MASTER AND DISCIPLES

In the Middle Ages there were everywhere little groups of persons

clustering round some beloved teacher, and thus it was that men learned

not only the humanities but all gracious and useful crafts. There were

no State art schools, no State technical schools: as I have said, men

became artists in the studio of some master-artist, men learned crafts

in the workshop of some master-craftsman. It was always the individual

inspiring, guiding, fostering other individuals; never the State

usurping the place of father or fosterer, dispensing education like a

universal provider of readymades, aiming at turning out all men and

women according to regulation patterns.

In Ireland the older and truer conception was never lost sight of. It

persisted into Christian times when a Kieran or an Enda or a Colmcille

gathered his little group of foster-children (the old word was still

used) around him; they were collectively his family, his household, his

_clann_--many sweet and endearing words were used to mark the intimacy

of that relationship. It seems to me that there has been nothing nobler

in the history of education than this development of the old Irish plan

of fosterage under a Christian rule, when to the pagan ideals of

strength and truth there were added the Christian ideals of love and

humility. And this, remember, was not the education system of an

aristocracy, but the education system of a people. It was more

democratic than any education system in the world to-day. Our very

divisions into primary, secondary, and university crystallize a

snobbishness partly intellectual and partly social. At Clonard Kieran,

the son of a carpenter, sat in the same class as Colmcille, the son of a

king. To Clonard or to Aran or to Clonmacnois went every man, rich or

poor, prince or peasant, who wanted to sit at Finnian’s or at Enda’s or

at Kieran’s feet and to learn of his wisdom.

Always it was the personality of the teacher that drew them there. And

so it was all through Irish history. A great poet or a great scholar had

his foster-children who lived at his house or fared with him through the

country. Even long after Kinsale the Munster poets had their little

groups of pupils; and the hedge schoolmasters of the nineteenth century

were the last repositories of a high tradition.

I dwell on the importance of the personal element in education. I would

have every child not merely a unit in a school attendance, but in some

intimate personal way the pupil of a teacher, or, to use more expressive

words, the disciple of a master. And here I nowise contradict another

position of mine, that the main object in education is to help the child

to be his own true and best self. What the teacher should bring to his

pupil is not a set of readymade opinions, or a stock of cut-and-dry

information, but an inspiration and an example; and his main

qualification should be, not such an overmastering will as shall impose

itself at all hazards upon all weaker wills that come under its

influence, but rather so infectious an enthusiasm as shall kindle new

enthusiasm. The Montessori system, so admirable in many ways, would seem

at first sight to attach insufficient importance to the function of the

teacher in the schoolroom. But this is not really so. True, it would

make the spontaneous efforts of the children the main motive power, as

against the dominating will of the teacher which is the main motive

power in the ordinary schoolroom. But the teacher must be there always

to inspire, to foster. If you would realise how true this is, how

important the personality of the teacher, even in a Montessori school,

try to imagine a Montessori school conducted by the average teacher of

your acquaintance, or try to imagine a Montessori school conducted by

yourself!

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