fenian

idea. More lovable and understandable than the cold and enigmatic

Stephens, better known than the shy and sensitive Kickham, more human

than the scholarly and chivalrous O’Leary, more picturesque than the

able and urbane Luby, older and more prominent than the man who, when

the time comes to write his biography, will be recognised as the

greatest of the Fenians--John Devoy--Rossa held a unique place in the

hearts of Irish men and Irish women. They made songs about him, his very

name passed into a proverb. To avow oneself a friend of O’Donovan Rossa

meant in the days of our fathers to avow oneself a friend of Ireland; it

meant more: it meant to avow oneself a “mere” Irishman, an “Irish

enemy,” an “Irish savage,” if you will, naked and unashamed. Rossa was

not only “extreme,” but he represented the left wing of the

“extremists.” Not only would he have Ireland free, but he would have

Ireland Gaelic.

And here we have the secret of Rossa’s magic, of Rossa’s power: he came

out of the Gaelic tradition. He was of the Gael; he thought in a Gaelic

way; he spoke in Gaelic accents. He was the spiritual and intellectual

descendant of Colm Cille and of Seán an Díomais. With Colm Cille he

might have said, “If I die it shall be from the love I bear the Gael”;

with Shane O’Neill he held it debasing to “twist his mouth with

English.” To him the Gael and the Gaelic ways were splendid and holy,

worthy of all homage and all service; for the English he had a hatred

that was tinctured with contempt. He looked upon them as an inferior

race, morally and intellectually; he despised their civilisation; he

mocked at their institutions and made them look ridiculous.

And this again explains why the English hated him above all the Fenians.

They hated him as they hated Shane O’Neill, and as they hated Parnell;

but more. For the same “crime” against English law as his associates he

was sentenced to a more terrible penalty; and they pursued him into his

prison and tried to break his spirit by mean and petty cruelty. He stood

up to them and fought them: he made their whole penal system odious and

despicable in the eyes of Europe and America. So the English found Rossa

in prison a more terrible foe than Rossa at large; and they were glad at

last when they had to let him go. Without any literary pretensions, his

story of his prison life remains one of the sombre epics of the earthly

inferno.

O’Donovan Rossa was not intellectually broad, but he had great

intellectual intensity. His mind was like a hot flame. It seared and

burned what was base and mean; it bored its way through falsehoods and

conventions; it shot upwards, unerringly, to truth and principle. And

this man had one of the toughest and most stubborn souls that have ever

been. No man, no government, could either break or bend him. Literally

he was incapable of compromise. He could not even parley with

compromisers. Nay, he could not act, even for the furtherance of objects

held in common, with those who did not hold and avow all his objects. It

was characteristic of him that he refused to associate himself with the

“new departure” by which John Devoy threw the support of the Fenians

into the land struggle behind Parnell and Davitt; even though the

Fenians compromised nothing and even though their support were to mean

(and did mean) the winning of the land war. Parnell and Davitt he

distrusted; Home Rulers he always regarded as either foolish or

dishonest. He knew only one way; and suspected all those who thought

there might be two.

And while Rossa was thus unbending, unbending to the point of

impracticability, there was no acerbity in his nature. He was full of a

kindly Gaelic glee. The olden life of Munster, in which the

_seanchaidhe_ told tales in the firelight and songs were made at the

autumn harvesting and at the winter spinning, was very dear to him. He

saw that life crushed out, or nearly crushed out, in squalor and famine

during ’47 and ’48; but it always lived in his heart. In English prisons

and in American cities he remembered the humour and the lore of Carbery.

He jested when he was before his judges; he jested when he was tortured

by his jailors; sometimes he startled the silence of the prison

corridors by laughing aloud and by singing Irish songs in his cell: they

thought he was going mad, but he was only trying to keep himself sane.

I have heard from John Devoy the story of his first meeting with Rossa

in prison. Rossa was being marched into the governor’s office as Devoy

was being marched out. In the gaunt man that passed him Devoy did not

recognise at first the splendid Rossa he had known. Rossa stopped and

said, “John.” “Who are you?” said Devoy: “I don’t know you.” “I’m

Rossa.” Then the warders came between them. Devoy has described another

meeting with Rossa, and this time it was Rossa who did not know Devoy.

One of the last issues of _The Gaelic American_ that the British

Government allowed to enter Ireland contained Devoy’s account of a

recent visit to Rossa in a hospital in Staten Island. It took a little

time to make him realise who it was that stood beside his bed. “And are

you John Devoy?” he said at last. During his long illness he constantly

imagined that he was still in an English prison; and there was

difficulty in preventing him from trying to make his escape through the

window. I have not yet seen any account of his last hours: the cabling

of such things would imperil the Defence of the Realm.

Enough to know that that valiant soldier of Ireland is dead; that that

unconquered spirit is free.

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